From an unsettled, ambivalent middle between discourses of generative AI integration and refusal, we offer a critical-ethical stance for AI-engaged writing assignments. We apply a critical thinking framework to these assignments, assert critical AI literacy as a kind of critical thinking, and discuss how critical thinking and critical AI literacy can facilitate ethical discernment about generative AI use. This unsettled, critical-ethical stance positions scholars in our field to support context-sensitive pedagogical responses to generative AI across first-year writing, Writing Across the Curriculum, writing centers, and beyond.

Writing center consultant training must account for the multiple media and modes students use as they compose on new digital platforms. While most consultants come to writing center work already confident in traditional literacies, to advise on multimodal projects, they also need to understand how elements such as visual design, navigability, and accessibility play into the rhetorical situation. Starting in 2021, our writing center assigned an ePortfolio-focused professional development curriculum to our consultants, culminating with their creation of websites that integrated and showcased their knowledge, skills, and abilities. The authors studied the consultants’ responses over the first two years of implementation, collecting data from surveys, session observations, and interviews, which we analyzed through inductive and deductive coding. Our results indicate that consultants advanced their understanding of multimodality through their participation in the ePortfolio curriculum and applied their learning in consultations not only about ePortfolios, but also about other visually rich media and application materials. Other writing centers may consider incorporating ePortfolios into their tutor development programs.

Social justice movements, especially Black Lives Matter, inspired many writing center administrators to reflect on their commitments to antiracism and engage with antiracist professional development with their staff. However, there is continued need to study the impact antiracist professional development has on writing center consultants’ ability to practice antiracism in sessions. This article presents a predominantly white institution (PWI) writing center’s attempt to do this work, with a particular emphasis on how antiracist professional development complicates portrayals of consultant agency within the writing center. The study analyzes qualitative data collected from consultants’ reflective writing, survey, and interview responses. Results illustrate that, in the context of enacting antiracism in and beyond the writing center, consultants showed messy, partial, and incomplete forms of agency with the professional development curriculum impacting consultants of color and white consultants differently. These findings suggest writing center studies must embrace an understanding of antiracist professional development that is reflective, fragmented, and iterative, and identify more concrete practices of antiracist consulting.

Scientists and writing studies scholars agree that students need to be able to repurpose scientific knowledge across audiences, goals, and genres. This article offers a much-needed, practical example of an assignment that allows students to work towards these goals. Working collaboratively, a faculty member from biology, a Writing Across the Curriculum (WAC) administrator, and an Encyclopedia of Alabama (EOA) editor redesigned a conservation biology course assignment around communication with multiple audiences. The assignment required students to produce a webpage about a rare species in Alabama that fulfills the technical, scientific writing component of the course and then repurpose that webpage into an entry for EOA aimed at a non-expert audience. We elaborate on the context in which the repackaging assignment developed, explain how it fits with student learning outcomes in biology, and share themes we noticed in students' reflections on the practice of repurposing their writing.

To illustrate how genre pedagogy and public writing pedagogy can inform one another, this program profile describes the second-semester composition course at University of North Dakota, ENGL 130: College Composition II: Writing for Public Audiences. In this course, genre works as a rhetorical bridge across an interlinked sequence of research, professional, and public writing assignments focused on a contemporary topic of public interest. The course maintains a public orientation throughout: as a simulated genre system, the course constitutes a protopublic, or a rhetorical space in which students can learn about public debates, rehearse public discourses, and prepare for future performances of public genres with rhetorical awareness in their repertoire.