Abstract

Abstract This article problematizes the question of ontology—and specifically embodiment—in the work of Jacques Rancière, focusing on his writing on dance in Aisthesis. I argue that dance offers an ontology in becoming, understood through the concept of inscription; this ontological position enables a reconciliation between the contingency celebrated in Rancière's writing and the emphasis on space derived from dance. I draw on the work of modern dance pioneer Isadora Duncan to show that the category of dancing woman, rather than Rancière's disembodied, unsexed subject, operates as the redistributor of the sensible within modern dance.

Journal
Philosophy & Rhetoric
Published
2016-11-21
DOI
10.5325/philrhet.49.4.0482
Open Access
Closed
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  3. Fenshen, Rachel. 2005. “Beyond Corporeal Feminism: Thinking Performance at the End of the Twentieth Century.”…
  4. Nibbelink, Liesbeth Groot. 2012. “Radical Intimacy: Ontroerend Goed Meets the Emancipated Spectator.” Contemp…
  5. Norval, Aetta. 2012. “Writing a Name in the Sky: Rancière, Cavell, and the Possibility of Egalitarian Inscrip…
  6. Swyngedouw, Erik. 2011. “Interrogating Post-Democratization: Reclaiming Egalitarian Political Space.” Politic…
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