We report our survey research about what American business professionals consider appropriate or civil mobile phone behavior during formal and informal meetings. The findings come from two of our recent research studies: an open-ended survey of 204 employees at a beverage distributor on the East Coast and a nationwide, random-sample survey of 350 business professionals in the United States. There were significant differences by age, group, gender, region, and income level. The differences between women and men were quite striking, with men nearly twice as likely to consider various mobile phone behaviors as acceptable in informal meetings.

Book Review| March 01 2014 Standing in the Intersection: Feminist Voices, Feminist Practices in Communication Studies Standing in the Intersection: Feminist Voices, Feminist Practices in Communication Studies. Edited by Karma R. Chávez and Cindy L. Griffin. Albany: State University of New York Press, 2012; pp. xxiii + 217. $80.00 cloth; $29.95 paper. Valerie N. Wieskamp Valerie N. Wieskamp Indiana University Search for other works by this author on: This Site Google Rhetoric and Public Affairs (2014) 17 (1): 183–186. https://doi.org/10.14321/rhetpublaffa.17.1.0183 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Citation Valerie N. Wieskamp; Standing in the Intersection: Feminist Voices, Feminist Practices in Communication Studies. Rhetoric and Public Affairs 1 March 2014; 17 (1): 183–186. doi: https://doi.org/10.14321/rhetpublaffa.17.1.0183 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveMichigan State University PressRhetoric and Public Affairs Search Advanced Search The text of this article is only available as a PDF. © 2014 Michigan State University Board of Trustees. All rights reserved.2014 Article PDF first page preview Close Modal You do not currently have access to this content.

Historians of rhetoric have provided research over the last three decades that has significantly advanced our knowledge of women in the rhetorical tradition. These achievements, while often stunning, have also exposed the need for more primary research, particularly in classical rhetoric where a wealth of evidence awaits study. Such evidence is frequently found in nontraditional sources and, correspondingly, calls for nontraditional methods of analysis. The need and merits of this view are presented in two ways. First, an overview of nontraditional sources offers new insights to the literacy of Greek, Roman, and Etruscan women. Second, a more specific and detailed illustration of the research potential of this perspective is presented by deciphering an inscription from Teos, a small but important Greek city that is now a part of Turkey. The epigraphical evidence available from the archaeological site at Teos reveals that young women had systematic education in advanced stages of writing. Such findings challenge traditional characterizations of ancient women as nonliterate. The intent of this work is to reveal the need for more primary fieldwork in order to attain a more accurate understanding of women and the range of their manifestations of literacy in the ancient world.

Antinarcissistic rhetoric refers to the ways in which women rhetors appropriate patriarchal discourses in order to create an ethos with their audience. This rhetoric often reinforces the social inequities that require women's silence in the first place. A look to the rhetoric of two historical women, Hortensia and Queen Elizabeth I, theorizes antinarcissistic rhetoric in three parts: the dual gender performance, the use of psogos, and the dismissal of the corporeal body.

In this latest installation of the Studies in Rhetorics and Feminisms series, editors Ann George, M. Elizabeth Weiser, and Janet Zepernick compile fifteen essays that speak to women's public activi...

This essay recovers the rhetorical career of San Francisco Examiner journalist Winifred Black to demonstrate how professional journalists used late-nineteenth-century newspapers for rhetorical education and social change. I analyze two campaigns—the “Orphan's Santa Claus” and the “Little Jim” crusade—to demonstrate how Winifred Black constructs a persuasive ethos capable of inspiring the writing and social action efforts of male and female children from various socioeconomic classes. Specifically, Black revises the rhetorical tradition of the “stunt girl reporter” in order to craft a teacherly ethos anchored in a “symbolic motherhood”—an effective rhetorical strategy due to close cultural links between teaching and mothering. Combined with aspects of what Karlyn Kohrs Campbell terms a “feminine style,” this ethos allows Black to promote not merely social change, but a particular kind of rhetorical education that: (1) privileges moral principles over grammatical and mechanical correctness and (2) blurs gender and class lines.

Lesbian-Gay-Bisexual-Transgender-Queer (LGBTQ) representation in composition readers remains limited and is frequently nonexistent. In addition, the LGBTQ-related materials that do find their way into composition readers are often problematic. In this essay I explain why WPAs and composition teachers should be concerned about LGBTQ representation in composition readers, and offer suggestions as to the kinds of LGBTQ content to include in readers that might then be used as part of an anti-homophobic pedagogy. I argue that WPAs and composition teachers can take specific steps—both within their composition programs and without—to move us, along with publishers, toward improving LGBTQ representation in our textbooks and in our classrooms. By doing so, we can help shape composition readers that are more inclusive and more representative of LGBTQ subjectivities, while also creating more inclusive and welcoming classroom environments for our LGBTQ students.

In this interview, Jess Enoch talks with Cheryl Glenn about her professional career as a leading scholar in feminist rhetorical studies. Through their exchange, Cheryl discusses the emergence of feminist historiography in our field; she identifies important trends in feminist research, and she pinpoints areas of scholarship that feminist rhetoricians might continue to explore. They conclude the interview with Cheryl underscoring the importance of feminist community building, collaboration, and mentorship.

