By Natalie Shellenberger. This bibliographic essay explores the use of Derrick Bell’s concept of interest convergence in the fields of composition, rhetoric, and writing studies since his definition of the principle in 1980. After a brief overview of the concept of interest convergence and its implications to the fields of rhetoric and writing/composition studies, the main focus of this essay will turn to how it is currently taken up within the discipline: pedagogical development, writing administration, and academic scholarship and where to go from here.

By Allison Gross and Jessica Lee. In the Fall of 2022, we set out with a handful of our colleagues in the English department to create an anti-racist writing curriculum. Of particular importance to us was crafting this curriculum for our specific context, not just as a two-year college, but also at Portland Community College (PCC) in particular, the largest higher education institution in Oregon, situated in the “whitest big city in America” (De Leon). Even though Portland itself is predominantly white, our students at PCC are far more diverse, with PCC itself situated on the traditional village site of the Multnomah, Kathlamet, and Clackamas bands of the Chinook, Tualatin Kalapuya, Molalla, and many other tribes who made their homes along the Columbia River. Specifically

By Taylor J. Wyatt. Any discussion about multimodal composition inevitably invites the question: “What counts as writing?” This question of what “counts” often reveals an underlying assumption that multimodality lacks adequate academic rigor. “What counts as writing” leads to further considerations, such as identifying pedagogical strategies to help students expand their knowledge in new writing contexts and genres. In their 2016 edited collection, Chris M. Anson and Jessie L. Moore define transfer “as the ability to repurpose or transform prior knowledge for a new context” (370). As they offer their definition of transfer, Anson and Moore note the complexity of the term and write, “for many scholars transfer functions as an umbrella term, encompassing an array of theories about the phenomenon” (370). Kara Poe Alexander, Matthew Davis, Lilian W. Mina, and Ryan P. Shepherd’s edited collection Multimodal Composing and Writing Transfer considers writing transfer and what counts as writing within a multimodal context.

Gitte Frandsen Kiernan, Julia, Alanna Frost, and Suzanne Blum Malley. Translingual Pedagogical Perspectives: Engaging Domestic and International Students in the Composition Classroom. Utah State University Press, 2021. My first encounter with the concept of translingualism was in a graduate seminar where Bruce Horner, Min-Zhan Lu, Jacqueline Jones Royster, and John Trimbur’s Language Difference in Writing: […]

Joseph Forte Abstract This article argues that writing studies should perform something it terms “construct-focused RAD research,” or quantitative RAD research involving psychometric measurements, to study cognitive constructs that pertain to student writing. Construct-focused RAD research, which today is rare in the field, can provide a clearer sense of what writing pedagogy can accomplish. In […]

Paige V. Banaji and Kathryn Comer Abstract The habits of mind (HOM) in the Framework for Success in Postsecondary Writing offer a useful bridge between high school and college writing instruction. As the field evaluates the benefits and drawbacks of the HOM, we would be well served to listen to students’ perspectives. This article presents […]

Kathleen Lyons Abstract This article explores the role writing teachers play as access-makers. Invoking theories of embodiment, relationality, disability, social justice, and making, the article offers a technē of access as rhetorical framework for developing and implementing accessible writing pedagogies. Technē is often associated with processes of making and knowing; meanwhile, access is a rhetorical […]

Megan McIntyre Abstract In response to a growing awareness of the oppressive foundations of educational institutions, literacy educators have turned to antiracist, culturally responsive (Alim and Paris; Paris), and equitable teaching and assessment practices to combat the inequities (colonialism, racism, sexism, homophobia, ableism, etc.) on which our institutions are built. According to scholars including Geneva […]

Rebekah Sims and Sharon Hunter Abstract This program(me) profile describes the development of embedded writing instruction within a Scottish initial teacher education course: the Professional Graduate Diploma in Education (PGDE). This programme is the main entry route into primary and secondary school teaching in Scotland, where all teaching is a university-degreed profession. This profile describes […]

Yuni Kim Ostman, Heather, Howard Tinberg, and Danizete Martínez, eds. Teaching Writing Through the Immigrant Story. Utah State University Press/University Press of Colorado, 2021. Building on a growing body of scholarship that advocates for student-centered approaches in composition pedagogy, Heather Ostman, Howard Tinberg, and Danizete Martínez advance a narrative-based framework in Teaching Writing Through the […]

