Computers and Composition

1649 articles
Year: Topic:
Export:

September 2020

  1. Algorithmic outrage
    doi:10.1016/j.compcom.2020.102582

June 2020

  1. Book Review
    doi:10.1016/j.compcom.2020.102566
  2. Editorial Board
    doi:10.1016/s8755-4615(20)30049-9
  3. Corrigendum to “Writing for Algorithmic Audiences” [Computers and Composition: An International Journal 45 (2017): 25–35]
    doi:10.1016/j.compcom.2017.11.001
  4. Rhetorical Exhaustion & the Ethics of Amplification
    doi:10.1016/j.compcom.2020.102568
  5. Book Review
    doi:10.1016/j.compcom.2020.102565
  6. Letter from Editor
    doi:10.1016/s8755-4615(20)30050-5
  7. Relationships between Dutch Youths’ Social Media Use and School Writing
    doi:10.1016/j.compcom.2020.102574
  8. Everything is (not so) Terrible!: Heuretic Glitchicism as Method for Electrate (Re)composing
    doi:10.1016/j.compcom.2020.102575
  9. Gamified Identification: Gamification and Identification in Indigenous Australian Interactive Documentaries
    doi:10.1016/j.compcom.2020.102571
  10. Theorizing Network Bias and Teaching Mêtic Invention in Online Search
    doi:10.1016/j.compcom.2020.102573
  11. Modern Marginalia: Using Digital Annotation in the Composition Classroom
    doi:10.1016/j.compcom.2020.102570
  12. Young Authors Online: Exploring the Meaning Making Process Through Positionings in Place and Space
    doi:10.1016/j.compcom.2020.102576
  13. Gaming Reddit’s Algorithm: r/the_donald, Amplification, and the Rhetoric of Sorting
    doi:10.1016/j.compcom.2020.102572
  14. Book Review
    doi:10.1016/j.compcom.2020.102569
  15. Researching People who (Probably) Hate You: When Practicing “Good” Ethics Means Protecting Yourself
    doi:10.1016/j.compcom.2020.102567

March 2020

  1. Your Digital Alter Ego - The Superhero/Villain You (Never) Wanted Transcending Space and Time?
    doi:10.1016/j.compcom.2020.102543
  2. Book Review
    doi:10.1016/j.compcom.2020.102540
  3. Book Review
    doi:10.1016/j.compcom.2020.102541
  4. Experimenting with Writing Identities on Facebook through Intertextuality and Interdiscursivity
    doi:10.1016/j.compcom.2020.102545
  5. The Spaces Between: Mapping gaps in the Assemblages of Digital City Renderings
    doi:10.1016/j.compcom.2020.102547
  6. The Story/Test/Story Method: A Combined Approach to Usability Testing and Contextual Inquiry
    doi:10.1016/j.compcom.2020.102548
  7. Tracing Ecologies of Code Literacy and Constraint in Emojis as Multimodal Public Pedagogy
    doi:10.1016/j.compcom.2020.102552
  8. XM<LGBT/>: A Schema for Encoding Queer Identities in Qualitative Research
    doi:10.1016/j.compcom.2020.102553
  9. Technology-Mediated Writing: Exploring Incoming Graduate Students’ L2 Writing Strategies with Activity Theory
    doi:10.1016/j.compcom.2020.102542
  10. “I Never Know What to Expect”: Aleatory Identity Play in Fortnite and Its Implications for Multimodal Composition
    doi:10.1016/j.compcom.2020.102550
  11. EFL Students’ Cognitive Performance during Argumentative Essay Writing: A log-file data analysis
    doi:10.1016/j.compcom.2020.102546
  12. Written participation with response technology – How teachers ask and students respond with applied text response functionality
    doi:10.1016/j.compcom.2020.102551
  13. Editorial Board
    doi:10.1016/s8755-4615(20)30018-9
  14. Student Perceptions of Their Web Literacy Identities
    doi:10.1016/j.compcom.2020.102549
  15. Letter from Editor
    doi:10.1016/s8755-4615(20)30019-0
  16. The Current State of Analytics: Implications for Learning Management System (LMS) Use in Writing Pedagogy
    doi:10.1016/j.compcom.2020.102544

December 2019

  1. A Research Methodology of Interdependence through Video as Method
    doi:10.1016/j.compcom.2019.102514
  2. The Digital Sensorium: Considering the Senses in Website Design
    doi:10.1016/j.compcom.2019.102508
  3. Teaching Writing with Language Feedback Technology
    doi:10.1016/j.compcom.2019.102518
  4. Algorithmic Circulation: How Content Creators Navigate the Effects of Algorithms on Their Work
    doi:10.1016/j.compcom.2019.102521
  5. State of the Field: Teaching with Digital Tools in the Writing and Communication Classroom
    doi:10.1016/j.compcom.2019.102511
  6. Text, Image, Data, Interaction: Understanding Information Visualization
    doi:10.1016/j.compcom.2019.102519
  7. Online Public Spheres in the Era of Fake News: Implications for the Composition Classroom
    doi:10.1016/j.compcom.2019.102525
  8. Rhetorical Listening Pedagogy: Promoting Communication Across Cultural and Societal Groups with Video Narrative
    doi:10.1016/j.compcom.2019.102517
  9. Chinese Writing Composition Among CFL Learners: A Comparison Between Handwriting and Typewriting
    doi:10.1016/j.compcom.2019.102522
  10. Online Metaphorical Feedback and Students’ Textual Revisions: An Embodied Cognitive Experience
    doi:10.1016/j.compcom.2019.102512
  11. Publisher's Note - Introducing article numbering to Computers and Composition
    doi:10.1016/j.compcom.2019.102527
  12. Book Review
    doi:10.1016/j.compcom.2019.102523
  13. Using Google Docs for Peer-then-Teacher Review on Middle School Students’ Writing
    doi:10.1016/j.compcom.2019.102524
  14. Deliberative Drifting: A Rhetorical Field Method for Audience Studies on Social Media
    doi:10.1016/j.compcom.2019.102520
  15. Editorial Board
    doi:10.1016/s8755-4615(19)30087-8
  16. Technological Efficiency in The Learning Management System: A Wicked Problem with Sustainability for Online Writing Instruction
    doi:10.1016/j.compcom.2019.102510
  17. Book Review
    doi:10.1016/j.compcom.2019.102516
  18. Letter from the Editor
    doi:10.1016/j.compcom.2019.102539