This article describes a process of building on students’ views about academic discourse to talk about issues of privilege, access, and the banking concept of education, thus providing a constructive and organic approach to making social justice issues relevant for students’ lives.

Abstract Abraham Lincoln’s 1842 Temperance Address can be understood as an act of cultural criticism delivered in epideictic form in which the young politician demonstrated his leadership ability by presenting his political philosophy. Lincoln exploited the capacious indeterminacy of meaning afforded by the discourse of the flourishing temperance movement to address indirectly problems plaguing the American republic, namely incivility and slavery. Offering only hushed praise for Washington, Lincoln silenced the slaveholding founders so that the sensibilities of a new generation of men could be heard. Lincoln constructed a Whig manhood grounded in ideals of entrepreneurialism and restraint that demonstrated his fitness to lead his party and the Second American Revolution.

For different reasons, composition studies and creative writing have resisted one another. Despite a historically thin discourse about creative writing within College Compositionand Communication, the relationship now merits attention. The two fields’ common interest should link them in a richer, more coherent view of writing for each other, forstudents, and for policymakers. As digital tools and media expand the nature and circulation of texts, composition studies should pay more attention to craft and to composingtexts not created in response to rhetorical situations or for scholars.

Contemporary scholarship has noted Mikhail M. Bakhtin's apparent animosity toward rhetoric. Bakhtin's distinction between monologue and dialogue helps to explain his view of rhetoric, which is both hostile and receptive—hostile to monologic rhetoric but receptive to a dialogic rhetoric that is responsive to others. This article reads Bakhtin's account of monologue and dialogue as a reaction to the pervasive totalitarian visual rhetoric of the Soviet state. Drawing on Bakhtin's descriptions of authoritative and internally persuasive discourses and various kinds of double-voiced discourse—parody, satire, and polemic—the article analyzes the workings of Soviet visual rhetoric as both monologic and potentially dialogic and recovers the various forms of otherness displaced by this rhetoric.

This article draws on activity theory, politics of the artifact, and speech act theory to analyze how language practices and technology interplay in establishing the social relationships necessary for globally networked teams. Specifically, it uses activity theory to examine how linguistic infelicities and the politics of communication technologies interplay in virtual meetings, thereby demonstrating the importance of grounding professional communication instruction in social as well as technical effectiveness. That is, students must learn not only how to communicate technical concepts clearly and concisely and recognize cultural differences but also how to use language and choose media in ways that produce the social conditions necessary for effective collaboration in globally networked environments. The article analyzes two case studies—a workplace and a classroom—that illustrate how the mediating functions of language and the politics of technology intersect as mediating tools in globally networked activity systems. It then traces the implications of that intersection for professional communication theory and pedagogy.

Deconstructing the praxis involved in the collecting of discourse in late nineteenth-century American autograph albums, this essay links the socially based practices involved in middle-class young women's (re)inscription of messages of friendship within such spaces to Jacques Derrida's theory of différance. While the commonplace language contained within such objects often has a conservative orientation, its circulation within communities through customary practices of exchange opened up opportunities for rhetorical invention. The opportunity to write in these locations also represented access to new discursive arenas, participation which likely played a part in women's gradually increasing access to the public sphere.

Given the high demands in knowledge and practice of written language conventions of academia and of specific disciplines, research traditions, and accepted approaches to thesis writing, doctoral students face a daunting array of challenges in writing a thesis. Here we discuss some ideas for automated analysis of low-level features of a thesis and preliminary work using Correspondence Analysis showing differences across chapters in theses from four fields (Biology, Linguistics, Tourism, and Film Studies) according to the presence of the three types of reporting verbs studied by Hyland (2002), i.e. those expressing research acts, cognitive acts, and discourse acts. The analysis illustrates the method and is suggestive of its potential for pointing up differences in thesis structure that might be of value for thesis students and their supervisors.

This article explores the role of a thesis introduction in establishing the contribution of the thesis to its field of study and how the introduction might be exploited by the writer of the thesis and their supervisor to scaffold the thesis writing process. The focus is on how the introduction realizes a conceptual map of the field of the thesis, a series of speech acts, and a text which construes the conceptual map of the field and the relevant speech acts by means of its method of development. A second focus is on how these aspects of the introduction can serve as heuristic devices which can be used to generate versions of the introduction and to project the structure of the entire thesis.