This study explores a comprehensive sample of experimental and quasi-experimental research within five leading technical communication journals over a 20-year period. Exploratory studies can overview how a method has evolved within a field, highlighting how it has advanced understanding of communication and identifying areas for further inquiry. Research questions: (1) How has experimental research in technical communication journals developed over the 20-year period? Specifically, how much is being published, which journals publish experiments, what topics are being explored, and what fields are informing this research? (2) What content characterizes experimental research in technical communication? Specifically, how explicit are the research questions/hypotheses, are the results of pilot studies reported, what are the sample sizes and populations used, and what measures do researchers use? (3) Who publishes experimental research in technical communication? Specifically, which authors and affiliates are most associated with experimental research, and how does the sample's gender and authorship distribution compare to existing research? Literature review: We first address how scholars have assessed research in technical communication and how these findings implicate experimental research. We then review features of other exploratory studies that inform this study's design. Methodology: We conducted a quantitative and qualitative analysis of 137 experiments, a comprehensive sample identified from a corpus of 2,118 refereed papers published from 1992 to 2011. We coded 14 variables related to the causal relationships that the experiments addressed and who produced the research. We subjected the data to multiple statistical measures, including contingency table analysis and correspondence analysis. Results and conclusions: Over the 20 years, the journals published experimental research at a consistent rate. This could indicate that these methods have a stable presence in the field, or a discouraging sign that output is not on the rise despite calls from leading scholars. IEEE Transactions on Professional Communication (TPC) emerged as a strong producer of experiments, publishing 45% of the sample. TPC was also associated with most recent experiments, assuming this role from Journal of Technical Writing and Communication, which was associated with early experiments. In addition, TPC, Journal of Business and Technical Communication, and Technical Communication correlated with experiments on collaboration, pedagogy, and intercultural communication, respectively. The results also revealed that recent experiments reported significantly more explicit research question/hypotheses and pilot studies, an encouraging sign for the quality of future experiments. Finally, Spyridakis published the most experiments over the past 20 years, and researchers at the University of Washington and the University of Twente were the top affiliates associated with output. The configuration of both of these institutions' programs, which seem to align with a traditional science model, might suggest how the evolution of technical communication programs impacts the type of research that its affiliates produce. Our results are limited by the small, though comprehensive, sample and the exploratory natures of measures like correspondence analysis. Future research could use the proposed framework to investigate the evolution of other research methods in technical communication, strengthening our body of knowledge.

Reviewed are: Networking Arguments: Rhetoric, Transnational Fitalicinism, and Public Policy Writing Rebecca Dingo Conversational Rhetoric: The Rise and Fall of a Women’s Tradition, 1600–1900 Jane Donawerth Fitalicinist Rhetorical Resilience Elizabeth A. Flynn, Patricia Sotirin, and Ann Brady, editors Writing a Progressive Past: Women Teaching and Writing in the Progressive Era— Lisa Mastrangelo— Fitalicinist Rhetorical Practices: New Horizons for Rhetoric, Composition, and Literacy Studies Jacqueline Jones Royster and Gesa E. Kirsch

This article describes the author’s development of a digital historical tool that collects and visualizes metadata on women’s pedagogical activities from the Progressive Era through the present. The tool, Metadata Mapping Project, offers a new take on historical mapping by focusing on the locatability of documents, subjects, and events, and by making it possible for users to trace activities that would otherwise occur as references in archival ephemera. Using one pedagogue as an example of how the database can work, this article also considers the implications of this and other tools for feminist rhetorical historiography, especially for constructing rhetorical ecologies that are not artifact based.

“Female bodies are offered in the exhibit as… learning tools. According to these displays, women need not be equally represented or studied.”

This article recounts how a university-community collaborative challenged prevailing assumptions about parents as barriers to the provision of gender and sexuality information to their children, allowing for the recognition of parents as critical stakeholders and partners in sexual literacy work with youth. We provide evidence that parents’ support for inclusive sexuality education uniquely situates them to educate and advocate for young people around these issues, and in so doing we hope to disrupt the rhetoric that casts parents in the United States as solely gatekeepers when it comes to young people’s access to information about the broad spectrum of human sexuality.

The Red Hat Society, an international social club for women over age fifty, offers its members a social outlet during aging. Departing from a common focus on members' emotional health, a rhetorical lens on the red and purple hats and costumes the women wear offers a new consideration of the groups' value. Particularly, the creation and donning of “regalia” by members of a Rhode Island chapter constitute instances of material rhetoric, or texts that challenge public perceptions of aging women and provide rhetorical opportunities that aging women take to change the conditions of their own and other women's lives.

Artist Graham Robertson referred to British performer Ellen Terry (1847–1928) as the “Painter's Actress.” Many nineteenth-century female performers benefited from relationships with fine art, using the image on the canvas as a vehicle for combatting stereotypes surrounding women in the theater. In aligning herself with the bohemian Pre-Raphaelite aesthetic, Terry established respectability through fine art and offered a feminine persona that was a powerful alternative to domesticity. Cultivating this persona not only through paintings but also through photographs and textual representations, Terry suggests the ways in which women could employ multimodal arguments to secure their place in the public sphere.

This essay expands on previous feminist rhetorical scholarship to account for the ways that material, spatial, and temporal rhetorics operate together to enable gender performances and relations. Extending M.M. Bakhtin's concept of the literary chronotope, we offer the concept of the “material chronotope” to examine how routinized engagements with material objects, such as emerging technologies, and their surrounding material–rhetorical contexts facilitate particular embodied performances of gender. Drawing from the example of the eighteenth-century microscope, we demonstrate how three coexisting designs—the pocket microscope, the solar microscope, and the standard microscope—each positioned women users differently in time and space, facilitating different relationships to science, nature, and femininity. Whereas previous scholarship has emphasized the extent to which new technologies are incorporated into existing social institutions, becoming complicit in the maintenance of gender dichotomies, we draw from this example to argue that these boundaries are not simply maintained but constantly under renegotiation.

Review of Presumed Incompetent: The Intersections of Race and Class for Women in Academia, edited by Gabriella Gutiérrez y Muhs, Yolanda Flores Niemann, Carmen G. González and Angela P. Harris. Utah State UP, 2012.

