Greig Henderson, University of Toronto Robert V. Wess, Philosophical Turns: Epistemological, Linguistic, and Metaphysical . Parlor Press, 2023. 288 pages. 978-1-64317-370-2 (paperback, $34.99) 978-1-64317-371-9 (hardcover $69.99) 978-1-64317-372-6 (PDF $29.99) 978-1-64317-373-3 (EPUB $29.99) The new wave of contemporary criticism rejects both the depth model and the hermeneutics of suspicion that goes with it. Critique gives way to postcritique, and styles of disenchantment such as symptomatic reading, ideological demystification, and new historicism are seen to be passé. Reparative styles of criticism supplant paranoid styles, and critics like Rita Felski and Eve Kosofsky Sedgewick have proposed that literature should be equipment for living rather than equipment for debunking and politicizing. “We know only too well,” Felski writes, “the well-oiled machine of ideology critique, the x-ray gaze of symptomatic reading, the smoothly rehearsed moves that add up to a hermeneutics of suspicion. Ideas that seemed revelatory thirty years ago—the decentered subject! the social construction of reality!—have dwindled into shopworn slogans; defamiliarizing has lapsed into dogma.” In a similar vein, Sedgewick maintains that the hermeneutics of suspicion is a “quintessentially paranoid style of critical engagement; it calls for constant vigilance, reading against the grain, assuming the worst-case scenario, and then rediscovering its own gloomy prognosis in every text.” This postcritical turn is connected with surface or distant reading, a way of reading that supposedly supplants deep and close reading. As Elizabeth Anker and Rita Felski point out in their introduction to Critique and Postcritique , this way of reading works “against the assumption that the essential meaning of a text resides in a repressed or unconscious content that requires excavation by the critic. Stephen Best and Sharon Marcus urge greater attention to what lies on the surface—the open to view, the…

AbstractThis essay argues that the emphasis on spoken contributions in English and other humanities courses can exclude disabled students. The COVID-19 pandemic's necessitation of online learning has forced instructors to offer students multiple entry points for conversation—not only through spoken dialogue but also text threads, anonymous polls, and communal annotation assignments. Instructors’ shifts in participation guidelines both before and at the height of the pandemic reveal faculty members’ adoption of a disability justice pedagogy that privileges flexibility. Drawing on these transformations, the author offers pragmatic suggestions for how to value course contributions beyond students’ capacity to voice their reflections aloud. The relinquishment of rigid academic expectations for participation makes space not just for students with disabilities but also for other minority populations, including women students, nonbinary students, first-generation students, and students of color who contribute their expertise in more capacious ways than the standard, discussion-based classroom allows. To conclude, the author considers how instructors might replicate accessible online tools—from Zoom chats to asynchronous platforms—in the return to face-to-face teaching. These new and primarily virtual forms of engagement reframe participation not as individual contributions to conversation, but as ongoing work intended for the purpose of community growth and collective care.

Research abstracts are an increasingly important aspect of research articles in all knowledge fields, summarizing the full article and encouraging readers to access it. Graetz suggests that four main features contribute to this purpose—the use of past tense, third person, passive, and the non-use of negatives, although this claim has never been confirmed. In this article, we set out to explore the extent to which these forms are used in the abstracts of four disciplines, the functions they perform and how their frequency has changed over the past 30 years. Drawing on a corpus of 6,000 abstracts taken from the top 10 journals in each of four disciplines at three distinct time periods, we found high but decreasing frequencies of past tense and passives, an increasing number of third person forms, and more than one negation every two texts. We also noted a remarkable decrease of past tense and passives in the hard sciences and an increase in applied linguistics, with sociologists making greater use of negation. These results suggest that abstracts have developed a distinctive argumentative style, rhetorically linked both to their communicative function and to the changing social contexts in which academic writing is produced and consumed.

Antiracist education practices have gained increasing attention. Oftentimes, however, descriptions of this work fail to explicate the role of reading skills in students’ critical engagement with diverse texts. I explore the potential of metacognitive reading strategy instruction as a form of foundational literacy skills development for engaging in antiracist reading. Drawing from my experiences as a female of color and a coordinator and instructor of integrated reading and writing, I expand upon the concept of raciolinguistically just reading instruction, describing how students can document their application of multiple foundational reading strategies through the meta-strategy of annotation and other metacognitive practices. In particular, I focus on how students’ annotations can reflect their work in making text-based connections. Such annotation practice enacts a culturally sustaining pedagogy that amplifies student voices and their role as knowledge producers. I conclude by considering the larger role of decentering the instructor to foster students’ antiracist reading.

