Computers and Composition

1665 articles
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June 2024

  1. Incorporating direct quotations in videos for academic purposes: An exploratory study
    doi:10.1016/j.compcom.2024.102852
  2. Does the peer review mode make a difference? An exploratory look at undergraduates' performances and preferences in a writing course
    doi:10.1016/j.compcom.2024.102854
  3. “Inside jokes and the funny things”: Belongingness in College Students’ Rhetorical Uses of Venmo
    doi:10.1016/j.compcom.2024.102845
  4. For the record: Practicing critical software literacy in writing centers
    doi:10.1016/j.compcom.2024.102846
  5. Editorial Board
    doi:10.1016/s8755-4615(24)00035-5
  6. Navigating the emotional terrain of Wikipedia writing: A feminist affective analysis of student writers’ engagement with the “be bold” guideline
    doi:10.1016/j.compcom.2024.102850
  7. Creating opportunities and spaces for social interactions in online contexts: Academic discourse socialization of L2 international graduate students
    doi:10.1016/j.compcom.2024.102849
  8. Personalizing first-year writing course design and delivery: Navigating modality, shared curriculum, and contingent labor in a community of practice
    Abstract

    This article describes five first-year writing instructors’ experiences with personalizing shared curriculum across three different course delivery formats (face-to-face, hybrid, online). The data is drawn from teaching journals that the co-authors, a non-tenure track, part-time Lecturer and a tenured Writing Program Administrator, and three Graduate Student Teaching Associates completed throughout Fall 2022. The findings illustrate both benefits and drawbacks related to shared curriculum: discussing and troubleshooting curriculum in a community of practice is highly valuable, but separating course delivery from course design is challenging. In our study, those challenges manifested as disconnects between course content and disciplinary identity, as well as personal feelings of failure. On the other hand, the need to personalize shared curriculum across multiple delivery formats proved productive, especially when instructors used asynchronous online materials as a starting point to develop hybrid and face-to-face lesson plans. Ultimately, we advocate for more conversations about how writing programs can support contingent faculty as they personalize shared curriculum through both course delivery and design, and we offer an example of a successful community of practice that revises shared curriculum in response to community members’ experiences with teaching in multiple modalities.

    doi:10.1016/j.compcom.2024.102847

March 2024

  1. Research writing with ChatGPT: A descriptive embodied practice framework
    doi:10.1016/j.compcom.2024.102830
  2. Book Review
    doi:10.1016/j.compcom.2024.102832
  3. Machine-in-the-loop writing: Optimizing the rhetorical load
    doi:10.1016/j.compcom.2024.102826
  4. Towards a framework for local interrogation of AI ethics: A case study on text generators, academic integrity, and composing with ChatGPT
    doi:10.1016/j.compcom.2024.102831
  5. In Memoriam: Gail E. Hawisher
    doi:10.1016/j.compcom.2024.102835
  6. Generative AI in first-year writing: An early analysis of affordances, limitations, and a framework for the future
    Abstract

    Our First-year Writing program began intentional student engagements with generative AI in the fall of 2022. We developed assignments for brainstorming research questions, writing counterarguments, and editing assistance using the AI tools Elicit, Fermat, and Wordtune. Students felt that the tools were helpful for finding ideas to get started with writing, to find sources once they had started writing, and to get help with counterarguments and alternate word choices. But when given the choice to use the assistants or not, most declined. Generative AI at this stage is unreliable, and many students found the tradeoff in reviewing AI suggestions to be too time consuming. And many students expressed a preference for continuing to develop their own voices through writing. Our experience in engaging AI led to the creation of the DEER praxis, which emphasizes defined engagements with AI tools for specific purposes, and generous use of reflection.

    doi:10.1016/j.compcom.2024.102827
  7. Editorial Board
    doi:10.1016/s8755-4615(24)00016-1
  8. Writing with generative AI and human-machine teaming: Insights and recommendations from faculty and students
    Abstract

    We share our experiences working with large-language model generative AI for a full semester in a professional writing course, integrating it into all projects. We discuss how we adapted our teaching, learning, and writing to using (or purposefully not using) AI. Issues we discuss include balancing integration of AI to avoid potential overreliance, the importance of centering authorial agency and decision-making, negotiating grading and evaluation, the benefits and drawbacks of AI throughout the writing process, and the relationships we build or could build with AI. We close with recommendations for faculty and students.

    doi:10.1016/j.compcom.2024.102833
  9. Composing with generative AI on digital advertising platforms
    doi:10.1016/j.compcom.2024.102829
  10. A “Dance of storytelling”: Dissonances between substance and style in collaborative storytelling with AI
    doi:10.1016/j.compcom.2024.102825
  11. Rhetorically training students to generate with AI: Social justice applications for AI as audience
    doi:10.1016/j.compcom.2024.102828
  12. Introduction: Composing with generative AI
    doi:10.1016/j.compcom.2024.102834