Francisco and Miguel’s research agenda is centered in educational leadership and community development. Their work is interdisciplinary and is situated within the intersectionalities of identity formation, race, class, gender, plática and story. In operationalizing this work, Guajardo and Guajardo employ an epistemological construct congruent with their research partners that challenges higher education to engage in research that privileges the lives of youth, elders, and the organic leaders from the community.

Susan Gubar reflects on her career as a woman scholar and queries in what ways women’s roles in English departments, and in academia, have evolved over the last few decades.

The acknowledgments preceding The State of Speech illuminate much about the subtext of the book and the very real-world problems to which the author hoped to find a solution in writing it. The problem: the disjunction in post-9/11 America “between the daily practices of citizenship and the exercise of political power” (xi). Joy Connolly's solution: Cicero's ideal orator. Here Connolly's goal is not simply to provide a clearer explanation of Cicero's entwined political and rhetorical theory as read through his ideal orator but also to extract from Cicero's works a rival to current republican thought entrenched in “individual liberty” (1). For Connolly, as for Cicero, this model is based in rhetorical practices.Ultimately, accepting Connolly's argument depends first on the reader's acceptance that Ciceronian theory provides a model that values personal experience (including nonelite experience), that the orator is positioned through civility or decorum to recognize others' experiences, and finally that the orator prioritizes the common good of all (Roman) people. This requires that Connolly reconcile the Roman masses with the oratorical practices of the elite in the Roman republic and de-essentialize gender and class as the basis of full, participatory citizenship. These topics are the frequent focuses of the early chapters of the book and by far the most controversial lines of argument. Second, the reader must accept that the Ciceronian model can extend beyond the theoretical to actual political practice, presumably, in post-9/11America. While the success of Connolly's argument may hinge on the acceptance of these claims, the success of the book, a theoretically dense reading of republican rhetorical and political theory, primarily, though not exclusively, through the works of Cicero, does not. It is much of the work necessary to underpin the major arguments of the book that holds the greatest value for readers interested in oratorical performance, citizenship, gender, class, and rhetorical theory in ancient Rome.The introduction of the book begins to establish the major lines of argument and to build the claim that “Roman rhetoric makes a major contribution to the way that the western tradition thinks about politics” (262). In support of this claim, Connolly moves between Roman and early American and even contemporary rhetorical and political theory (Habermas, Marx, Mouffe, Arendt, Benhabib, Gramsci, and Žižek among others are all frequently cited). The introduction emphasizes the significance of the Roman republic in American political theory by detailing how republicanism has served to mediate between “radical and liberal approaches” to American history (7–10).The first chapter, “Founding the State of Speech,” is an exploration of two key questions in republican Rome, the relation between the orator and the masses—how the Roman populace was taken up, represented, ruled, formed, and guided by the speech act—and the basis of authority for the speaker. Connolly's examination of these issues leads to the major claim of the chapter—that for the orator of the Roman republic authority was performative and firmly rooted in the charismatic, elite body. That is, until the shift in the early first century and the influx of Greek rhetorical theory represented in the handbooks of the Rhetorica ad Herennium and Cicero's own De inventione.This shift, according to Connolly, was a move to, as the title of section header makes clear, “rationalize the republic,” in that handbooks were able to “put rhetoric forward as a model of rational and rationalized public discourse,” which “constrain[ed] expressions of authority” inasmuch as the orator was no longer “relying on ancestry or wealth, but [instead] recouping elite charisma in a logical discourse of style” (67–68). For Connolly, this shift transferred authority from the bodies of Rome's elite and conflicts among them to a “learnable code” (69). The role of the people, who Connolly argues were once “moral judges,” also shifts, through the genre of judicial oratory, to deliberation about what is “just and honorable” with the jury functioning as “a microcosm of the just city” (70). According to Connolly, these shifts moved Rome from conflict to consensus by grounding conflict in law, judicial rhetoric, and deliberation and reconciled Hellenistic rhetorical theory, namely status (or stasis) theory, with the oratorical practices of the Roman republic (73–75).Chapter 2, “Naturalized Citizens” begins with a discussion of the origins of Roman civil society using myth, specifically Virgil's Aeneid, to frame the tensions between nature and culture before moving to a similar and, Connolly argues, related tension in discussions of eloquence as resulting from nature or art in the prefaces of Cicero's De oratore. This chapter establishes two major arguments. First, that Roman citizenship underwent a transformation, necessitated by expansion of the Roman empire in the first century BCE, from an Aristotelian model of “a virtuous, homogeneous citizenry intimately linked by geographic proximity and the shared experience of living together” to a more flexible Ciceronian model that sought “to represent civic bonds as rooted in nature but activated and reinforced through human acts and their memorialization in text” (88, 89).Second, and much more significant to the remainder of the book (and scholars of rhetorical history), Connolly makes the case that Cicero's concept of republican citizenship can be unearthed from the nature/art debate regarding rhetorical training in De oratore. This reading leads to the claim that the shift in “eloquence's status as an art to its identity as a product of nature” is not “a matter of wholesale transformation” as much as “a hybridization of the categories ars and natura” (103). Interestingly, Connolly argues that those who need the art are, in Roman rhetorical treatises, “demasculinized” and not “eligible for full citizenship” (104). Because experience (apprenticeships, practice in the forum) is privileged by Cicero (and his Antonius), rhetorical training is unnecessary: “Naturalization of rhetoric amounts to a claim of natural domination in terms of class and ethnicity … [by the] male, well-educated, and wealthy” Roman citizen (111). However, Connolly argues that ultimately Cicero's characters are concealing rather than naturalizing rhetorical training, an obscuration