I challenge an "English only" view of Paulo Freire in U.S. scholarship, arguing that an exclusive reading of the 1970 Myra Bergman Ramos English translation masks the dialogic and allusive dimensions of Freire's rhetoric. I trace Paulo Freire's use of situação-limite ("limit-situation") to Álvaro Viera Pinto's appropriation of the term in Consciência e realidade nacional from Karl Jaspers's concept of Grenzsituation in Philosophie, Existenzerhellung. A detailed illustration of the semantics of situação-limite is needed to correct for a "glass half full" terministic screen in Anglophone U.S. scholarship, which overly minimizes the term's profile of collective historical transcendence.

This article applies Kenneth Burke’s concept of piety to an evaluation of nine recovery stories from members of four different 12-step fellowships. In this theoretical context, recovery can be explained as a process of adopting and remaking pious systems. All nine recovery stories follow a similar pattern: (1) identifying difference and similarity in the community; (2) letting go of old pieties; (3) adopting group piety; and (4) inventing and remaking individual systems of piety. This analysis investigates how individual and group pieties interact to strengthen or threaten individual recovery and group cohesion.

Despite calls to give greater attention to bodies and infrastructures, and despite the development of facial recognition software and face replacement apps, not to mention medical face masks during the COVID-19 pandemic and a long history of political faces in the news, rhetoric has not directly nor adequately dealt with the face. I offer a new materialist rhetorical theory of the face, drawing on the concepts of hyle and iwi to argue that the face is a bio-social conglomeration both human and nonhuman. I look specifically to biometric data collection and to artist Zach Blas’s algorithmically designed masks from his project, “Facial Weaponization Suite,” to illuminate how the face is rhetorical and how faces might resist facial recognition suppression. The study urges rhetoricians to think carefully and ecologically about the face.

The Lumosity games and subsequent “memory wars” illustrate the rhetorical power of statistics in public discourse. Defenders of Lumosity build upon discursive traces based in societal fears and arguments based in “science” supported through statistics and experimentation. Detractors of Lumosity argue that their experiments are faulty. A close rhetorical reading reveals that certain commonalities exist across defenders and detractors alike. Looking at the inventional strategies of the statistical analyst as rhetor demonstrates how statistical tools are granted agency to determine research outcomes. Displacement of rhetorical agency has ramifications for understanding popular scientific discourse and making decisions as a society.

This argument demonstrates how rhetorical theory was shaped recursively by the mythology of ancient Sumer and China, and resulted in new discursive formations in subsequent rhetorical theory. These discursive theoretical formations occurred after the advent of widespread literate practice. The myth of Cangjie shaped the teleology of rhetoric of ancient China and the myth of Enmerkar shaped rhetorical theory in Sumer in similar ways. Following the authority of Walker, Schiappa, and Johnstone, which charted a similar phenomenon in ancient Greece, these non-Greco-Roman myths were deployed to form a similar pattern. By following Rita Copeland’s call to “allow the history of rhetoric to be written through mythic time,” it can be shown that the use of myths by ancient cultures to shape their rhetorical theories suggests that this is not merely a Greco-Roman feature of rhetoric in antiquity, but a human one.

This article responds to the global resurgence of nationalist rhetoric, forgoing prior scholarship’s equation of such rhetoric with demagoguery to instead position nationalism as a form of social organization within shifting rhetorical contexts. Using the framework of constitutive rhetoric, the article shows how material changes in our routine discursive infrastructure impact the ability of people to imagine themselves as composing a unified community. Following the digital revolution, nationalism now reflects its technological basis, a transformation that upends traditional forms of identification and leads to what the author dubs “late nationalism,” a reactionary turn that has exacerbated global crises.

