Abstract

This essay explores how photographic images of atrocity work to undo some of our assumptions about how historical narratives work, and disturb the cultural memory that allows us to write ourselves into history. It suggests a way of reading these photographic images that yields something that might be called “forgetful memory,” aspects of the event at the center of the photo that cannot be integrated into the narrative we build to contain it.

Journal
College English
Published
2004-03-01
DOI
10.58680/ce20042842
Open Access
Closed
Topics

Citation Context

Cited by in this index (0)

No articles in this index cite this work.

Cites in this index (0)

No references match articles in this index.

CrossRef global citation count: 0 View in citation network →