In this article, we call for translingual praxis—an antiracist and decolonial pedagogy that interrogates, with students, language ideologies and their political histories. Amplifying the voices of scholars of color, we provide a rationale for and illustrate four strategies for delinking our language work from the legacies of racism and colonization.

This article provides a framework for analyzing metaphor as epideictic rhetoric, accounting for the persistence of key disciplinary metaphors. It examines the metaphor of voice across distinct theoretical conversations as an example of epideictic metaphor. Voice’s epideictic function allows it to reconceptualize the shared value of power as it celebrates this value by stitching and unstitching it to various worldviews and values. An epideictic framework allows rhetoric scholars to uncover and trouble values celebrated by a discourse community’s shared metaphors while challenging values as unquestionable or mutually exclusive. Further, framing metaphors as epideictic celebrates linguistic and conceptual dissonance.

In this article, I focus on two competing technical communication discourses used to represent the biometric technology Ghana adopted in 2012 and subsequent elections to demonstrate how communication about technology could potentially marginalize local, nondominant knowledge systems whereas it privileges global, dominant knowledge systems. Representation of the biometric technology, therefore, reflects ways that technical communication can become complicit in silencing, excluding, and marginalizing local voices. I call attention to how communication that focuses on dominant narratives obscures and delegitimizes the knowledge of disenfranchised and less privileged groups.

Abstract When side-by-side photographs of the 2009 and 2017 U.S. presidential inauguration crowds circulated after President Trump's inauguration, few doubted what they saw: the crowd in 2017 was significantly smaller than it had been eight years earlier. Whereas popular discourse around the photo obsessed over size of the crowds, I argue that differences in contrast, color, and clarity suggest a different narrative than the logic of quantity: Trump will return an orderly, white national body, cleansed of Obama's unruly, sepia swarm. This essay re-reads a key moment of recent U.S. visual politics, turning what came to be read as either a joke or a preview of the “death of facts” as something more sinister: a visual harbinger of Trump's white supremacist program.

This study explores the potential of fifth-grade children to take up, mold, and complicate the superhero genre to engage issues of social justice and equity in critical and dynamic ways. Using critical discourse and visual analysis, I explore the ideological and political work in the comics four students of color created as part of this study. I argue that, when given the opportunity to embody their full selves in the creation process to fight against issues of injustice that matter to them, children are more likely to imagine beyond conceptions of the child (e.g., being apolitical) and take on activist stances. Moreover, teachers have the power to encourage children to see themselves and their voices as important tools in the fight for social justice. This study pushes us to consider that we, as adults, can either help to expand the possibilities available to children or continue to perpetuate the inequities that children experience on a daily basis due to misconceptions of what it means to be a child and what children are capable of.

AbstractFocusing on a course taught to Palestinian and Jewish Israelis, this essay suggests that the study of life writing can help students develop a better informed civic identity, particularly in relation to divisive national matters. By carefully constructing collective classroom practices of reading, writing, discussing, and listening, the instructor can forge an environment that strengthens students’ capacity to appreciate the textual and contemporary interaction between individuals and their historical contexts, and to hear alternative perspectives and experiences attentively, without argument. University classrooms can thus play a vital role in democratic culture, as spaces in which a broader range of voices can be heard and in which minority voices are specially protected and projected.

“What is a zine? ⭐︎ My definition: For me a zine is not just a self-made and self-published booklet but it is also situated within DIY culture. This means it is non-profit, non-commercial, low-budget, and non-competitive. Topics and style can vary but it’s important that zines remain accessible … (everyone can afford them) and to… Continue reading More Than Paper Islands: The Pandemic Circuitry of Quaranzines

In this paper, we explore the gendered aspects of scientific controversy in the digital age. This project makes use of Leah Ceccarelli’s seminal work on manufactured scientific controversy by considering its implications for the discourse on GMOs and food additives published on digital food and lifestyle blogs. We perform a discourse analysis of several blogs to look at the ways that gendered online discourse and performance influences modern anti-science rhetoric, particularly that which emanates from the sphere colloquially known as crunchy living. We look at the ways the intimate and personal feminine style of digital platforms offer experiential knowledge as a substitute for science. In the current political climate of alternative facts and fake news, this study leads to broader implications about the impact of gendered discourse on the assessment of credibility in online sources.

