Tanya K. Rodrigue

5 articles
Salem State University

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Who Reads Rodrigue

Tanya K. Rodrigue's work travels primarily in Composition & Writing Studies (75% of indexed citations) · 12 total indexed citations from 2 clusters.

By cluster

  • Composition & Writing Studies — 9
  • Digital & Multimodal — 3

Counts include only citations from indexed journals that deposit reference lists with CrossRef. Authors whose readers publish primarily in venues without reference deposits will appear less central than they are. See coverage notes →

  1. The Digital Reader, The Alphabetic Writer, and The Space Between: A Study in Digital Reading and Source-Based Writing
    doi:10.1016/j.compcom.2017.09.005
  2. Digital Reading
    Abstract

    This article informs educators about the importance and challenges of teaching digital reading practices. In positioning reading as a design-oriented activity and readers as text designers, instructors can teach genre awareness as a way to help students strongly engage with and comprehend digital texts.

    doi:10.1215/15314200-3770133
  3. Navigating the Soundscape, Composing with Audio
    Abstract

    This webtext is comprised of nine sonic compositions as well as explorations and reflections on, and about, sonic rhetoric and the teaching of it. We have three goals: (1) to contribute to the growing body of scholarship on digital and sonic rhetoric via explorations of sonic rhetorical strategies and a presentation of a new digital pedagogical approach; (2) to offer insight into the complexity of understanding and employing sonic rhetorical strategies as first-time audio composers; and (3) to provide a teaching tool and curricula resource on sonic rhetoric for students in secondary and higher education.

  4. A Portrait of a Scholar…In Progress: An Interview with Louise Wetherbee Phelps
    Abstract

    As a teacher, writer, administrator, researcher, theorist and philosopher, Louise Wetherbee Phelps has contributed to the construction and design of the discipline of composition and rhetoric at all stages, from its foundation in the 1970s to the eclectic dwelling in which we reside today. Louise is shaping the future of the discipline as well, mentoring and educating the next generation of scholar-teachers. She is invested in teaching and committed to cultivating stimulating intellectual engagement in composition and rhetoric. Louise’s former students often refer to her as a matriarch of the field, recognizing that her work has been foundational and highly influential. She has worked to bring recognition to rhetoric, composition, and writing studies on a local, national, and international level in such efforts as creating a stand-alone undergraduate and doctoral program at Syracuse University and securing our status as a legitimate discipline. Recently retired after a career spanning more than 30 years at Syracuse University, Louise has yet to slow down. In fact, she might be busier now than ever before. This interview takes you on a tour of the multiple, converging pathways Louise has traveled throughout her career as well as the new pathways she is forging in retirement. She discusses her work as a consultant, professor, and writer as well as the state of writing studies in the U.S. and in international contexts. She also provides insight into what constitutes a scholarly identity and how we might understand more holistically our own academic work and the work of others.

  5. Vision, Rhetoric, and Social Action in the Composition Classroom
    Abstract

    Review of Vision, Rhetoric, and Social Action in the Composition Classroom by Kristie S. Fleckenstein. Southern Illinois University Press, 2010.

    doi:10.59236/rjv10i2pp189-192