Computers and Composition

1649 articles
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December 2022

  1. “Wild, wild west” or program administration? Traversing politics as writing administrators
    doi:10.1016/j.compcom.2022.102737
  2. What the COVID pandemic taught us about creating inclusive, anti-racist, and accessible online writing classes and programs
    doi:10.1016/j.compcom.2022.102739
  3. Pandemic pedagogy from both sides of the screen: A Teacher/Scholar/Parent's reflections on online time
    doi:10.1016/j.compcom.2022.102742
  4. Editorial Board
    doi:10.1016/s8755-4615(22)00055-x
  5. Necessity is the mother of invention: Accessibility pre, inter, & post pandemic
    doi:10.1016/j.compcom.2022.102740

September 2022

  1. Random build challenges and vital materialism in The Sims 4: Influences, innovations, and improvisations
    doi:10.1016/j.compcom.2022.102723
  2. Making games matter: Games and materiality special issue introduction
    doi:10.1016/j.compcom.2022.102730
  3. Editorial Board
    doi:10.1016/s8755-4615(22)00042-1
  4. Embracing discord? The rhetorical consequences of gaming platforms as classrooms
    doi:10.1016/j.compcom.2022.102729
  5. More than serious: Medicine, games, and care
    doi:10.1016/j.compcom.2022.102727
  6. “Our world is worth fighting for”: Gas mask agency, copypasta sit-ins, and the material-discursive practices of the Blitzchung controversy
    doi:10.1016/j.compcom.2022.102725
  7. The thing-power of Ring Fit Adventure as embodied play: Tracing new materialist rhetoric across physical and cultural borders
    doi:10.1016/j.compcom.2022.102726
  8. Cultivating ethical gameplay dispositions through the materiality of gameplay in Illuminati
    doi:10.1016/j.compcom.2022.102724
  9. Back in my body, or, heuristics for embodied gameful course design
    doi:10.1016/j.compcom.2022.102728

June 2022

  1. Letter from the Editor
    doi:10.1016/j.compcom.2022.102714
  2. Affective Spamming on Twitch: Rhetorics of an Emote-Only Audience in a Presidential Inauguration Livestream
    doi:10.1016/j.compcom.2022.102711
  3. Editorial Board
    doi:10.1016/s8755-4615(22)00026-3
  4. Designing born-digital scholarship: A study of webtext authors’ experience and design conventions
    doi:10.1016/j.compcom.2022.102708
  5. Digital divides in access and use in literacy instruction in rural high schools
    doi:10.1016/j.compcom.2022.102709
  6. Book Review: Wikipedia and the Representation of Reality, by Zachary J. McDowell and Matthew A. Vetter, Routledge, 2022
    doi:10.1016/j.compcom.2022.102713
  7. #ShopSmall because #ArtAintFree: Instagram artists’ rhetorical identification with community values
    doi:10.1016/j.compcom.2022.102710
  8. Book Review: Teaching Business, Technical and Academic Writing Online and Onsite: A Writing Pedagogy Sourcebook, by Sarbani Sen Vengadasalam, Cambridge Scholars Publishing, 2021
    doi:10.1016/j.compcom.2022.102712

March 2022

  1. Book Review: Rhetorical Code Studies: Discovering Arguments in and Around Code, by Kevin Brock, University of Michigan Press, 2019
    doi:10.1016/j.compcom.2022.102697
  2. Editorial Board
    doi:10.1016/s8755-4615(22)00012-3
  3. Persuasive acts: Women's rhetorics in the twenty-first century, Edited by Shari J. Stenberg & Charlotte Hogg, University of Pittsburgh Press, 2020
    doi:10.1016/j.compcom.2022.102698
  4. Reinventing argument: How games persuade through performative enthymemes
    doi:10.1016/j.compcom.2022.102693
  5. Book Review: Tim Lockridge and Derek Van Ittersum's 2020 Writing Workflows: Beyond Word Processing
    doi:10.1016/j.compcom.2022.102694
  6. Book Review: Designing and Implementing Multimodal Curricula and Programs, J.C. Lee and Santosh Khadka, Eds., Routledge, 2018
    doi:10.1016/j.compcom.2022.102695
  7. Writing as extended mind: Recentering cognition, rethinking tool use
    doi:10.1016/j.compcom.2022.102700
  8. Expression of the embodiment contradiction in Natalie Wynn's ContraPoints video, Beauty
    doi:10.1016/j.compcom.2022.102696
  9. Letter from Editor
    doi:10.1016/s8755-4615(22)00013-5
  10. Exploring feedback and regulation in online writing classes with keystroke logging
    doi:10.1016/j.compcom.2022.102692