that is symptomatic of “eloquence as stability born of instability” and “Cicero's view of the res publica.” This conflict leads Connolly to clearly articulate her reading of Cicero's ideal orator: “As Cicero closes the gap between eloquence and virtue, the orator's speaking body becomes the virtuous body of the citizen and, by extension, a microcosm of the virtuous body politic: eloquence emerges as a performative ethics that embodies and enacts the common good for the instruction and pleasure of the republic” (113). Perhaps surprisingly, there is very little consideration of Cicero's own position as a new man, though there is a brief suggestion that Cicero might be guilty of a “tactical misreading” of the bounds of Roman citizenship (90).Chapter 3, “The Body Politic,” builds on a conclusion of the previous chapter, that Cicero's ideal orator is “embodied proof of republican virtue,” by developing the implications of Cicero's philosophy of rhetoric as fundamentally performative. The chapter makes two theoretical claims about republican practices based on Cicero's ideal orator. First, while the orators of De oratore are all upper-class men, Cicero's rhetorical theory manages to “encompass a more generous circle,” his “universalizing language” broadening civic identity (125). She develops this idea, returning to the relationship between the people and the orator from the first chapter, by arguing that Cicero's orator is meant to offer a “mirror of the good life” that the audience can accept (or reject) and that in doing so the orator opens himself to the judgment of the people. Connolly's second major claim of this chapter, which follows from the first, is that Cicero's focus on the body is a largely a response to Plato's arguments against rhetoric as found mainly in the Gorgias. Here, Connolly puts forward Cicero's model as a “historic ally for theoretical work” that seeks to problematize the mind/body dualism that has connected men to logic and women to the body, arguing that Cicero's model of “rhetoric opens up a view of subjectification that is usually overlooked in examinations of the Western tradition; the positive moments of subject construction, as opposed to purely negative practices of subjection” (150–51).The arguments leading to this claim center on the body of the orator. First, Plato's questioning of the epistemic function of rhetoric is answered, according to Connolly (building on Habermas), because the orator's “beliefs and practices are not fully his own.” Rather they are a combination of history and perception, and his “virtue is constructed through interactions with others” that break down public and private communication, as the orator's “self” “emerges in the context of communal belief and practice” (144, 151). “Communal observation and supervision,” then, function as a check on the potentially unchecked power of the orator (147). This positioning of the orator is rather precarious both physically and psychologically, with the “orator's body … embedded in republican networks that anchor communicative practices … serving as site of connection for elite and mass” (154). Though Connolly does not elaborate on this claim, the potential vulnerability of the body (and mind) of the orator becomes a recurring theme in the book (152–56).Chapter 4, “The Aesthetics of Virtue,” begins with a discussion of two Roman concepts: libertas, which, although similar to the contemporary concept of negative liberty, is here positioned as free as opposed to slave, and the related dignitas, that is, the freedom not only of speech but the “accrual of standing” to see one's ideas put in place (160). These two terms open a discussion of the tension between tyranny, both of the senatorial class and of the self-interested elite, and the common good of the lawful republic. “Oratorical training and performance,” then, according to Connolly, offer a means of “self-mastery” by which to balance these polarities, in part because the orator, whether in public or private performances, seeks the “label of vir bonus” (161). “Republican patriotism,” a term coined by Connolly, is defined as the process of training the self through “self-love,” repeated performance, and the display of emotion, which, for Cicero, “brings relations of power into the realm of aesthetics” (162). Connolly develops these ideas through several sections. First, she ties together the role of passion in political speech and the idea of “civic love” or “natural sociability.” She makes the case that Cicero regards decorum as the virtue that allows the orator to control his passions (165–66, 169), a virtue similar to the Greek sophrosune, which, Connolly claims, essentializes class. She goes on to address Cicero's “paradoxical solution,” which roots “aesthetic sensibility” in nature, and finally turns to Catullus, who Connolly claims balances decorum and passion (169–85).Returning to notions of libertas through the ideal of self-control and performativity, Connolly stresses that because law played a limited role in constraining domination by the elite and the will to power, “the social conventions that regulated ethics, behavior, and deportment played a correspondingly important role” (187). This section then follows up on the risks of such self-mastery, such as that it might lead to the desire to “exploit the spectacularity of the self” or a dangerous “contempt for others” that forces one to withdrawal from civic life or self-destruction (189). Continuing with the idea of the destabilizing power of the passions, Connolly turns to the role of the passions in contemporary political thought to address the issues of “widespread civic disengagement” and “fragmentation,” particularly as articulated by Iris Marion Young, who is concerned that in using “historical polities that privileged public discourse as models” we risk excluding people based on bodily difference (192–93).1 Connolly offers a slightly different model of a “deliberating republic, one that is a constant repetitive performance…. Communal acts and witnessing of character are pivotal in the constant self-reminding of identity and sentiment that citizens must perform in order to strengthen and reconstitute civic ties” (196). Connolly's “argument in this chapter is intended to suggest that the Roman rhetorical tradition provides a model. What that tradition tells us, above all, is that speech is married to the learned, learnable techniques of emotion control” (193).Chapter 5, “Republican Theater,” begins with the anxieties about the orator as an actor who can perform virtuosity without living virtuously. The first part of the chapter explores the nature of the oratorical performance in relation to stage acting and its role in Ciceronian thought. Connolly argues that while in Cicero's model the orator must be virtuous, a certain duplicity is necessary in republican life, and ultimately the orator's training, which teaches him to pass his performance off as natural, constrains him by demanding that he conceal his education both by not discussing it and not revealing it when speaking (202–6). Connolly argues, “The student of such a curriculum was in a position to learn that the authority granted by eloquence is not the manifestation of free men's natural superiority, and that its tactics are identical to those of actors and women, who exist outside the charmed circle of the political class” (206). While this anxiety over the tension between authenticity and artifice is often expressed in language reflecting gender panic, Connolly argues that the anxiety is more complex, in that, it “emerge[s] out of a recognition precisely that the republic exists in the act, the show, the display of plausible authority, the theatrical presentation of ethos” (206). Here Connolly takes exception with John Dugan, who, according to Connolly, argues that “Cicero advocates a transgressive aesthetic that undermines conventional Roman notions of masculinity” (199n4).2 Connolly's own position has evolved from her earlier article “Mastering Corruption,” which considers gender as defining the “panic” discussed here rather than one factor among many. Though in the article she is primarily interested in Quintilian and declamation, Connolly suggests citizenship in Rome gender and class to a much than is in her discussion of Cicero's in State of “The two and were in a of that then as as the and social that them men, free to the practices of women and that they in the that the speech they was a the State of as in “Mastering Corruption,” Connolly Greek and Roman discussions of in rhetorical theory that or of with the Here, she her Cicero's anxiety is not about or discourse has the it does not because is and … but because civic of to a political what we In what Connolly the between her view that … is the in and by of gender that out what are civic and and that of others who establish “the nature of civic only its in of of this chapter shift to focus on and in and which Cicero power was Connolly's argument here is but She that as the republic Cicero moved beyond to the more and of Here Connolly as Cicero on oratorical in the law in an to to and in in order to a or that the audience not to as but to … the of the In the on particularly in Cicero's was meant to to the of the and, in doing to of an that the with one's citizens that was necessary for civil life chapter of State of Speech moves from Cicero to how the republican political on the performance of the orator, was forward into Rome in the of Here, Connolly focuses on the works of and argues that the were of the up by Ciceronian rhetorical discourse and its performative ethics of republican the that there in the first the of a in In to the significance of in terms of social and as a of to the new Connolly in several from earlier chapters here In chapters and for Connolly argues that because the orator's performance is based in experience and depends on emotion, he may his by in public This idea is connected to the of who even than the republican orator to Connolly also argues that the are symptomatic of social in their to his on and of She then suggests that with his on control of the body, represented a against the and a to the discussed in chapter According to Connolly, this rhetorical education served as a training for a of people, which ultimately Cicero's public orator. In as a way to establish social and control” brief discussion of in which Connolly scholars who Cicero is Marion and are “Cicero's on decorum lead him to that the public must his audience of citizens as in an of to be because he that they are his but because the of him to the of communal and to the decorum as the virtue, one that down the of class and Connolly the claim that to control to that and among his Cicero's ideal citizen is in a position to political before she with a for an view of claims that Cicero's orator requires and is performance are and provide a for Cicero's political to contemporary The of This of the of De oratore as Connolly with to of the the nature/art debate and the While he these very from Connolly, the debate as an an Aristotelian model of rhetoric, with Cicero down firmly on the of the he Connolly, that Cicero is a model of rhetoric that is based in as opposed to theoretical and that this is necessary in order to with the audience Perhaps the one difference between them that a is that Connolly's belief that “the debate is in terms of difference and in tension with the of (103). While this focus on difference allows Connolly to Cicero's of citizenship from it also the that Cicero, as argues, has a Greek model in Cicero's to the way in which rhetoric was Rome suggests all rhetorical training it is a Connolly's focus on Cicero's connection to contemporary political theory her from reading Cicero through so on Cicero Though Connolly that the Roman republic was by she claims that “Cicero's of civility is a place to the terms of social because it the tension of and social class, it is not by of class or what is Cicero the common but how he intended that good to be is, more than Connolly of ultimately Connolly's of the people into the performance of the values were and by rhetorical handbooks and oratorical in law as in the of the elite control of in the as the orator their and the masses to be in elite oratorical While this reading is for the role of the people in relation to in Rome, Connolly's reading is limited by the on the orator's bodily performance and his (and of the people. This the people must be for in the oratorical rhetorical their role as an and rhetorical practices that might more represent the Roman people. Connolly elite control of language as a of class to for the means by which to the masses into the oratorical Though Connolly the significance of political the “Roman to see positioning rhetoric as a art that the of among its before to Cicero's she does not or of the Roman people into oratorical practice as a model for contemporary Connolly's arguments about civic to of the for are In the what Cicero ideal orator, one who through his turns conflict into of as Connolly frequently a a response to unchecked that was the republic and, all Cicero's ideal orator and the resulting republic Connolly's reading of Cicero is by the need to Cicero a way to which scholars of the history of rhetoric will be as a model solution to contemporary political a that with the common While the arguments necessary to so may not be fully they are and lead to a consideration of gender and class in ancient Rome and work on the of the particularly those as a way to bodily charisma and as a means by which to the audience to consideration of and of the vulnerability of the orator's body and those stage and withdrawal from political life and the risk of to to audience are and of a there is in Connolly's recouping of Ciceronian theory, though it is not the it is its of negative has so the common good as to such a The The State of Speech was and the it was political in and though much of the rhetoric of the has one need no than the of control to public by to find that the disjunction that first Connolly has and a recognition of are a good place to and one than to to Cicero for of

