Atkins

35 articles
  1. Generative AI in first-year writing: An early analysis of affordances, limitations, and a framework for the future
    Abstract

    Our First-year Writing program began intentional student engagements with generative AI in the fall of 2022. We developed assignments for brainstorming research questions, writing counterarguments, and editing assistance using the AI tools Elicit, Fermat, and Wordtune. Students felt that the tools were helpful for finding ideas to get started with writing, to find sources once they had started writing, and to get help with counterarguments and alternate word choices. But when given the choice to use the assistants or not, most declined. Generative AI at this stage is unreliable, and many students found the tradeoff in reviewing AI suggestions to be too time consuming. And many students expressed a preference for continuing to develop their own voices through writing. Our experience in engaging AI led to the creation of the DEER praxis, which emphasizes defined engagements with AI tools for specific purposes, and generous use of reflection.

    doi:10.1016/j.compcom.2024.102827
  2. Tracing the Influences of Praxis on the Development of an Open Corequisite Writing Textbook
    Abstract

    Although retrospective project reports are common in the materials development literature, accounts of textbook writing sessions are rare; so too are accounts of open textbook production. Open textbooks are learning resources that are free to use and oftentimes adapt by virtue of their copyright permissions. The authors used concurrent verbalization and interviews to document writing episodes while preparing their first book, an open textbook devised for corequisite technical writing courses. Corequisite designs pair content courses with explicit skill-building modules as a means to support underprepared learners in higher education in the United States. Qualitative content analysis of the data revealed how teaching and other praxis influenced the open textbook’s composition: in the authors’ applications of technical writing principles, pedagogical reasoning skills, and nonteaching work. The findings may encourage open textbook writers to exploit their established composing practices and knowledge bases to proceed with textbook production. In addition, the article highlights the usefulness of concurrent verbalization to textbook research and identifies the various materials development opportunities open textbook projects provide. It also contributes to the underresearched area of textbook production by exposing the complexities of open textbook development and how two novice authors negotiated them during writing episodes.

    doi:10.1177/07410883221146550
  3. Sequential Mapping: Using Sequential Rhetoric and Comics Production to Understand UX Design
    Abstract

    Sequential rhetoric can serve as a framework to instruct UX practice (through user story maps) to new learners because it is both approachable and affordable. Sequential rhetoric consists of five main facets that incorporate planning elements (core visual writing and envisaging) and composing elements (interanimation, juxtaquencing, and gestalt closure), which this essay both defines and relates to convergent scholarship. We argue that sequential rhetoric transfers beyond the technical classroom and into the profession itself.

    doi:10.1080/10572252.2020.1768292
  4. Public Exclusions: Garrison State Rhetoric and the Domestic Control of Atomic Energy, 1945–46
    Abstract

    Abstract Less than a year after the bombing of Hiroshima, Congress passed the McMahon Bill for the domestic control of atomic energy, otherwise known as the Atomic Energy Act of 1946. In this article, I reconstruct the controversy surrounding the passage of this legislation, and specifically the effort by proponents of the McMahon Bill to focus the controversy on what role, if any, the military should have in decisions related to atomic policy. Throughout the controversy, proponents of the McMahon Bill evoked the threat of the garrison state to stress the dangers of a politically powerful military and presented the public with a choice between a slow-motion coup d’état led by experts in violence and a commission of experts appointed by the president. In so doing, they transformed what began as a controversy over how to control atomic energy in a manner consistent with the best traditions of representative democracy into a controversy over who was best qualified to manage atomic energy on the public’s behalf. This transformation allowed them to herald the passage of the McMahon Bill as a victory for democracy even as they acknowledged it as a historic break from tradition. The controversy over domestic control must be acknowledged as a key moment in the evolution of Cold War rhetoric—a rhetoric in which national security would trump issues of public participation and in which the public’s exclusion from the policy process could be taken for granted.

    doi:10.14321/rhetpublaffa.20.1.0001
  5. Clarifying the Relationship between L2 Writing and Translingual Writing: An Open Letter to Writing Studies Editors and Organization Leaders
    Abstract

    A concerned group of L2 professionals write an open letter to express their concern that the terms “L2 writing” and “translingual writing” have become almost interchangeable in—writing studies publications and conferences and further argue that much will be lost if “translingual writing” replaces “L2 writing.” Each are distinct areas of research and—pedagogy: L2 writing is a more technical description applied to writing in a language acquired later in life, while translingual writing describes an orientation to language—difference. Without attention to the distinct contributions made by each field, L2 scholarship becomes marginalized in publications, conferences, and hiring practices. The letter—authors and endorsers encourage writing studies editors and organization leaders to recognize and understand the difference between the fields so as to ensure a strong and—enduring future for L2 scholarship.—

    doi:10.58680/ce201526924
  6. Celluloid Circulation: The Dual Temporality of Nonfiction Film and Its Publics
    Abstract