Jeaneen S. Canfield Abstract There are multi-faceted, invisible layers within a writer that impact the writer’s processes. Since these layers are not necessarily brought to conscious awareness or made visible, however, the writing process contains unintentional influencers. I forward these notions to argue for intentional pedagogical practices that not only consider ideas of space, place, […]

Daniel Libertz Abstract Over the past decade, more attention to data, quantitative, and critical data literacies in writing studies has led to a variety of approaches for getting students to experiment with data in their writing projects. This article explores an approach combining “data feminism” and “quantitative rhetoric” that asks students to consider data literacy […]

Ben Kuebrich Ira Shor taught for over forty years at CUNY Staten Island and the CUNY Graduate Center. Well-known for his experiments with critical pedagogy, Shor has authored several books, including When Students Have Power: Negotiating Authority in a Critical Pedagogy, Critical Teaching and Everyday Life, and A Pedagogy for Liberation: Dialogues on Transforming Education, […]

In this article, I argue for centralizing revision in FYC classrooms, thereby establishing it as the vital component of composition that it is. I show that engagement with revision in FYC courses tends to be minimal, relegated to the end of a project, or completely omitted. These low standards for revision pedagogy can result in students not having the know-how or confidence to revise their work as they advance in their careers. Thus, one aim of mine is to invigorate the conversation surrounding revision pedagogy and, in doing so, invite composition instructors to consider altering their own approaches to guiding student revision. To this end, I offer FYC instructors several pedagogical strategies which are easy to implement and which may help students establish and build effective revision practices they can carry with them throughout their college careers and beyond.

The theme course has not held a distinct place in scholarship, despite being a longstanding practice in the field; meanwhile, it has come under scrutiny in teaching for transfer (TFT) scholarship, which perceives the practice as conflicting with writing-centered approaches. In contrast, scholarship on theme courses suggests that a resilient motive for selecting and implementing a theme is to support writing as subject matter. A survey of current practice confirms this motive. If the theme course is not in conflict with disciplinary values, and instead a proponent of them, then the practice should be studied with more intent as a peer or supporting practice to other writing-centered approaches. This article diffuses tensions between TFT and the theme course to reposition the theme course as a method for teaching writing as subject matter.

This article presents students’ experiences with hybrid grading contracts through a thematic analysis of data. We specifically focused on students’ perceptions of the grading contract’s role in improving their writing skills, issues of fairness, labor, and stress. We argue that the stressful conditions of COVID-19 illuminate the benefits and drawbacks of contract grading, especially regarding fairness and equity, when used at institutions that predominantly serve working-class students. This article can serve as an example of how graduate teaching assistants can use hybrid grading contracts in writing classrooms. We conclude with recommendations for instructors on how to adapt grading contracts to meet the needs of the students and suggest a future research agenda to examine grading contracts and stress levels.

This article argues that in the teaching of writing online, incidents of linguistic discrimination can be (in)directly caused by faculty unfamiliarity with online teaching best practices, lack of critical linguistic awareness, and the prevalent legacy of racist and monolingual ideologies. To address this issue, it is necessary to cultivate empathy as a bridge between instructors and students. This article calls for the interconnectedness of empathy and linguistic justice in online writing courses as tools to create more equitable and inclusive environments for all students. The article uses data from a longitudinal, cross-institutional study to apply an empathetic, linguistically just approach to OWI to examine assumptions around technology instructions and use. The authors stress the importance of understanding student perspectives and experiences and outline strategies that humanize students in online writing courses. Implications for teaching include a need for increased reflexivity and pedagogical clarity.

This article offers composition theorists and practitioners insight into how social media pedagogies can help support the development of distributed expertise in writing classrooms. Reporting on the findings of an IRB-approved qualitative case study, this article showcases how students learning from and alongside one another in a Slack social media learning environment can enact distributed expertise within the classroom. After reviewing the study’s findings and contributions, the article offers some “best practices” for supporting distributed expertise with social media pedagogies in composition courses. It closes by considering social justice implications for social media pedagogies, distributed expertise, and composition pedagogy.

