Tim Mayers

6 articles
University of Rhode Island

Loading profile…

Publication Timeline

Co-Author Network

Research Topics

Who Reads Mayers

Tim Mayers's work travels primarily in Composition & Writing Studies (60% of indexed citations) · 5 total indexed citations from 2 clusters.

By cluster

  • Composition & Writing Studies — 3
  • Digital & Multimodal — 2

Top citing journals

Counts include only citations from indexed journals that deposit reference lists with CrossRef. Authors whose readers publish primarily in venues without reference deposits will appear less central than they are. See coverage notes →

  1. Comment & Response: Comments on Creative Writing in the Twenty-first Century
    Abstract

    Preview this article: Comment & Response: Comments on Creative Writing in the Twenty-first Century, Page 1 of 1 < Previous page | Next page > /docserver/preview/fulltext/ce/72/2/collegeenglish8989-1.gif

    doi:10.58680/ce20098989
  2. One Simple Word: From Creative Writing to Creative Writing Studies
    Abstract

    Creative writing programs should transform into creative writing studies, a field of scholarly inquiry and research that would have three main strands: pedagogical, historical, and advocacy-oriented. This move would help bridge the gap between literary studies and composition.

    doi:10.58680/ce20096932
  3. Two Comments on Sharon O'Dair's "Class Work: Site of Egalitarian Activism or Site of Embourgeoisement?"
    doi:10.2307/4140736
  4. COMMENT AND RESPONSE: Two Comments on Sharon O’Dair’s “Class Work: Site of Egalitarian Activism or Site on Embourgeoisement?”
    Abstract

    Preview this article: COMMENT AND RESPONSE: Two Comments on Sharon O'Dair's "Class Work: Site of Egalitarian Activism or Site on Embourgeoisement?", Page 1 of 1 < Previous page | Next page > /docserver/preview/fulltext/ce/66/5/collegeenglish2852-1.gif

    doi:10.58680/ce20042852
  5. (Re) Writing Craft
    doi:10.2307/358964
  6. From page to screen (and back): Portfolios, daedalus, and the “transitional classroom”
    doi:10.1016/s8755-4615(96)90005-5