This article examines textual artifacts surrounding Google Lens, an image recognition application, to reveal how it forwards reductive representations of the complex sets of relations constituted through locative media and augmented reality. Working across textual and posthumanist traditions, this article introduces a theoretical approach for investigating the rhetoric of technology, termed the postsymbolic. In acknowledging the formative and ontological role discursive rhetoric plays in the spatial operations and user experiences of and through locative media, the postsymbolic asserts the need for an integrated approach in which symbolic artifacts might be examined through the lens of both discursive rhetorical theory and posthumanism.

As corrective to rhetorical theorists who disparage “expression,” the following article analyzes Walter Pater, Oscar Wilde, and Kenneth Burke on “expression” and its communicative counterpart “sympathy.” Pater viewed ideal style as a unity of expression and sympathy. Wilde saw Christ as the singular representative of absolute expression and sympathy. Burke resolved both expression and sympathy into the “compromise” of the symbol. I advocate for a return to expression and sympathy as rhetorical values in the twenty-first century.

Scholarship on the rhetoric of reproduction, childbirth, and motherhood has mostly focused on a U.S. context. Drawing on oral histories that we collected from a small group of Estonian women who gave birth during the Soviet occupation of Estonia, we argue that women’s experiences of childbirth in Soviet maternity hospitals and during the postpartum period can be interpreted as micro-rhetorical interactions through which arguments about the worth or value of a particular identity are communicated implicitly and intangibly. The gendered nature of these micro-rhetorical interactions helps to explain the often observed-upon gap between the official Soviet rhetoric of gender equality and the persistently patriarchal nature of Soviet society. Ultimately, we argue that examining the rhetoric of pregnancy and childbirth in an authoritarian political context also necessitates rethinking the functions of and possibilities for rhetorical agency.

This article examines the rhetorical productivity of ambiguity in the context of a loosely-defined mood disorder formally known as dysthymia, referred to colloquially as mild depression. First, the article offers a rhetorical history of the unusual institutional conditions under which this definitionally ambiguous diagnostic entity was constructed prior to its debut in the DSM-III. Second, the article explores how dysthymia’s definitional ambiguity functions as a rhetorical resource in the context of contemporary online health interactions.

This essay addresses the deep division and antagonism in political culture, focusing on rhetorical approaches to citizenship conducive to an agonistic pluralism where a multiplicity of viewpoints exist under a larger framework of cooperation. Specifically, it draws on a diverse set of ideas within the rhetorical tradition and popular culture to examine and advocate for “radical friendliness” as a positive and potentially transformative mode of interaction. Friendliness—the observable, rhetorical dimension of friendship—is geared toward identification and consubstantiality and as such, provides one path toward a more productive democratic community.

This article examines data from an ethnographic study of an online Mormon women’s discussion board to argue that enclaves can be places for important critical and civic work. These women’s common religious identity and shared experiences of intolerance on a public board led them to adopt discursive conventions that included intimate literacy. These discursive conventions allowed for disruption of ideological feedback loops and development of responsible rhetorical agency. This article argues that an enclave’s capacity for generating openness to difference depends on the strength of the ideologies espoused and on the values and discursive conventions that guide the enclave.

Hugh Blair’s rhetorical theory reflects the tenets of New Science, answering the call for communication as the transfer of knowledge from the composer to the audience. Reading Blair on style through the Enlightenment cognitive model of physiological psychology suggests a mutual cognitive associative model. In this model, style is essential, not ornamental, as it limits dissonance in the audience’s cognitive process through perspicuity.

Rhetorical scholars have long regarded identification as a concept central to Kenneth Burke’s work. However, a close reading of Burke’s work of the 1930s locates the early incarnations of identification in the dialectical relationship between human embodiment and symbolicity. By restoring the complications neglected by a largely symbolic approach to identification through increased attention to the body and the material consequences of symbolicity, a revised understanding of Burkean identification captures more effectively the complex material and symbolic divisions that characterize human social life and prescribes means of negotiating these divisions.

“We wonder where the rhetorical theory is for unsettling this resting place when it turns out to be a place of oppression for others?” —Sutton and Mifsud, A Revolution in Tropes, p. xiii.In a time ...