While graduate students’ struggles with isolation, self-doubt, low self-esteem, imposter syndrome, anxiety, depression, and burnout are well-documented (Morrison-Saunders et al.; Stachl and Barranger), few writing programs directly address their emotional wellbeing (Russell-Pinson and Harris). Drawing on our backgrounds as a therapist and a writing and yoga instructor, we adapted Cognitive Behavioral Therapy (CBT), contemplative practice, and embodied pedagogies to develop WriteFest, an intervention program that supports graduate students’ wellbeing while writing. In WriteFest, we developed a supportive community and deepened students’ mindful awareness of the physical and mental experience of writing. Through CBT, we built on this foundation of awareness to help students identify and reframe unhelpful belief systems, recognize strengths, and develop self-efficacy (Beck). Our theoretical frame and curriculum are valuable for readers in multiple contexts, as our materials could become a unit within a course or a workshop series offered by a graduate school, student counseling center, or academic support unit.

This course design integrates the use of contemplative practices, specifically applied improvisational theater, into writing pedagogies to foster mindfulness and critical engagement. It explores the theoretical, neuroscientific, and practical rationale for incorporating contemplative pedagogies in writing classrooms, arguing that applied improv offers a unique framework for examining sociocultural and political contexts in writing instruction. Drawing on research in neuroscience, it demonstrates how applied improv promotes affective well-being, interpersonal skills, and rhetorical listening. By embracing uncertainty and cultivating resilience, students engage in contemplative practices and presence, challenging dominant discourses and power dynamics. The course design emphasizes the potential of applied improv to disrupt conventional teaching paradigms and empower students in their literacy learning. Through reflective analysis and student feedback, it evaluates the effectiveness and limitations of this approach in facilitating mindful engagement with writing and dismantling inequitable structures in education.

Student writers labeled “underprepared” by colleges often have trouble imagining themselves as scholars. Challenges these students routinely encounter include difficulty forming original insights and translating ideas to the page. Although the usage of the term “underprepared” varies across institutional contexts, the designation commonly requires that students enroll in a developmental writing course, making it difficult for these students to feel confident in their work and academic abilities. In this article, I position mindfulness as a strategy instructors can use to nurture students’ emerging scholarly identities. After describing common teaching challenges and the role mindfulness might play in overcoming them, I share a sample course schedule and series of assignments for a first-year writing course that incorporates mindfulness practices, such as slow reading and deep listening. These exercises and assignments can help students develop unique voices and connections to course material, qualities that tend to translate to higher levels of student confidence in both the writing classroom and in the college environment more generally.

The COVID-19 pandemic has generated new pressures for students and exacerbated their pre-pandemic stressors. One example is the impact of increased technology use upon students’ mental health. Interest in contemplative pedagogy has recently grown as instructors seek methods to alleviate the worries that students carry. This piece describes a writing course design that uses written reflection as a contemplative practice. Because the author’s institution requires classes to explicitly align with learning outcomes, the course design is a balance of contemplative practice and the learning outcomes expected by the university.

This essay explores contemplative pedagogies in the writing center, a space the authors believe allows for practices of mindfulness, awareness, and reflection in organic ways, as writing center pedagogy focuses on the importance of the relational, flattening hierarchies, and a focus on the conversation between writer and tutor (or between writers). With a focus on the whole person, the writing center advocates for the type of contemplative pedagogy Mathieu and others have called for: “To see any problem as an opportunity to make ourselves more aware of the way we perpetuate pain and suffering in the world” (Minnix). Grounding this essay in bell hooks’ framework of community, we will explore two important pedagogies to our center: intentional kindness (Boquet) and rhetoric of respect (Rousculp), and ways in which they have fostered contemplative pedagogy in the writing center during difficult and tenuous times in the current political climate.

University students can become overwhelmed and hopeless as they pursue their final capstone writing projects. They are also navigating trying times of overlapping crises such as poverty, environmental decay, and war. To address these challenges, our Capstone Writing Groups (CWG) are designed to develop students’ writerly competence and enhance global citizenship traits of wisdom, courage, and compassion by utilizing contemplative and sōka strategies. Our group sessions focus on “good” writing, time management, and self-care strategies. The findings indicate that our writing groups enhanced participants’ writerly identity, writing skills, and critical reflection. They also fostered sōka global citizenship traits. We advocate for contemplative approaches and sōka global citizenship education to provide a human touch to supporting student writing.