The control of discourse functions, such as defining, contrasting, intensifying, and hedging among others, is an important skill in effective academic writing. Unlike the case with a typical writing textbook, where examples of discourse functions are invented or drawn for a variety of sources, the present work is based on an analysis of discourse functions from a single exemplary Doctoral thesis. The presentation demonstrates how a useful set of materials can be garnered from just one rich source. Additionally, it provides readers with descriptions and examples of eleven discourse functions identified through the analysis and discusses how this material has been implemented in the author’s advanced graduate writing class.

This article illustrates how freely available computer tools can be used for academic writing. It presents a series of tools and functions from the area of corpus linguistics, and shows how these can be used by students and teachers when working on dissertations and theses or when exploring conventions of academic writing and of writing in specific disciplines.

First person pronoun use in academic writing has received much attention from researchers over the past decade (Baynham (1999), Tang and John (1999), Kuo (1999), Ivanic and Camps (2001), Hyland (2001; 2002; 2004), Harwood (2005) and Koutsantoni (2003, 2007), to name a few). It is acknowledged as the most visible representation of the writer’s identity in the text. This paper investigates the influence of revision on the use of first person pronouns in dissertation writing. The aim of the paper is to reach a better understanding of how writers’ identities develop in academic texts during the process of writing. Master’s level dissertations written by international students mainly from the Far East and enrolled at a UK university form the data for this study. The results reveal that the revision process can be used as an effective means to raise students’ awareness of how their identities develop during the writing process and how they might transform from being novices of the academic discourse community to becoming initiates (Thompson, 2001).

In academic writing, referencing sources is more than just a strategy for demonstrating scholarship. In thesis writing, for example, it plays an important role in making the writer’s argument persuasive. This investigation is concerned with the different ways in which thesis writers incorporate and evaluate diverse voices through academic referencing. First, it sets out an analytical framework underpinned by systemic functional linguistics (Halliday, 2004), particularly developments in appraisal theory (Martin and White, 2005). The framework provides a dialogic perspective on the linguistic options for referencing academic sources. The discussion then shows how the framework was used to conduct a detailed analysis of one doctoral student’s incorporation of academic sources in a successful Film Studies thesis. The analysis concludes with an illustrative list of referencing strategies used in theses and other types of academic writing. By reporting on how the conventions of referencing can be used in rhetorically effective ways, the research aims to make a contribution to the field of academic writing which is of practical as well as academic value.

340 RHETORICA to be monitored by the community and that is balanced by an ethics, psy­ chology, and political theory emphasizing isolated, estranged, and restive individuals (pp. 142-45). The image of the modern Lockean individual that Vogt advances is that of the chastened explorer, conscious of the perils of the voyage of discovery undertaken with imperfect tools, but confident in his ability to overcome as yet unknown challenges. Vogt attempts to formulate a strong version of Lockean modernity in order to shed light on what he terms "the strong attack on Lockean modernity" that he perceives in the work of Burke, Schopenhauer, and Nietzsche (p. 6). In those thinkers there is, for Vogt, a more precise pessimism. In their hands, Locke's nautical metaphors entail a much greater risk of disorientation. In this reading, the Burkean sublime is a chaste riposte to Locke's cheerful analogizing, a critique of even a figural empiricism's ability to deal with the measureless. Vogt reads the marine paintings of Caspar David Friedrich and J. M. W. Turner to undermine the notion that maritime life is a storehouse of figures that stand for challenges overcome. Many of the things that Vogt has to say with regard to this strong attack on the strong version of Lockean modernity are suggestive. But it is not clear that a monograph on Locke was the best place to explore these complex issues with the sustained attention that they deserve. David L. Marshall Kettering University Juliet Cummins and David Burchell (eds.), Science, Literature and Rhetoric in Early Modern England (Literary and Scientific Cultures of Early Modernity Series), Aldershot (England) and Burlington (Ver­ mont): Ashgate, 2007. 241 pp. ISBN: 9780754657811 The intent of this collection of essays is to "present new insights" about the "interaction of science, literature and rhetoric" in the development, reception, and dissemination of scientific knowledge in early modernity. The studies emanate from a symposium of scholars held at the University of Western Sydney, Australia. The editors promise in the introduction a wide angled book that will encompass the cultural, political, and social elements of the new science. This has been accomplished to a large degree, even if at times the treatment is a bit parochial in its regional view of science and narrow historical perspective. In addition, rhetoric, left undefined, permits a diffuse sense of the term, and a vague notion that it pervades discourse. But despite these shortcomings, the book offers a rich, lively, innovative collection of essays that illuminate selected literary texts of the period. Several of the essays stand out for their clarity and scholarship. Peter Harrison's "Truth, Utility, and the Natural Sciences in Early Modern Eng­ land" avoids parochialism in its treatment of changing opinions regarding Reviews 341 natural science vis a vis the humanities. Harrison begins his essay with Sir Philip Sidney's weighing of knowledge for its moral usefulness and his elevation of the particular as key to understanding the universal in "The Defence of Poesy. Earlier the studia }iu matiitutis had revamped education for its social and moral utility as well (p. 17). The essay, with apt illustrations from the writings of the virtuosi and their commentators, shows that a similar moral evaluation was being applied to the study of natural philosophy in the seventeenth and early eighteenth centuries. The discipline was thought to aid in the development of virtue through the habits of careful study required of its practitioners. And it turned minds to regard the purpose of their labors as the betterment of mankind. Thus, the moral value of the philosophers' work eventually made the occupation socially acceptable, despite critics' ridicule of experiments performed at meetings of the Royal Society. With impressive erudition, David Burchell analyzes Hobbes' style and its debt to both Seneca and Cicero. His essay, '"A Plain Blunt Man'; Hobbes, Science, and Rhetoric Revisited," has only a tenuous connection to science, but it clarifies the relation of rhetoric to science in the period. Burchell successfully rebuts those who have claimed that Hobbes rejected rhetoric and adopted instead a "clear and perspicuous" style to foster better scientific debate. Burchell shows that Hobbes had, instead, a very broad knowledge of rhetoric and used different...