Tragic twenty-first century events linked to southern identity prompt reflection on regional identification in rhetoric’s critical literature. Doing so reveals the same “imagined marginality” seen in the broader public discourse, of counterpublic rhetoric that circulates an identification of exclusion from dominant identity. Southern regional theory and critical regionalism together reveal that topoi of space, historical consciousness, and insider-outsider hierarchy create relational identity. From the Agrarians’ victimization to the still pernicious redemption of early U.S. public address critics, up to accommodation by late twentieth century and contemporary critics, the record shows the complicity of the field in southern marginality discourses.

In the nineteenth century, religious tract distribution was a popular form of evangelism. Drawing on evidence from the American Tract Society’s periodical, American Tract Magazine, and tract society reports, this essay claims tract distribution as an early site for women’s rhetorical education. While distributing tracts, women received a door-to-door rhetorical education where they acquired and honed skills including canvassing, establishing ethos, and adapting appeals and evidence to different audiences and rhetorical situations. Ultimately, this essay contributes to a broader understanding of what counts as rhetorical education and how and where that education takes place.

Though it has been insufficiently noticed, Kenneth Burke spoke at the first meeting of the Conference on College Composition and Communication in Chicago on March 25, 1950. Archival sources reveal that his remarks—“Rhetoric—Old and New”—drew from his recently completed A Rhetoric of Motives and from another volume, The War of Words, that he intended to publish separately. Burke sought to restore instruction in rhetoric to composition courses, explained his newly developed concept of “identification,” and later saw the published version of his remarks mysteriously missing from the first issue of College Composition and Communication.

Trees have instructed students of writing and rhetoric since long before Aristotle evoked them to illustrate hyle and telos. In recent times, Bruno Latour’s case study of the Amazon forest helped influence rhetoric’s new materialist turn. Trees are also remarkable exemplars of nonhuman communication networks. From the exigence of recent ecological studies of mycorrhizal networks, this article defines sylvan rhetorics through a study of trees in the field of rhetoric and writing studies, examining roots and branches of new materialist and more-than-human rhetorical theory.

In this essay, we extend prior discussions of user interactions with wearable devices, framing these interactions in the context of identification and rhetorical invention. We identify the limitations of the preset identifications made available by the logic of what we term screened wearing, a representationalist framework for understanding wearable devices and the data they produce. In contrast to these logics, we identify the inventional opportunities for wearables enabled by what we term diffractive wearing, an open-ended approach to wearables that situates data within larger systems of activity.

This article analyzes several popular news media narratives that describe the events surrounding Eric Garner’s death in 2014, including the circumstances of his arrest and the acquittal of the police officer who placed him in a banned chokehold. This piece problematizes the constraints that vernacular understandings of race impose upon verbal and embodied rhetorical agency. Ultimately, this work illuminates the ways in which color-blind racist rhetorics mobilize narrative proxies to render these constraints invisible.

In the recently declared “Stylistic (Re)Turn” in rhetoric and composition, several scholars reference pages fifty-eight and fifty-nine of A Rhetoric of Motives as being important to style studies. These pages, given Kenneth Burke’s perplexity, require further discussion. The rhetorical figures antithesis and gradatio are used on these pages as representative anecdotes of the figures’ capacity as forms to induce identification. Antithesis and gradatio illustrate a concept of somatic rhetorical figuration based on a rhetorical aesthetic which is summarized on page fifty-eight. Figures, or formal patterns, overlap and point to the continued relevance of classical rhetoric as a way of discussing style across disciplines.

In the introduction to Kenneth Burke + The Posthuman, Chris Mays, Nathaniel A. Rivers, and Kellie Sharp-Hoskins acknowledge that Kenneth Burke and posthumanism may be an odd coupling. So we wonder:...