This essay proposes a pedagogical approach to writing instruction in universities facing familiar institutional goals and barriers alongside the heightened emotional complexities of students post-pandemic. Students at these universities often pursue vocational paths, yet since spring 2020, their interpersonal and cultural challenges have deepened, alongside a broader societal awareness. Amidst these changes, students’ desire for meaningful relationships persists. In response, I’ve developed a pedagogical framework called “yogic agency,” which integrates inward experiences with external events. Its principles include writing as an offering, embracing uncertainty, acknowledging the fragility of narratives, and viewing purposeful work as strategic. These principles facilitate critical engagement with inner experiences, bridging the gap between personal feelings and the writing classroom, extending to the broader university context. In essence, yogic agency leverages inward experiences within the writing classroom to influence the world beyond.

This article offers “Self/Society Care,” a pedagogical unit originally developed for a Professional Writing Skills course. The unit aims to have students reconceptualize “self-care” as “self/society care,” a reframing that requires recognizing our interconnectedness with others. It centers on care- and listening-based versions of mindfulness—distinct from neoliberal ones—and thus offers both a holistic and embodied approach to care. Following a personal reflection on prejudice, isolation, and care, I discuss four components of the unit: 1) Mindfulness Media Literacy, 2) Beginner’s Mind and Listening, 3) Beginner’s Mind of Inner-Rhetorics and Emotions, and 4) Brain/Body Literacy.

This article explores the transformative potential of mindfulness and rituals of regard, drawing inspiration from bell hooks’s insights on communities of care. Focusing on the intersection of epistemology, ontology, and pedagogy, I investigate how mindfulness can serve as a liberatory pedagogy, challenging Cartesian legacies and fostering relational selves. Through storytelling and cross-cultural meditations, I illuminate the limitations of traditional pedagogies and the expansive possibilities of mindfulness. By examining concepts like the reconciled self and without-thinking, rooted in Arabic-Islamic and Buddhist traditions, I highlight the power of mindful attention and regard. This piece navigates the tension between critique and affirmation, emphasizing the importance of non-self and regard in mindfulness practices. Ultimately, it underscores the role of mindfulness in shaping both individual and collective narratives, offering pathways to freedom and connection.

In the pursuit of fostering vibrant and inclusive learning environments, this article explores how the practice of community-building can be a contemplative practice. Drawing upon personal experiences and pedagogical insights, Muir navigates the rewards of cultivating authentic connections among students while dismantling hierarchies within the classroom. Through reflective anecdotes and theoretical frameworks, this article underscores the significance of shared values, respecting diversity, and democratic engagement in shaping transformative learning communities. Emphasizing practices such as establishing common ground, engaging in creative expression, and co-constructing syllabi, the article advocates for a holistic approach to education that prioritizes empathy, agency, and reciprocity. By integrating the contemplative practice of community building into the fabric of academic discourse, Muir envisions a future where students and educators alike embrace interconnectedness, compassion, and collective growth.

Recent translingual, CLA, and sociocognitive scholarship call for increased attention to language and show enduring interest in language in composition. This article suggests these calls persist but don’t succeed because of composition’s limiting habitus: the norms and inertia propelled by U.S. linguistic miseducation and the field’s uneven attention to language. To date, composition has emphasized language ideologies or language itself, but not both together. To change habitus, we need consciousness-raising as well as alternative approaches in encounters with language. This article historicizes attention to language in composition in three traditions, then categorizes the main challenges to attention to language in the field, then offers two pedagogical interventions: (1) developing course language acknowledgements, and (2) analyzing diverse linguistic patterns. The article closes with conceptual shifts important for connecting social and linguistic knowledge.

Universities across the globe have begun to invest in transdisciplinary research: a complex form of collaboration that places divergent disciplinary specialists and community members in participatory research aimed at addressing an applied research question. For a collaboration to succeed in this knowledge work, participants must engage in radical boundary crossing among disciplinary and community knowledge cultures wherein language is the substance of these boundaries and crossings. Effective collaboration, communication, and writing are essential to the success of transdisciplinary research, but composition research on collaborative writing has yet to address what collaboration looks like in transdisciplinary settings. This article offers a theoretical synthesis that brings transdisciplinary research theory into conversation with composition theory and pedagogy by providing an overview of the core principles of transdisciplinary research, offering an activity systems interpretation of transdisciplinary research, and outlining a framework for incorporating transdisciplinary collaboration into university composition programs.

