Computers and Composition

1665 articles
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March 2023

  1. “Make your feed work for you”: Tactics of feminist affective resistance on social media
    doi:10.1016/j.compcom.2023.102762
  2. Patterning memories of sexual violence using the #MeToo hashtag
    Abstract

    In 2017, more than a million Tweets were tagged to #MeToo. Some of these Tweets only posted “#MeToo,” while other Tweets described memories of sexual violence. Through an analysis of qualitative interview data, this article illustrates that sharing trauma using hashtag #MeToo helped participants to pattern their memories of sexual violence. It concludes with recommendations for future researchers to examine the intersections between trauma, memory, and the #MeToo hashtag.

    doi:10.1016/j.compcom.2023.102750
  3. Analyses of seven writing studies journals, 2000–2019, Part II: Data-driven identification of keywords
    doi:10.1016/j.compcom.2023.102756
  4. Written corrective feedback in an online community: A typology of English language learners’ requests and interlocutors’ responses
    doi:10.1016/j.compcom.2023.102752
  5. Slipping into the world: Platforms, scale, and branding in alumni's social media writing
    Abstract

    In this article, we draw on focus group interviews collected for the Wayfinding Project to explore how university alumni orient themselves as writers while participating in social media after graduation. By looking at alumni's self descriptions of their writing processes across public networks, we are able to trace pathways that recognize the rhetorical and communicative intentions of users, while also acknowledging the roles that serendipity, creativity, and the unexpected play in shaping these literate practices. Specifically, we point to how these alumni describe their experiences as they adapt to addressing audiences across different platforms and confront the “reach” of those platforms for engaging unexpected audiences. Several focus group participants use the term “branding” as a way to describe how they conceive of their writing across multiple social networks. These participants describe their public, networked writing as a form of managing their identities at the same time that they are “branding” themselves to manage the expectations of multiple audiences. In sum, our research shows us how the unexpected audiences generated through social media participation operate in tension with writers’ deliberate shaping of their messages and their self-presentation.

    doi:10.1016/j.compcom.2023.102759
  6. Reimagining student-centered learning: Accessible and inclusive syllabus design during and after the COVID-19 pandemic
    doi:10.1016/j.compcom.2023.102751
  7. Analyses of seven writing studies journals, 2000–2019, Part I: Statistical trends in references cited and lexical diversity
    doi:10.1016/j.compcom.2023.102755
  8. Network-Emergent Rhetorical Invention
    doi:10.1016/j.compcom.2023.102758
  9. Editorial Board
    doi:10.1016/s8755-4615(23)00021-x
  10. Podcasts in rhetoric and composition: A review of The Big Rhetorical Podcast and Pedagogue
    doi:10.1016/j.compcom.2023.102757
  11. Letter from the Editor
    doi:10.1016/j.compcom.2023.102765
  12. Facilitating student discourse: Online and hybrid writing students’ perceptions of teaching presence
    doi:10.1016/j.compcom.2023.102761
  13. Using digital media in the classroom as writing platforms for multimodal authoring, publishing, and reflecting
    doi:10.1016/j.compcom.2023.102764

December 2022

  1. Blurred boundaries: Post-pandemic perspectives of digital writing pedagogies special issue introduction
    doi:10.1016/j.compcom.2022.102743
  2. Re-assessing “readiness” in OWI: Toward a trauma-informed approach to supporting students in online writing courses
    doi:10.1016/j.compcom.2022.102738
  3. Continuous delivery: A PARS online course development cycle
    doi:10.1016/j.compcom.2022.102741
  4. “Wild, wild west” or program administration? Traversing politics as writing administrators
    doi:10.1016/j.compcom.2022.102737
  5. What the COVID pandemic taught us about creating inclusive, anti-racist, and accessible online writing classes and programs
    doi:10.1016/j.compcom.2022.102739
  6. Pandemic pedagogy from both sides of the screen: A Teacher/Scholar/Parent's reflections on online time
    doi:10.1016/j.compcom.2022.102742
  7. Editorial Board
    doi:10.1016/s8755-4615(22)00055-x
  8. Necessity is the mother of invention: Accessibility pre, inter, & post pandemic
    doi:10.1016/j.compcom.2022.102740

