Susan H. Delagrange

4 articles · 1 book

Loading profile…

Publication Timeline

Co-Author Network

Research Topics

Who Reads Delagrange

Susan H. Delagrange's work travels primarily in Composition & Writing Studies (50% of indexed citations) · 4 total indexed citations from 3 clusters.

By cluster

  • Composition & Writing Studies — 2
  • Rhetoric — 1
  • Digital & Multimodal — 1

Counts include only citations from indexed journals that deposit reference lists with CrossRef. Authors whose readers publish primarily in venues without reference deposits will appear less central than they are. See coverage notes →

  1. What We Really Value: Redefining Scholarly Engagement in Tenure and Promotion Protocols
    Abstract

    This article argues that tenure and promotion decisions should reflect the fundamental ways in which the academy and our positions within it have changed. Calling attention to the role senior scholars can play, the article considers the challenges offered by activity in four areas: digital and new-media scholarship, editorial and curatorial work, administration and leadership, and mentoring.

    doi:10.58680/ccc201324230
  2. Technologies of Wonder
    Abstract

    Winner of the 2011 Computers and Composition Distinguished Book Award Winner of the 2012 Winifred Bryan Horner Outstanding Book Award from the Coalition of Women Scholars in the History of Rhetoric Winner of the 2013 CCCC Outstanding Book Award Technologies of Wonder: Rhetorical Practice in a Digital World considers the theoretical and pedagogical implications of designing academic scholarship in interactive digital media, and proposes renewed emphasis on embodied visual rhetoric and on the canon of arrangement as an active visual practice. This project uses the concept of the Wunderkammer to argue for techné and wonder as guiding principles for a revitalized visual canon of arrangement and as new models of invention and intervention in multimodal scholarly production.

  3. When Revision Is Redesign: Key Questions for Digital Scholarship
    Abstract

    Q: When the interface of an interactive, digital, scholarly article is designed as an integral part of the article's argument, what are the rhetorical, conceptual, and technical challenges of re-designing the project to better enact that argument? Susan Delagrange offers a behind-the-scenes look at the authorial and editorial processes that led to the publication ofWunderkammer, Cornell, and the Visual Canon of Arrangementin issue 13.2.

  4. Wunderkammer , Cornell, and the Visual Canon of Arrangement
    Abstract

    Designing constructive digital media is a process of mapping and remapping our physical and conceptual worlds in order to determine their meaning. When readers become composers, when users become designers, they may construct for themselves both a digitalWunderkammerof evidence and the potential associative connections available through arrangement and manipulation of that evidence. This project discusses these issues and translates them into praxis.

Books in Pinakes (1)