This article explores the catechism in the Book of Common Prayer, shedding light on the emergence of instructional writing from oral instruction. The 1549 text evinces qualities of preliterate oral communication identified by Ong. By contrast, the 1604 addendum reveals a trend toward modern plain style, which is even more pronounced in the 1647 Westminster Shorter Catechism. The evidence indicates the oral features were useful to the text’s technical aims. What Ramist plain style gains in precision and objectivity comes at the cost of other useful features, such as reiteration, contextualization, and agonism, which (in Tannen's phrase) involve a greater relative focus on interpersonal involvement between speaker and auditor/ reader.

Image-based methods hold promise for reaching community-based, social justice goals in TPC. As a research example illustrates, however, participants can mold such methods in ways not anticipated by typical protocols that emphasize pre-prepared photos and public activism. By reflexively analyzing how participants shaped an image-based study through an embodied posthumanist lens, I propose a more inclusive “living visual-voice” model useful for TPC projects aiming to affect social change, increase participant/community involvement, and study material-discursive-embodied interactions.

AbstractSelf-publishing is a topic not typically discussed in the literature classroom, yet it can provide an opportunity to highlight voices and works from the margins, think critically about the publishing methods, and promote the study of the book as a cultural artifact. This article provides a case study on using special collections materials to teach undergraduates about self-published American literature. It includes suggestions about how to find and select materials, details about facilitating a discussion and a hands-on activity on the topic, and recommendations for adapting these ideas for other teaching contexts.

Health and medical contexts have emerged as an important area of inquiry for researchers at the intersection of user experience and technical communication. In addressing this intersection, this article advocates and extends patient experience design or PXD ( Melonçon, 2017 ) as an important framework for user experience research within health and medicine. Specifically, this article presents several PXD insights from a task-based usability study that examined an online intervention program for people with voice problems. We respond to Melonçon's call ( 2017 ) to build PXD as a framework for user experience and technical communication research by describing ways traditional usability methods can provide PXD insights and asking the following question: What insights can emerge from combining traditional usability methods and PXD research? In addressing this question, we outline two primary methodological and practical considerations we found central to conducting PXD research: (1) engaging patients as participants, and (2) leveraging multidisciplinary collaboration.

This essay explores the implications ofThe Elements of Styleas a universally received narrative about literacy. I recontextualize the book as a product of 20th-century histories of literacy as normative middle class desires, and as a response to Cold War era ideologies of a white national language.

This essay reads the 2009 Climategate blogosphere through the rubric of visual style. We argue that Climategate bloggers used the stolen e-mails between prominent climate scientists to leverage claims about the proper perspective for seeing data, imitate institutional forms of climatological inquiry, and posit transparency as a moral imperative in many online forums. Rather than attacking science tout court, these appeals to visibility operated on the grounds of visuality and proof established by institutional forms of scientific inquiry, thus alleging climate change-denying bloggers were the “actual” scientists. By forwarding alternative visualizations of global temperature data and characterizing institutional climatology as secretive, Climategate bloggers significantly shaped public understandings of global warming. Ultimately, our purpose is to show how a visual style is an ambivalent form of rhetoric that scientific experts may also deploy in public science communication.

Scholars in discourse studies have defined legitimation as the justification (and critique) of powerful institutions and their practices. In moments of crisis, legitimation tactics often shift. This article considers how such shifts are incited by unauthorized information leaks. Leaks, I argue, constitute freshly available texts that reveal privileged institutional information presented in a specialized rhetorical style. To explore how leaks are harnessed by institutional critics, I examine the 2013 Snowden/National Security Agency (NSA) crisis. Combining corpus analysis with discourse analysis, I explore how Snowden’s NSA leaks affected the online writing of the American Civil Liberties Union (ACLU). I also consider overlaps between the rhetorical patterns in the leaked NSA documents and those in the ACLU’s post-leaks writing. Findings from my analysis of legitimation and style categories suggest that, prior to the leaks, ACLU writers primarily used a character- and narrative-based style to delegitimize the NSA’s policies as illegal and secretive, and to push for their reform. After the leaks, though, the ACLU mainly used an informationally dense style rife with academic terms and vocabularies of strategic action, portraying NSA surveillance as massive and complex. As the documents moved from the NSA’s secret, technical discourses to public, critical discourses, the latter came to resemble the former rhetorically. These findings raise crucial questions about how critics can make use of leaks without necessarily relegitimizing institutional power.