September 2022

  1. Random build challenges and vital materialism in The Sims 4: Influences, innovations, and improvisations
    doi:10.1016/j.compcom.2022.102723
  2. Making games matter: Games and materiality special issue introduction
    doi:10.1016/j.compcom.2022.102730
  3. Editorial Board
    doi:10.1016/s8755-4615(22)00042-1
  4. Embracing discord? The rhetorical consequences of gaming platforms as classrooms
    doi:10.1016/j.compcom.2022.102729
  5. More than serious: Medicine, games, and care
    doi:10.1016/j.compcom.2022.102727
  6. “Our world is worth fighting for”: Gas mask agency, copypasta sit-ins, and the material-discursive practices of the Blitzchung controversy
    doi:10.1016/j.compcom.2022.102725
  7. The thing-power of Ring Fit Adventure as embodied play: Tracing new materialist rhetoric across physical and cultural borders
    doi:10.1016/j.compcom.2022.102726
  8. Cultivating ethical gameplay dispositions through the materiality of gameplay in Illuminati
    doi:10.1016/j.compcom.2022.102724
  9. Back in my body, or, heuristics for embodied gameful course design
    doi:10.1016/j.compcom.2022.102728

June 2022

  1. Letter from the Editor
    doi:10.1016/j.compcom.2022.102714
  2. Affective Spamming on Twitch: Rhetorics of an Emote-Only Audience in a Presidential Inauguration Livestream
    doi:10.1016/j.compcom.2022.102711
  3. Editorial Board
    doi:10.1016/s8755-4615(22)00026-3
  4. Designing born-digital scholarship: A study of webtext authors’ experience and design conventions
    doi:10.1016/j.compcom.2022.102708
  5. Digital divides in access and use in literacy instruction in rural high schools
    doi:10.1016/j.compcom.2022.102709
  6. Book Review: Wikipedia and the Representation of Reality, by Zachary J. McDowell and Matthew A. Vetter, Routledge, 2022
    doi:10.1016/j.compcom.2022.102713
  7. #ShopSmall because #ArtAintFree: Instagram artists’ rhetorical identification with community values
    doi:10.1016/j.compcom.2022.102710
  8. Book Review: Teaching Business, Technical and Academic Writing Online and Onsite: A Writing Pedagogy Sourcebook, by Sarbani Sen Vengadasalam, Cambridge Scholars Publishing, 2021
    doi:10.1016/j.compcom.2022.102712

March 2022

  1. Book Review: Rhetorical Code Studies: Discovering Arguments in and Around Code, by Kevin Brock, University of Michigan Press, 2019
    doi:10.1016/j.compcom.2022.102697
  2. Editorial Board
    doi:10.1016/s8755-4615(22)00012-3
  3. Persuasive acts: Women's rhetorics in the twenty-first century, Edited by Shari J. Stenberg & Charlotte Hogg, University of Pittsburgh Press, 2020
    doi:10.1016/j.compcom.2022.102698
  4. Reinventing argument: How games persuade through performative enthymemes
    doi:10.1016/j.compcom.2022.102693
  5. Book Review: Tim Lockridge and Derek Van Ittersum's 2020 Writing Workflows: Beyond Word Processing
    doi:10.1016/j.compcom.2022.102694
  6. Book Review: Designing and Implementing Multimodal Curricula and Programs, J.C. Lee and Santosh Khadka, Eds., Routledge, 2018
    doi:10.1016/j.compcom.2022.102695
  7. Writing as extended mind: Recentering cognition, rethinking tool use
    doi:10.1016/j.compcom.2022.102700
  8. Expression of the embodiment contradiction in Natalie Wynn's ContraPoints video, Beauty
    doi:10.1016/j.compcom.2022.102696
  9. Letter from Editor
    doi:10.1016/s8755-4615(22)00013-5
  10. Exploring feedback and regulation in online writing classes with keystroke logging
    doi:10.1016/j.compcom.2022.102692

December 2021

  1. Editorial Board
    doi:10.1016/s8755-4615(21)00062-1
  2. Sound, captions, action: Voices in video composition projects
    doi:10.1016/j.compcom.2021.102673