In 1964, the Student Nonviolence Coordinating Committee (SNCC), a predominantly Black civil rights organization, recruited hundreds of volunteers, mostly white college students, to work with them in Mississippi for the summer with two goals in mind. First, they aimed to use the volunteers’ social connections in order to garner federal support for their work in Mississippi. Second, they aimed to collaborate across racial lines while maintaining Black leadership. While they worked toward both goals, they only achieved the first, which resulted in short-term gains and long-term damage.

Kenneth Burke confessed that Permanence and Change was a secularization of the writing of Mary Baker Eddy that he learned in his Christian Science childhood. Eddy’s Platonic treatment of substance as “truth” engages with the tension between the symbolic and the nonsymbolic, foreshadowing Burke’s treatment of substance in relation to symbol, nonsymbol, and identification. The ways in which substance and identification interact in the works of Plato, Eddy, and Burke follow a line of discursive development that can illuminate critical review of how different forms of public discourse argue for “truth.”

As music reviewer for The Nation in 1934, Kenneth Burke attended the New York premiere of Paul Hindemith’s Mathis der Maler, a symphony that Burke felt had the dangerous potential to merge Nazi ideology with other dissenting German voices. Through this review and his introduction of the theoretical term “identification” in Attitudes Toward History, Burke joins a growing body of sonic rhetorics scholarship that investigates the semiotics of sound. Burke’s attention to sonic identifications reveals the fragile nature of sound, meaning, and division.

In the sixteenth and seventeenth centuries, the visual precepts of rhetoric’s fourth canon found themselves at odds with the iconoclasm of England’s Protestant elite. Under this negative influence, mnemonic imagery disappeared from rhetorical theory. Interest in the fourth canon declined, replaced with a Ramist conception of memory grounded in abstract (and imageless) order. A general outline of this history has been offered by several scholars—most notably, Frances Yates—but new bibliographic data along with recently digitized archives can verify its accuracy. Print, written culture, or “modernist” ideologies alone cannot explain the historical marginalization of the canon of memory.

This essay examines the rhetoric of an organized group of mentally disabled speakers who share their stories with the public to fight the stigma that adheres to psychiatric diagnoses. Their “deep disclosure” of the sometimes disturbing details of their disability-related experiences can make the speakers and their audience members vulnerable in distinct ways. Vulnerability in these rhetorical situations need not only be viewed as threatening, however. Rather, the essay argues, it has the potential to be highly productive when it encourages the speaker and audience member’s openness to each other’s influence.

Building on current theories of rhetorical agency, this essay analyzes two metaphors for aging found in public health information materials targeted to the elderly—aging is ageless and aging is pathology—concerning how these metaphors frame agency for older adults. The metaphors attribute limited agency to older adults by emphasizing short-term, biomedical solutions and expert knowledge and by not representing agency as situational, dynamic, and co-constructed. Exploring the limits of these metaphors both further exposes how public health discourse shapes the cultural perception of aging and offers an expanded understanding of older adults as dynamic rhetorical agents.

Satire is a popular form of comedic social critique frequently theorized in terms of Kenneth Burke’s comic frame. While its humor and unexpected combination of incongruous elements can reduce tension that surrounds controversial issues to make new perspectives more accessible, audience response to satire can vary tremendously—including the very negative as well as the very positive. Teaching satire should include exposure to rhetorical theory and audience reception analysis to better prepare students as consumers and creators of satires. With a complex, layered pedagogy, satire can be an important component of the twenty-first-century rhetor’s toolkit.

Rhetoric and poetics have a long historical relationship; however, there is a dearth of literature in contemporary rhetorical studies that analyzes poems as forms of democratic dissent. This article begins with an assessment of John F. Kennedy’s eulogy of Robert Frost, followed with an analysis of Amiri Baraka’s “Black Art,” a poem that both supports and challenges Kennedy’s defense of poetry. Ultimately, this paper makes an argument for why critics might pay closer attention to poetry as both a medium for expressing dissenting messages and as an example of how language play itself can function as valuable democratic dissent.