December 2021

  1. Editorial Board
    doi:10.1016/s8755-4615(21)00062-1
  2. Sound, captions, action: Voices in video composition projects
    doi:10.1016/j.compcom.2021.102673
  3. Google Docs or Microsoft Word? Master's students' engagement with instructor written feedback on academic writing in a cross-cultural setting
    doi:10.1016/j.compcom.2021.102672
  4. Book Review: ePortfolios@edu what we know, what we don't know, and everything in-between, Mary Ann Dellinger and D. Alexis Hart. WAC Clearinghouse (2020)
    doi:10.1016/j.compcom.2021.102676
  5. Social presence in online writing instruction: Distinguishing between presence, comfort, attitudes, and learning
    Abstract

    As a component of the Community of Inquiry Framework, social presence is typically defined as students “feeling real” enough to interact with and learn from peers online. This article complicates social presence for an online writing instruction (OWI) context, differentiating between social presence, social comfort, attitudes about online learning, and social learning. The study was initially designed to examine graduate students’ perceptions of social presence as an element of online teaching and learning in two sections of an Online Composition Pedagogy course offered in Spring 2020 and Summer 2020. The COVID-19 pandemic intensified the project, since students were now learning about hybrid and online pedagogy against the backdrop of their own experiences as emergency remote students and teachers. Analysis of 21 students’ reflections written during the courses indicates that distinguishing between social presence per se and social comfort, attitudes, and learning helps to account for the individual and social contexts of course participants. Ultimately, this article argues that simply inviting students to “feel real” or positioning yourself as a “real” instructor is not sufficient for establishing the types of social interactions that composition studies values.

    doi:10.1016/j.compcom.2021.102669
  6. Digital surveillance in online writing instruction: Panopticism and simulation in learning management systems
    doi:10.1016/j.compcom.2021.102680
  7. “Anyone? Anyone?”: Promoting inter-learner dialogue in synchronous video courses
    doi:10.1016/j.compcom.2021.102671
  8. Composing (with/in) extended reality: How students name their experiences with immersive technologies
    doi:10.1016/j.compcom.2021.102679
  9. Phenomenology of writing with unfamiliar tools in a semi-public environment: A case study
    doi:10.1016/j.compcom.2021.102668
  10. Circulatory interfaces: Perpetuating power through practices, content, and positionality
    doi:10.1016/j.compcom.2021.102670
  11. Letter from Editor
    doi:10.1016/j.compcom.2021.102688
  12. Analyzing writing fluency on smartphones by Saudi EFL students
    doi:10.1016/j.compcom.2021.102667
  13. Using automated feedback to develop writing proficiency
    doi:10.1016/j.compcom.2021.102675
  14. Coalitional literacies of digital safety and solidarity: A white paper on nextGEN international listserv
    doi:10.1016/j.compcom.2021.102681
  15. A web-based feedback platform for peer and teacher feedback on writing: An Activity Theory perspective
    doi:10.1016/j.compcom.2021.102666
  16. Book Review: How Writing Faculty Write: Strategies for Process, Product, and Productivity. Christine Tulley. University Press of Colorado (2018)
    doi:10.1016/j.compcom.2021.102674
  17. Book Review: Bridging the Multimodal Gap: From Theory to Practice, Santosh Khadka, J.C. Lee (Eds.). Utah State University Press, Logan, UT (2019)
    doi:10.1016/j.compcom.2021.102677
  18. Book Review: Rhetorical Delivery and Digital Technologies: Networks, Affect, Electracy, Sean Morey. Routledge (2016)
    doi:10.1016/j.compcom.2021.102678