This article examines how students use and perceive digital writing tools, including chat platforms and generative AI, within academic writing environments. It describes a qualitative study of 15 undergraduate students in guided focus group discussions. In a grounded theory analysis of focus group transcripts, the researchers explored undergraduates’ sense of copresence—their perception of support through both human interaction with both peers and instructors and AI technologies during their writing processes. Findings reveal that students’ trust in both peer feedback and AI assistance plays a crucial role in their writing, shaping their decisions about which tools to use and how they integrate human and AI feedback in the development and revisions of their writing. The study sheds light on students’ nuanced understanding of the affordances and limitations of multimodal chat platforms and generative AI technologies. We conclude by highlighting the need for pedagogical practices that support students’ choice of tools when collaborating in digital spaces. We suggest future research directions that will enable us to better understand how copresence and trust influence students’ writing in these contexts.

This article makes a case for the importance of integrating public writing pedagogy in and beyond second language (L2) writing classrooms. Public writing is defined as a situated, distributed act of engaging public audiences through writing, with various semiotic resources and modalities, to make meaning, connect, and bring about social change. L2 writers practice public writing deliberately or unwittingly, for various personal or political purposes, and within various discursive contexts. However, such practices are underresearched, undertheorized, and underdiscussed in L2 writing classrooms, which could be partially ascribed to the disciplinary disposition of the field L2 writing and to the ethical concerns regarding cultural assimilation. The article begins by contextualizing the definitions of public writing in relation to L2 writing. It then explains why it is important to discuss public writing in an L2 writing classroom and consider public writing a legitimate L2 writing issue while acknowledging the pedagogical resistance. In particular, the article highlights the decolonial potential of practicing public writing in an L2. In the final section, the article offers pedagogical guidelines and a graphic framework concerning the “where” and “how” of teaching public writing in an L2.

This article offers insights into elementary-aged students’ perspectives as they embark on composing collaborative multimodal narratives. Contributions from research literature on the writing process, conference practices, and multimodality situate the study. Analysis of students’ responses on a retrospective interview protocol that focused on students’ recollections of the experience, illuminated three findings that may be used to generate questions for effective writing conferences for multimodal compositions. Questions can be asked to support students as they navigate technology, gain insights into modal selection, and determine their collaborative approach to the composing process. Moreover, learning more about students’ decisions as they compose multimodal texts leads to a richer understanding of the affordances of multiple modes in writing and recommendations for creative effective writing conferences.

This article offers insights into elementary-aged students’ perspectives as they embark on composing collaborative multimodal narratives. Contributions from research literature on the writing process, conference practices, and multimodality situate the study. Analysis of students’ responses on a retrospective interview protocol that focused on students’ recollections of the experience, illuminated three findings that may be used to generate questions for effective writing conferences for multimodal compositions. Questions can be asked to support students as they navigate technology, gain insights into modal selection, and determine their collaborative approach to the composing process. Moreover, learning more about students’ decisions as they compose multimodal texts leads to a richer understanding of the affordances of multiple modes in writing and recommendations for creative effective writing conferences.

This reflective article discusses lessons learned when Reading Landscapes & Writing Nature, an annual collaboration between a National Writing Project site and Weir Farm National Historical Park, migrated online in 2020 as a result of the Covid-19 pandemic. The organizations have used critical pedagogies of place (Gruenewald, 2003) since 2017 to guide teacher writing workshops, and reimagined the professional development in digital spaces with multimodal literacies (Kinloch, 2009; Kress, 2003). This including 360 photospheres and Padlet as tools to expand educators’ understandings of literacy, wellness, and place.

Recent decades have seen a shift regarding ideas of and approaches to literacy. One example is that the individual-psychological perspective focusing primarily on specific writing skills that used to be predominant has been extended and complemented by functional, social semiotic, and sociocultural perspectives where the interaction between the individual's use of language resources and the social, cultural, and historical contexts is in focus (e.g., Furthermore, issues of writing instruction and research have, in recent years, received far more attention than before, which can be noted by the publication of handbooks of writing research (MacArthur et al., 2016), writing development (Beard et al., 2009), writing instruction (Graham et al., 2019), and reviews of writing research

