As you well know, the milieu is a notion that only appears in biology with Lamarck. However, it is a notion that already existed in physics…. What is the milieu? It is what is needed to account for action at a distance of one body on another. It is therefore the medium of an action and element in which it circulates.—Michel Foucault, Security, Territory, Population, 11 January 1978It's really hard to feel like you're saving the world when you are watching Netflix from your couch. But if we do this right nothing happens. Yeah. A successful shelter in place means you're going to feel like it was all for nothing. And you'd be right, because nothing means nothing happened to your family.—Emily Landon, MD, University of Chicago, 20 March 2020The choice of the new word indicates that everybody knows that something new and decisive has happened, whereas its ensuing use, the identification of the new and specific phenomena with something familiar and rather general, indicated unwillingness to admit that anything out of the ordinary has happened at all.—Hannah Arendt, “Understanding and Politics” In the midst of … what?In the midst of that which does not (yet) have a singular let alone accepted name (coronavirus, SARS-CoV-2, COVID-19, pathology, pandemic, crisis, lockdown, depression, emergency), and so in the midst of something that recalls a poignant 1918 letter from Madrid, published in JAMA, “telling our friends how we had the … the…. What should we call what we had been having?” What to call, how to refer, what to grasp—all open questions, in a milieu in which so very much is happening inside and outside what is and is not happening.In the midst of what is wholly and no longer new, whether in the change of name from 2019 novel coronavirus to COVID-19, long weeks of sheltering in place, anxious and ambiguous lockdown, or harrowing work on the floor of the ward, warehouse, and grocery. And yet what is not new is hardly familiar. There is not yet a shared vocabulary, let alone stable topoi or a reliable grammar. What's between us are pieces of discourse and discourses in pieces. What circulates are fragments, along with so many clichés peddled by PR firms (how many times can one hear, “In these [insert adjective here] times …”?), even as the truth of the cliché is a felt need to “reach for ways of thinking and speaking that are easily recognizable” (Düttmann 2020), not least in the name of thin solidarities that sound Orwellian notes (e.g., #AloneTogether) and fail to consider what the moment defies. There is no adequate account, meaningful response, or right word, all the more so as what must be said cannot be said in one breath, in that very expression that has become so uncertain, so explicit.In the midst of the contingent, as the commons are empty and fraught, as there are basic questions, perhaps the most basic questions, as to how to discern and decide, how to assess, blame, and respond, how to understand and judge, the line between necessity and possibility appears, blurs, reappears, blurs again. But contingency does not reign, at least for long. Finitude is being allocated—decisively and not infrequently by default. Consider the influential guidelines published by the Italian Society of Anesthesia, Analgesia, Resuscitation and Intensive Care on 16 March: “As an extension of the principle of proportionality of care, allocation in a context of serious shortage of healthcare resources, we must aim at guaranteeing intensive treatments to patients with greater chances of therapeutic success. Therefore it is a matter of favoring the ‘greatest life expectancy.’ … This means, not necessarily having to follow a criterion for access to intensive care like ‘first come, first serve’” (Vergano et al. 2020, 3). Of course, as a matter of course, this is but one of the rations, so many of which are covered by the façade of “the virus does not discriminate,” a podium-spoken truism that cannot hide the fact that the dice were already loaded. In the midst of disproportionate death, undue sacrifice, and the lived reality (e.g., three-mile-long food lines) of alphabet soup economic recovery (will the other curve be a U, V, W, or L?), who is to say who draws the lines, makes the cuts, and parcels relief (as one searches through Rawls looking for a meaningful word about words)? And as these actions take shape in words, when and how are they said? Under what conditions can they (not) be heard?In the midst of an exceptional onslaught, an emergency that leads some to speak of battle and others to speak of care, all in the swirl of political leaders demonstrating better and worse understandings of executive power (compare, for instance, Mr. Trump's bleach-drinking “sarcasm” with President Ramaphosa's thoughtful though certainly not uncontroversial concern), while packs of journalists pretend to be epidemiologists from their Zoom-readied “studies,” and pundits proclaim certainty in the name of folding every question back into their account of the culture war. If the “normality” of emergency has become perhaps too familiar, not least in the pages of “theory,” it may now admit to new scrutiny, as big tech enters into surveillance agreements with government, as lockdown is granted presumption, and as nations close borders (African Union 2020), all in the face of an invisible dispersion, a movement of contagion from cases to clusters to communities to states, a movement whose existence is denied (implausibly) at cost.This special issue of Philosophy & Rhetoric took shape in the midst of what may well prove to be some of the COVID-19 pandemic's earlier and yet perhaps decisive days. Each of the issue's remarkable contributions grapples with this uneven, frantic, and wholly uncertain turn. Each essay poses fundamental questions and takes up multiple and often competing concerns. These are not then works that strive for the last word. In some distinction to the “plague tracts” of old, these essays compose and constitute a proper beginning, a set of provisional and experimental disclosures that forgo certain conclusions in favor of imaginative and critical insight. Indeed, the pages that follow are both chronicle and guiding light, an inquiry into key rhetorical-philosophical questions provoked by COVID-19 and close reflection on theoretical, conceptual, and practical problems that must be figured into—and which indeed work to figure—responses to the pandemic and its aftermath. Unfolding within a number of idioms and a variety of gestures, this work holds a number of crucial debates, not least whether the pandemic amounts to a common experience and how it troubles the commonplace and the exception(al), perhaps in ways that upset the very taking place of language. One can hear sadness across these pages, as well as anger. And one can hear a certain quietude, a notable reserve about the meaning of the pandemic for the future of higher education—this question is close by and pressing, in a way that may deserve separate and dedicated attention, perhaps sooner rather than later.To be sure, this issue of the journal was not planned, or at least it was not planned in any traditional way. From within and looking a bit beyond P&R's specific interdisciplinary concern, it began with the wager that this is not a moment for humanities-based inquiry to take its (given) time or demand (social, or social-scientific) distance. Such inquiry must appear and work in the midst, perhaps not as so much (often functionalist) “activism,” but as a dedicated and tireless concern for grasping and grappling with what is now (not) happening, its conditions, meanings, and values. Part of this task may be that we need to hear one of Hippocrates's aphorisms anew: “Life is short, the Art long, opportunity fleeting, experience treacherous, judgment difficult.” If so, this will be shared work, a portion of which begins here. And indeed, this issue of the journal is the product of a remarkable collaboration, a collective effort to write in the midst of distraction, difficulty, and pain and a commitment to break the schedule in the name of publishing at speed (we hope that you will excuse whatever typos slipped through in the push). I am sincerely grateful to all of the contributing authors, and to the staff at Penn State University Press, especially Diana Pesek, Jessica Karp, and Joseph Dahm. It is an honor to work with each of you.

This article introduces a Special Issue that gathers a collection of effective tools to promote the teaching and learning of writing in school-aged and university students, across varied contexts. The authors present the theoretical rationale and technical specificities of writing tools aimed at enhancing writing processes (e.g., spelling, revising) and/or at providing writers with automated feedback to improve the implementation of those processes. The tools are described in detail, along with empirical data on their effectiveness in improving one or more aspects of writing. All articles conclude by indicating future directions for further developing and evaluating the tools. This Special Issue represents an important contribution to the field of technology-based writing instruction, in a moment in which online teaching and learning tools have shifted from being an instructional asset to a necessity. We hope that in the future the validation of each tool can be expanded by reaching out to different populations and cultural contexts.

The interest in computer-assisted interventions to promote literacy has increased over the years. In this study, we developed the Portuguese version of the GraphoGame Fluent and tested its effects on reading, spelling, and phonological awareness. Second graders struggling to read were randomly assigned to two groups: GraphoGame Fluent group (n = 15), which received a computer-assisted remedial reading intervention, or GraphoGame Math group (n = 15), which received a computer-assisted numeracy intervention. An additional, non-playing group, composed by second graders without reading difficulties, was formed (business-as-usual group, n = 15). Results showed clear benefits of GraphoGame on spelling and phonological awareness. After the intervention and one month later, the GraphoGame Fluent group displayed spelling and phonological awareness skills similar to the business-as-usual group, and above the GraphoGame Math group. Overall, these findings indicate that Portuguese struggling readers benefit from computer-assisted interventions that combine letter-sound correspondences with more complex orthographic patterns.

It is widely assumed that by identifying spelling errors and suggesting replacement words, spellcheck allows writers to revise spelling errors even if they do not have the necessary spelling knowledge. However, there have been no studies evaluating the efficacy of modern spellcheck tools for students with spelling difficulties, such as dyslexia. In fact, the very limited and dated research into use of spellcheck by writers with dyslexia indicated that, even when using spellcheck to revise spelling errors, this group left many misspellings in their texts. The current study is the first to investigate whether a modern spellcheck program allows college students with dyslexia to produce texts that are as free from misspellings as texts by their peers, and whether this affects the quality of the text in other ways.College students with dyslexia (n=18) and a control group of peers (n=18) wrote two short essays using Microsoft Word, one with spellcheck active and one without spellcheck active. Spelling accuracy and overall quality of the texts were measured. Without spellcheck, students with dyslexia made more misspellings than the control group, however, with spellcheck active students from both groups left almost zero misspelled words in their texts. Text quality was not affected. Results demonstrate that spellcheck helps college students with dyslexia to overcome the limitations that poor spelling knowledge imposes. Importantly, results indicate that spellcheck does not lead to improvements in text beyond spelling accuracy, or lead to poorer quality texts, indicating that it is suitable for use in exam conditions.

The presence of a singular rhetorical figure, the dialogismos, in Charisius' Ars grammatica, in Iulius Ruphinianus' De figuris and in some exegetical notes by Donatus to Terence, yields the opportunity to reflect on the mutual influences between rhetoric and grammar in the textbooks of the Late Empire. A mediating role seems to be played by the Progymnasmata.

This paper provides an overview of how analyses of linguistic features in writing samples provide a greater understanding of predictions of both text quality and writer development and links between language features within texts. Specifically, this paper provides an overview of how language features found in text can predict human judgements of writing proficiency and changes in writing levels in both cross-sectional and longitudinal studies. The goal is to provide a better understanding of how language features in text produced by writers may influence writing quality and growth. The overview will focus on three main linguistic construct (lexical sophistication, syntactic complexity, and text cohesion) and their interactions with quality and growth in general. The paper will also problematize previous research in terms of context, individual differences, and reproducibility

The presence of a singular rhetorical figure, the dialogismos, in Charisius’ Ars grammatica, in Iulius Ruphinianus’ De figuris and in some exegetical notes by Donatus to Terence, yields the opportunity to reflect on the mutual influences between rhetoric and grammar in the textbooks of the Late Empire. A mediating role seems to be played by the Progymnasmata.