This article brings together the communication needs and positioning of women in technical areas, and asks “how can technical communication classes contribute to the mentoring of young women engineers at a time when many of those women want to be identified as engineers instead of being spotlighted as women in engineering?” Incorporating research into mentoring for women in engineering, and feminist approaches to mentoring in general, we adopt Heath and Heath's strategy in Switch, instituting small changes in technical communication classes (and sometimes their infrastructures) that target a mentoring problem—i.e., talk about time—with the hope of flipping a switch toward larger changes. Thus, the article demonstrates two tactics that we can use to deliver improvement in managing the discourse surrounding time and its deadlines. Our approach both mentors undergraduate women in more actively and effectively discussing and scheduling their work without singling them out as women and also integrates good mentoring practice into the infrastructure of technical communication service classes.

As America entered the twentieth century, a number of women contributed to the popular elocution movement through their publication of compilations of recitation, dialogues, tableaux, and other elocutionary genres. An examination of woman-authored elocutionary compilations reveals a nascent feminism: Through their selection of pieces that examine women's changing roles and celebrate women's accomplishments—both within and beyond the domestic sphere—women compilers encouraged novice women speakers to rethink their gendered societal roles.

Pairing literature on constitutive rhetoric with Julia Kristeva's work on the abject as a theoretical framework, we examine the rhetoric of U.S. media that report with alarm and dismay on the activities of female suicide bombers in the so-called war on terrorism. By examining the media-described actions of female suicide bombers as abject, and their acts as a type of “situated utterance,” we are able to trace the ways in which both are articulated by U.S. mass media with cultural tropes that constitute a particular identity or subjectivity of the American audience in which these discourses circulate. Audiences are invited to articulate the violence of these women with already existing cultural understandings of violent women and their bodies. Through these mediated discourses, the U.S. audience is invited to understand these actions as the insane acts of uncontained sociopaths, not as meaningful, although acutely violent, situated utterances.

This article analyzes the writings of activist women in modern-day Juárez, Mexico. I present their explanations about their own composition and delivery of two particular activist campaigns, highlighting the rhetorical strategies and practices they developed. Looking closely at these two campaigns, the article describes the rhetorical concept of coadyuvante developed by the activists in response to the rhetorical and material problem of femicide (the killing of women based on their gender) in Juárez.

Research problem: This study explores how established patterns, means, and services influence the users' first experience when encountering a novel self-service application. The application (DB Cairo) is a passenger information system for public transportation running on mobile phones. Research questions: Is the users' first experience with the application influenced by established communicative patterns, means, and services? Are they used as reference objects? Which attributes of the application are relevant? Is there a leading reference object (prototype)? Do reference objects vary depending on the personal factors age and gender? Literature review: Little is known about user experience in first contact situations regarding passenger information systems. For our investigations, we used a theoretical framework combining Linguistic Evaluation Theory, Prototype Theory, and Linguistic Genre Theory: Evaluations are regarded as an integral part of user experience. Evaluation is conceptualized as an act where a subject evaluates an object with a certain purpose at a certain time by comparing it with other objects. Every object has various attributes-some are relevant for the evaluation, and others are not. Communication quality is seen as a crucial complex attribute for the evaluation of communicative applications. Methodology: We conducted a qualitative study: Data from two user test series (n = 12)with thinking-aloud protocols and retrospective interviews were analyzed with qualitative content analysis procedures. The participants were male and female, age 25-35 or 55-65, mobile-phone users, and multimodal travellers. The tests were conducted in a laboratory with a computer-based mobile-phone emulator. Results and conclusions: Results show that the participants explore the application by comparing its attributes with attributes of reference objects. Reference objects vary depending on attributes of the application. Regarding topic-related attributes, participants rely on established artifacts, which form a topic-related multimedia network. Within this network, the website of German Railways functions as prototype. Age- and gender-specific differences were not detected. The findings indicate that research into user experience and development practice could benefit from reconstructing and analyzing topic-related artifacts. Limitations of the study were a small sample size, the test location, and environment. Future challenges are the investigation of influencing factors and the development of new methods/tools for data collection infield studies.

This essay explores potential connections between feminist historiography in rhetoric and the digital humanities. We investigate how specific digital innovations might invigorate feminist historiographic study, and we pause to consider how a turn to the digital might run counter to feminist methodological imperatives.

This essay examines methodological practices in comparative rhetoric over the past three decades and suggests that the field conceive new perspectives to engage with transnational spaces, hybrid identities, and subjectivities grounded in differences related to gender, race, class, and culture. Drawing on insights from postcolonial and transnational feminist studies, the author explores the implications of contemporary theories for comparative work and develops an approach that links the cultural specificities of particular non-Western rhetorics with larger geopolitical forces and networks. Through an analysis of early-twentieth-century Chinese women's discourse on nüquanzhuyi, she argues that a geopolitical approach focusing on how rather than what we read would help practitioners rethink history, identity, and the nature of theoretical investigation in the field and set the stage for more nuanced and sophisticated studies of non-Western rhetorics in the twenty-first century.

To address the need for situated accounts of community rhetoric, this article examines the legacy of the first Chicana feminist organization, the Comisión Femenil Mexicana Nacional (CFMN). The CFMN and their archival collection provide[d] Chicanas an education about how to interpret, be and act in the world. To invent a rhetorical identity, and an organization that makes change, the CFMN 1) invoked a remembering of a Chicana history of policy making to incite other Chicanas into political action, and 2) strategically drew on the use of the Chicana concept of “La Hermandad” to define a particular Chicana method of collectivity.

