Abstract

This essay examines a Brooklyn College–based research collective that placed African American languages and cultures at the center of the composition curriculum. Recovering such pedagogies challenges the perception of the CCCC’s 1974 “Students’ Right to Their Own Language” resolution as a progressive theory divorced from the everyday practices and politics of the composition classroom.

Journal
College Composition and Communication
Published
2006-02-01
DOI
10.58680/ccc20065049
Open Access
Closed
Topics

Citation Context

Cited by in this index (3)

  1. Pedagogy
  2. Rhetoric Review
  3. Pedagogy

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