This paper argues that Elizabethan handbooks on poetics enact two coevolving traditions in the history of rhetoric and poetics: one sees poetry as a rhetorical art of stylistic invention, while the other sees it as an object of study, analysis, and ethical training. To show this, I examine George Puttenham’s Art of English Poesy and contrast it with William Scott’s recently discovered Model of Poesy. Puttenham demonstrates how poetic style works as a tool of rhetorical invention; Scott, on the other hand, treats poetics as a method of literary critical analysis. Scott’s poetics, I argue, is derived from a “paideutic” tradition, the aims of which mirror those found in educational treatises that concern the hermeneutic training students received in English grammar schools. Puttenham, writing for courtiers, instead makes a case for poetics as a means of rhetorical adaptation at court—his handbook, in short, shows poetry to be a rhetorical and pragmatic art of verbal performance that exists outside the schoolroom.

This study investigated how English as a Second Language (ESL) writers perceive their use of Grammarly , an online grammar checker, in relation to face-to-face tutoring at the writing center. Forty-three (N= 43) international ESL writers studying at universities in the United States participated in an anonymous online survey. Mixed methods were employed to examine participants’ perceptions of Grammarly and face-to-face tutoring at the writing center respectively as well as their perceptions of Grammarly in relation to face-to-face tutoring. Results rendered from descriptive analysis of the data revealed: 1) participants perceived both services with advantages and limitations; 2) participants used Grammarly more frequently than visiting the writing center, while they used face-to-face tutoring for a wider variety of purposes compared to Grammarly ; 3) participants reported a both/and approach toward these two writing resources and used them to meet different needs in different contexts. Implications were offered for ESL writers, instructors, writing center tutors, and Grammarly program developers.

Current composition practice relies on a decades-old summary of research concluding that a focus on grammar in students’ writing is useless, or even harmful. Conversely, hundreds of recent studies from the fields of second-language writing and applied linguistics claim to provide evidence of the benefits to providing feedback on grammar in students’ writing. This article summarizes the arguments for and against such feedback and problematizes the results of previous research by describing a quasi-experimental study measuring the effects, both positive and negative, of providing students with grammar feedback on their writing. Results show that, while feedback on specific grammatical forms improved participants’ accuracy on those forms, it also led to decreased accuracy on other forms related to but not the focus of instruction. Furthermore, the control group’s accuracy equaled or surpassed that of the two feedback groups.

This paper extends our research into a novel Story-Writing-Coding engine, where Primary School children produce animated stories through writing computer code. We first discuss the theoretical basis of our engine design, drawing on Systemic Functional Grammar, embodied cognition and perceived animacy. This design aims to help children draw on the appearances of characters, props and scenery to evoke linguistic constructs leading to the emergence of stories. The second part of this paper reports on an empirical study where we aim to answer two research questions. First can compositions so produced be seen as valid compositions? To answer this question we conducted a linguistic analysis of coded stories and those written in an English classroom, and also using teacher ratings of these stories. Results indicate that while there are no significant linguistic differences between coded and English stories, coded stories are impoverished and should be seen as a first-draft to be revised in the English classroom. The second question was to probe our observation that while coding, children spontaneously told stories. Here we draw upon theories of embodied cognition and of perceived animacy. Our analysis suggests that these theories, taken together, help to explain the spontaneous emergence of stories.

This study introduces GAMET, which was developed to help writing researchers examine the types and percentages of structural and mechanical errors in texts. GAMET is a desktop application that expands LanguageTool v3.2 through a user-friendly, graphic user interface that affords the automatic assessment of writing samples for structural and mechanical errors. GAMET is freely available, works on a variety of operating systems, affords document batch processing, and groups errors into a number of structural and mechanical error categories. This study also tests LanguageTool’s validity using hand-coded assessment for accuracy and meaningfulness on first language (L1) and second language (L2) writing corpora. The study also examines how well LanguageTool replicates human coding of structural and mechanical errors in an L1 corpus as well as assesses associations between GAMET and human ratings of essay quality. Results indicate that LanguageTool can be used to successful locate errors within text. However, while the accuracy of LanguageTool is high, the recall of errors is low, especially in terms of punctuation errors. Nevertheless, the errors coded by LanguageTool show significant correlations with human ratings of writing and grammar and mechanics errors. Overall, the results indicate that while LanguageTool fails to flag a number of errors, the errors flagged provide an accurate profile of the structural and mechanical errors made by writers.

This essay analyzes the grammar of military graffiti in Nigeria to uncover the mindless posture with which the military deploys it to assert their power, identity, and temporal orientations in ways that not only subvert and shame a minority group and its belief systems, but also expose the brutal and liminal conditions of the state agents. This analysis extends studies of state graffiti by framing the multifold grammatical components as rhetorical acts of domination.

This study examined multiple measures of written expression as predictors of narrative writing performance for 362 students in grades 4 through 6. Each student wrote a fictional narrative in response to a title prompt that was evaluated using a levels of language framework targeting productivity, accuracy, and complexity at the word, sentence, and discourse levels. Grade-related differences were found for all of the word-level and most of the discourse-level variables examined, but for only one sentence-level variable (punctuation accuracy). The discourse-level variables of text productivity, narrativity, and process use, the sentence-level variables of grammatical correctness and punctuation accuracy, and the word-level variables of spelling/capitalization accuracy, lexical productivity, and handwriting style were significant predictors of narrative quality. Most of the same variables that predicted story quality differentiated good and poor narrative writers, except punctuation accuracy and narrativity, and variables associated with word and sentence complexity also helped distinguish narrative writing ability. The findings imply that a combination of indices from across all levels of language production are most useful for differentiating writers and their writing. The authors suggest researchers and educators consider levels of language measures such as those used in this study in their evaluations of writing performance, as a number of them are fairly easy to calculate and are not plagued by subjective judgments endemic to most writing quality rubrics.

This article examines a manageable approach that provides students with significant opportunities to write and improve their writing over time in an introductory quantitative business course. The study examines six elements of written communication skills, as evidenced by assessment data from memorandum assignments administered following pedagogical interventions throughout the semester in an operations management course. Results demonstrate that student performance of audience identification, action-oriented request, and punctuation improved. Interestingly, student performance of grammar slightly decreased. A follow-up analysis indicates that some writing mistakes were related to a lack of proofreading. This article also presents original memorandum assignments and suggestions for improvement.

Numerous studies have examined the relationship between lexical features of students’ compositions and judgements of text quality. However, the degree to which teachers’ judgements are influenced by the quality of vocabulary in students’ essays with regard to their assessment of other textual characteristics is relatively unexplored. This experimental study investigates the influence of lexical features on teachers’ judgements of English as a second language (ESL) argumentative essays. Using analytic and holistic rating scales, English pre-service teachers (N = 37) in Switzerland assessed four essays of different proficiency levels in which the levels of lexical diversity and sophistication had been experimentally varied. Coh-Metrix software was used to manipulate the level of lexical diversity, as measured by MTLD and D, and the Tool for the Automatic Analysis of Lexical Sophistication (TAALES) software was used to obtain differing levels of lexical sophistication, as measured by word range. The results suggested that texts with greater lexical diversity and sophistication were assessed more positively concerning their overall quality as well as the analytic criteria ‘grammar’ and ‘frame of essay’. The implications of this study for classroom practice and teacher education are discussed.

We investigated the perception and recognition of errors in a population of practitioners and academics in professional and technical communication. Specifically, we measured 303 participants’ botheration levels of 24 usage errors and then correlated those results against their ability to recognize the errors. Results indicated that practitioners were often more bothered by errors than academics and that participants’ overall botheration level might have fluctuated over the past 40 years. Participants’ botheration level also appeared to associate with their ability to identify error. Finally, we found that participants’ gender, job type, and years working in the field influence their error perception.

This research explores a presumed link between today’s use of digital media and an ever-increasing lack of rhetorical awareness in students. Specifically, the study pilots a method for measuring rhetorical awareness through students’ e-mail transactions with faculty in technical writing service courses, questioning whether rhetorical awareness has decreased in the preceding 10 years. The findings indicate that students might be more rhetorically aware today than they were 10 years ago, but levels remain below expectations.

A growing body of scholarship in the field of writing research from a cognitive perspective suggests that girls tend to outperform boys in particular writing tasks. Still, our understanding about gender differences continues to evolve. The present study specifically focused on gender differences in writing between students from Grade 4 to Grade 9. We examined differences in handwriting and self-efficacy, as well as in three measures of written composition across two genres (viz., spelling, text length, and text quality in stories and opinion essays). Moreover, we tested whether there were differences in written composition above and beyond handwriting and self-efficacy. Findings suggest that girls consistently outperformed boys in handwriting, self-efficacy, spelling, text length, and text quality. These effects were moderated by neither students’ grade nor text genre. In addition, after accounting for handwriting and self-efficacy, females still performed better than males in the three measures of written composition. Overall, findings confirmed the gender difference typically found in writing and indicated that potential explanatory variables for it may be handwriting and self-efficacy.

This study aims to explore the process of reading during writing. More specifically, it investigates whether a combination of keystroke logging data and eye tracking data yields a better understanding of cognitive processes underlying fluent and nonfluent text production. First, a technical procedure describes how writing process data from the keystroke logging program Inputlog are merged with reading process data from the Tobii TX300 eye tracker. Next, a theoretical schema on reading during writing is presented, which served as a basis for the observation context we created for our experiment. This schema was tested by observing 24 university students in professional communication (skilled writers) who typed short sentences that were manipulated to elicit fluent or nonfluent writing. The experimental sentences were organized into four different conditions, aiming at (a) fluent writing, (b) reflection about correct spelling of homophone verbs, (c) local revision, and (d) global revision. Results showed that it is possible to manipulate degrees of nonfluent writing in terms of time on task and percentage of nonfluent key transitions. However, reading behavior was affected only for the conditions that explicitly required revision. This suggests that nonfluent writing does not always affect the reading behavior, supporting the parallel and cascading processing hypothesis.

The purpose of this article is to examine the metatheoretical differences that impact how runningrecords and miscue analysis differ in (a) the quantification of readers’ produced responses totext and (b) the analysis of oral reading behaviors. After providing historical and metatheoretical overviews of both procedures, we present the data source, which included 74 records of oral readings from an extant data set collected from an informal reading inventory. Each record was coded using running record and miscue analysis procedures. We used inferential statistics to examine relationships across conceptually similar items of analysis (for example, the number oferrors or miscues). Findings from the inferential statistics show that there were significant, positive correlations between three of the five conceptually similar items, and a lack of statistically significant correlations between the use of meaning and grammar between running records and miscue analysis. Based on the findings, we argue that both procedures, which are often confused and conflated, possess metatheoretical differences that influence how oral reading behaviors are interpreted. These differences, in turn, impact how reading ability is framed and socially constructed. We conclude with the significance of this research for education professionals.