Scandinavian writing research forms a relatively new field, with an increased number of studies conducted in the last two decades. In this qualitative synthesis review of 87 peer reviewed journal articles from Denmark, Norway, and Sweden published between 2010 and 2020, the aim was to outline the landscape of current educational writing research from the region. The sample included research articles published in both Scandinavian and international journals. Our analysis focused on the articles’ research approaches and main themes regarding the object of investigation. The main themes identified were Writing Instruction, Writing Assessment, and Students’ Text. We found a predominance of studies conducted in the context of language arts/first language (L1) education, concerning either disciplinary or general aspects of writing. We also found a predominance of approaches based on either sociocultural or social semiotic theory. Furthermore, a majority of the reviewed studies were explorative and small-scale, and, for the Writing Assessment studies in particular, directed at the secondary stages of school. The results suggest a call for future studies focusing on writing interventions and studies deploying a wide range of methodological approaches, as well as studies based on inter-Scandinavian collaborations across Denmark, Norway, and Sweden.

Although infographics have been used for educational purposes, their specific use for teaching process-based writing in undergraduate writing courses is not documented in the literature. When integrating infographics into a process-based writing instructional approach, they may offer students multiple means of representation, engagement, and expression – universal design for learning principles. We examined one undergraduate writing course that integrated infographics into a process-based writing approach to understand student experiences and uses of this multimodal communication form. Results show that infographics have unique benefits and challenges to supporting student writing. Results also reveal that students used their infographics for revising, transferring, and rethinking the content of their subsequent, text-only research papers. This work has implications for college composition pedagogy.

The purpose of this study was to explore writing in sixth-grade textbooks in Japan and the affordances of contemporary everyday texts to be used alongside textbooks as mentor texts for writing. Mentor texts are often used in writing instruction; however, their affordances have not been well-researched. Considering that Japanese teachers modify textbook lessons with other materials, we sought out everyday adult and children’s texts found in newsstands, bookstores, convenience stores, internet sources, and libraries that shared some features with textbook genres of writing. Textbook lessons and everyday texts were analyzed using concepts from social semiotics to discover their organization, producer, user, design, layout and multimodal elements. The affordances of textbook lessons and everyday texts functioning as material resources are developed in this paper through three focal genres, poetry, informative, and persuasive writing.

This paper highlights the importance, when researching writing across the lifespan, of addressing a range of aspects of social context which change over time, particularly focusing on tools, values, relationships and identities. It illustrates this argument by drawing on a range of empirical studies exploring different aspects of writing in university settings, working with adults at a range of levels from Masters through doctoral study to academics' working lives, and reflects on the implications of this research for lifespan writing studies more generally. The projects drawn on include a study of multimodal feedback on postgraduate student writing and students' responses to this; a detailed study of academics' writing practices in the context of structural changes in Higher Education; and an interview study with PhD students participating in writing retreats, reflecting on their writing experiences. Drawing on findings from this work, we argue that shifts in material, social and institutional dimensions of context have a significant impact on what individuals write and on the writing practices that they develop. We particularly highlight the role of changing tools for writing and values around writing, and the importance of transformations in identity and relationships. We argue that the tradition of literacy studies research, drawn on by all the projects described in this paper, provides the theoretical and methodological resources to approach such aspects of academic writing development across the lifespan, by adopting a holistic perspective on writing which locates writing as situated practice and thereby provides insight into these social and contextual influences.

The author reports findings from two iterations of a formative experiment focusing on improving students' conventional and digital, multimodal arguments. The first iteration of this experiment occurred in a rural school district in the United Sates with an eleventh-grade English/language arts teacher, and the second iteration was implemented in the same school district, but in a different high school with both a ninth- and tenth-grade English/language arts teacher. The findings focus upon obstacles the teachers encountered while implementing an intervention that entailed elements of argument; digital, multimodal tools; and the writing process. These obstacles led the author to make six recommendations for the future professional development of rural teachers integrating digital, multimodal tools into conventional writing curriculum.

The ‘Learner-Driven Feedback’ (LDF) procedure is innovative in its combination of approaches to feedback provision in second/foreign language writing instruction which a) respond to learners’ individual queries and b) employ digital modes of delivery ([anonymised ] 2016). In LDF, formative feedback is given by the teacher, but the learners indicate on what aspects of their writing and in what mode they would like to receive feedback. In this study, LDF was used with 36 postgraduate students of an English for Academic Purposes (EAP) class at a university in Germany. The presented analysis of survey data highlights high levels of receptivity to LDF and reveals students’ perceptions of the affordances of different digital delivery modes for improving their writing. While feedback in the form of margin comment bubbles was perceived to be helpful to foster improvement in general language accuracy, students preferred emailed or audio-recorded feedback for the improvement of their writing related academic skills. The potential applicability of LDF for EAP and other writing instruction contexts is discussed based on these findings.

