Cited by in this index (1)

1. Lambrecht et al. (2026)
   Building narrative layers in virtual reality via multimodal user experience
   Computers and Composition

Cites in this index (9)

1. Jiang (2020)
   “I Never Know What to Expect”: Aleatory Identity Play in Fortnite and Its Impli…
   Computers and Composition
2. Allen (2018)
   Composition Is the Ethical Negotiation of Fantastical Selves
   College Composition and Communication
3. Euteneuer (2018)
   Conspicuous Computing: Gamified Bodies, Playful Composition, and the Monsters i…
   Computers and Composition
4. Arduini (2018)
   Cyborg Gamers: Exploring the Effects of Digital Gaming on Multimodal Composition
   Computers and Composition
5. Gallagher (2018)
   Considering the Comments: Theorizing Online Audiences as Emergent Processes
   Computers and Composition

Show all 9 →

1. Alexander (2017)
   KNOWing How to Play: Gamer Knowledges and Knowledge Acquisition
   Computers and Composition
2. Brock et al. (2016)
   Understanding How Algorithms Work Persuasively Through the Procedural Enthymeme
   Computers and Composition
3. Pruchnic et al. (2011)
   The Future of Forgetting: Rhetoric, Memory, Affect
   Rhetoric Society Quarterly
4. Porter (2009)
   Recovering Delivery for Digital Rhetoric
   Computers and Composition

Also cites 3 works outside this index ↓

1. Allen (2014)
   Rhetorical humanism vs. object-oriented ontology: The ethics of Archimedean points and levers
   SubStance  ↗
2. Barad (2003)
   Posthumanist performativity: Toward an understanding of how matter comes to matter
   Signs  ↗
3. Thomas (2006)
   A general inductive approach for analyzing qualitative evaluation data
   American Journal of Evaluation  ↗