When teaching first-year composition, I noticed how uncomfortable students became at the prospect of talking about politics in the classroom. The science majors were vocal in proclaiming the importance of limiting the use of plastic bags, and the nursing students vehemently argued for the necessity of vaccinations. These impassioned voices, though, quieted when faced with… Continue reading Book Review: From Thought to Action: Developing a Social Justice Orientation by Amy Aldridge Sanford

This study builds on research of multimodal storytelling in educational settings by presenting a study of a youth-produced documentary on immigration. Drawing from a video documentary project in a high school class, we examine students’ representational processes of scaling in documentary storytelling, and the kinds of resources they use to construct multiple spatiotemporal contexts for understanding their experience of immigration and immigration policy. Our theoretical framework relates the concept of scale to the Bakhtinian concept of voice to consider the semiotic resources that are used to index and connect multiple social and spatiotemporal contexts in storytelling. Focusing on a documentary produced by some students in the class, we analyze how the young filmmakers used particular speaker voices (characters) and their social positioning to invoke and construct relevant scales for understanding the problem of deportation. Our analysis extends the study of scaling to multimodal texts, and the strategies that people use to represent and configure relationships among different socially stratified spaces. By conceptualizing the relations between voice and scale, this work aims to contribute to literacy learning and teaching that support young people in bringing their knowledge, experiences, and narrative resources to engage with societal structures.

Events following a display of archival photographs depicting a Navajo Civil Rights march that was sponsored by One Book/One Community of San Juan College illuminated racial tensions and competing injustices in the community of Farmington, New Mexico.These events are analyzed through a paradigm, indigenous-sustaining literacy, which could benefit common reading programs that conduct literacy work in communities with populations of indigenous people or border Native American reservations and are seeking to decolonize community literacy practices O ne late November afternoon, five members of the One Book/One Community (OBOC) committee hung archival photos of the 1974 Civil Rights Protests in Farmington, New Mexico, in a gallery space on the campus of San Juan College, located in Farmington.Several students stopped to look the 26 poster-sized photos selected by the committee from the Bob Fitch Photography Archive Movements of Change.The display was part of the OBOC programming associated with the committee's selection of the graphic memoir March (Lewis et al.), a retelling of Congressman John Lewis's civil rights activism.The committee recognized that March could provide an interesting connection to the 1974 Civil Rights protests in Farmington that resulted from the minimal sentencing of three white teenagers who had murdered three Navajo men and provide an opportunity for students and community members to explore this legacy and their situatedness in the community.The photos were compelling.One photo showed protestors marching down Farmington's main street.Another depicted a Navajo man holding a cardboard sign that read "veteran WWII.Holder Purple Heart.My son was kill [sic] by a white boy on the reservation." Three of the photos depicted protestors holding upside down American flags.Other photos showed groups of Native Americans facing off with law enforcement.Onlookers identified relatives in the photos and expressed their gratitude for showcasing an important moment in local history.Others stated they had no idea that there had been civil rights protests in Farmington and were glad to learn about them through the display.One onlooker, though, was not supportive.He said that the committee should not hang any photos near the glass display located in the gallery that is dedicated to veterans.Committee members agreed with the man, citing the need to be respectful.Still, displeased, he asked why the committee was displaying the photos.(Danielle), the director of the OBOC committee, explained the historical nature of the photos and the connection to the OBOC selection.She also explained

Scholarship has shown that writing groups are important sites of authority negotiation for student writers, yet little empirical research has examined how groups negotiate authority through conversation or how these negotiations influence students’ developing expertise. Drawing on observations and interviews of an undergraduate thesis and a graduate dissertation writing group, I use the concept of “presentification” to analyze conversational moments in which group members referenced advisors, “making present” advisor authority to influence group collaborations. Specifically, I analyze these moments to show how writing groups can serve as low-stakes communities in which students negotiate their emerging sense of authority. I found that whereas less experienced writers looked to advisors to solve writing problems and used advisor authority to stand in for disciplinary expertise, more experienced writers voiced advisor guidance to help pose writing problems and negotiate their own stance as disciplinary experts. This study thus theorizes one process through which student writers negotiate emerging authority across sites of literate practice and in collaboration with others who may not themselves be members of the same disciplinary community.

