Abstract

Drawing from an interpretive decolonial framework that understands multimodal writing as the act of creatingco-composedknowledge, this article analyzes Chicanx murals as multimodal compositions that exemplify the continuation of the Aztectlacuilolitztlipractice of writing with images. This work also invites rhetoric and composition scholars to reexamine Western understandings of history, particularly the history of writing.

Journal
College Composition and Communication
Published
2020-09-01
DOI
10.58680/ccc202030893
Open Access
Closed
Topics

Citation Context

Cited by in this index (3)

  1. Technical Communication Quarterly
  2. College Composition and Communication
  3. Research in the Teaching of English

Cites in this index (4)

  1. Journal of Business and Technical Communication
  2. Pedagogy
  3. College English
  4. Journal of Business and Technical Communication
Also cites 6 works outside this index ↓
  1. 10.1057/9780230612570
    Mestiz@Scripts, Digital Migrations, and the Territories of Writing  
  2. “Tribal Synthesis: Piros, Mansos, and Tiwas through History.”
    Journal of the Royal Anthropological Institute  
  3. “Painting the Revolution: State, Politics and Ideology in Mexican Muralism.”
    Third Text  
  4. “Local Histories and Global Designs: An Interview with Walter Mignolo.”
    Discourse  
  5. “Wampum as Hypertext: An American Indian Intellectual Tradition of Multimedia Theory and …
    Studies in American Indian Literatures  
  6. “The Value-Laden Assumptions of Our Interpretive Practices.”
    Reading Research Quarterly  
CrossRef global citation count: 7 View in citation network →