Computers and Composition

1649 articles
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January 2007

  1. Multiliteracies for a Digital Age. Stuart A. Selber. Carbondale: Southern Illinois University Press, 2004, 240 pp
    doi:10.1016/j.compcom.2006.12.001

January 2006

  1. Charles Moran Award
    doi:10.1016/s8755-4615(06)00067-3
  2. Hugh Burns, Ellen Nold, Best Book Award
    doi:10.1016/s8755-4615(06)00047-8
  3. Announcements
    doi:10.1016/s8755-4615(06)00021-1
  4. Letter from the Editors
    doi:10.1016/j.compcom.2006.03.002
  5. Reconceptualizing classroom-based research in computers and composition
    doi:10.1016/j.compcom.2006.09.003
  6. Distance learning: From multiple snapshots, a composite portrait
    doi:10.1016/j.compcom.2005.12.008
  7. Sound engineering: Toward a theory of multimodal soundness
    doi:10.1016/j.compcom.2006.05.003
  8. Writing work, technology, and pedagogy in the era of late capitalism
    doi:10.1016/j.compcom.2005.08.008
  9. ANNOUNCEMENTS
    doi:10.1016/s8755-4615(06)00009-0
  10. Writing power into online discussion
    doi:10.1016/j.compcom.2005.12.007
  11. Charles Moran Award
    doi:10.1016/s8755-4615(06)00046-6
  12. Complexity, class dynamics, and distance learning
    doi:10.1016/j.compcom.2005.12.003
  13. Call for Papers
    doi:10.1016/s8755-4615(06)00049-1
  14. Why Napster matters to writing: Filesharing as a new ethic of digital delivery
    Abstract

    This article discusses the Napster phenomenon and its cultural significance, traces some of the threads of the current “copyright crisis,” and connects these cultural and legal dynamics to show how the current filesharing context of digital environments pertains to issues affecting writing teachers. The article (1) urges writing teachers to view the Napster moment—and the writing practice at the center of it, filesharing—in terms of the rhetorical and economic dynamics of digital publishing and in the context of public battles about copyright and intellectual property and (2) argues that digital filesharing forms the basis for an emergent ethic of digital delivery, an ethic that should lead composition teachers to rethink pedagogical approaches and to revise plagiarism policies to recognize the value of filesharing and to acknowledge Fair Use as an ethic for digital composition.

    doi:10.1016/j.compcom.2006.02.001
  15. Call for papers - Reading Games: Composition,Literacy,and Video Gaming
    doi:10.1016/s8755-4615(06)00069-7
  16. Call for papers - Special issue - Media Coverage
    doi:10.1016/s8755-4615(06)00078-8
  17. Coding with power: Toward a rhetoric of computer coding and composition
    doi:10.1016/j.compcom.2006.08.002
  18. Letter from the Editors
    doi:10.1016/j.compcom.2006.09.001
  19. Determining effective distance learning designs through usability testing
    doi:10.1016/j.compcom.2005.12.002
  20. On globalisation and diversity
    doi:10.1016/j.compcom.2006.09.002
  21. New Dimensions in Computers and Composition Studies
    doi:10.1016/s8755-4615(06)00050-8
  22. Musical rhetoric in integrated-media composition
    doi:10.1016/j.compcom.2006.05.005
  23. Global dimensions: Posts from DAC 2005
    doi:10.1016/j.compcom.2006.09.004
  24. Call for Proposals
    doi:10.1016/s8755-4615(06)00071-5
  25. Was Foucault a plagiarist? Hip-hop sampling and academic citation
    doi:10.1016/j.compcom.2006.05.004
  26. The making of ka-knowledge: Digital aurality
    doi:10.1016/j.compcom.2006.06.001
  27. Global Dimensions
    doi:10.1016/j.compcom.2006.03.001
  28. How the views of faculty can inform undergraduate Web-based research: Implications for academic writing
    doi:10.1016/j.compcom.2006.08.003
  29. Letter from the guest editors
    doi:10.1016/j.compcom.2006.06.002
  30. Synchronous online conference-based instruction: A study of whiteboard interactions and student writing
    doi:10.1016/j.compcom.2005.12.004
  31. Uncovering hidden maps: Illustrative narratology for digital artists/designers
    doi:10.1016/j.compcom.2006.09.005
  32. Literate lives across the digital divide
    doi:10.1016/j.compcom.2006.02.004
  33. The price of free software: Labor, ethics, and context in distance education
    doi:10.1016/j.compcom.2005.12.001
  34. Sound matters: Notes toward the analysis and design of sound in multimodal webtexts
    doi:10.1016/j.compcom.2006.06.003
  35. Speaking on the record: A theory of composition
    doi:10.1016/j.compcom.2006.05.002
  36. Letter from the Guest Editors
    doi:10.1016/j.compcom.2005.12.009
  37. Hugh Burns, Ellen Nold, Distinguished Book Awards
    doi:10.1016/s8755-4615(06)00068-5
  38. Call for Cover Web Texts
    doi:10.1016/s8755-4615(06)00048-x
  39. The distributed Gesamptkunstwerk: Sound, worlding, and new media culture
    doi:10.1016/j.compcom.2006.05.001
  40. Text, image, code, comment: Writing in Flash
    doi:10.1016/j.compcom.2006.08.001
  41. New Dimensions in Computer and Composition Studies
    doi:10.1016/s8755-4615(06)00070-3
  42. Designing efficiencies: The parallel narratives of distance education and composition studies
    doi:10.1016/j.compcom.2005.12.005
  43. Writing, technologies, and the fifth canon
    doi:10.1016/j.compcom.2006.02.002
  44. Paying attention to adult learners online: The pedagogy and politics of community
    doi:10.1016/j.compcom.2005.12.006
  45. The evolution of the Computers and Writing Conference, the second decade
    doi:10.1016/j.compcom.2006.02.003

January 2005

  1. Students’ views on technology and writing: The power of personal history
    doi:10.1016/j.compcom.2005.02.006
  2. Computer-based reading and writing across the curriculum: Two case studies of L2 writers
    doi:10.1016/j.compcom.2005.05.005
  3. Global Dimensions: International section of Computers and Composition
    doi:10.1016/j.compcom.2004.12.003
  4. Kineticism, rhetoric, and new media artists
    doi:10.1016/j.compcom.2004.12.005