Ink, Blood, Bones

Abstract

Abstract Natasha Trethewey's poem “Native Guard” begins and ends with the phrase “Truth be told,” but the poem demonstrates just how difficult it can be to tell the truth — or even a truth — about history. “Native Guard” excavates historical events that many readers will find unfamiliar: the experience of Black Union troops guarding Confederate prisoners on Ship Island in the Mississippi Gulf Coast during the Civil War. This complex history is expressed in a crosshatched poetic form: contemporaneous journal entries arranged in a series of interlinked sonnets that juxtapose the history written in ink on paper with the pain written in blood on people's bodies and the bones buried beneath every historical account. While teaching the poem requires careful attention to historical context, poetic form, and repetition of words, the experience provides an answer to the question students keep asking: Why do we have to keep reading about slavery? This essay describes some pedagogical choices that may help students grasp their responsibility for seeking truths that can't easily be told because they lie buried beneath unexamined historical narratives.

Journal
Pedagogy
Published
2024-04-01
DOI
10.1215/15314200-11030840
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Cited by in this index (1)

  1. Pedagogy

References (10)

  1. ‘Memories that are(n't) mine’: Matrilineal Trauma and Defiant Reinscription in Natasha Tr…
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  2. An Interview with Joseph Britain
    Southern Quarterly
  3. Not Even Past: The Stories We Keep Telling about the Civil War
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    Southern Quarterly
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    Callaloo  
Show all 10 →
  1. The Archive and the Repertoire: Performing Cultural Memory in the Americas
  2. Native Guard
  3. Natasha Trethewey's Civil War
  4. Everyday Use
  5. Thank God My Regiment an African One: The Civil War Diary of Colonel Nathan W. Daniels