Based on eighth-grade writing assessment data from the 1998 ( N = 20,586) and 2007 ( N = 139,900) National Assessment of Educational Progress (NAEP), this study examines the relationships among students’ writing attitudes, learning-related behaviors, and gender in relation to writing performance. Overall, the effects of attitudes were slightly larger than the effects of learning behaviors on writing performance, and gender differences were more prominent in attitudes than learning behaviors related to writing. Perhaps the most surprising finding from the 2007 NAEP data was that females with the most negative attitudes toward writing outperformed males with the most positive attitudes (i.e., writing scores based on two measures of attitudes: females, 157 and 161; males, 151 and 149). Overall, a similar pattern was observed with learning behaviors and gender differences in writing scores. Furthermore, medium effect sizes of gender difference in writing scores (females scoring substantially higher than males) were present even though the students reported to be at the same level in terms of writing attitudes and learning behaviors. The present study demonstrates that gender disparity in students’ writing performance is persistent and strong; it cannot be explained by gender differences in attitudes or behavior alone or in attitudes and behavior combined.

The effects of writing format (handwritten (HW) versus word processor (WP)) were examined in a sample of college students with and without learning disabilities (LD). All students wrote two essays, one in each format, scored for quality and length. Groups did not differ in age, gender, ethnicity, mathematical calculation, writing fluency, essay length or essay quality. The "interaction hypothesis" was not supported, in that the use of a word processor as a writing accommodation did not provide a differential boost to students with LD. Both groups produced longer essays in the WP versus HW condition. The best predictor of essay quality was essay length regardless of writing format. Most students in each group preferred the WP format. Interestingly, a smaller percentage of students in the LD group (72%) than NLD group (91%) used the available time for writing. Keywords: accommodations, learning disabilities, college students, writing, word processor

This study examined the role of word-level reading proficiency and verbal working memory in grade 4 and 5 students’ (N = 42; 23 boys) performance on a curriculum-based measure of narrative writing. Two outcomes were measured: correct minus incorrect word sequences (CMIWS; accurate-production of spelling and grammar in-text), and composition quality. CMIWS scores were moderately correlated with the holistic quality score. Word reading proficiency predicted CMIWS above and beyond the variance accounted for by gender, grade, handwriting automaticity, and working memory. Word reading proficiency also predicted composition quality controlling for gender and handwriting automaticity. Working memory, as measured by an updating task, was not a significant unique predictor of CMIWS or composition quality. Grade (5 > 4) and gender differences (girls > boys) were also found for CMIWS scores. Although handwriting automaticity was correlated with CMIWS scores and writing quality, it was not a unique predictor of either measure. The results provide further evidence of the sensitivity of the CMIWS index. They also highlight the importance of considering reading proficiency and handwriting automaticity when assessing children’s writing abilities and planning instruction for children with writing difficulties. Keywords: written expression; curriculum-based measures; reading; handwriting; gender

Students can sometimes be resistant to discussing issues of diversity in the English classroom, making it a challenge for instructors to hold honest and enlightening exchanges about race, sexuality, gender, and other facets of human identity. This essay explores various pedagogical strategies the author has successfully employed when teaching texts that highlight diverse perspectives. She focuses specifically on global feminist literature by way of one primary example, the contemporary Australian Aboriginal novel Home by Larissa Behrendt, which highlights the “stolen generations” of Aboriginal and mixed-descent children and the many repercussions of those atrocities on future generations. After providing a brief overview of the novel, she discusses the successful techniques she has utilized in the classroom to help students prepare for and critically analyze this text. These approaches include interrogating the term diversity itself, providing historical and cultural context to the various issues illuminated in the novel, viewing related visual discourses such as film, and crafting writing and discussion assignments for the students to complete both in and out of class. These pedagogical strategies could be useful in any English classroom that focuses on issues of diversity.

Multidisciplinary from the start, Rebecca Dingo's Networking Arguments provides a new methodology that can be adopted by individuals working in the field of rhetoric as well as those in political s...

This essay attends to the archive as an “inventional site for rhetorical pasts” (Morris, “Introduction”) by examining the construction of a queer archive and its effects on lesbian subjects. Drawing on queer archival theories of ephemera, I argue that Del Martin and Phyllis Lyon's Lesbian/Woman (1972) constitutes an archive of lesbian experience that functioned rhetorically as a communal and identificatory resource. Martin and Lyon rendered the experiences of women associated with the lesbian homophile organization, the Daughters of Bilitis, in the form of “anecdotes” and strategically curated them into middle-class categories designed in direct contrast to the gender and class transgressions of the lesbian bar scene. I identify the rhetorical effect on readers, “archival consciousness raising,” by analyzing autobiographical letters Martin and Lyon received in response and tracing the limits of this effect for more diverse lesbian readers.

Walking and Talking Feminist Rhetorics: Landmark Essays and Controversies, edited by Lindal Buchanan and Kathleen J. Ryan, Reviewed by Cynthia Lewiecki-Wilson, Green, edited by Brooke Rollins and Lee Bauknight, Reviewed by Beverly Faxon, Writing Spaces: Readings on Writing, vols. 1 and 2, edited by Charles Lowe and Pavel Zemliansky, Reviewed by Rebecca Powell, Multiliteracy Centers: Writing Center Work, New Media, and Multimodal Rhetoric, edited by David M. Sheridan and James A. Inman, Reviewed by Vincent D. Robles

“Medical rhetoric, much like gender and body rhetorics, enjoys a rich interdisciplinary history and so feels at home in a journal dedicated to the rhetorical study of socially significant and timely topics. We seek to expand the field’s endeavors with this special, double issue.”

“Emmons’ discourse-centered approach examines the interrelationships of personhood/gender/mental health and illness and demonstrates how language shapes and reflects gendered depictions of the depressed self.”