ABSTRACTThis essay responds to Alva Noë's arguments that popular musics (rock, country, etc.) organize listeners through style and personality, while other musics, such as classical and jazz, organize listeners on the music itself. Noë's arguments suggest that music is an existential phenomenon, and thus that music is ontological. There is much to like here, including the idea that musics can be existentially different. However, the work of pop musics cannot be confined solely to stylistics and personality; pop also has musical interest, which I explicate as the exploration of sound (3D)—timbre, groove, beat, tonality, texture, and so on. Classical, jazz, and other kinds of music may seek to emphasize the music itself (2D), but they are also caught up in style. Music, I conclude, is rhetorical in how it organizes or “moves” us, and we must attend to all its dimensions, musical and stylistic, in order to understand how so.

AbstractIn 1925, Herbert Wichelns published The Literary Criticism of Oratory. By many accounts, the essay would become the founding document of the academic study of rhetoric and public address. However, in that same year, historian Carter G. Woodson published Negro Orators and Their Orations, which focused on the study of the African American oratorical tradition. In this essay, by way of speculative history and using my sanctified imagination, I wonder what an alternative or speculative history would look like if we can conceive Woodson as challenging the dominant (exclusively white) notions of public address and rhetorical praxis. By paying particular attention to Woodson’s introduction in Negro Orators and Their Orations, I submit that not only would we have been introduced to the richness and power of the African American public address tradition earlier but, more importantly, who we start to see as scholars and what we call scholarship would be different as well.I examine this by first, offering an examination of Woodson’s text, paying close attention to the introduction, where Woodson develops his theory of oratory. Second, I examine the African American rhetoric and public address scholarship between 1925 and 1960. Finally, I offer a speculative history of what could have been and what we can still do if we would include some of these voices and their scholarship in the public address canon.

Abstract The case of Southern regionalism shows both the problems with current treatments of regionalism—illustrative of the problem of colonialist perspectives more generally—and the path forward. That path forward involves rethinking whose ancestors count as members of a place, the issue of whose voices are centered, memory and trauma, and counterpublics. The authors advise (1) embracing the field’s interest in local identities and identity movements—therefore, interrogating rhetoric as symbol systems carried in intergenerational, relational identity; (2) pushing further against colonialism, as the world is more layered by global systems of trauma and memory; and (3) admitting that nation-building rhetoric is an imperfect paradigm compared to resistive counterpublic discourse.

AbstractDecolonial smuggling is a practice that falls at the intersections of fugitivity (Moten) and delinking (Mignolo, Wanzer-Serrano). It is geared toward disrupting rhetorical studies’ zero-point epistemology to open space to marshal alternative epistemologies—of Black being, Indigeneities, and their relational formations—against the canon to enable more radical, decolonial disciplinary futures. Building on the work of Black, Indigenous, and People of Color (BIPOC) scholars, this essay details the forms of whiteness and knowledge production that reproduce epistemic violence, performs metaphoric (meta)criticism across various strands of race scholarship, and comments on white scholars’ role in these conversations. This essay seeks to add clarity to what decolonization looks like for rhetoricians with respect to the epistemologies and ontologies embedded within the metaphors that, for many, are matters of life and death.

This article focuses on how Street’s naming and delineation of the concept of “literacy practices” and the “ideological model” of literacy enable us to see and understand the literacy work of two 19th century African American women “literacy workers.” It introduces and provides an overview of the work of Frances (Fanny) Jackson Coppin and Hallie Quinn Brown and seeks to add early Black feminist voices of literacy workers in spaces often left out of dominant discourses around literacy. This article reveals how literacy for African American was, and is, tied to political, and social survival of a people.

