Western mathematics functions as a technology of violence when it enlists computational algorithms to underwrite racial neoliberalism. Theorizing algorithmic abstraction as a racial neoliberal technique, this article dramatizes the concept’s methodological affordances through a case study of 23andMe, which deploys algorithmic abstraction to affectively secure and sell Whiteness.

An accessible society,” crip theorist Robert McRuer argues, “is not one simply with ramps and Braille signs on ‘public’ buildings, but one in which our ways of relating to, and depending on, each other have been reconfigured” (94). Using McRuer’s definition as a starting point, in this article I seek to work toward creating a more accessible society of teacher-scholars by exploring interdependency as an ethic for intellectual work. Toward this end, I will first argue that creating such a public requires a reconceptualization of the term “pedagogy,” one that moves beyond the boundaries of the classroom such that learning emerges as a dynamic process of recognition and interrelation. I will then review the concepts of independence, dependence, and interdependence as they have been taken up in disability studies and conclude by using these meanings to map out how interrelations on multiple levels make our intellectual work possible.

Rhetoric-composition's recurring captivation with emergent brain research is sustained not only by the persuasive visual rhetoric of neuroscientific research but also by the conceptual and terministic overlaps that exist between the fields of rhetoric-composition and neuroscience. While these overlaps suggest ways research in brain science can usefully contribute to work in our field, they also instigate seductively simple “solutions” to the “problem” of epistemological uncertainty. Our neurorhetorical methodology preempts the reductive uptake of neuroscientific research while simultaneously motivating a cross-disciplinary reciprocity conducive to the goals of rhetorical inquiry and responsible writing pedagogy.

When students write descriptions of their writing process for portfolios, they represent their experience rather than simply convey it, and their teachers can usefully analyze these representations by drawing on Hayden White’s theory of tropes.

Abstract In this essay I examine the problematics of mainstreaming within one site of composition studies research—the composition anthology. Specifically, I apply articulation theory and feminist disability theory to argue that the mainstreaming of disability narratives within composition readers, when articulated with a theory of individual subjectivity, legitimizes the belief that accommodation is an individualized process. Thus accommodation becomes synonymous with “fitting in,” a definition that locates the responsibility for adaptation within the “abnormal” body rather than within the institutions and ideologies that construct it as such.