December 2023

  1. Using virtual design sprints to promote inclusive collaboration in composition programs
    doi:10.1016/j.compcom.2023.102806
  2. Erratum regarding missing Declaration of Competing Interest statements in previously published articles – Part 2
    doi:10.1016/j.compcom.2023.102810
  3. Letter from the Editor
    doi:10.1016/j.compcom.2023.102808
  4. Erratum regarding missing Declaration of Competing Interest statements in previously published articles – Part 1
    doi:10.1016/j.compcom.2023.102809
  5. Erratum regarding missing Declaration of Competing Interest statements in previously published articles – part 3
    doi:10.1016/j.compcom.2023.102811
  6. Professional development through CALL lesson study: L2 writing teachers’ perception and practice
    doi:10.1016/j.compcom.2023.102805
  7. The Great Plains Alliance for Computers and Writing (GPACW): The history of a cornerstone regional conference and scholarly network for field development, 1997–2019
    doi:10.1016/j.compcom.2023.102804
  8. Computers and Composition at 40: A retrospective
    doi:10.1016/j.compcom.2023.102807
  9. Editorial Board
    doi:10.1016/s8755-4615(23)00065-8

September 2023

  1. Reconceptualizing literacy: Experimentation and play in audio literacy narratives
    doi:10.1016/j.compcom.2023.102790
  2. Beyond the break, theory on a dramatic scale
    doi:10.1016/j.compcom.2023.102795
  3. Constructing belonging through sonic composition
    doi:10.1016/j.compcom.2023.102789
  4. Letter from the editor
    doi:10.1016/j.compcom.2023.102794
  5. Technofeminism, Twitter, and the counterpublic rhetoric of @SheRatesDogs
    doi:10.1016/j.compcom.2023.102788
  6. Digital storytelling for cultivating a participatory culture in first-year composition
    doi:10.1016/j.compcom.2023.102792
  7. Editorial Board
    doi:10.1016/s8755-4615(23)00049-x
  8. Book review: Edutech enabled teaching: Challenges and opportunities, by Manpreet Singh Manna, Balamurugan Balusamy, Kiran Sood, Naveen Chilamkurti, and Ignisha Rajathi George. Chapman and Hall/CRC Press, 2022
    doi:10.1016/j.compcom.2023.102791
  9. The uses—and limits—of distraction-free writing
    Abstract

    This article examines the potential uses—and limits—of so-called “distraction-free” writing software, especially in academic writing contexts. It does so by presenting findings from two different qualitative studies, one in which graduate students experimented with such tools and reflected on their experiences, and another study in which undergraduate students composed reflective essays about their writing processes. Taken together, these findings indicate that distraction-free writing may only prove useful within a relatively narrow band of composing activity. Moreover, they suggest that participants’ beliefs and understandings of what constitutes writing activity—and distraction from it—are both broader and more fluid than tacit assumptions embedded in distraction-free writing software. Ultimately, the point is not necessarily to critique this class of software, but instead to use it as an occasion to better understand phenomena related to composing processes, such as attention, distraction, and motivation.

    doi:10.1016/j.compcom.2023.102793

June 2023

  1. Wikipedia: One of the last, best internet spaces for teaching digital literacy, public writing, and research skills in first year composition
    doi:10.1016/j.compcom.2023.102774
  2. Exploring how response technologies shape instructor feedback: A comparison of Canvas Speedgrader, Google Docs, and Turnitin GradeMark
    Abstract

    There have been few studies examining the variation that exists within modes of feedback: for example, comparing how electronic text feedback created using Google Docs differs from electronic text feedback created using Microsoft Word or how audiovisual feedback created using TechSmith Capture differs from audiovisual feedback created using Screencast-O-Matic. However, the programs that instructors use to create feedback have different affordances, meaning that even within a single mode, the feedback students receive on their writing can vary significantly. To better understand the variation that exists within a single mode, this study investigates how affordances of Canvas Speedgrader, Google Docs, and Turnitin GradeMark impacted electronic text feedback.Based on analysis of 131 feedback files created using the 3 programs, in conjunction with 5 student surveys, and 2 instructor interviews, the study provides insights into how instructor written commentary (location, form, type, focus, and mitigation) varied by program and how participants perceived of feedback provided through the 3 programs. The study...s primary finding is that the affordances of the programs used to create electronic text feedbackresulted in significant differences ininstructorcommentary and instructor and student perceptions of feedback.

    doi:10.1016/j.compcom.2023.102777
  3. How high school students used speech-to-text as a composition tool
    doi:10.1016/j.compcom.2023.102775
  4. Editorial Board
    doi:10.1016/s8755-4615(23)00035-x
  5. Letter from the Editor
    doi:10.1016/j.compcom.2023.102780
  6. “Places to stand”: Multiple metaphors for framing ChatGPT's corpus
    doi:10.1016/j.compcom.2023.102778
  7. ‘These Nevada memes are coming out faster than the results’: Community power and public solidarity in 2020 election memes
    doi:10.1016/j.compcom.2023.102779
  8. Building girls’ confidence in digital literacies at tech camp
    doi:10.1016/j.compcom.2023.102773

March 2023

  1. #anxiety: A multimodal discourse analysis of narrations of anxiety on TikTok
    doi:10.1016/j.compcom.2023.102763
  2. The same topic, different products: Pre-/in-service teachers’ linguistic knowledge representation in a multimodal project
    doi:10.1016/j.compcom.2023.102754
  3. Book Review: Beyond the makerspace: Making and relational rhetorics, by Ann Shivers-McNair, University of Michigan Press, 2021
    doi:10.1016/j.compcom.2023.102760
  4. Book review: Teaching writing in the 21st century, by Beth L. Hewett, Tiffany Bourelle, and Scott Warnock, and Administering writing programs in the 21st century, by Tiffany Bourelle, Beth L. Hewett, and Scott Warnock, The Modern Language Association of America, 2022
    doi:10.1016/j.compcom.2023.102753