This case study investigates how two ESL graduate students, Ian and Sam, use ChatGPT in their research writing after receiving a comprehensive tutorial based on Warschauer et al.’s (2023) AI literacy framework. We analyzed their engagement with ChatGPT across prompt categories including genre, content, language use, documentation, coherence, and clarity. Data were collected from research paper drafts, ChatGPT chat histories, and interviews. Data analyses included coding ChatGPT prompts, textual analysis of drafts, and thematic analysis of interview transcripts . Results show that while both participants utilized ChatGPT for understanding genre conventions and content development, they developed distinct approaches reflecting their individual backgrounds. Ian selectively used ChatGPT for specific assistance needs, while Sam engaged more systematically, particularly for APA style and coherence checks. Both approaches maintained academic integrity and scholarly voice, demonstrating that Generative AI tools can be effectively tailored to individual needs without compromising ethical standards. This study highlights how advanced ESL writers can adapt GenAI tools to their unique writing processes, offering insights into the diverse ways AI can enhance academic writing while preserving individual agency. The findings suggest that AI integration in academic writing can be customized to support diverse writing goals and backgrounds.

In this paper, I explore first-year students' self-reported preferences for choosing source material in a digital, research-based writing setting. I argue that widespread skepticism towards online information has led to an "objectivity bias," where students prefer sources perceived as neutral and objective. Through qualitative interviews, I report that this bias may result in an overreliance on data-driven and empiricist sources, often at the expense of valuable personal narratives and experiential knowledge. I highlight the role of digital platforms and search algorithms in shaping these preferences and discuss the implications for teaching information literacy.

• Composing process focus including screen recording and think aloud protocols. • 11 explicit composing process activities are defined and described. • Establishes explicit metalanguage for digital multimodal composing teaching & research. • Includes illustrations of complexity of multimodal composing. Daily writing practices occur in digital environments and are often multimodal. Studies have attempted to interpret composing processes in these environments through text-based lenses and findings have yet to explicitly or effectively define and illustrate the complexities. This case study explores processes and activities of 5th-grade students as they compose using digital tools, multimodal resources, and navigate the opportunities those tools and resources afford. Findings suggest 11 process activities; three unique to digital multimodal environments, and all having influences of the digital and multimodal environments in which composing takes place. Results 1) demonstrate the potential to develop a specific metalanguage for digital multimodal composing, 2) begin to inform a specific digital lens for interpreting composing in these 21 st century environments and 3) help practitioners design instruction that best support student composers in classroom contexts.

We are pleased to announce the publication of Volume 55 of Composition Forum, now available at: https://compositionforum.com/. This issue includes the following features:

Extracting a writer’s profile from a broader literacy study aimed at documenting extracurricular literacy practices among the Latinx population in Northwest Arkansas, this article presents a case study of a Peruvian woman’s lifelong use of literacy to enhance her personal agency in the face of personal, social, and civic demands. The article presents the writer’s profile as an indicator of the various literacy demands faced by the Latinx community and suggests that a critical consideration of such demands may lead to improved understanding and theorizing of writing through a lifespan writing research lens. Such a reorientation to writing may have a beneficial impact on first-year college composition courses by cultivating pedagogical practices oriented toward socioculturally diverse student populations and nontraditional students in college-level writing courses.

This study explores student engagements with hybrid writing courses, revealing their experiences and perceptions of a modality that blends in-person and online instruction. Hybrid learning as a format is often overshadowed by its association with fully online instruction. After a number of writing courses on our campus were redesigned for hybrid delivery, we conducted interviews and focus groups with students taking those courses. What we found, among other things, was that students largely saw hybrid writing courses as striking a balance between the flexibility of online learning with opportunities for human contact and the social presence afforded by in-person class meetings. Even more intriguing, though, was how students talked about the purposes of—and relationships between—the online and in-person components of their hybrid courses. In other words, it was not just the case that students appreciated hybrid learning, but also that clear patterns emerged in the meanings and values they ascribed to the constituent elements of these courses and the perceived cohesiveness of instruction across the modes. This study ends with implications for the design and implementation of hybrid writing courses, and it emphasizes the need for further scholarship that recognizes the unique affordances and challenges of this instructional modality.

Exploring multimodality and transfer from the perspective of transduction (a multidisciplinary term that describes a change in form as something moves from one state to another) reveals conceptual overlap between the two concepts. Transfer is fundamentally multimodal because anything moving from one “place” to the next must change its form (or modality) in some way. Multimodality also inherently involves a transfer from one context to another. Each concept requires that existing content or knowledge be changed in some way to account for new situations. Multimodality and transfer do not describe a one-to-one duplication, but a transduction, changing form from one context to the next.