Abstract This article examines the public controversy surrounding the National Park Services decision about how best to recognize the site of the nations first executive mansion—the Presidents House—in Philadelphias Independence National Historical Park. The first of the houses two presidential occupants, George Washington, kept nine slaves in the mansion while circumventing a Pennsylvania law that could have given the slaves their freedom. The National Park staff’s resistance to acknowledging Washingtons actions led to an ongoing and lengthy public debate that eventually resulted in the decision to build an installation that recognized all of the occupants of the house. Advocates for building such a site invoked two types of vernacular discourse—a counternarrative ("Liberty has been incompletely enacted") and a representative anecdote ("Excavating buried history")—that embraced the traditions of storytelling at Independence National Historical Park.

Abstract The tradition of postcolonial critique has long noted that the construction of an imperial identity of "alterity," the posture of moral superiority that serves to differentiate the imperialist from those under his or her control and thus legitimate the practice of expansion, is a significant characteristic of imperial discourse. For the most party however, this critical practice has focused on the construct of alterity as a justification for imperial oppression on the basis ofracialized images of subject populations. This essay approaches alterity as a property to be maintained by the imperial culture itself as crucial to its understanding of its own identity. Failure to maintain such an identity constitutes the ultimate "sin" of identity slippage, a "sin" that undermines the moral validity of empire. This argument is detailed through an analysis of Edmund D. Morels book-length exposé of Belgian atrocities committed against the peoples of the Congo entitled King Leopolds Rule in Africa. Morels text is not so much concerned with evoking reader pity for the plight of the Congolese as with inciting outrage over the subversion of imperialism by the Belgians’ abandonment of their own imperial alterity.

Abstract This essay argues for a reprivileging of the object of speech in the study of public address. To this end, public discourse concerning the tonal qualities of male and female speech, particularly in moments of affective transgression, is examined to better discern our deeply gendered, cultural norms of eloquence. The primary case study analyzes reactions to the oratory ofBarack Obama and Hillary Clinton to show how their respective vocal tones played a significant role in the 2008 presidential election.