Edward Schiappa published a series of articles and a book in 1990 and 1991 that, collectively, challenged the dominant narrative concerning the Older Sophists and early Greek Rhetorical Theory as well as calling into question certain revisionist historical accounts. In this essay the author provides a narrative about those projects and the responses they elicited in the hope that it provides insights about the production of those publications, as well as an opportunity to revisit certain theoretical and methodological concerns that continue to be relevant to historians of rhetoric and philosophy.

This article addresses how nondisabled people identify with and become disability advocates and how this identification can also fail to occur. The advocacy work of a group of fraternity brothers in the late 1960s highlights both the local successes that personal connections to disability offer and the shortcomings of large-scale advocacy efforts that lack meaningful engagement with disabled groups. Situated histories of advocacy offer models for how we can build and sustain solidarity across difference, craft more inclusive understandings of accessibility and disability, and engage more thoughtfully in our advocacy work.

AbstractThis essay examines kairos and rhetorical situation theory in relation to scientific inquiry, particularly the quantitative and interpretive components of Samuel G. Morton’s Crania Americana. Morton’s text is a flashpoint of debate on the ability of the sciences to detach themselves from their social contexts. This essay seeks to elucidate the significant political and social influences on scientific practice by examining the impact of kairos on Morton’s data analysis, and thereby to demonstrate kairos as a model for analyzing the interplay of the subjective and objective elements in processes of scientific inquiry. Notes1 I thank RR reviewers Daniel Schowalter and James Zappen for their insightful and useful guidance. I am also grateful for the tremendous helpfulness of Theresa Enos and her staff.2 See http://plum.museum.upenn.edu/˜orsa/Welcome.html.3 See studies by Lyne and Howe and by Barahona and Cachon on the rhetorical dynamics of Gould’s theory of punctuated equilibria.Additional informationNotes on contributorsDaniel ColeDaniel Cole is an assistant Professor in the Department of Writing Studies and Composition at Hofstra University. His research explores Native American rhetoric and resistance writing, especially during the era of Indian Removal. He also researches theory and practice in writing instruction.

AbstractAtom Egoyan's film Ararat advances a rhetoric of mediated mourning that counters Turkish denial of the Armenian genocide. His characters' mourning is mediated in two senses: First, it expresses itself through the production or analy‐sis of visual texts; second, those texts interpose themselves between grieving subjects and the community with whom they identify. while Ararat attempts to visualize the unquenchable urge toward consubstantiality with an ancestral collective, the movie deliberately resists absorption by discourses that render Armenian post-exiles answerable to skeptics and to privileged audiences who appropriate narratives of atrocity for personal catharsis. Notes1. 1I dedicate this essay to my father, Phillip Dwayne Carter (1952–2014). I would also like to thank RR reviewers David Blakesley and Nathaniel Rivers for their trenchant commentary, and Theresa Jarnagin Enos for her guidance and support.2. 2See Siraganian (134) and Parker (1047). What Parker sees as Egoyan's insistence on "intergenerational embrace" also enters into Saroyan's film, which dramatizes young people struggling to support suffering parents as well as parents reaching helplessly toward lost children.3. 3Davis features the quoted passage from Burke's Language as Symbolic Action in her own Inessential Solidarity (33).4. 4See Romney (171) and Torchin (9) for discussions of Spielberg's translation of Holocaust testimony into epic spectacle.5. 5Theriault describes the circumstances of Gorky's emigration in Rethinking Arshile Gorky (15). She also observes that Gorky's ensuing work tended toward abstract experimentalism, as he experienced what Georgiana Banita describes as "an ambivalent relationship to figurative painting" (93). His simultaneous practice and suspicion of figurative representation make him an especially apt ally for Egoyan, who expresses a similar attitude toward mimetic film.6. 6See Inessential Solidarity 21. Although Davis elegantly describes Burke's grounding of identity in multiple, sometimes clashing affinities, she challenges his idea of a biological individual that precedes discourse and that engages in persuasion so as to overcome its originary division from other subjects (23–25). She posits intersubjective union as a constitutive condition rather than a frustrated aspiration.7. 7The Blanchot quotation appears in The Historiographic Perversion (10). In an intriguing turn in the same work, Nichanian also refuses to describe events in Armenia as genocide. He does so, however, from a position deeply opposed to the one adopted by Ali. Nichanian details how historians have demanded copious archival testimony to support the claim of genocide, yet argues that such testimony could never encompass the horror of what took place in Van during and after 1915. Insofar as the idea of genocide makes an intellectual commodity of unrepresentable violence, he finds it inadequate to a Catastrophe that has not ended but continues in the form of concerted denial by the government whose predecessors brought it about.Additional informationNotes on contributorsChristopher CarterChristopher Carter is Associate Professor of English at the University of Cincinnati, where he serves as Composition Director. He is author of Rhetoric and Resistance in the Corporate Academy (Hampton Press, 2008) and previous editor of Workplace: A Journal for Academic Labor. His essays have appeared in Works and Days, JAC, and College English, and he has written chapters for Tenured Bosses and Disposable Teachers as well as Narrative Acts: Rhetoric, Race and Identity, Knowledge. His second book, Rhetorical Exposures: Confrontation and Contradiction in U. S. Social Documentary Photography, will be published by the University of Alabama Press in 2015.