This client project is a culminating assignment in an upper-level professional writing course designed to help students understand the nature of audience-based writing in an unfamiliar writing context. The specific task is for students to revise a substantial section of the university *Faculty Policies and Procedures Manual*. Students researched their audience, analyzed samples of university manuals at other higher education institutions, exercised document design strategies, and practiced syntax revision during the project, ultimately presenting a sample of their work to faculty for feedback. Employing design workshop strategies, this assignment requires students to interview faculty in order to understand multiple users' experiences of the university Faculty Policies and Procedures Manual. In addition, an essential component for student learning in this course is reflection. This reflection is centered on the rhetorical situation of using and revising genres (Devitt, 2009) in the context of a professional environment (Clark, 2005; Kain & Wardle, 2005) in order that students avoid perceiving the class as a march through memos, reports, and emails as static formats (Miller, 1984). This project engages students independently, as they are responsible for their own revisions of 30 pages, while class time is used collaboratively on learning new ways of viewing the document's potential and the genre's function.

324 RHETORICA claim that "Despite his ambivalence with regard to rhetoric, Milton remain­ ed loyal in many respects to the tradition of the rhetoric handbooks, of Wilson, Peacham and Puttenham, on which he and his generation, in educa­ tional terms, were raised" (29), a claim repeated in various ways through­ out. I can think of no reason whatsoever to assume that Milton depended on English vernacular summaries of classical rhetoric unless it be that Lynch is relying on an outdated narrative about English Renaissance rhetoric. In reality, these English vernacular texts were so meagerly published as to make virtually no contribution to early education; neither were these texts included in any university curricula (Green 74-76). This is not to say that Lynch's 27-page bibliography does not already include many of the author­ itative texts for her discussion, yet other texts are missing, such as recent work on Milton and rhetoric by William Pallister and James Egan or Stephen B. Dobranski's magisterial summary of earlier Samson Agonistes criticism. But one might work forever to produce the perfect book. In the one that we have here, Lynch makes some original contributions to various conversations. Historians of rhetoric with an interest in her topics or period may well find in her text some new directions for those conversations. Stephen B. Dobranski, A Variorum Commentary on the Poems of John Milton: Volume 3, Samson Agonistes, intro. Archie Burnett, ed. P. J. Klemp (Pittsburgh: Duquesne University Press, 2009). James Egan, "Oratory and Animadversion: Rhetorical Signatures in Milton's Pam­ phlets of 1649," Rhetorica 27 (2009): 189-217. James Egan, "Rhetoric and Poetic in Milton's Polemics of 1659-60," Rhetorica 31 (2013): 73-110. Lawrence D. Green, “Grammatica Movet: Renaissance Grammar Books and Elocutio," in Peter L. Oesterreich and Thomas O. Sloane, eds., Rhetorica Movet: Studies in Historical and Modern Rhetoric in Honour or Heinrich F. Plett (Leiden: Brill, 1999), 73-115. William Pallister, Between Worlds: The Rhetorical Universe of Paradise Lost (Toronto: University of Toronto Press, 2008). Daniel Shore, Milton and the Art of Rhetoric (Cambridge: Cambridge University Press, 2012). Jameela Lares The University of Southern Mississippi L écriture des traités de rhétorique des origines à la Renaissance, textes édités par Sophie Conte et Sandrine Dubel, Ausonius, Scripta Antiqua 87, Bordeaux 2016, 241 pages. ISBN: 9782356131614 Ce livre, qui rassemble 11 contributions, traite un sujet qui est souvent abordé dans les ouvrages sur la rhétorique de manière indirecte ou margi­ nale . 1 écriture des traités de rhétorique, c'est-à-dire leur forme et leur style. Reviews 325 L idée majeure est qu il y a à la fois homologie entre le fond et la forme et contamination de la forme par le fond. Posée au début de Pouvrage avec une citation de Boileau - traducteur et éditeur du Traité du sublime au XVIIe siècle . « Souvent il fait la figure qu'il enseigne et, en parlant du sublime, il est lui-même très sublime », cette idée se décline sur différents plans : la composition des traités, leur mode d énonciation, les métaphores récurren­ tes, la place des citations et des exemples. Sont pris en compte à la fois les traités grecs et les traités latins, l'ordre suivi étant l'ordre chronologique, avec successivement des articles sur la Rhétorique à Alexandre, Démétrios (le Pseudo-Démétrios de Phalère), la Rhétorique à Hérennius, le De oratore de Cicéron, Denys d'Halicarnasse, le Traité du sublime, Quintilien, Fronton, les Progymnasmata d'Aphthonios, Martianus Capella, et enfin, sur un plan un peu différent et en guise d'ouverture finale, des traités de poétique de la Renaissance. Il y a nécessairement des manques, comme Isocrate, Aristote ou les autres traités de Cicéron, mais ces textes sont pris en compte à propos d'autres traités ; et surtout, l'introduction générale y pallie en présentant l'ensemble de la production rhétorique. Notons que la bibliographie, pré­ sentée à la fin de chaque article, est à jour et véritablement multilingue. L'Introduction, due à Sophie Conte, est...

This preliminary study examines the rating behavior of five composition and five ESL writing teachers while evaluating a text from a university-level non-native (L2) English speaking student. Using an eye tracker, we measured raters’ dwell times and reading behaviors across four areas of interest—rhetoric, organization, vocabulary, and grammar. Results indicate that raters with differing disciplinary backgrounds read the text differently. L2 writing teachers tended to spend more time on and re-read the rhetorical, lexical, and grammatical features of the text while skipping over more of the grammar errors, while composition teachers read the text more deliberately. The findings suggest L2 writing teachers were more prone to skim and scan for information on which to base a grade while composition teachers delayed rating decisions until after reviewing the entire text, which is corroborated in previous research. These findings can expand our understanding of how disciplinary background can influence rating processes, which can inform rater training procedures, especially in disciplinary writing contexts where L2 writing is judged by individuals with and without expertise in composition or second language writing. Moreover, it demonstrates the utility of eye-tracking methods to examine the cognitive processes associated with reading and scoring student writing.

The purpose of the present study was to examine students’ metaknowledge of Procedural Knowledge (effective writing procedures) and Declarative Knowledge (knowledge of the characteristics of effective writing) with community college students through two open-response questions. Additionally, we examined common patterns of writing metaknowledge among responses to determine how these impacted their writing, utilizing the results from Coh-Metrix analyses of their writing samples. A total of 249 students from a large community college in Southwestern United States participated in the study.Analysis of their results showed participants reported commonly acknowledged ideas regarding metaknoweldge of effective writing in terms of Procedural and Declarative knowledge. Students focused on goal setting/planning, establishing purpose, writing, and revising when discussing Procedural Knowledge of writing and clarity, audience, grammar, and spelling when discussing Declarative Knowledge. A Latent Class Analysis (LCA) of a smaller group, consisting of 146 L1 English students, showed that students’ responses regarding Procedural and Declarative Knowledge did not significantly affect written performance, leading us to question students’ consistent application or understanding of writing metaknowledge. Instructional implications include encouraging students to examine their metaknowledge of writing and how it directly relates to the written product, to identify misuse or misconceptions and focus instruction.

Reviews 437 dianoia (thought) in the Poetics where Aristotle assigns it to his Rhetoric, even though, Bialostosky observes, it occupies, at best, an inferred presence in that work (138). Performing a close and careful rereading of both texts, Bialos­ tosky concludes that Aristotle's assigning of dianoia to the Rhetoric is evidence of what Bakhtin calls a "hidden polemic" Aristotle conducts with a sophisticinspired "poetics of the utterance" that pre-dated both of these works. This line of argument ultimately leads Bialostosky to something of an unexpected reversal. Where he had earlier argued for a separate discipline, or "art of dialogics," he now perceives that art as but one of many that can be "responsive to the predisciplinary scene of action" (146). Drawing upon the architectonics of Bakhtin's early works, Bialostosky now thinks it possi­ ble to "refer our sometimes calcified institutionalized disciplines at least to an imagined, reconstructed common world that preceded them and still underwrites them" (147). Such a world is inaccessible, Bialostosky argues, except through the sorts of "radical inquiries" that "Bakhtin and Heidegger undertook in the 1920s" (147). Such a world is inaccessible so long as we think of disciplines as fixed, able to stay within the boundaries drawn for them. For not only does disciplinarity exceed itself in interdisciplinarity, it also discovers a surplus in its predisciplinary origins. And it is here that Bia­ lostosky sees a particular significance for Bakhtin, whose "dialogic field of discourse [is] broader than the modem disciplines or the ancient ones of rhetoric and dialectic" (82). Heard again as a complete utterance, what questions does Bialostosky's work pose for contemporary inquiry? Does Bakhtin and Voloshinov's inter­ est in intonation, for example, bear any relevance to our interest in sonic rhetorics? Does Bakhtin's regard for the historical significance of the "per­ son-idea" connect to recent investigations into the meanings of embodi­ ment? Is the shift from epistemology to ontology, as posited by the new materialism, reflected in Bialostosky's conception of Bakhtin's architecton­ ics as predisciplinary? These questions cannot be answered here. But if Bakhtin still speaks to us, as I believe he does, then Bialostosky's essays will serve as exemplary models of how to engage Bakhtin with care, insight, and admirable rigor, and collectively, as an invitation for future dialogues. Frank Farmer University of Kansas Cinthia Gannett and John C. Brereton, eds., Traditions of Eloquence: The Jesuits and Modern Rhetorical Studies, New York: Fordham Uni­ versity Press, 2016. 444 pp. ISBN: 9780823264537 This book contributes in welcome and valuable ways to the history of rhetoric, the history of education, and current rhetorical pedagogy. It is an 438 RHETORICA enriching read, with provocative and significant theoretical implications. These essays raise important questions concerning central disciplinary issues and make available to both theorists and teachers richly encompass­ ing and hence highly generative curricular models with wide applicability. I thoroughly enjoyed the time spent perusing these pages and have already begun to draw upon the resources herein to bolster both my own scholar­ ship and teaching. This Jesuit tradition brings into view a rhetorical para­ digm that is truly "transdisciplinary" (xv). As the editors acknowledge, the book provides the "first maps of this huge intellectual geography" (xv). Therefore, I look forward to future scholarship on Jesuit contributions to rhetorical theory and pedagogy. Following the three distinct periods of Jesuit education from its beginnings in the sixteenth-century to the present day, the book is divided into three sections: 1) studies of Jesuit rhetorical instruction from 1540, when Ignatius Loyola and friends founded the Society of Jesus, to 1773, when Jesuit education was suppressed by the pope; 2) studies of Jesuit rhetorical education from 1789, when many Jesuits moved to North Ame­ rica and established colleges and universities, to the Second Vatican Council (1962-65), which marked the end of the rhetoric-centered curricu­ lum in Jesuit institutions; and 3) studies of developments in rhetorical ins­ truction in United States' Jesuit higher education from the 1960s to the present. Although some description of the grammar school classroom appears in several early chapters, the primary emphasis of the book is on higher education. Each section contains a loosely...

