Abstract
This historical exploration tracks changes in rules concerning figurative language in nineteenth-century composition-rhetoric textbooks. The century’s lessening of millennium-long restriction of the poetic allowed not only creative writing into academia but composition as well, as composition at its beginning was intertwined with creative writing. In order to advance as a discipline, creative writing needs to investigate its history in addition to developing its theory and practice. Understanding the initial but largely overlooked union of creative writing and composition can help reconfigure English studies.