Given the multimodal nature of new modes of electronic feedback, such as screencasting, there is a need for the application of robust, theoretically grounded frameworks to capture linguistic and functional differences in feedback across modes. The present study argues that the appraisal framework, an outgrowth of systemic functional linguistics (SFL) that focuses on evaluative language and interpersonal meaning, can provide understanding of and discernment between technology-mediated modes of feedback. The study demonstrates this potential through an appraisal analysis of a small corpus of 16 screencast video and 16 text (MS Word comment) feedback files given to eight students over four assignments in an intermediate ESL writing class. The results suggest possible variation between the video and text feedback in reviewer positioning and feedback purpose. Specifically, video seems to position the reviewer as one of many possible perspectives with feedback focused on possibility and suggestion, while the text feedback seems to position the reviewer as authority with feedback focused on correctness. The findings suggest that appraisal can aid in the understanding of multimodal feedback and identifying differences between feedback modes.

As technology has made a range of modes of communication available and created new ways to integrate these modes, feedback has become increasingly electronic and multimodal. From written to audio, video, and screencast feedback, the multimodal options for electronic feedback (e-feedback) have expanded in such a way that we might speak of a ‘multimodal turn’ in feedback on foreign and second language writing. However, feedback studies on second language writing are just beginning to explore these complex areas. This essay offers a multimodal perspective on e-feedback by illustrating the scope of current research and highlights future research directions. The retrospective underscores the scarcity of research in the area with a specific focus on multimodality and identifies needs for speciality feedback systems that consider practical and contextualized perspectives. We argue that future research should strive for a context-rich description of e-feedback activities, gathering thick data about feedback provision, learner engagement with feedback and uptake through screencasting, eye-tracking, and keystroke logging technologies. These data should be triangulated with information about all factors impacting the feedback activity outcome, ranging from participant variables over modal affordances of the platforms used to environmental factors like institutional support.

The language used in digital communication has erroneously been considered a simple extension of spoken language. However, research has established that writers in digital environments reshape orthographies to construct identities and audiences and with the help of other social-semiotic resources such as images, sounds, and hyperlinks, they create new meanings (Androutsopoulos, 2015; Knobel and Lankshear, 2008; Mills, 2010). Such research has not thoroughly examined bilingual populations, who employ their often vast repertoire of language varieties to similar ends. The goal of this article is to explore a specific case of how orality influences writing in the digital spaces of members of a social network of Mexican bilinguals. By studying how these bilinguals communicate on Facebook, we can observe how in relationship to the semi-public platform, they create new meanings through linguistically innovative audience-based writing. This practice aids them in maintaining their bilingualism and their bilingual identity.

This study examined the impact of using a multiliteracies pedagogy and the social networking site (SNS), Ning, to help 6th grade English language learners (ELLs) develop their writer identities, with the purpose of increasing the students’ confidence, sense of self, and language and literacy skills. To this end, we were interested in whether and how the development of a writer identity and an increase in social presence on the Ning would translate into face-to-face connections in the physical classroom and an induction into the academic learning community – a space in which the students may have previously felt intimidated. In doing this, we employed a qualitative case study analysis to investigate the experiences of two ELLs at an elementary school in Toronto, Canada. Our study found that incorporating multimodal tools and an SNS allowed the students to more freely express themselves; to share their work and their personalities with peers, which made the writing assignments more meaningful and engaging; and provided a platform for students to negotiate their values and beliefs. Ultimately, the increased interactions with peers online and the development of this new English-language literate identity translated into the development of students’ individual voices, a sense of ownership of English, and an increased social presence in the classroom.

Multimodal Composing in Classrooms Learning and Teaching for the Digital World. Edited by Suzanne M. Miller and Mary B. McVee (2012) New York and London, Routledge. pp. 161 ISBN: 978-415-89747-1

Remixing Composition A History of Multimodal Writing Pedagogy Palmeri, Jason (2012) Carbondale: Southern Illinois University Press. pp. 194 ISBN: 9780809330898