Although companies have long used email to correspond directly with consumers in times of crisis (George & Pratt, 2012), the Covid-19 pandemic has incited an unprecedented flood of emails to our inboxes from companies reassuring us that “we’re all in this together.” As composition scholars begin to investigate how organizations have responded to this pandemic, this article explores the rise of the “we’re here for you” email, a rapidly developing genre that reveals an unsettling relationship with the voice behind our consumer products and also a paradigm shift in how organizations connect with consumers during times of crisis.

This article addresses how social media platforms can better highlight expert voices through design choices. Misinformation, after all, has exploded during the Covid-19 pandemic, and platforms have struggled to address the issue. The authors examine this critical gap in validation mechanisms in the current social media platforms and suggest possible solutions for this urgent problem with third-party partnerships.

Throughout the COVID-19 pandemic, Twitter has served as a leading public platform for sharing, receiving, and engaging with virus-related content. To protect users from misinformation, Twitter has enforced stricter content-vetting policies. This article positions Twitter as a politically motivated entity and briefly traces Twitter’s use and applications of the term “harmful content.” The author investigates how the platform’s broadening of its definition of harmful content illustrates Twitter’s strategy for combating misinformation by acting on kairotic moments in a way that is shaped by the diverse authoritative voices already guiding larger public COVID-19 discussions. The article concludes by examining the roles these observations can play in technical and professional communication classrooms.

This article examines student experiences of studying Shakespeare’s first tetralogy through viewing and writing about Seattle Shakespeare Company’s 2017 Bring Down the House, a successful two-part adaptation of Henry VI parts 1, 2, and 3 directed by Rosa Joshi and the upstart crow collective, a Seattle theater company dedicated to producing classical works with diverse all-female and nonbinary casts for contemporary audiences. Through reflection on students’ responses to the adaptation’s all-female cast, as well as the analytical work they produced for an upper-level course titled Shakespeare: Context and Theory, this article articulates the pedagogical value of students’ experiences of representation in live theater performances of Shakespeare. The author argues for both the ethical imperative of introducing students to radical, inclusively cast productions and the enlivened learning that emerges in the literature classroom from students’ creative and analytical engagements with the diverse voices of modern all-female and cross-gender cast Shakespearean performance.

The writing of transnational youth has continued to emerge as a promising area of research in writing and literacy studies, and yet despite the breadth of this work, few studies have examined transnational students’ writing about social and racial justice. Drawing on theoretical contributions of coloniality, this article highlights the experiences of one immigrant adolescent’s participation in a secondary ethnic studies course in California. In this study, photovoice was used as a mutually informing classroom writing pedagogy and research methodology to understand how students in an ethnic studies course problematize the dominance of Whiteness in school. I specifically analyze field notes and a focal student’s writing and interviews to demonstrate (a) her understandings of her participation in this course and (b) the ways in which her writing of self was a form of curricular justice that spanned school and home. These findings help to amplify writing as a tool for social justice and remind us that literacy and students’ histories are inextricably linked.

Research has shown that collaboratively produced texts are better in quality compared with individually written texts. However, no study has considered the role of collaboration in authorial voice, which is an essential element in current writing curricula. This study analyzes the effects of collaborative task performance in the quality of L2 learners’ argumentative texts and in their authorial voice strength. A total of 306 upper-intermediate L2 learners were selected and divided into independent ( N = 130) and paired ( N = 176) groups. Each learner/pair was asked to write one argumentative text. The quality of writings was determined by a quantitative analysis that included three measures of complexity, accuracy, and fluency (CAF). Participants’ authorial voice strength was assessed by two raters using an analytic voice rubric. Comparison of means revealed that pairs outperformed independent writers in all CAF measures. However, the results for the role of collaboration in authorial voice were mixed: While pairs were more successful than independent writers in manifesting their ideational voice, independent writers outperformed pairs with regard to affective and presence voice dimensions and holistic voice scores. The article concludes that, despite its positive implications for L2 writing, collaborative writing may pose challenges for learners’ authorial stance taking.

“We’re excited to announce our two new Co-Managing Editors: Jessica Clements, an Associate Professor of rhetoric and composition, and previously a Style Editor for Present Tense, and John Pell, an Associate Professor of rhetoric and composition and Associate Dean.”