In sixteenth-century male writers’ descriptions of the English grammar school program, mothers were imagined as impediments to boys’ learning. Yet these same writers paradoxically turned to a “mother” figure, prosopopoeia, as the rhetorical device through which they imagined and brought into being a humanist-inspired education. By embedding maternal narratives, bodies, and language in their explanations of grammar school and its “mat(t)er,” the writers of rhetorical manuals, grammar school textbooks, and pedagogical handbooks position the mother at the center of early modern thought, which has implications and consequences for actual mothers and their participation in early modern rhetorical education.

Rhetorical approaches to identification have tended to favor it over its counterpart, division. However, compensatory divisions can be rhetorically productive for protest movements that challenge the state. An analysis of the use of these divisions in the Occupy Wall Street movement—particularly the use of the human microphone and computer networking—shows that these technologies aid in enacting divisions between protestors and the dominant social structures that they challenge, thus creating the potential for rhetorically productive sociality.

A reconstruction of the required two-year course in composition and rhetoric for all incoming students at Bryn Mawr College at the beginning of the twentieth century, based on archival sources such as college catalogs and related documents, administrative correspondence, and student papers—specifically those by Margery Scattergood, who entered Bryn Mawr in 1913—shows an adherence to the belletristic tradition. The course provided practice in criticism in the Arnoldian sense of the word. The focus on the role of the writer as critic provided Bryn Mawr students with opportunities to engage with issues of public interest.

The epideictic genre of rhetoric has traditionally included public, ceremonial types of rhetoric, such as eulogies and public speeches, that affirm communities. Public memorials and even lyric poetry, however, also epideictically constitute personal and communal identities. When read through the theoretical lenses of Kenneth Burke and Emmanuel Levinas, Gerard Manley Hopkins's poem “Spring and Fall: To a Young Child” seems to evoke a public, communal attitude in readers. This epideictic effect challenges the conventional dichotomy between public and private audiences, inviting us to think more broadly about epideictic rhetoric and its audiences.

Abstract Disability disclosures in academic scholarship raise questions about possibilities of rhetorical agency. This article engages performances of disability disclosure and recent theories of rhetorical agency to show such disclosures as the culmination of recurring processes in which past experiences are brought to bear on a present moment as people recognize opportune moments for action. Notes 1 Thanks to Scot Barnett, Brenda Brueggemann, Cynthia Lewiecki-Wilson, Margaret Price, and Amy Vidali for helping me develop this project. Especial thanks to Theresa Enos for her editorial guidance and to RR reviewers Jay Dolmage and Debra Hawhee for their thoughtful and valuable reviewers' reports. 2 I mean this in two ways: both literally in a different place—at different institutions and locations in different parts of the country—but also in terms of my place in scholarly experience, ranging from graduate school to being in my fifth year as an assistant professor. 3 Importantly, Price has recently revised her discussion of "kairotic space" to include what she calls "tele/presence" in order to acknowledge exchanges that occur even when participants are not physically present with one another (Yergeau et al., "Multimodality"). 4 This essay also appears in a slightly revised form as chapter 5 in Mad at School.

