Abstract

The contemporary university’s reliance on coursepacks, whether they take print or digital form, is illuminated by Bruno Latour’s theories and by consideration of a nineteenth-century copyright case involving noted textbook author William McGuffey. In particular, these contexts remind us that coursepacks are situated within shifting constellations of material things.

Journal
College English
Published
2012-01-01
DOI
10.58680/ce201218410
Open Access
Closed
Topics

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