This article explores the sources of student dispositions toward rhetorical approaches to first-year writing instruction through a case study of Lora, a particularly motivated writing student. The study traces Lora’s performance and development of her identity through the imparting of personally meaningful objectives like “standing out” and “standing up for the right things” to particular activities across her primary, secondary, and university education. Lora’s attributing of these personal objectives to certain activities but not others is the construction and maintenance of her identity and correlates with her exhibition of generative dispositions. I argue that, in Lora’s case, dispositions are attitudinal and affective expressions of how and to what extent Lora has attributed personal meaning to a social activity in the process of identity formation. I then show how Lora identified my first-year composition (FYC) course with her personally meaningful goal of standing out as a student and, consequently, exhibited generative dispositions and productive learning practices to the challenges of developing a more rhetorical approach to writing. I conclude by suggesting that continued research on writing-related transfer must situate inquiry within the broader process of each individual’s repurposing of meaningful objectives across experience.

This program profile describes the establishment and development of the English Language Learner Writing Center (ELLWC) at Miami University. The Center’s mission is to help multilingual (ML) students whose first language (L1) is other than English build writing skills while improving their academic English proficiency. The ELLWC’s profile details peer consultants’ professional training for supporting ML writers’ academic literacy development. Finally, the profile shares ELLWC assistance for faculty members who are interested in making their pedagogy more accessible and inclusive for linguistically and culturally diverse students.

Research on writing pedagogy education (WPE) emphasizes the importance of engaging graduate student instructors (GSIs) in mindful reflection about their own practices and about composition theory. Little research, however, has explored what we learn from a systematic, empirical investigation of GSIs’ reflective writing. In this article, we describe a writing assignment we created for a graduate composition theory course that required GSIs to connect their own beliefs and experiences with the theory they read. We analyzed 60 essays to learn how new writing teachers understand and use composition theory. Our analysis shows that GSIs rely on three discursive patterns to write about theory (we call these cite-comment , cite-apply , cite-engage ) and adopt three orientations towards theory (using theory to explain prior beliefs and maintain a teacherly identity , to solve classroom problems and shore up a teacherly identity , and to accept uncertainty and become a reflective teacher ). We discuss connections between GSIs’ discursive strategies and their theoretical orientations. We conclude by sharing how we have revised both this assignment and our training program to help GSIs better engage theory as they reflect on their own experiences. Finally, we explore the implications of what we learned for WPE broadly.

The bias against personal experience manifests in writing courses as privileging the citation of scholars, fearing emotional writing, and equating argumentation with democratic ideals. To value the lives and knowledges of marginalized students, the curricular goals, assignments, and activities for writing courses needs to be reconsidered. Culturally sustaining pedagogy explores, extends, and examines the experiences of students. Meaningful, experience-based, narrative writing assignments are suggested: memoir essays, ethnographic research reports, and multigenre interview projects. Analysis activities challenge students to examine a chosen experience through several scholarly lenses. By adding complex analysis to their writing, students gain a challenging new experience that considers past, present, and future influences upon their identity formation. Experience-based writing assignments make room for home language through dialogue and informal genres that include intentional code meshing and translingualing. This inclusion prompts questions about academic language conflicts and opens discussion about how language represents identity, negotiates hierarchies, and permits agency.

Responding to the call for embracing mêtis in the classroom, this piece puts scholarship on embodiment and emergent gameplay in conversation with one another to explore a potential means of cultivating mêtic intelligence in the composition classroom by empirically examining how the open world game The Legend of Zelda: Breath of the Wild ( BOTW ) scaffolds mêtic intelligence and encourages mêtic strategies in its players. Founded in Jay Dolmage’s understanding of mêtis as a means to turn the tables on those with greater bie (brute strength) and Karen Kopelson’s use of mêtis as a means of subtle resistance, this piece takes a mixed methods approach and utilizes interview data to see what design elements of BOTW may be able to be brought into composition course design to help cultivate cunning in our students both inside and beyond the classroom.

Although enlivened by its recent recontextualization as a feminist rhetorical practice, listening in rhetoric scholarship is often equated with silence and its metaphorical and material dimensions rendered indistinct, even as instructors require better tools to interpret students’ classroom behaviors. This article fills a gap in the ability to interpret moment-to-moment listening behaviors by developing the term “gestural listening,” referring to listening’s embodied manifestations. Analyzing instances of gestural listening and applying interpretive frameworks drawn from rhetoric, gesture studies, and pedagogy, this article shows how gestural listening exerts pressure upon communicative situations inside and outside of the classroom, and how expectations for gestural listening must acknowledge how it is inflected by aspects of identity such as race, gender, neurodiversity, and ability. Ultimately, this essay argues that gestural listening should be understood as a palpable rhetorical force that shapes discursive conditions.