Composition studies has accepted a reductive view of dogma as an acritical commitment to received knowledge that precludes inquiry. As a result, composition gives short shrift to the role that basic beliefs play in any act of inquiry. But certain forms of humble dogma can and do serve as essential starting places for asking questions—even for skepticism and doubt. The writings of St. Augustine and Lesslie Newbigin exemplify such approaches to dogma and offer rhetorical educators a new terministic screen through which to value the role that beliefs play in inquiry.

Although it has been ten years since Sharon Crowley called for Richard M. Weaver's exclusion from the canon of rhetorical history, Weaver's rhetorical positions have never been stronger, utilized in movements such as the Tea Party and current conservative rhetoric. While Crowley (2001) Crowley, Sharon. 2001. When Ideology Motivates Theory: The Case of the Man From Weaverville. Rhetoric Review, 20: 66–93. [Taylor & Francis Online] , [Google Scholar] argued that Weaver's Platonism came from his reaction to Roosevelt's politics, this archival study suggests that Weaver was much more pragmatic than his political pronouncements have led scholars, such as Crowley, to believe. Before Weaver wrote polemical works such as “To Write the Truth,” he operated within the constraints of the philosophically rigid institutional culture of neo-Aristotelianism, and the archival record demonstrates his attenuation to this rhetorical situation. The implications for these findings diminish the effectiveness of his appropriation by political movements that are based in foundationalistic rhetoric. These implications also demonstrate how rhetorical scholarship has utilized the polemical nature of Weaver's writings in the advancement of the professionalization of the discipline.

Abstract Mitt Romney's Mormon faith has been a topic of suspicion and debate among Christian conservatives. Romney addressed the issue in a 2007 address titled "Faith in America." This article argues that Romney's use of paralipsis helps to explain the divergent popular and academic responses to the speech. Paralipsis may be used as more than a mere stylistic device; it may also be employed as a comprehensive rhetorical strategy in an increasingly polarized political culture. Notes 1I express gratitude for the supportive and diligent RR reviewers, Andrew King and David Timmerman, whose advice enriched the essay substantially. I also thank Theresa Enos, editor of Rhetoric Review, for her efficient management of the review process. 2Transcendence is a tactic identified by Ware and Linkugel as one of four common strategies of apologia. For reference, see "Apologia" in Jasinski's Sourcebook on Rhetoric: Key Concepts in Contemporary Rhetorical Theory (21). 3Article IV. "No religious test shall ever be required as a Qualification to any Office or public Trust under the United States." 4For a full study of such methods, see Mark Wilson's Complete Course in Magic (Chapters 1 and 2). 5See "Oath" in the Oxford English Dictionary and the Columbia Electronic Encyclopedia. Also see Margaret Sonmez's 2001 article, "Oaths, Exclamations and Selected Discourse Markers in Three Genres." 6For study on this subject, see Alexander's Mormonism in Transition, Gordon's The Mormon Question, and Aarington and Bitton's The Mormon Experience. Harold Bloom's chapters on Mormonism in The American Religion are also insightful. 7The paragraph numbers correspond to the text of the speech as published on Americanrhetoric.com. This version of the manuscript can be found at Americanrhetoric.com under "Mitt Romney." 8A text of the Oath of Allegiance can be found easily on the web (see, for example, Somerville). The similarities to which I refer here include the explicit swearing off of political allegiance from the Pope or any "authorities of the Church of the See of Rome" and the offering of it to "his Majesty" the king of England. Just like Romney, Catholics are a priori asked to shed the influence of their church and to offer explicit devotion to the nation. Also like Romney, they are asked to do this because their political leaders fear that the influence of a particular church will somehow weaken the nation and strengthen that church.