Reviews Jay Timothy Dolmage, Disability Rhetoric. Syracuse, New York: Syracuse University Press, 2014. 349 pp. ISBN: 9780815634454 Shannon Walters, Rhetorical Touch: Disability, Identification, Haptics. Columbia: University of South Carolina Press, 2014. 257 pp. ISBN9781611173833 Rhetoric is an ability. So begins the blithe Englishing of Aristotle's defi­ nition of rhetoric. In early translations it appears as a faculty, following the European vernaculars and the Latin translation of Aristotle's dunamis with facultas. Yet even if this translation flattens the complex significance of Aristotle's original sense, it happily brings us within the orbit of pressing problems in our own moment. We may now pose new questions: If rhetoric insists it be thought of as an ability, how might we inflect this idée reçue of the field by thinking through the meaning of rhetoric from a position of disability? This is not a matter of simple inversion. Disability is not the opposite of ability but the suspension of the assumptions of ableism. In this sense, it is like disbelief. We say we are in a 'state of disbelief' precisely when we are presented with incontrovertible evidence that commands assent. Disability rhetoric, then, seeks to illuminate the unreflective assump­ tions and heuristics that we commonly use to make judgments concerning the conditions and abilities of others. In Disability Rhetoric and Rhetorical Touch: Disability, Identification, Haptics, Jay Timothy Dolmage and Shannon Walters offer book-length elaborations of what such a rhetoric might be. The authors do not simply challenge rhetoric about disability or examine disability advocacy rhetorically, although both these aims are crucial to their projects. The authors argue that a thoroughgoing criticism of ableism requires a reexamination of rhetorical history and theory. The classical tradition's inability to think through bodily difference made it narrower than it otherwise might have been. Quintilian asserted that the limits of rhetorical education could be found in the body of the orator, "for assuredly no one can exhibit proper delivery if he lacks a memory for retaining what he has written or ready facility in uttering what he has to speak extempore, or if he has any incurable defect of utterance." Any such "extraordinary deformity of body ... cannot be remedied by any effort of art" (11.3.10). Unable to think of bodily difference as anything but deformity gave ancient rhetorical theory a Rhetorica, Vol. XXXVI, Issue 2, pp. 205-215. ISSN: 0734-8584, electronic ISSN: 15338541 . © 2018 by The International Society for the History of Rhetoric. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Reprints and Permissions web page, http://www. ucpress.edu/joumals.php?p=reprints. DOI: https://doi.org/10.1525/rh.2018.36.2.205. 206 RHETORIC A false sense of order and precision, erected upon the assumption that audience and orator could be treated as positions within a discourse rather than approa­ ched within the complexity of situated and contested embodiment. These books can be taken as complementary projects. Dolmage wishes to extend and reinterpret the repertoire and vocabulary of critical rhetoric. Walters focuses on the inventional strategies of disabled persons and their circles. This is not to say that Dolmage neglects invention or Walters criti­ cism. Disability rhetoric shows the imbrication of criticism and invention, since both rely upon practices of sensitization. We might extract six maxims to serve as guideposts for furthering this critical-inventive program. 1. Modes of communication require invention and shape meaning. The con­ stitution of communication between Annie Sullivan and Helen Keller in the now famous story of their experience at the water pump (Sullivan hand­ spelling 'water' in Keller's palm after running water over her hand, marked by Keller as her entry into language) resulted from a pragmatic awareness of possible channels of meaning-making. Walters argues that many of these possibilities reside within touch and her book serves in part as a collection of examples showing the variety and power of haptic communication. Perhaps even more importantly, a disability rhetoric would attend to the way in which the mode of communication constitutes and affects the meaning of the communication. Rather than appealing to the sensus communis...

Reviews 213 concerned primarily with prescriptive correctness. He traces pedagogies that have used these ideas at various times in western schools, but his biggest con­ tribution is examining theories that challenge this paradigm. For example, feminist stylistics, he contends, challenges the rules of convention. Pointing to the works of Cixous and Kristeva, Ray shows that textual structure and organization should be challenged as points of gendering stylistic choice. The last two chapters are on researching style and teaching style. Ray's chapter on researching style shows that there are still major gaps in the research; for instance, he notes that there have been no ethnographic studies on writing styles to date. Additionally, he describes the use of quantitative methods used to describe style, and data mining to describe stylistic featu­ res of writing. Beyond this, there are opportunities for research in rhetorical analysis, stylistics, and discourse analysis. The concluding chapter argues for better teaching strategies in the classroom. The fear is that teaching style will not liberate a curriculum but rather enslave it to prescriptive grammar study. Ray assuages these fears with suggestions for incorporating style in the classroom to develop writing, including ways in which classical rhetoric informs writing instruction in current theory. He invites interdisciplinary work in the classroom to discuss style from the perspective of various dis­ course communities enabling students to see diverse approaches to compo­ sition. Ray ends the chapter on a hopeful note: "For those teachers who adopt them, these guiding principles bring style out of the shadows of col­ lege writing classes, helping to improve students' writing while also per­ haps increasing their satisfaction in producing academic texts required for their success" (p. 219). A significant issue with Ray's book is that it does not quite live up to its lofty claim that "an in-depth, historical, and theoretical understanding of style helps teachers make writing more satisfying and relevant to stu­ dents" (p. 5). This may be true, but the topic is immense, and this is a rather slim volume. At best, Style is, as the title suggests, an introduction. The chapters do establish a framework for style, but they are not genuinely indepth discussions. However, Brian Ray's Style is an invitation for scholars to fill in those gaps, and I believe this book paves the way helpfully for future research. Robert L. Lively Arizona State University A. Pennacini, Discorsi eloquenti da Ulisse a Obama e oltre, Seconda edizione riveduta e corretta, Alessandria: Edizioni dell Orso, 2017 (I ed., 2015), 592 pp. ISBN 9788862746090. Adriano Pennacini é stato uno dei precursori, nell'universitá italiana, del tentativo di intrecciare lo studio delTantica técnica retorica con gli studi classici e con le nuove discipline della comumcazione. Presidente della 214 RHETORICA International Society for the History of Rhetoric dal 1991 al 1993, ha affidato a un corposo volume un 'eloquente' saggio del suo método di analisi della comunicazione persuasiva, che spazia dalla prima 'retorica' omerica fino a quella del (penúltimo) Presidente degli Stati Uniti d'America e comprende nell'oltre del titolo un esempio della origínale eloquenza di Jorge Bergoglio, papa Francesco. Raccolte di discorsi non mancano nelle biblioteche degli studiosi di retorica. Attingendo alia rinfusa in quella personale (assolutamente parziale e selettiva), posso ricordare: F. Sallustio, Belle parole. I grandi discorsi della storia dalla Bibbia a Paperino, Milano: Bompiani 2004 (anche in questo caso, una diacronicitá quasi esaustiva); G. Pedullá (cur.), Parole al potere. Discorsi politici italiani, Milano: Rizzoli, 2011; C. Ellis, S. Drury Smith (eds.), Say it Plain. A Century of Great African American Speeches, New York-London: The New Press, 2005; C.M. Copeland, Farewell Goodspeed. The Greatest Eulogies of Our Time, New York: Harmony Books, 2003; C. Knorowski (ed.), Gettysburg Replies. The World Respond to Abraham Lincoln's Gettysburg Address, Guilford, Connecticut: Rowman & Littlefield, 2015. Raccolte importanti (e ne ho elencate davvero pochissime fra le tante circolanti nelle varié parti del mondo), che offrono testi accompagnati spesso da riflessioni e inquadramenti generali, ma che difficilmente si prefiggono e realizzano lo scopo che ha avuto in mente Pennacini nel raccogliere discorsi anti­ chi e moderni accompagnati ciascuno da prove di analisi: quello, cioé, di«mostrare la durata...

The author argues reading, hearing, and then composing musical lyrics involving grammatical concerns can help college writing students to edit more effectively for a song's grammar topic. Explaining that the songs need to offer specific advice, such as how to both spot and correct the grammatical problem, the writer offers lyrical examples and provides scholarly evidence for this approach. The essay explains what Grammar Jam is, why music can work, and how to use the tactic in the classroom.

Background: Over a decade ago, the Stanford Study of Writing (SSW) collected more than 15,000 writing samples from undergraduate students, but to this point the corpus has not been analyzed using computational methods. Through the use of natural language processing (NLP) techniques, this study attempts to reveal underlying structures in the SSW, while at the same time developing a set of interpretable features for computationally understanding student writing. These features fall into three categories: topic-based features that reveal what students are writing about; stance-based features that reveal how students are framing their arguments; and structure-based features that reveal sentence complexity. Using these features, we are able to characterize the development of the SSW participants across four years of undergraduate study, specifically gaining insight into the different trajectories of humanities, social science, and STEM students. While the results are specific to Stanford University’s undergraduate program, they demonstrate that these three categories of features can give insight into how groups of students develop as writers.Literature Review: The Stanford Study of Writing (Lunsford et al., 2008; SSW, 2018) involved the collection of more than 15,000 writing samples from 189 students in the Stanford class of 2005. The literature surrounding the original study is largely qualitative (Fishman, Lunsford, McGregor, & Otuteye, 2005; Lunsford, 2013; Lunsford, Fishman, & Liew, 2013), so this study makes a first attempt at a quantitative analysis of the SSW. When considering the ethics of a computational approach, we find it important not to stray into the territory of writing evaluation, as purely evaluative systems have been shown to have limited instructional use in the classroom (Chen & Cheng, 2008; Weaver, 2006). Therefore, we find it important to take a descriptive, rather than evaluative approach. All of the features that we extract are both interpretable and grounded in prior research. Topic modeling has been used on undergraduate writing to improve the prediction of neuroticism and depression in college students (Resnik, Garron, & Resnik, 2013), stance markers have been used to show the development of undergraduate writers (Aull & Lancaster, 2014), and parse trees have been used to measure the syntactic complexity of student writing (Lu, 2010).Research Questions: What computational features are useful for analyzing the development of student writers? Based on these features, what insights can we gain into undergraduate writing at Stanford and similar institutions?Methodology: To extract topic features, we use LDA topic modeling (Blei, Ng, & Jordan, 2003) with Gibbs Sampling (Griffiths, 2002). To extract stance features, we replicate the stance markers approach from a past study (Aull & Lancaster, 2014). To describe sentence structure, we use parse trees generated using  Shift-Reduce dependency parsing (Sagae & Tsujii, 2008). For each parse tree, we use the tree depth and the average dependency length as heuristics for the syntactic complexity of the sentence.Results: Topic modeling was useful for sorting papers into academic disciplines, as well as for distinguishing between argumentative and personal writing. Stance markers helped us characterize the intersection between the majors that students hold and the topics that they are writing about at a given time. Parse tree complexity demonstrated differences between writing in different disciplines. In addition, we found that students of different disciplines have different syntactic features even during their first year at Stanford.Discussion: Topic modeling has given us a picture of interdisciplinary study at Stanford by showing how often students in the SSW wrote about topics outside their majors. Furthermore, studying interdisciplinary Stanford students allowed us to examine the intersection of a student’s major and current topic of writing when analyzing the other two sets of features. Stance markers in the SSW show that both field of study and topic of writing influence the ways in which students employ metadiscourse. In addition, when looking at stance across years, we see that Seniors regress towards their First-Year habits. The complexity results raise the question of whether different disciplines have different “ideal” levels of writing complexity.Conclusions: The present study yields insight into undergraduate writing at Stanford in particular. Notably, we find that students develop most as writers during their first two years and that students of different majors develop as writers in different ways. We consider our three categories of features to be useful because they were able to give us these insights into the dataset. We hope that, moving forward, educators will be able to use this kind of analysis to understand how their students are developing as writers.