Drawing upon nine years of qualitative data, including a collection of writing samples and yearly interviews, this study seeks to articulate a model of long-term writing development that can be adapted for a wide range of research and teaching purposes. The model is adapted from Bronfenbrenner and Morris’s Bioecological model of human development and draws upon key works by writing transfer scholars, longitudinal researchers, and the work in lifespan development. The model identifies the critical interplay of ecologies of writing specifically through the intersection of Person characteristics (e.g., Identities, Dispositions, and Resources) with Key Events over Time, nested in particular writing Contexts. We specifically focus on the way that various Person characteristics (including sociocultural, sociolinguistic, and socioeconomic), drastically shape writing development over Time, particularly as they are mediated by the Salience of the specific Writing Event and a writer’s metacognitive awareness. Through case studies, we trace two writers’ long-term development across nine years, spanning their undergraduate degrees, internship and workplace contexts, and for one writer, experiences in medical school contexts. With a model that can be applied to a variety of research and teaching contexts to better understand learners’ writing development, we argue that Person characteristics—mediated by Salience and Metacognition and working together with Key Events, Contexts, and Time—substantially shape long-term outcomes for writing and learning. Through this robust model, we offer methodological and pedagogical implications.

This article explores ways that the field of rhetoric and writing studies can benefit from intentional engagement with work-integrated learning (WIL) research and pedagogy in the context of transfer research. Specifically, the article discusses: (1) redesigning writing internship pedagogies to align with WIL learning and curriculum theories and practices; (2) revisiting threshold concepts of writing by accounting for knowledge, theories, and practices that are central to epistemological participation in a variety of professional writing careers; (3) reconsidering notions of vocation to emphasize the ways writers’ personal epistemologies and social trajectories interact with the purposes, aims, and values of academic and workplace contexts; and (4) reconceptualizing writing major curricula in relation to the conceptual knowledge, procedural knowledge, and dispositions of expert writers in a range of professional contexts. In short, we argue that intentional engagement with WIL can enrich work on writing transfer and the field of rhetoric and writing studies as a whole. In addition to our theoretical discussion of the value of engaging with WIL frameworks in writing studies, we introduce our multi-institutional, transnational study of how WIL affects diverse populations of undergraduate students’ recursive transfer of writing knowledge and practices as an example of the kind of generative research on writing transfer and WIL that we are encouraging writing transfer researchers to take up.

This study explores the relationship between the dispositions toward research that writing teachers convey through their assignments and those that their students express in their reflective writing. We applied the term problem-exploring to a set of dispositions described by the ACRL Framework and coded each clause of instructor assignment text and student reflective writing from six FYW sections, half of which were working with a librarian to incorporate core concepts from the Framework. We found a strong correlation between the proportion of instructors’ problem-exploring assignment language and students’ expressions of problem-exploring at end of term. The rates of problem-exploring were significantly higher for instructors and students in sections working with the Framework. Our results offer a new lens through which to view research-assignment design, provide evidence of how assignments can foster problem-exploring, and support the value of pedagogical collaboration with librarians.

This article seeks to theorize the pedagogical work disabled instructors navigate to create accessible writing classrooms. Through retroactive analysis, I introduce the concept of Access Negotiation Moments (ANMs) as limited, low-stakes contexts where disabled instructors define the limits of their own access needs. Ultimately, I theorize a framework for planned access negotiation, so instructors can build this necessary labor into the course-planning process. Disabled instructors are already doing this work on a daily basis, but we are only beginning to give it the meta-analytical space it deserves.

Discourse-based interviews allow researchers to gather data about a writer’s understanding of what informs a task. This method was essential for a research team seeking to understand the impact of programmatic learning objectives on student writing development. Three decisions in the approach to this research project sought to center the student participants and make them quasi-researchers: the alignment of a clearly articulated theoretical framework with the methodology, the collection of supporting data from other methods, and modifications to the interview protocol. The study found that a writing program can facilitate the transfer of writing skills by implementing consistent, explicit, and intentional transfer-oriented learning objectives in both FYC and advanced composition courses.