The majority of what we compose, we compose for others. Because audience impact is central to the success of writing and designing, peer review tests how our compositions work in the world. Accordingly, we have built decades of scholarship establishing best practices for sharing our work with others, especially as new technologies emerge. This article argues for the introduction of eye tracking as a tool that can supplement peer review, offering an expansion of what counts as feedback that fosters greater access and agency for students throughout the writing process. The method for incorporating eye tracking to expand traditional peer review modalities moves students from passive research subjects to active users of eye-tracking data. In doing so, students can examine how audiences experience their work, helping to frame revisions of their multimodal compositions and consider what story they most want to tell.

In the 1930s-1960s, Phibun’s Thai Nationalism campaign promoted the use of the Thai language while segregating and discriminating against non-Thais, especially the Chinese community in Thailand. The government associated the Chinese language with communism, amplified by global Western xenophobic ideologies, leading to the closure of Chinese schools and widespread fear of Chinese literacy. This article explores two key questions: how xenophobic ideologies manifested in education and how the members of this suppressed generation navigated their language and literacy education in and out of school. Drawing on the narratives of five Thai Chinese individuals, aged 73 to 93, it illuminates the factors contributing to the creation of a repressive language ecology, its impact on their learning experiences, and how individuals within such a context made sense of their surroundings. This research enriches literacy studies by broadening its geographical and historical reach, revealing the intricate interplay between language ideology and ecology, and how these concepts help us understand factors in literacy and language learning. Additionally, it underscores narrative inquiry as a teaching and learning tool and offers strategies to prevent the emergence of suppressive ecology in the classroom.

In this article, I focus on an everyday writer, my mother, engaging in self-sponsored writing to learn (WTL) activities across her lifespan. Focusing specifically on her personal journals and her accounts of her longitudinal WTL trajectory, I trace the learning pathways she took to develop her identity as a mother across her life. Writing was a benefit to her everyday life given, as she puts it, there is no set “instruction manual” for how to parent. Additionally, I trace the “multidirectional” nature of her literacy by investigating how literacy learning circulates given Jane’s intent to pass her WTL journals down to her children as a text to learn from when they become parents (Lee). In making my argument, I extend conversations happening in our field about writing and learning as a lifewide activity. I emphasize the importance writing has on identity development and learning across one’s life and, as such, this article helps literacy studies, lifespan development of writing studies, and motherhood rhetorical studies gauge the vast ways writers write to learn outside of formal schooling. 

The language movement in East Pakistan (now Bangladesh) was a social movement that seeded Bangladeshi consciousness and is often considered as prefiguring Bangladeshi independence in 1972. It underscored the centrality of linguistic identity in modern nationalism. Developments in the language movement also provide a generative example of how development and modernity can frame discussions around language reform and literacy in contexts characterized by a multilingual norm and postcoloniality. This article examines the rhetorics of language reform in the movement through a reading of a set of recommendations for developing a simplified register of Bangla, called Shahaj-Bangla, within a sense of the overall language movement and its discourse. I argue that the new register simultaneously presents a scientific and cultural view of language to suit the needs of the region. This study contributes to current scholarship in the field by showing how an example of language reform assumes a fluid nature of language while also arguing for a form of standardization aligned with modern nationalism. It also adds to our developing conversations around language and literacy transnationally through its focus on a language debate about a non-European language set in a non-Western context.

Christian Weisser, Jackie Hoermann-Elliot, Gavin P. Johnson, and Daniel Ernst Readers of Composition Forum may have noticed a pause in our regular volumes; we postponed a Fall 2024 release while we were making some modifications to the journal. First and foremost, we have upgraded the design and functionality of the CF website by implementing a […]

Argumentation, one of the foundational pillars of writing instruction in K–12 schools, is consistently framed in literacy policy, curriculum, and assessment as a crucial skill youth need to participate in democratic deliberation. Yet the normative emphases in argument discourse on individual subjectivity, binary analysis, and competitive social scarcity stifle the development of the solidarity and relationality needed to counter rancorous political discord and to build equitable civic futures. In this conceptual essay, the authors offer a reimagined paradigm and practice of argument that fosters empathetic thinking and mutuality, moving away from the conceptualization of argument as solitary edifice and toward a vision of argument as collective architecture. Drawing upon lessons from global communicative traditions and recent turns in literacy scholarship toward participatory design, multimodality, and critical speculation, the authors provide five guiding principles for the Argument Writing as Architecture (AWA) framework, share vignettes from classroom and community learning spaces to illustrate its utility, and propose strategies for its implementation in K–12 classrooms.