Abstract While traditional rhetoric missed opportunities for potent change in the New World, alternative rhetorical theory nonetheless existed. This essay argues that a play by renowned nun Sor Juana Inés de la Cruz is a source of protofeminist, New World rhetoric, prompted by multicultural seventeenth-century New Spain. Immensely respected by the dominant powers of Church and state, Sor Juana was also attuned to issues of nondominance because she was criolla and female. Her religiously orthodox Divine Narcissus is simultaneously a rhetoric of listening that rewrites classical rhetoric's focus on speaking within a community to attend to people at odds with one another. It highlights the need for Spaniards, criollas, and Mesoamericans to go beyond talking at one another, and instead listen with care. The Divine Narcissus is an important text in rhetorical theory, concerned with dominant and nondominant rhetors and audiences in early Mexican society. Notes 1See Merrim and Kirkpatrick on the echo; Stroud's Lacanian reading; Gonzalez, Granger-Carrasco, and Kirk on theology; and Merrim on narcissism. Like me, Ackerman emphasizes the theme of utterance and hearing voices, but stresses this as a means of encouraging an "interpretive devotion to Christ" (73). 2Work on rhetoric and listening is now being explored by rhetoricians such as Royster, Krista Ratcliffe (see "Cassandra," Rhetorical Listening), Michelle Ballif, and Gemma Fiumara. Wayne Booth is one of the few scholars to posit listening as an overlooked but traditional part of rhetoric. See also Cynthia Selfe's recent argument for composition studies to reclaim "aurality," "the reception and production of aural communications" (646, note 1). 3Naming indigenous groups is a fraught endeavor. Current scholarly practice favors using an ethnic group's name for itself when feasible; the specific group Sor Juana refers to here are the Mexica. I use Nahua (of which Mexica are a prominent subgroup) to refer to a wider group of Nahuatl speakers and their religious practices, and I use Mesoamerican as a general term for indigenous peoples of central Mexico and environs. While sensitive to the history of associating native with pejoratives like primitive, I use native as a neutral term for connoting indigenous inhabitants. 4For example, Flower suggests that in composition studies we teach students how to "speak up" and "speak against" but not "how to speak with others" (2). Her rhetoric of public engagement aims for intercultural dialogue in urban settings, often through "hybrid discourse" or nontraditional delivery (32). Ratcliffe investigates rhetorical listening as "a stance of openness that a person may choose to assume in cross-cultural exchanges" (Rhetorical Listening 1). Glenn examines how nondominant groups use silence, "as a rhetoric, a constellation of symbolic strategies" (xi). 5As an auto sacramental, The Divine Narcissus is a one-act play with a prefatory loa. While both are divided into scenes, the numbering of lines is consecutive throughout each respective unit, so my citations specify loa or auto and the line number only. This and subsequent citations from The Divine Narcissus (hereafter abbreviated DN in parenthetical citations) are from the first and only full English translation of the play, by Patricia Peters and Renée Domeier, now out of print. 6For poems in which Mesoamericans speak Nahuatl and Blacks speak their own dialect of Spanish and an African language, see Obras completas 2.14 (translated into English in Trueblood 125), 26, 39, 71, 94, and 138. Sor Juana's use of Nahuatl in these poems reflects a concern for native speakers that is also a rhetorical device, making parishioners feel the Church was also theirs. 7See Pratt's discussion of Guaman Poma's letter ("Arts"). 8Méndez Plancarte, one of the two twentieth-century editors of Sor Juana's collected works, argues against the possibility that this auto was used to explain doctrine or that it had a missionary goal of educating indigenous groups (Juana, OC 3.511). 9 Auto sacramental is a generic designation for a religious play that is often allegorical, and which typically during this period honored the Eucharist (Granger-Carrasco Ch. 1). 10Between 1691 and 1725, The Divine Narcissus was published in Spain several times in collections of Sor Juana's works. It was not reprinted again until 1924, in Mexico. 11Echo plays the part of "Angelic nature, fallen from grace." 12New Spain's literary scene was determined by Spain, where Narcissus was a "ubiquitous" literary presence from the fifteenth century on (Méndez Plancarte in Juana, OC 3.514). Both Méndez Plancarte and Paz aver that Sor Juana's play is not only different from but also far superior to Pedro Calderón de la Barca's play (Juana, OC 3.lxxiv; Paz 351). 14 Yo iré también, que me inclina la piedad a llegar (antes que tu furor lo embista) a convidarlos, de paz, a que mi culto reciban. I offer my own translation because Peters's and Domeier's is quite off the mark: "And I, in peace, will also go/(before your fury lays them low)/for justice must with mercy kiss;/I shall invite them to arise/from superstitious depths to faith." Sor Juana's Spanish is more generous. There is no mention of "superstitious depths"; both Nahua and Spanish religious practices are referred to as cultos (forms of worship; cf. Loa 95, 178). 13My reading contrasts with Gerard Flynn's: "All in all, her attitude towards the Conquest seems neutral. She shows no recrimination for Zeal, and yet the pagan Occident and America are not ugly…. Sor Juana assents to both that which is Spanish and that which is Indian. The Conquest happened, and she accepts it" (74). 15Octavio Paz views Sor Juana's works as crucial to the early formation of criollo identity. It is only recently, though, that Sor Juana's works have been classified as literature of Mexico, not Spain (Granger-Carrasco 15). 16A similar multiplicity of identity is what Gloria Anzaldúa capitalizes on in her twentieth-century rhetorical theory for Mexican Americans. 17The Requerimiento demands allegiance to the Church as supreme ruler, but also tells Mesoamericans that Spaniards "shall not compel you to turn Christians, unless you yourselves, when informed of the truth, should wish to be converted to our holy Catholic faith" (Washburn 308). 18It is this aspect of language that Moraña attributes to Sor Juana, claiming that her "rhetoric of silence" (the capacity for words to persuade beyond their overt reference) is affiliated with the sublime (176). 19Sor Juana seems to be conflating rituals that apply to two different Nahua gods, Huitzilopochtli (god of the seeds) and Quetzalcoatl (to whom human sacrifices were made) (Sabat de Rivers 290–291). 20The incident is quite possibly apocryphal, and at the very least, sculpted to resonate with the stories of St. Catherine of Alexandria and the young Jesus in Luke 2:46–47. 21"An attitude of complete receptivity, of openness to 'any view or hypothesis that a participant seriously wants to advance,' still puts a woman, I believe, in a dangerous stance," Susan Jarratt cautions, quoting Peter Elbow (117). 22"Why is the Devil a woman?," Merrim asks of the play, and reconciles the dilemma by finding parallels between Satan and Sor Juana, who must also dissimilate because divine authorities restrict her voice (114). 23In Spanish, the last line cited here (line 1300) reads, "Suene tu voz a mi oído": "Make your voice sound within my hearing." Sor Juana is playing upon verse 2.14 of the Song of Songs: "Let thy voice sound in my ears" (Douay-Rheims version). The English translation given by Peters and Domeier does not change the meaning, and the use of pour manages to allude to the fountain into which Narcissus gazes. Additional informationNotes on contributorsJulie A. Bokser Julie A. Bokser is Associate Professor in the Department of Writing, Rhetoric and Discourse at DePaul University, 802 W. Belden, Chicago, IL 60614, USA.