The discourse-based interview (DBI) allows researchers to explore writers’ tacit knowledge. This article describes how we taught and learned to adapt a DBI-based interviewing process through the reflections of both the professor and two graduate students in a graduate-level course, Field Methods in Technical Communication. By participating in a large-scale research project focusing on how online PhD students viewed their education post-graduation, current graduate students learned about planning, conducting, and analyzing interviews. The authors reflect on how they not only learned qualitative methods, but how the experience made them feel like part of a research community (as well as an academic community). Taking a dialogic approach, the professor and both graduate students weave narratives, reflections, and the voices of their participants to share their experiences in uncovering tacit knowledge using a DBI-inspired process.

This approach article describes the structure of the new Composition and Speech Program at Delaware State University, particularly in light of the use of discourse-based interview (DBI) methodology in the development process of the program. The program includes a 4-course sequence—three 2-credit hour composition courses and one 3-credit hour speech course designed to be offered in an 8-week format. The article demonstrates how the program is planned for continuous improvement, and how authors have adapted DBI for their context in at least three different ways—1) one-to-one interviews, 2) instructor surveys, and 3) professional development sessions—to articulate implicit ideas within the institution so as to use them for the programmatic refinement.

Students’ completion of a self-efficacy appraisal inventory focusing on the eight habits of mind outlined in the CWPA’s Framework for Success in Postsecondary Writing can help individual students reflect and improve upon the specific and individualized learning approaches that will assist them as they transition into a postsecondary writing classroom. A recent IRB-approved-as-exempt study directed first-year writing students to rate their confidence in how well they were able to engage in specific writing-related actions. Respondents included 162 students from multiple sections of a first-year writing course taught in two semesters: 75 from 15 different Fall 2019 sections of a first-year writing course and 87 participants from 6 different Spring 2020 sections of the same course. The study found participating students perceived themselves strongest at executing writing-based courses of action related to Responsibility, Openness, and Persistence and weakest at executing courses of action related to Flexibility and Creativity. In light of students’ efficacy self-percepts pertaining to the eight habits of mind, the specific “writing, reading, and critical analysis experiences” in which students should engage include (1) assignments that encourage students to creatively and reiteratively compose, reimagine, and recompose pieces using a variety of modalities and conventions; and (2) assignments that encourage students to engage in data-driven metacognitive reflective writing.

This main argument this article makes is that the field of Rhetoric and Composition must expand our current multimodal framework to account for a sixth mode: the multilingual mode. Understood as the purposeful combination of multiple languages within a single composition, the multilingual mode has two distinct benefits: it allows us to more fully support multilingual students’ rhetorical abilities, and it also supports the work of antiracism in the college writing classroom by challenging the racism embedded in our current five-mode framework. To show potential enactments of the multilingual mode, this article spotlights three student projects along with student reflections on their work.

This article explores the range and frequency of First-Year Writing students’ emotional responses towards a project requiring multimodal composing and distribution of their work to an online public audience prior to and after completing the assignment. I analyzed the results using Driscoll and Powell’s emotion categories (generative, disruptive, and circumstantial) and found that students experienced a variety of emotional responses towards both multimodal composing and sharing online, including anxiety, excitement, and fear. I discuss how these findings challenge some assumptions related to writing instructors’ perceptions of post-Millennial students’ comfort with and interest in multimodal composing and writing for online audiences. The article concludes by offering pedagogical suggestions for instructors interested in critically integrating this type of digital assignment.

Over the past two decades, writing studies scholars have continually stressed the importance of fostering the development of student metacognition in the writing classroom. Not only does the development of a metacognitive awareness of the writing process help students to become stronger writers, it also allows them to more successfully transfer the knowledge they gain in their writing classes to other contexts. Although scholars have suggested a variety of reflective activities and assignments intended to encourage the development of metacognition, none have explicitly explored the potential links between mindfulness practice and metacognitive awareness. Mindfulness based pedagogies are increasingly finding their way into K-12 and college classrooms because of their ability to help students improve their memory, attention, and emotional regulation. This pilot study investigates whether or not mindfulness interventions in a college writing class can also help students develop metacognition. More specifically, this pilot study consisted of a control group and a treatment group of students, both enrolled in a foundational writing course. While both groups were asked to take the Metacognitive Writing Awareness Inventory at the beginning and the end of the course, only the treatment group participated in weekly mindfulness activities. Results from this pilot study support the hypothesis that mindfulness interventions can help to foster the development of writer metacognition in the college writing classroom.