This paper examines the language, literacies, communicative, and rhetorical practices of the Black Lives Matter (BLM) movement. The work pays attention to the communication practices of the BLM and Hip Hop generation in its extension of Black and African American language traditions and prior liberation movements in their unapologetic performance of Black chants, Black grammar, phonology, vocabulary, Black fashion and music, to die-ins, hands-up, and the technologization of the movement through social media, Black Twitter, hashtags, and memes. The language and literacies of the Black Lives Matter movement represent diverse identities within Black community, vernacular associated with various economic and educational classes, diaspora, culturally rooted, Hip Hop generations, cis-gendered women, men, as well as LGBTQ and gender non-conforming. In this way, the language and literacies of BLM promote the value of ALL Black lives.

This paper discusses idiomatic expressions like ‘that says it all’, ‘that says a lot’ etc. when used in presenting an argument. These expressions are instantiations of the grammatical pattern that says Q, in which Q is an indefinite quantifying expression. By making use of the pragma-dialectical theory of argumentation and the linguistic theory of construction grammar it is argued that instantiations of that says Q expressing positive polarity (‘it all’, ‘everything’, ‘much’, ‘a lot’, ‘something’) can fulfil the role of an argumentation’s (explicitly expressed) linking premise. Furthermore, an analysis of these expressions as presentational devices shows that an arguer can use them for strategic reasons, i.e. to leave the exact formulation of the standpoint implicit and to present the argument as self-evident. Using these devices derails into fallaciousness when the context offers insufficient clues to reconstruct the standpoint or when the argument does not offer the kind of support that would be required by the specific instantiation of Q. The argumentative function of instantiations of that says Q expressing negative polarity (‘little’, ‘nothing’ and other denials of those expressing positive polarity) is that an antagonist can use them to attack the justificatory power of the protagonist’s argument.

This article addresses the challenge of writing instruction in a standards-based environment where students are accountable for mastering different genres and text types. The Common Core State Standards (CCSS), now adopted by the majority of states in the USA, provide exemplars of successful papers in the different disciplines, but offer no guidelines for teaching, particularly to inexperienced writers or English language learners. Since a text in any genre can be developed in a limitless variety of ways, students need a methodology for analyzing effective texts, and for developing their own. This article proposes that focusing on grammatical choice offers an entry point into understanding the craft of Explanations and Arguments. To illustrate, four samples of high school writing are analyzed from the published CCSS exemplars: two Explanations and two Arguments, all with very different purposes and development. The analysis demonstrates the central role that grammar plays in constructing these differences. Specifically, the analysis focuses on information management across noun groups for the Explanations, and on verb choice and modality for the Arguments. Drawing on functional grammar insights, this article proposes a pathway for students from the analysis of model texts to the effective construction of their own.

Spelling deficiencies are becoming a growing concern among employers, but few studies have quantified this phenomenon and its impact on recruiters’ choice. This article aims to highlight the relative weight of the form (the spelling skills) in application forms, compared with the content (the level of work experience), in recruiters’ judgment during the selection process. The study asked 536 professional recruiters to evaluate different application forms. The results show that the presence of spelling errors has the same detrimental impact on the chances of being shortlisted as a lack of professional experience, and recruiters’ spelling skills also moderate their judgment.

It is established that transcription skills (handwriting and spelling) constrain children’s writing. Yet, little is known about the mechanism underlying this relationship. This study examined the mediating role of bursts and pauses on the link between transcription skills and writing fluency or text quality. For that, 174 second graders did the alphabet task and wrote a story using HandSpy. Path analyses indicated that writing fluency and text quality models were excellent descriptions of the data, with 80% and 46% of explained variance, respectively. Results showed that handwriting and spelling influenced writing fluency only indirectly via burst length and short pauses duration (full mediation); and that whereas only handwriting contributed to text quality directly, both handwriting and spelling contributed to text quality indirectly, via burst length (partial mediation). These findings suggest that better transcription skills allow students to write more words without pausing, which in turn results in more fluent and better writing.

370 RHETORICA Graban finds that she is unable to delineate Gougar's affiliations as stable and permanent because her relationships with other suffragists and politicians evolved throughout her life. And lastly, class-consciousness as the organizing topoi allows Graban to "complicate the language surrounding ... the middle class lens [typically used] to view social uplift in Gougar's work" (p. 154). In her final chapter, Graban presents more textual examples of irony through a critical frame—one from Golda Meir, prime minster of Israel, one from Madeline Albright, American diplomat, and another from Barbara Jordan, investigator of the Watergate Scandal. Although some might think Graban falls into the trap of "tokenism," whereby examples of a few stand in for all women, she works against it as she selects archives based on their ironic potential and qualities. Furthermore these archives are situated panhistorically so as not to essentialize women or their writings as representative of a specific place or time. In addition to alleged "tokenism," some might find fault with the scant textual evidence taken from Anne Askew's archive in chapter one. Yet, these critics should keep in mind the erasure of women's rhetoric throughout the Renaissance and employ their critical imagination to reconsider the potential for the evidence that does exist.2 It is also important to note that Graban not only examines textual evidence, she also employs "historical residue" as evidence—residue that includes: organizing topoi, intersecting contexts, and the positioning of audiences. Graban's scholarship resets the terms of scholarly engagement for those working in the field of rhetoric and history by resituating irony and using it to destabilize historical narratives and the ways in which these nar­ ratives are remembered. Tiffany Kinney, University of Utah, Salt Lake City Laurent Pernot, Epideictic Rhetoric: Questioning the Stakes of Ancient Praise, Austin: University of Texas Press, 2015. xiv, 166 pp. ISBN 978-1-4773-1133-2 In 1993 Pernot's highly acclaimed, two-volume work, La rhétorique de l'éloge dans le monde gréco-romain appeared. In 2012 at the meeting of the Rhetoric Society of America, with ISHR sponsorship, Pernot conducted a three-day seminar on epideictic for twenty participants (among whom was the current reviewer). Using the format of the seminar but drawing content from his earlier book, Pernot has now produced a concise but 2 J. J. Royster and G. Kirsch, Feminist Rhetorical Practices: New Horizons for Rhetoric, Composition and Literacy Studies (Carbondale: Southern Illinois University Press, 2012), 72-73. ' Reviews 371 example-packed history, analytical summary, and contextualizing assessment of the theoretical treatises and actual speeches of ancient Greco-Roman epideictic rhetoric. Two questions drive the presentation: (1) How was it that epi­ deictic, originally the minor player in the famous trio of judicial, deliberative, and epideictic, acquired the far-and-away dominant role of the three in the Imperial age? and (2), What, in fact, was that role? Through an impressive breadth and depth of reading and a precise deployment of select ancient sour­ ces, Pernot shows how "every encomium is at once a literary work, a moral problem, and a social rite" (ix). In Chapter 1, "The Unstoppable Rise of Epideictic" (1-28), Pernot surveys the meager evidence for epideictic texts from Classical Greece to Republican Rome (1-9). Epideictic was, in those centuries, something of a sidecar to the normally stand-alone two wheels of deliberative and judicial oratory. Yet, as the chapter title suggests, the epideictic sidecar will "tri­ umph" (9) in the Imperial period, and the path of that triumph is delineated in the rest of the chapter (9-23). The conclusion? The Imperial period, for the whole of that Greco-Roman world—especially in Greek—"was the begin­ ning of a new rhetorical world order, in which oratory served no longer to rip apart an adversary or to cow an assembly, but to spread honeyed praise and trumpet meritorious conduct with previously unparalleled frequency and variety" (28). Chapter 2, "The Grammar of Praise," (29-65) surveys the methods and means of epideictic in light of the teaching texts that survive, drawing espe­ cially from Menander Rhetor, but Plato, Isocrates, and Aristotle are also quoted and even Aelius...

This study explored the effects of transcription on translation products and processes of adolescent students in grades 4 to 9 with and without persisting specific language disabilities in written language (SLDs-WL). To operationalize transcription ability (handwriting and spelling) and transcription mode (by pen on digital tablet or by standard US keyboard), diagnostic groups contrasting in patterns of transcription ability were compared while composing autobiographical (personal) narratives by handwriting or by keyboarding: Typically developing students (n=15), students with dyslexia (impaired word reading and spelling, n=20), and students with dysgraphia (impaired handwriting, n=19). They were compared on seven outcomes: total words composed, total composing time, words per minute, percent of spelling errors, average length of pauses, average number of pauses per minute, and average length of language bursts. They were also compared on automaticity of transcription modes-writing the alphabet from memory by handwriting or keyboarding (they could look at keys). Mixed ANOVAs yielded main effects for diagnostic group on percent of spelling errors,, words per minute, and length of language burst. Main effects for transcription modes were found for automaticity of writing modes, total words composed, words per minute, and length of language bursts; there were no significant interactions. Regardless of mode, the dyslexia group had more spelling errors, showed a slower rate of composing, and produced shorter language bursts than the typical group. The total number of words, total time composing, words composed per minute, and pauses per minute were greater for keyboarding than handwriting, but length of language bursts was greater for handwriting. Implications of these results for conceptual models of composing and educational assessment practices are discussed.

