Abstract

ur Ptolemaic system of literary categories goes creaking and groaning onward, in spite of the widely acknowledged need overhaul it in response multiculturalism. This is not say that there have not been attempts revise course design in light of new materials and methods. For example, G. Douglas Atkins and Michael L. Johnson's Writing and Reading Differently (1985), Susan L. Gabriel and Isaiah Smithson's Gender in the Classroom (1990), and James A. Berlin and Michael J. Vivion's Cultural Studies in the English Classroom (1992) address the pedagogical consequences of deconstruction, feminist literary theory, and cultural studies, respectively, and also incorporate more diverse literatures. these attempts foster innovation in the individual classroom still leave the basic structure of English studies intact. In Kristin Ross's description of the multicultural world and cultural studies program at the University of California at Santa Cruz, she comments indirectly on this problem when she identifies as one stumbling block the Santa Cruz program the faculty's unwillingness to depart from their specialized fields (668). They fended off demands diversify their course material with plaints like But I don't have a PhD in South African literature (668). Ross gives good reasons for forging ahead in spite of such protests, but she doesn't say much about the underlying structure of English studies that still makes us think our scholarship must be organized along national or chronological lines, even though these are inimical the process of integrating new materials and methods because devised serve and protect the old ones.