The purpose of this qualitative project is to examine the use of a noticing assignment in one fourth-grade dual language arts classroom. We, the authors, consider the texts most interesting to students and how these texts relate to humanizing and responsive writing pedagogies. Learning to write in K–12 schooling contexts is often dictated by state-sanctioned standardized assessments, creating a space in which writing is equated with the rules of grammar rather than with deeper meaning making, inquiry, or joy. For youth from historically marginalized communities, this lack of joyfulness in writing instruction is particularly evident. In this study, we consider the following research questions: (1) How do students in a fourth-grade language arts course interact with texts that are interesting to them? (2) How might the act of noticing support students’ understandings of their own literacies as valued, worthy, and connected to the spaces and places in which they live and learn? and (3) How do students voice their perceptions and experiences of writing and writing instruction through the noticing project? Data include 16 fourth-grade students’ noticing journals, pre-project surveys of youth feelings toward writing, focal group interviews, and researcher field notes. Findings demonstrated that youth held varied perspectives toward writing, that they engaged in multiple LA skills to notice and respond to their and others’ noticings, and that they engaged in discussions of social (in)justice through their noticings. This study has implications for educators and researchers working toward more humanizing writing pedagogies connected to youths’ lived experiences, interests, desires, and curiosities.

In this study, we examine educators’ orientations to the teaching of “standardized English” (SE)—an idealized form often associated with academic and professional contexts. The perceived status of SE is reinforced by normative standard language ideologies and is often oriented as “correct” and necessary for success in education and employment. SE is also a primary focus in English language arts (ELA) classrooms, with educators often positioned as gatekeepers. In this study, we analyze discussion posts from 91 educators enrolled in an online master’s level sociolinguistics course in which they describe how they would define SE for their students. Through iterative, multi-level qualitative collaborative coding of participants’ discussion posts, we interpret six ideological orientations to SE, ranging from standard language ideology to critical language awareness, with varying degrees of acceptance of linguistic diversity and criticality regarding societal sociolinguistic power relations. Importantly, we discuss the messiness of language ideologies, especially as they pertain to ELA. This study highlights the prevalence of hybrid orientations to SE, indicating that educators’ views on SE are complex and often integrate multiple, sometimes conflicting, language ideologies. We argue for the need for teacher preparation and continuing education programs to address language ideologies, promoting strategies that go beyond respecting linguistic diversity to challenging standard language norms as inroads toward dismantling raciolinguistic and colonial legacies in English language education.

This project is an interdisciplinary endeavor to connect research in the teaching of English with Critical Disability Studies, an intersection that is crucial to disrupting ableism and creating more liberatory schooling and societal contexts that embrace broader notions of human differences. Invoking critical content analysis of five young adult novels that depict characters with Tourette syndrome (TS), we asked, how are various models for understanding “disability” invoked in YA fiction that depicts Tourette syndrome? How do these various models function to reinforce, complicate, or reconstruct in a more progressive way notions about human difference in YA fiction that depicts Tourette syndrome? We focused on one of the many pervasive tropes found within all five novels using the psychodynamic construct of splitting. In particular, we call attention to depictions of TS as embodying an animal—most often a dog—that splits off into the bad/dangerous side, usually subsumed within a character’s “normal self.” This trope can be seen as part of broader, historical discourses that have dehumanized disabled people, constructing them as “other” and subsequently rationalizing exclusionary practices. We advocate for and discuss ways for scholars and educators to continue integrating disability from the margins to the center in literacy research.

Sandie Friedman Reznizki, Michal, and David T. Coad, editors. Dynamic Activities for First-Year Composition: 96 Ways to Immerse, Inspire, and Captivate Students. National Council of Teachers of English, 2023. A May 2022 New York Times article featured a graphic with the instantly recognizable design of the Harvard crest, but in place of the Latin “Veritas” […]

Grace Boulanger Knoblauch, Abby A., and Marie E. Moeller, editors. Bodies of Knowledge: Embodied Rhetorics in Theory and Practice. Utah State University Press/University Press of Colorado, 2022. Bodies of Knowledge: Embodied Rhetorics in Theory and Practice, edited by A. Abby Knoblauch and Marie E. Moeller, is an exceptional survey book for scholars invested in learning […]

Yuni Kim Ostman, Heather, Howard Tinberg, and Danizete Martínez, eds. Teaching Writing Through the Immigrant Story. Utah State University Press/University Press of Colorado, 2021. Building on a growing body of scholarship that advocates for student-centered approaches in composition pedagogy, Heather Ostman, Howard Tinberg, and Danizete Martínez advance a narrative-based framework in Teaching Writing Through the […]

Marie Pruitt Lewis, Lynn C. Pivotal Strategies: Claiming Writing Studies as Discipline. Utah State University Press, 2024. Disciplinarity has long been a concern of writing studies scholars. In an attempt to solidify the boundaries and status of the discipline, scholars have defined keywords, outlined threshold concepts, identified foundational texts, conducted large-scale quantitative analyses of books, […]