    Research Article| December 01 2012 Celluloid Circulation: The Dual Temporality of Nonfiction Film and Its Publics Nathan S. Atkinson Nathan S. Atkinson Search for other works by this author on: This Site Google Rhetoric and Public Affairs (2012) 15 (4): 675–684. https://doi.org/10.2307/41940630 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Nathan S. Atkinson; Celluloid Circulation: The Dual Temporality of Nonfiction Film and Its Publics. Rhetoric and Public Affairs 1 December 2012; 15 (4): 675–684. doi: https://doi.org/10.2307/41940630 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveMichigan State University PressRhetoric and Public Affairs Search Advanced Search The text of this article is only available as a PDF. © 2012 Michigan State University Board of Trustees2012 Article PDF first page preview Close Modal You do not currently have access to this content.

    doi:10.2307/41940630
  7. Presence and Global Presence in Genres of Self-Presentation: A Framework for Comparative Analysis
    Abstract

    We review Perelman and Olbrechts-Tyteca's original formulation of presence as a technique of argument associated primarily with the selection of individual rhetorical elements, and the recent extension of the notion by Gross and Dearin, where presence is understood as a second-order effect that denotes the systematic expression and inhibition of patterns of rhetorical elements across an entire text or rhetorical artifact. We argue for an additional extension to this more global notion of presence, one that makes it not only global within a text or class of texts, but also comparative, allowing the analyst to make rigorous comparisons of expressed and inhibited rhetorical patterns across different texts, or different classes of texts, including different rhetorical genres. A return to the original conception of presence allows us to make this extension, and we illustrate global presence within this newly proposed comparative framework by analyzing two genres of self-presentation in classroom practice: the cover letter and the self-portrait. We show the close ties between global presence and genre as ways of theorizing deep similarities across texts.

    doi:10.1080/02773940802167583
  8. Poetry Slam
    Abstract

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    doi:10.58680/tetyc20012000
  9. Hypertextual border crossing: students and teachers, texts and contexts
    doi:10.1016/s8755-4615(99)00019-5
  10. The Mad Professor Lectures Out of Doors
    Abstract

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    doi:10.58680/tetyc19973810
  11. World wide web authoring in the portfolio-assessed, (inter)networked composition course
    doi:10.1016/s8755-4615(96)90011-0
  12. Book reviews
    Abstract

    Consolatory Rhetoric: Grief, Symbol and Ritual in the Greco‐Roman Era by Donovan J. Ochs. Columbia, S.C.: University of South Carolina Press, 1993; xiv + 130pp. Ancient Rhetorics for Contemporary Students by Sharon Crowley. New York: Macmillan, 1994. 364 pages; glossary; time‐line of important moments in Greek and Roman rhetoric; bibliography; index. Landmark Essays on Kenneth Burke. Edited by Barry Brummett. Davis, CA: Hermagoras P, 1993; xix; 290 pp. Ramon Hull's New Rhetoric: Text and Translation of Llull's Rethorica Nova. Ed. and Trans. Mark D. Johnson. Davis, CA: Hermagoras Press, 1994; 1; 109. Thinking Through Theory: Vygotskian Perspectives on the Teaching of Writing by James Thomas Zebroski. Portsmouth, NH: Boynton/Cook P, 1994. 334 pages. A Social History of Truth: Civility and Science in Seventeenth‐Century England, by Steven Shapin. Chicago: University of Chicago Press. 1994. Pp. 483.

    doi:10.1080/02773949609391061
  13. Voices from the Ark
    doi:10.2307/378409
  14. Envisioning the Stranger’s Heart
    Abstract

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    doi:10.58680/ce19949206
  15. Envisioning the Stranger's Heart
    doi:10.2307/378309
  16. What Is English Anyway?
    doi:10.2307/378596
  17. How English Teachers See English Teaching
    Abstract

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    doi:10.58680/rte199215427
  18. The Poet as Collegiate Wrestler
    doi:10.2307/358645
  19. Poem: The Poet as Collegiate Wrestler
    Abstract

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    doi:10.58680/ccc19928862
  20. The Ethics of Criticism: Does Literature Do Any Good?
    doi:10.2307/378021
  21. Writing and Reading Differently: Deconstruction and the Teaching of Composition and Literature
    doi:10.2307/358059
  22. Drive by Instinct
    doi:10.2307/376976
  23. Poems
    Abstract

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    doi:10.58680/ce198513249
  24. Deconstruction: An Assessment
    doi:10.2307/377212
  25. The Both/And Nature of Deconstruction
    doi:10.2307/375860
  26. Comment &amp; Response
    doi:10.58680/ce198013858
  27. Dehellenizing Literary Criticism
    doi:10.58680/ce198013895
  28. A Comment on the Reviews of Bestor's Aside from Teaching English
    doi:10.2307/376374
  29. Freshman Composition Texts
    doi:10.2307/357267
  30. Book Reviews
    doi:10.2307/373823
  31. Practical English Handbook
    doi:10.2307/354213
  32. Books
    doi:10.2307/373926
  33. Producing Shakespeare in an Elizabethan Setting
    doi:10.2307/585983
  34. Literature for Our Time
    doi:10.2307/370714
  35. Should Freedom of Speech Be Allowed in Student Publications?
    doi:10.2307/370902