This article analyzes a group of Gambian-American college writers creating an alternative public to challenge the patronizing norms operating in prevailing “aid-to-Africa” rhetorics. These young rhetors evoked performative genres and hybrid discourses so that members of their local public (the African nationals, African American professionals, white educators, fellow students, Muslim elders, conservative Christian community leaders) might themselves embody more productive self-other relations as they considered together the issue that drew them together publicly: the often hidden and insidious ways that cultural gender norms limit young African women’s ability to thrive, whether in the U.S. or in the Gambia.

This article examines 3 papers presented before the Cincinnati Academy of Medicine by 19th-century physician Julia W. Carpenter. The article identifies 3 strategies Carpenter used to negotiate the incompatible rhetorical expectations for women and for physicians. The published records of academy discussions provide evidence for Carpenter's colleagues' reactions to each strategy, revealing the complexity of her rhetorical situation and demonstrating the complex links among rhetorical practice, professional identity, and a communicator's social position.

During World War II, government and individual industries opened childcare centers across the country to support working mothers entering the war plant. At war's end, leaders moved to close these centers, prompting great debate. This essay explores the wartime discussion and postwar debate over the WWII childcare center by analyzing how the gendered ideograph <home> was deployed in ways that both praised and blamed not only the childcare center but also working mothers. While the primary work of the essay is to mine ideographic uses of <home>, it also aims to elaborate on feminist engagements with rhetorical historiography.

Women's rhetoric in the Middle Ages reflects their participation in the deliberative rhetorical genre inherited from classical antiquity. The deliberative tradition, which was often theorized by medieval rhetoricians as existing in consular practice, can thus serve as an example of women's rhetoric which, as Christine Mason Sutherland has noted, could take place in sermo. Women's letters were often hortatory, civic, and sometimes agonistic in tone. These rhetorical artifacts demonstrate that women operated in the rhetorical tradition as eloquent, powerful agents of persuasion in the civic arena, and they also show that, although unmoored from traditional spaces and practices associated with deliberation in antiquity, deliberative rhetoric was a more viable form of rhetoric in the Middle Ages than previously believed.

Reviews 451 Nancy Worman, Abusive Mouths in Classical Athens. Cambridge: Cam­ bridge University Press, 2008. 385 + xii pp. ISBN 9780521857871. Insult and character assassination have a long and entertaining history in the annals of rhetoric. Not only do they generate theoretical meditation but they can provide scholars and amateurs alike with the guilty (and for Aristotle, vulgar) pleasures of nicely turned invective. Nancy Worman's fascinating study allows classicists and those with more general interests in ancient rhetorical forms to follow patterns of defamation from Homer and the beginnings of preserved Greek literature to Aristotle and Theophrastus at the end of the fourth century B.C.E. Of the two possibilities adumbrated above, her work facilitates the austere rewards of the theoretical rather than enjoy­ able indulgence in multiple examples of splenetic venting. For the latter one might settle down with Thomas Conley's Toward a Rhetoric ofInsult (Chicago 2010), which, in addition to quotation of virtuosic and delectable passages of invective (starting with Cicero and proceeding through the Flugschriften of the Reformation to end with Monty Python and modern political cartoons), does a useful job in sketching multiple patterns of defamatory language and specifying the factors that constrain their operation. Conley surveys how slurs connected with social status, gender, ethnicity, sexual habits, and the practices of eating and drinking (among others) recur in multiple cultures. He is interested in how invective can be used to create group identity through assertion of communal values, but also in the use of insult to interrogate per­ ceived hierarchies. This generalist orientation makes the book a valuable introduction to the invective mode, and thus, coincidentally, an interest­ ing counterpart to Worman's specialist study. W. carefully maps out how a discourse of abuse developed around public and professional speakers in Classical Greece. This discourse was rooted in practices of commensality associated with banquet and symposium, and was further extended in drama, until it became part of the rhetorical arsenal in the public oratory of Demosthenes and Aeschines. W.'s narrative of a gradual elaboration of a critique of public speaking and the move of this critique into ancient oratory make this an important book. The body of the book is divided into six chapters, charting the devel­ opment of an iambic discourse ranging over a variety of genres. W. uses the ideas of Bourdieu, Bakhtin, and Barthes to trace the operations of social performance and figuration in invective, relying in particular on a central notion of metonymy, so that the mouth acts as an emblem (Barthes' "blazon") of behavioral excess. After a scene-setting introduction, Chapter 1 looks at iambic literature in Archaic Greek epic, lyric, and Classical tragedy, where the language of invective is deployed to regulate excess and is regularly as­ sociated with ravenous mouths and dangerous types of consumption. Thus we encounter rapacious and aggressive kings (Agamemnon in Homer is a people-eating king," 29), harsh talk connected with (potentially cannibal­ istic) battlefield savagery, and clever speaking conceived as a trade-off for food. Greed leads both to uncontrolled aggressive speech and sly rhetorical 452 RHETORICA manipulation. These two possibilities will crystallize throughout the course of the book into two broad and recurring types: on the one hand the braggart and voracious politician characterized by crude consumption, and on the other the decadent and manipulative sophist. Chapter 2 explicitly juxtaposes these two types: voracious demagogues are set against glib, effete, and decadent sophists in the comedies of Aristo­ phanes, where "male protagonists engage the culinary as the primary metaphorical register in relation to the regulation of the appetites" (81). No accident, then, that the figure of the comic butcher or cook (mageiros) also becomes prominent. Whether effete or a braggart, an excessive speaker can be imagined as one who cooks up feasts of (deceptive) speech. Yet Worman also complicates (fruitfully) her model by considering how her types are measured against female appetites. In Greek comedy, women are cautionary models for men in their desires for sex, food, and wine; thus the prattling and decadent speaker is also feminized. Sexual appetite becomes an impor­ tant factor in the figuration of public speaking, not only in terms of female desire, but also...