In the same vein as my Burkean Parlor essay (2011), another ready classical discourse form useful for learning rhetoric and for non-academic speaking and writing opportunities is the encomium. This...

Abstract Humor that addresses race can easily backfire. This article engages in an analysis of The Boondocks, an adult cartoon, to investigate how humor about race and racism can function not only to generate laughter through satiric rejection of long-held racist stereotypes in the American context but also to encourage new perspectives. The analysis makes use of rhetorical concepts drawn from theorist Kenneth Burke to analyze the rhetorical and comedic functioning of the dialogue, the use of music, and the visual features of the show. Notes 1We thank two extremely helpful RR reviewers, Richard Marback and Adela Licona. The quotation in the title comes from Glenda R. Carpio. Laughing Fit to Kill: Black Humor in the Fictions of Slavery. New York: Oxford UP, 15. 2As an example, CitationVidmar and Rokeach (1974) examined audience interpretations of the humor in All in the Family. They found that while some viewers laughed at the overt racism in the comments of Archie Bunker, others laughed at his hippie son-in-law Michael, who portrayed a racially enlightened person. 3McGruder has also published his comic strips in a series of books including The Boondocks: Because I Know you Don't Read the Newspapers, Kansas City: Andrews McMeel (2000); A Right to Be Hostile: The Boondocks Treasury, New York: Three Rivers P (2003); Public Enemy #2: An All-New Boondocks Collection, New York: Three Rivers P (2005); and All the Rage: The Boondocks Past and Present, New York: Three Rivers P (2007). 4Readers interested in the media portrayal of Huey Newton and the Black Panthers will find the following works helpful: Pearson, Huey: Spirit of the Panther; Hilliard, Zimmerman, and Zimmerman, The Shadow of the Panther: Huey Newton and the Price of Black Power in America; and Jeffries, Huey P. Newton: The Radical Theorist. The Party is seen to have continued the militant and nationalistic efforts of Malcolm X. Huey Newton, who earned a PhD in Social History from the University of California at Santa Cruz, also continued the intellectual legacy of Malcolm X. He was convicted of manslaughter in 1967, but this was overturned two years later. He and the Black Panther Party later adopted a nonviolent creed and focused on providing food, housing, and basic social services to black Americans in need. He later faced another charge for murder, but this did not result in a conviction. In 1989, after a conviction and short jail sentence for the misuse of public funds, he was murdered in Oakland, apparently participating in a drug deal that went bad. 5All quotations from episodes of The Boondocks, season one and season two. 6Anime is a uniquely Japanese visual art form that began in the early twentieth century. In the United States, the form became popular in the 1960s when a Japanese comic book, Aru Machikado, was made into a television show, Astro Boy. Other anime television shows followed in the midsixties including Gigantor, Speed Racer, and Kimba the White Lion. The art form often includes children as main characters and heroes. The form also presents human emotion in a very visual manner and highlights the role of emotion in human interaction: "In anime the feelings of the characters play an important role in shaping their actions, much more so than in most American products, live or animated" (Poitras 55).

Beginning in the sixteenth century, the Society of Jesus, or Jesuits, founded the first global rhetorical curriculum. Jesuit educators founded schools in Europe, Asia, Africa, and South America—all ordered on their 1599 Ratio Studiorum. Yet this organizational and educational achievement faced several challenges. The Ratio reveals an attempt to reconcile the medieval education that shaped the early Jesuits and the classical humanism that excited later generations. The Jesuits articulated a reconciliation of humanistic and Christian virtue for the vita activa. These accomplishments mark Jesuit rhetoric as a distinct tradition worthy of deeper study by contemporary rhetoricians.