Abstract
At a historical moment when both violence and its mass mediation proliferate, this essay takes as its exigence the reinforcing and troubling relationships uniting violence, image, and vision. It offers rhetorical looking as a pedagogical strategy designed to undermine violence through visual engagement, and it focuses on the atrocity image—a photographic depiction of human-on-human violence—as both a site of violence and a site for intervening in violence. Comprising four interlocking and reciprocal tactics that operate nonlinearly, rhetorical looking performs slow looking, a mode of perception that moves beyond reception and critique to attend to a photograph’s image content and to the perceptual habits by which that content is evoked. By reflecting on its own processes—revealing agency and answerability in looking—rhetorically looking potentially fosters actions that respond to rather than dismiss violence.