Students in first-year composition (FYC) courses are expected to control the mechanics, vocabulary, style, and grammatical accuracy of their writing. Yet language development support, particularly that of grammar instruction in US FYC courses, has largely disappeared in recent decades, due in part to suppositions that students implicitly know grammar. This assumption is problematic given the increasing number of multilingual writers enrolling in US schools with observed needs for explicit language instruction. The present study explores whether first- and second-language writers of English perceived a need for language instruction and whether they wanted or expected it. Students from 12 sections of FYC were asked in surveys and interviews about their prior language learning experiences and current self-perceived language needs and then were asked to complete one of two self-directed language development projects (LDPs): an online, self-selected grammar and usage study project or journal entries focusing on vocabulary/style in texts they had read. Student work was collected, analyzed, and supplemented with students’ end-of-term observations and preferences about self-directed LDPs. Our findings reveal that students overwhelmingly wanted and expected language instruction and were largely positive about both types of LDPs, but they felt that language instruction should be offered in multiple delivery methods beyond just self-study. With these findings in mind, we offer pedagogical suggestions for addressing the perceived and real needs for language development of linguistically diverse FYC students.

With growing interest in the relationship between translation and language learning, a number of studies have begun to examine the pedagogical value of translation and explore the best ways to utilize it in L2 classrooms. Some may doubt the need to include translation in L2 classrooms when language pedagogy is a far more wellestablished discipline. An answer to this concern requires empirical research on the role of translation in the L2 classroom. To this end, this study compares how L2 learners react to particular translation tasks and writing tasks. The findings suggest that translation tasks can yield better results than direct L2 writing tasks in encouraging and facilitating students to improve their lexis and grammar. The results also suggest that both translation and writing tasks have greater potential to prompt lexical than grammatical improvement. These findings offer new insights into alternative writing instruction and contribute to an increasing body of research on the pedagogical value of translation in L2 classrooms.

Research problem: Readability equations are widely used to compute how well readers will be able to understand written materials. Those equations were usually developed for nontechnical materials, namely, textbooks for elementary, middle, and high schools. This study examines to what extent computerized readability predictions are consistent for highly technical material - selected Society of Automotive Engineers (SAE) and International Standards Organization (ISO) Recommended Practices and Standards relating to driver interfaces. Literature review: A review of original sources of readability equations revealed a lack of specific criteria in counting various punctuation and text elements, leading to inconsistent readability scores. Few studies on the reliability of readability equations have identified this problem, and even fewer have systematically investigated the extent of the problem and the reasons why it occurs. Research questions: (1) Do the most commonly used equations give identical readability scores? (2) How do the scores for each readability equation vary with readability tools? (3) If there are differences between readability tools, why do they occur? (4) How does the score vary with the length of passage examined? Method: Passages of varying lengths from 12 selected SAE and ISO Recommended Practices and Standards were examined using five readability equations (Flesch-Kincaid Grade Level, Gunning Fog Index, SMOG Index, Coleman-Liau Index, and Automated Readability Index) implemented five ways (four online readability tools and Microsoft Word 2013 for Windows). In addition, short test passages of text were used to understand how different readability tools counted text elements, such as words and sentences. Results and conclusions: The mean readability scores of the passages from those 12 SAE and ISO Recommended Practices and Standards ranged from the 10th grade reading level to about 15th. The mean grade reading levels computed across the websites were: Flesch-Kincaid 12.8, Gunning Fog 15.1 SMOG 12.6, Coleman-Liau 13.7, and Automated Readability Index 12.3. Readability score estimates became more consistent as the length of the passage examined increased, with no noteworthy improvements beyond 900 words. Among the five readability tools, scores typically differed by two grade levels, but the scores should have been the same. These differences were due to how compound and hyphenated words, slashes, numbers, abbreviations and acronyms, and URLs were counted, as well other punctuation and text elements. These differences occurred because the sources for these equations often did not specify how to score various punctuation and text elements. Of the tools examined, the authors recommend Microsoft Word 2013 for Windows if the Flesch-Kincaid Grade Level is required.

Research problem: The enhancement of communication skills among engineering students has been a focus within the engineering curriculum for many years. Despite this emphasis, continual published reports document that engineering graduates are not well versed in the areas of written and oral communication when they graduate and transition into industrial-based positions. This study focuses on examining whether game-based pedagogy could serve as a potential tool for enhancing the written and oral communication skills of engineering undergraduates. Research questions: (1) What is the relationship between communication game exposure and oral and written communication skills achievement in engineering students? (2) Do engineering students' perceptions of their oral and written communication skills development associated with participation in communication games align with their achievement in these areas? Literature review: This study examines the ability of games to enhance engineering student communication skills by using the lens of activity theory. This communication theory was chosen because it describes how the creation of a piece of communication goes beyond traditional features such as grammar and syntax to include grappling with the objective or goal of the work, the system within which the product must be completed, and the methods selected to subdivide the work. These same constraints were imposed on the students within this study, in which they were assigned a technical design report and infomercial (or elevator pitch) to assess their oral and written communication skills. Methodology: Three groups of a sophomore-level Introduction to Chemical Product Design course compared non-games, games, and games-plus instructional methods. Student design reports and infomercials were scored by two analysts using reliable and validated rubrics. Team-based performance scores for each of the three sections were compared to determine whether any resulting differences in communication achievement were associated with the incorporation of game-based activities within the classroom. Students' perceptions of their communication skill development were measured through survey instruments and focus groups. The focus group data were content-analyzed by the same two analysts using a coding scheme developed from an emergent qualitative analysis of the focus group data. Results and conclusion: We found that the use of game-based pedagogy within engineering classes can enhance oral and written communication skills even though this method of instruction is not always perceived by students as relevant to their achievement in these areas.