This article celebrates the 20th anniversary of the Reflections Journal, as a premier publication in service learning, public writing, rhetoric, community literacy, and activism. The author applauds Reflections as a space that nurtures emerging voices and professional development, even prior to the printing of individual volumes and issues. Link to PDF

In this essay, the authors describe a collaborative, community-engaged graduate seminar in which students and incarcerated writers worked together to write promotional brochures for WordsUncaged, a prison writing program. Drawing on reflective writing from graduate students and incarcerated writers, the authors apply a hospitality framework to articulate participants’ learning and growth. The public nature of… Continue reading Our Amalgamated Voices Speak: Graduate Students and Incarcerated Writers Collaborate for a Common Purpose by Katheryn Perry & Bidhan Roy

Mass incarceration in the United States is deeply entrenched into the political and economic makeup of modern America. In a time of political upheaval and radical change, prison and criminal justice reform activists are turning the public’s attention towards the problem of America’s prisons and shining a light on the forgotten voices of the incarcerated.… Continue reading Review: The Named and the Nameless: 2018 PEN Prison Writing Awards Anthology by Jenny Albright, Kalyn Bonn, Matt Getty, Zach Marburger, Brooks Mitchell, Jake Quinter, & Shivon Pontious

This profile examines “Writing for Advocacy,” a pair of Spring 2018 courses designed around community engagement and project-based learning. Supported by a grant from Conexión Américas and the Tennessee Educational Equity Coalition (TEEC), Christian Brothers University (CBU), a regional leader for educating undocumented students, provided a fertile space for a course that leveraged student voices… Continue reading Writing for Advocacy: DREAMers, Agency, and Meaningful Community Engaged Writing (Course Profile) by Jeffrey Gross & Alison A. Lukowski

During the Summer 2019 semester, Writing & Rhetoric students at Florida International University, a public Hispanic-Serving Institution in Miami, Florida, engaged with Muted Group Theory to both understand and challenge the silencing of immigrant voices. Specifically, the FIU students, the majority of whom identified as Hispanic, created video messages for a local third grade class… Continue reading The Muted Group Video Project: Amplifying the Voices of Latinx Immigrant Students by Christine Martorana

 “I’m just gonna let you know how it is’: Situating Writing and Literacy Education in Prison” | Tobi Jacobi “Where Lifelines Converge: Voices from the Forest Correctional Creative Writing Group” | Laura Rogers “Disturbing Where We Are Comfortable: Notes from Behind the Walls” | Lori Pompa “Prison 101” | Shane R. Hillman “Telephone Conversation with… Continue reading Volume 4, Number 1, Winter 2004

The bulk of literacy education historical narratives about Black Americans has been gentrified by mainstream Euro-American perspectives. This article considers the contributions of a Black-American-developed form of institutionalized community education to demonstrate the critical race theory voice-of-color thesis in college-level composition-literacies education. Through reviewing the curricular, pedagogical, and instructional practices of pre-college independent Black institutions, the author works to reclaim the unique rhetorical voice of this Afrocentric literacy education form and insert it into American literacy education histories. The article presents two established unique voice of color counter-stories grounded in truthfully representing and advancing Black American cultures to argue that central features of these Afrocentric literacy education programs can afford college composition programs race- and community-conscious writing education.

A Professor of Rhetoric at Carnegie Mellon University, Linda Flower pioneered the study of cognitive processes in writing. Motivated by the need for a more integrated socialcognitive approach to writing, her recent research has focused on how writers construct negotiated meaning in the midst of conflicting internal and social voices. Flower is Director of Carnegie… Continue reading The Evolution of ‘Intercultural Inquiry’ by Linda Flower

This article uses personas to illustrate the range of technical communication knowledge work developed through its practitioners—to articulate the functions, characteristics, traits, skills, and workplace styles of positions someone in the field might pursue. Recent research has provided valuable data about the expanding and evolving skill sets of the technical/professional communicator. We build on that by triangulating the data from an analysis of job postings, a survey of technical communicators, and interviews and embedded observations of practitioners to develop personas of technical/professional communicators on the job. The personas can help students, programs, and practitioners understand and navigate the many types of roles that are available in the field.