Civic Jazz asks us to expand our understanding of what it means to say that jazz is an American art form. While Clark is clearly a fan, with an intimate knowledge of jazz, its culture, and community, this book offers more than anecdote and description, which is so common in jazz studies. Rather, this well-crafted book extends and offers a theoretical basis to the idea, put forward by Wynton Marsalis, Albert Murray, Ralph Ellison, and most recently Barak Obama when speaking at the 2016 International Jazz Day Concert, that jazz expresses the American spirit. Clark finds his theoretical armature in Kenneth Burke's blurring of the boundary between rhetoric and poetic. As Clark argues, Burke's works articulate a rhetorical theory of aesthetics that is centered on the dispositional effects of form. Furthermore, and precisely because form is not restricted to the language arts, Burke's rhetorical aesthetics are singularly appropriate to a study of the civic role of jazz.Clark models his book on a jazz performance. The book offers neither a linear argument nor a dialectical movement from antitheses to synthesis. Rather, Clark weaves an account where theory, the rhetoric of jazz advocacy, and jazz performances themselves resonate harmoniously. Jazz becomes a representative anecdote for unpacking the details of Burke's political aesthetics, even while this developing theory provides a means to understand jazz's aesthetic workings and civic significance.In “Setting Up,” his first and introductory chapter, Clark advances the thesis/theme that jazz calls forth an identity and a form of living that manifest e pluribus unum. He introduces Burke's work, its cultural critique of America, and its call for a redemptive art of living. Aligning Burke with critics ranging from Walt Whitman to British literary theorist Terry Eagleton, Clark explains how Burke looked at America and how when he saw division, turned to rhetoric and its capacity to overcome it by fostering identification through form. Clark then takes up the difficult task of extending rhetorical theory and criticism to jazz as a historically situated and significant art form and looks to jazz writers and musicians who describe such rhetorical processes in their music. Clark establishes his bona fides by citing broadly: he revisits Aristotle's and Suzanne Langer's reflections on music, gestures toward Ingrid Monson's recent jazz musicology, and takes up the African American reflections on jazz of Ralph Ellison and Wynton Marsalis. These provide the means for him to develop the idea that jazz is constitutional and that its workings can be explained in terms of the rhetoric of form.Each chapter returns to, explores, and augments this initial theme, much as each chorus of a well-crafted jazz solo extends and develops those musical ideas that have preceded it and just as Burke notoriously returned, revised, and augmented own his prior efforts. In his second chapter, “A Rhetorical Aesthetic of Jazz,” Clark doubles down on Burke. While Burke never wrote on jazz, Clark finds in his work the means to capture jazz's civic function. Burke's Rhetoric of Motives describes the aesthetic experience of identification as “swinging along with the form” (58). In Clark's account, this link to jazz is more than fortuitous. Jazz was known as “swing” during its commercial heyday as America's main popular dance music, a reference to its pulsing, danceable rhythm and its contagious attitude, intensity, and energy. Furthermore, Burke was a young man during the “jazz age,” and was aware of African American musical styles, having favorably reviewed both a 1928 concert by the African American Jubilee Hall Singers and the 1933 African American Broadway musical Run, Little Chillun! Burke also corresponded regularly with African American intellectuals, notably Ralph Ellison, the author of Invisible Man and Albert Murray, Ellison's friend and author of both Stompin' the Blues and The Omni-Americans, canonical texts on jazz and race in America.Clark considers “swinging along” to be an apt term to describe the activity of both musicians and audiences, who are guided by a faith that the musical work in progress will continue to cohere as it unfolds. Burke presented swinging along as a needed corrective to the American civic sphere, where cooperation is difficult. For Clark, jazz offers a model for such cooperation. This is because “jazz is an act of hopeful defiance of the alienation and fear that makes us hold ourselves back to avoid judgment or rejection” (26). Throughout the book, Clark describes singularly eloquent jazz performances, including an impromptu restaurant performance of “Route 66” by his thirteen-year-old daughter with noted jazz pianist Marcus Roberts, to illustrate the process and form of life that jazz offers. He selects Miles Davis and Cannonball Adderley's rendition of “Autumn Leaves” to illustrate swinging cooperation and hopeful defiance. The reader can easily find the track online and follow Clark's commentary, which offers a sensitive analysis of how Miles and Cannonball swing along: in their improvisation, they depart from this standard's original form to explore, extend, and deepen its melancholy, using it as a resource for moving beyond, for crafting an aesthetic pathē of upward transcendence.Paradoxically Clark's third chapter, “What Jazz Is,” does not begin with a discussion of jazz, but with Burke's preoccupation with identity and his turn from literary self-expression to rhetoric. Clark retells the story of Burke's response to the turmoil and conflicts of the twentieth century. Originally a writer of poetry and fiction, Burke became a theorist and critic who, seeing America as in need of some type of transcendence, spent a career exploring how understanding, common feeling, identification, and consummation might be fostered through form. The problem in America, and indeed in any democracy, is that individual will and aspiration are in many ways antagonistic to identification and the consummatory experience of community. America's founding sides with the existential truth that our pains, our goals, and our lives are ultimately our own. In all cultures, ritual and civic arts mediate the tension between individual and community. In America, such arts are faced with a particular challenge. They cannot demand the full subordination of individual voices to an idealized unity, as does a church choir. Clark counterpoises a performance of the Jazz at Lincoln Center Orchestra (JALCO) to the unity of his church choir to illustrate how jazz negotiates this tension successfully. His choir follows a fixed arrangement and is guided by a choir master. In contrast, JALCO coordinates a complex of individual voices. JALCO is like a complex organism, where the written musical arrangements provide a basis for skilled jazz artists to make their own music, even as each artist and part coordinate with the whole.JALCO is for Clark exemplary of the art that Burke sought. Clark explains the jazz aesthetic by turning to jazz pedagogy, which encourages students to develop their own musical style, approaches, and voice, even though jazz is based in collective improvised performances. For Clark, jazz is singularly American in the way that it integrates the one in the many and also is forward looking, directed toward redemption. Clark turns to the blues to illustrate this American trait. Blues lyrics paint a bleak picture of pain and loss, even while the music's form and propulsive energy offer emotional coherence and hope. Robert Johnson may be standing at the crossroads and sinking down, but the music carries him and those who listen forward. As Albert Murray observed, borrowing from Burke, the blues are equipment for living, transforming desperation into defiance and joy.America's singular character is the theme of Clark's fourth chapter, “Where Jazz Comes From.” Clark focuses neither on New Orleans nor New York, neither on Chicago nor Kansas City, but on the conflict that Tocqueville saw at the center of the American spirit, where radical individualism leaves each person uprooted and solitary. This insight, first stated in his introduction, is Clark's original contribution to jazz studies. Jazz's origin is far more psychic than geographical or musicological. Jazz does not emerge from the mere musical encounter of African and European forms as much as from a reaction to American alienation, as expressed by Ralph Waldo Emerson, the American Renaissance, Walt Whitman, Louis L'Amour's cowboy pulp function, and Burke's search for a redemptive civic art. Curiously, race is not central to Clark's account. He acknowledges the racial fact of jazz but does not reflect pointedly on slavery's legacy or on the link between American alienation and its original sin. His account, consistent with Wynton Marsalis's narrative, presents jazz as pointing to a world without racial division. Clark insists that jazz is concerned with transcendence and gives new meaning to jazz pianist Bill Evans's observation that “‘jazz is not a what, it is a how’” (14). Clark presents jazz as a form of collective problem solving. Jazz transcends difference by casting new modes of experience and forms of being, by relying on improvised augmentation and complexification rather than the imposition of static melodies and harmonies. Paraphrasing Whitman, we could say that Clark tells us that jazz is large and contains multitudes.While Clark offers a redemptive vision of jazz, he also reminds us that none of this is painless. He recounts the troubled 1963 recording session of Money Jungle by jazz greats Duke Ellington, Charles Mingus, and Max Roach. Musical styles, professional egos, and creative visions clashed. Neither the session nor resultant tracks were marked by harmonious identifications. Nevertheless, the conflict was productive. Clark refers to the music as “eloquent” as it strains to keep it together. Just as the purpose of the session was to produce an album, so the art of democracy is directed toward enabling a life in common, not a common life. Putting a happy face on an at times agonistic and tortured process, Clark describes jazz as another occasion for ad bellum purificandum, “a war waged with an attitude of goodwill … in the bright hope that something better for everyone will follow” (75).A great deal of jazz writing is descriptive and anecdotal, with stories of great bands and singular recordings sessions, battles with drug addiction, brilliant creators, and visionary promoters. Critical and theoretical work in jazz is relatively recent, having emerged in the last two or three decades, but as in rhetorical studies, description and historical anecdote play a crucial role and remain necessary. One of the pleasures of this book is Clark's strategic use of anecdotes as he returns to and elaborates on its main theme. One might find Clark redundant, but only if one fails to grasp his strategy of augmentation and his rhetorical celebration of jazz. Each chapter continues the process of explaining the formal theory of rhetorical aesthetics that underpins Burke's oeuvre even as they clarify the demands and workings of jazz as a civic art. Thus, in his fifth chapter “What Jazz Does,” Clark returns to Tocqueville's pessimism regarding America, to which he counterpoises jazz's possibilities and potential: jazz offers an image of what America would look like if America's three “taboo” divisive issues—race, freedom, and religion—were faced openly and worked through collectively (90). Clark turns to Billy Holiday's signature performance of “Strange Fruit,” Louis Armstrong's rendition of “(What Did I Do To Be So) Black and Blue,” and Duke Ellington's Black, Brown, and Beige suite as eloquent expressions of the African American experience. Clark devotes particular attention to Ellington's explicit attempt to reflect on “his people” as within the American people.Clark's account is compelling, although he does not fully resolve the underlying tension within rhetoric between identification and division. At one moment he praises jazz for offering a common aesthetic experience that offers, if only briefly, the upward transcendence that America requires to fulfill its democratic promise. Subsequently, however, he emphasizes the role of jazz in racial politics, in its lyrics of protest and in the musical expression of the pain of racism in the dissonance and wailing of free jazz. Clark attempts to resolve this tension by equating jazz with freedom, since each jazz performance raises the question of where to go next. Each soloist in part answers this question in tandem with the ensemble, and for Clark the American answer – and the jazz musician answer – is “to freedom, of course” (97). To many, jazz sounds free, which accounts for its appeal to dissidents in the USSR and Nazi Germany and for the American government's use of jazz in the Cold War. Clark notes the irony that black musicians were displayed as representatives of American freedom even while they suffered Jim Crow at home and offers free jazz and its challenge to conventional forms of expression as their rhetorical response.Of singular importance in Clark's fifth chapter is the idea that jazz is political and ethical not only because of its democratic performative pragmatics but because of its content, in both its musical forms and particular compositions. Jazz can be spiritual, in religious or secular terms, even as it is rhetorical, as in John Coltrane's A Love Supreme. Clark highlights the significance of the avant-garde and its embrace of self-expression as the best way to communicate. While spiritual experience is personal, familiarity with jazz, its traditions, and its musical figures makes shared experience possible. This is for Clark what John Dewey sought when he called on Americans collectively to search for the truth. Jazz can prompt reverence, civic humility, and awe. Jazz requires intense individualism and intense cooperation. Optimistically, Clark does not address the deeply competitive spirit at the heart of jazz and its “cutting contests,” jam sessions where each soloist seeks to best and at times show up the other. For Clark, the jazz situation is much like the rhetorical situation, but less agonistic, because each performance is a collective endeavor that ultimately requires cooperation. For Clark, jazz favors congregation over segregation. In America, the latter dominates and requires the corrective jazz offers.This book is about jazz, of course, but it is also concerned with extending Burke's rhetorical sensibility beyond the verbal arts. In his penultimate chapter, “How Jazz Works,” Clark turns to Burke's 1930s novel Towards a Better Life in order to work out the trajectory of his thought. In that early effort, a walk in the New England countryside summoned Burke's alienated protagonist to find happiness through living beyond himself. Burke revisited this path to happiness in his later critical and theoretical writings, working out the nature of being summoned or called. The summons has two related moments: One is summoned to summon others. For Clark, this is how music works. Clark follows Burke's constitutive turn in the Grammar of Motives. Clark incorporates Stanley Crouch's analogy of jazz to the Constitution as an “exercise of the ‘freedom to constantly reinterpret the meanings’” (20) that it provides, offering a way to perfect the American form of life. Resolutely American in his analysis, Clark cites Dewey, who argued that art provides immediate feeling through its structure and coherence. Clark suggests that for Burke, art's aim is not experience in itself but the organization of experience through form to create common sentiments and sensibilities. Art provides resources for better encountering and living with others. In other words, art offers the possibility of civic transcendence.Jazz is constitutive of democracy, as each in turn improvises over a given form, all the while responding to others and expanding the range of what is possible. Jazz musicians share a stock of knowledge and set of skills that enable them, without sheet music or a prior plan, to meet as strangers and play something new. The pragmatics or aesthetic constitution of jazz lets musicians call the tune in a way unheard of in the classical repertoire, just as the Constitution lets citizens call the tune.This insight is not new to Clark. Wynton Marsalis has said much the same thing, What Clark brings to the mix is a more sophisticated account of how jazz both is structured democratically and manifests a democratic aesthetic sensibility. To this end, Clark offers an innovative and well-developed account of Burke's project that links aesthetic form to attitude and identity. Indeed, Clark cites Burke's observation that music far more than speech adheres to the psychology of form. The power of music and other nonrepresentational arts arises not from cognitions but from the experience of form in the moment. Furthermore, jazz as an improvised music is always performed against the possibility of failure: its movement does not always produce the consummation that it seeks. Music opens onto changing the ways that people think. To illustrate, Clark turns to Duke Ellington and John Coltrane's rendition of “In a Sentimental Mood,” which offers a remarkable, and yet for jazz, everyday call to transcendence.Even though jazz is no longer a popular musical form, Clark insists that it offers precisely the form of interaction that Burke called for. He works this out again in his concluding chapter, entitled “So What,” after one of the most memorable tracks on Miles Davis's Kind of Blue. With no rehearsals and no sheet music, that session produced brilliant and innovative music because each in his ensemble was supremely conscious of the others. In this, Clark's insight and optimism shine through. Clark is driven by an appreciation of possibility. At the same time, however, he does not consider the difficulty of the art. Jazz is less democratic than it is aristocratic and republican. As with all arts, it is practiced by the bold, whose eloquence make their work look easy. Its “citizenry” is not enfranchised by birth but earns a place on the stand through displays of which requires of and Jazz is American and and indeed can offer transcendence and new but like rhetoric requires a life to the art.

• Background: Researchers have been working towards better understanding differences in professional disciplinary writing (e.g., Ewer & Latorre, 1969; Hu & Cao, 2015; Hyland, 2002; Hyland & Tse, 2007) for decades. Recently, research has taken important steps towards understanding disciplinary variation in student writing. Much of this research is corpus-based and focuses on lexico-grammatical features in student writing as captured in the British Academic Written English (BAWE) corpus and the Michigan Corpus of Upper-level Student Papers (MICUSP). The present study extends this work by analyzing lexical and cohesion differences among disciplines in MICUSP. Critically, we analyze not only linguistic differences in macro-disciplines (science and engineering), but also in micro-disciplines within these macro-disciplines (biology, physics, industrial engineering, and mechanical engineering).\n• Literature Review: Hardy and Römer (2013) used a multidimensional analysis to investigate linguistic differences across four macro-disciplines represented in MICUSP. Durrant (2014, in press) analyzed vocabulary in texts produced by student writers in the BAWE corpus by discipline and level (year) and disciplinary differences in lexical bundles. Ward (2007) examined lexical differences within micro-disciplines of a single discipline.\n• Research Questions: The research questions that guide this study are as follows:\n1. Are there significant lexical and cohesive differences between science and engineering student writing? 2. Are there significant lexical and cohesive differences between micro-disciplines within science and engineering student writing?\n• Research Methodology: To address the research questions, student-produced science and engineering texts from MICUSP were analyzed with regard to lexical sophistication and textual features of cohesion. Specifically, 22 indices of lexical sophistication calculated by the Tool for the Automatic Analysis of Lexical Sophistication (TAALES; Kyle & Crossley, 2015) and 38 cohesion indices calculated by the Tool for the Automatic Analysis of Cohesion (TAACO; Crossley, Kyle, & McNamara, 2016) were used. These features were then compared both across science and engineering texts (addressing Research Question 1) and across micro-disciplines within science and engineering (biology and physics, industrial and mechanical engineering) using discriminate function analyses (DFA).\n• Results: The DFAs revealed significant linguistic differences, not only between student writing in the two macro-disciplines but also between the micro-disciplines. Differences in classification accuracy based on students’ years of study hovered at about 10%. An analysis of accuracies of classification by paper type found they were similar for larger and smaller sample sizes, providing some indication that paper type was not a confounding variable in classification accuracy.\n• Discussion: The findings provide strong support that macro-disciplinary and micro-disciplinary differences exist in student writing in these MICUSP samples and that these differences are likely not related to student level or paper type. These findings have important implications for understanding disciplinary differences. First, they confirm previous research that found the vocabulary used by different macro-disciplines to be “strikingly diverse” (Durrant, 2015), but they also show a remarkable diversity of cohesion features. The findings suggest that the common understanding of the STEM disciplines as “close” bears reconsideration in linguistic terms. Second, the lexical and cohesion differences between micro-disciplines are large enough and consistent enough to suggest that each micro-discipline can be thought of as containing a unique linguistic profile of features. Third, the differences discerned in the NLP analysis are evident at least as early as the final year of undergraduate study, suggesting that students at this level already have a solid understanding of the conventions of the disciplines of which they are aspiring to be members. Moreover, the differences are relatively homogeneous across levels, which confirms findings by Durrant (2015) but, importantly, extends these findings to include cohesion markers.\n• Conclusions: The findings from this study provide evidence that macro-disciplinary and micro-disciplinary differences at the linguistic level exist in student writing, not only in lexical use but also in text cohesion. A number of pedagogical applications of writing analytics are proposed based on the reported findings from TAALES and TAACO. Further studies using different corpora (e.g., BAWE) or purpose assembled corpora are suggested to address limitations in the size and range of text types found within MICUSP. This study also points the way toward studies of disciplinary differences using NLP approaches that capture data which goes beyond the lexical and cohesive features of text, including the use of part-of-speech tags, syntactic parsing, indices related to syntactic complexity and similarity, rhetorical features, or more advanced cohesion metrics (latent semantic analysis, latent Dirichlet allocation, Word2Vec approaches).

Background: A shift of focus has been marked in recent years in the development of automated essay scoring systems (AES) passing from merely assigning a holistic score to an essay to providing constructive feedback over it. Despite all the major advances in the domain, many objections persist concerning their credibility and readiness to replace human scoring in high-stakes writing assessments. The purpose of this study is to shed light on how to build a relatively simple AES system based on five baseline writing features. The study shows that the proposed AES system compares very well with other state-of-the-art systems despite its obvious limitations. Literature Review: In 2012, ASAP (Automated Student Assessment Prize) launched a demonstration to benchmark the performance of state-of-the-art AES systems using eight hand-graded essay datasets originating from state writing assessments. These datasets are still used today to measure the accuracy of new AES systems. Recently, Zupanc and Bosnic (2017) developed and evaluated another state-of-the-art AES system, called SAGE, which enclosed new semantic and consistency features and provided for the first time an automatic semantic feedback. SAGE’s agreement level between machine and human scores for ASAP dataset #8 (the dataset also of interest in this study) was measured and had a quadratic weighted kappa of 0.81, while it ranged for 10 other state-of-the-art systems between 0.60 and 0.73 (Chen et al., 2012; Shermis, 2014). Finally, this section discusses the limitations of AES, which come mainly from its omission to assess higher-order thinking skills that all writing constructs are ultimately designed to assess. Research Questions: The research questions that guide this study are as follows: RQ1: What is the power of the writing analytics tool’s five-variable model (spelling accuracy, grammatical accuracy, semantic similarity, connectivity, lexical diversity) to predict the holistic scores of Grade 10 narrative essays (ASAP dataset #8)? RQ2: What is the agreement level between the computer rater based on the regression model obtained in RQ1 and the human raters who scored the 723 narrative essays written by Grade 10 students (ASAP dataset #8)? Methodology: ASAP dataset #8 was used to train the predictive model of the writing analytics tool introduced in this study. Each essay was graded by two teachers. In case of disagreement between the two raters, the scoring was resolved by a third rater. Basically, essay scores were the weighted sums of four rubric scores. A multiple linear regression analysis was conducted to determine the extent to which a five-variable model (selected from a set of 86 writing features) was effective to predict essay scores. Results: The regression model in this study accounted for 57% of the essay score variability. The correlation (Pearson), the percentage of perfect matches, the percentage of adjacent matches (±2), and the quadratic weighted kappa between the resolved scores and predicted essay scores were 0.76, 10%, 49%, and 0.73, respectively. The results were measured on an integer scale of resolved essay scores between 10-60. Discussion: When measuring the accuracy of an AES system, it is important to take into account several metrics to better understand how predicted essay scores are distributed along the distribution of human scores. Using average ranking over correlation, exact/adjacent agreement, quadratic weighted kappa, and distributional characteristics such as standard deviation and mean, this study’s regression model ranks 4th out of 10 AES systems. Despite its relatively good rank, the predictions of the proposed AES system remain imprecise and do not even look optimal to identify poor-quality essays (binary condition) smaller than or equal to a 65% threshold (71% precision and 92% recall). Conclusions: This study sheds light on the implementation process and the evaluation of a new simple AES system comparable to the state of the art and reveals that the generally obscure state-of-the-art AES system is most likely concerned only with shallow assessment of text production features. Consequently, the authors advocate greater transparency in the development and publication of AES systems. In addition, the relationship between the explanation of essay score variability and the inter-rater agreement level should be further investigated to better represent the changes in terms of level of agreement when a new variable is added to a regression model. This study should also be replicated at a larger scale in several different writing settings for more robust results.

Background: Attention Deficit Hyperactivity Disorder (ADHD) is a mental health disorder. People diagnosed with ADHD are often inattentive (have difficulty focusing on a task for a considerable period), overly impulsive (make rash decisions), and are hyperactive (move excessively, often at inappropriate times). ADHD is often diagnosed through psychiatric assessments with additional input from physical/neurological evaluations. Written Language Disorder (WLD) is a learning disorder. People diagnosed with WLD often make multiple spelling, grammar, and punctuation mistakes, have sentences that lack cohesion and topic flow, and have trouble completing written assignments. Typically, WLD is also diagnosed through psychological educational assessments with additional input from physical/neurological evaluation. Literature Review: Previous research has shown a link between ADHD and writing difficulties. Students with ADHD have an increased likelihood of having writing difficulties, and rarely is there a presence of writing difficulties without ADHD or another mental health disorder. However, the presence of writing difficulties does not necessarily indicate the presence of a WLD. There are other physical and behavioral factors of ADHD that can contribute to a student having a WLD as well. Therefore, a statistical association between these factors (in conjunction with written performance) and WLD must first be established. Research Question: To determine the statistical association between WLD and physical and behavioral aspects of ADHD that indicate writing difficulties, this research reviewed methodologies from the literature pertaining to contemporary diagnoses of writing difficulties in ADHD students, and reveal diagnostic methods that explicitly associate the presence of WLD with these writing difficulties among students with ADHD. The results demonstrate the association between writing difficulties and WLD as it pertains to ADHD students using an integrated computational model employed on data from a systematic review. These results will be validated in a future study that will employ the integrated computational model to measure WLD among students with ADHD. Methodology: To measure the association of WLD among students with ADHD, the authors created a novel computational model that integrates the outcomes of common screening methods for WLD (physical questionnaire, behavioral questionnaire, and written performance tasks) with common screening methods for ADHD (physical questionnaire, behavioral questionnaire, adult self-reporting scales, and reaction-based continuous performance tasks (CPTs)). The outcomes of these screening methods were fed into an artificial neural network (ANN ) first, to ‘artificially learn’ about measuring the prevalence of WLD among ADHD students and second, to adjust the prevalence value based on information from different screening methods. This can be considered as the priming of the ANN. The ANN model was then tested with data from previous studies about ADHD students who had writing difficulties. The ANN model was also tested with data from students without ADHD or WLD, to serve as control. Results: The results show that physical, behavioral, and written performance attributes of ADHD students have a high correlation with WLD (r = 0.72 to 0.80) in comparison to control students (r = 0.30 to 0.20), substantiating the link between WLD and ADHD. It should be noted that due to lack of female participation, most studies in the literature only employed and reported on the relationship between WLD and ADHD for male participants. Discussion and Conclusion: By testing ADHD students and control students against the WLD criteria, the study shows a strong correlation between WLD and ADHD. There are limitations to the results’ accuracy in terms of a) sample size (average n=88, mean age = 19, 8 studies used for a meta-analysis), b) analysis (original study reviewing ADHD factors first, WLD factors second), and c) causation (the study only reviews prevalence of WLD in ADHD students, not causation). A clinical trial will validate the data and address some of these limitations in a future phase of the research. A computational causal model will be introduced in the discussion portion to illustrate how causation between writing metrics and WLD as it pertains to ADHD can be achieved. These results open the door to advancing pedagogical techniques in education, where students afflicted with ADHD and/or WLD could not only receive assistance for the behavioral aspects of their disorder, but also expect assistance for the learning aspects of their disorder, empowering them to succeed in their studies.

As a pedagogical tool, “style” in writing center lore has been cast as a lower-order concern. This marginalization stems not only from the difficulty of defining the word itself, but also from a persistent belief that “style” exists in a vacuum separate from “content,” “development,” and grammar, thus being of secondary importance to tutors and administrators. In this article, Edward Santos Garza challenges this clinical framework, arguing that style, a vital, permeating force, has much to offer those in writing center work. He positions style as a tool to help WC visitors more fully discuss, assess, and strengthen themselves as writers. Asserting that style is equally valuable for thinking about writing with regard to identity, Garza envisions how WC staff could productively foreground it in sessions and training.