In this article, we argue that prior learning assessment (PLA) essays manifest a series of issues central to composition research and practice: they foreground the “contact zone” between the unauthorized writer, institutional power, and the articulation of knowledge claims; they reinforce the central role of a multifaceted approach to writing expertise in negotiating that zone; and they call attention to new and alternative spaces in which learning is gained and call for new forms in which it may be articulated. Ultimately, we claim that PLA as an emergent discourse compels compositionists to re-imagine not only the students we all teach, but also ways we might better—more explicitly, more reflectively, and more tactically—teach such students about writing as a mechanism for claiming and legitimating learning.

In his avowedly Stoic De Officiis, Cicero publicizes the persuasive power of a conversational manner, a communicative style consonant with Stoicism's emphasis on human togetherness. The relationships between and among conversation (sermo), Stoicism, and rhetoric call for scrutiny, especially since in other works Cicero decries the uselessness of Stoicism to orators of res publica. By connecting Stoicism with sermo, and sermo with oratory-glory, Cicero fits Stoicism to Rome's political contours and also ushers future leaders of public affairs into both rhetorical and philosophical conversation—mild-mannered modes of discourse—during a politically turbulent time.

This article reports a study of one high school senior’s process of academic bullshitting as she wrote an analytic essay interpreting Shakespeare’s Much Ado about Nothing. The construct of bullshit has received little scholarly attention; although it is known as a common phenomenon in academic speech and writing, it has rarely been the subject of empirical research. This study is comprised of a protocol analysis of one writer as she attempted to produce an academic essay on a topic in which her understanding of the play’s content was insufficient for the task of producing the essay. The coding system identified subcodes within the major categories of content, genre, and process that enabled the researchers to infer what is involved in academic bullshitting. The analysis found that, in the absence of sufficient content knowledge, a writer familiar in discourse conventions may employ knowledge of the genre of academic writing and processes for producing generic features to create the impression that her content knowledge is adequate. The study concludes with a discussion of the phenomenon of academic bullshitting and its implications for teaching and learning academic writing.

In Queer Rhetorics, an upper-division service-learning writing course taught at the University of Colorado at Boulder in 2005, students used queer theory to frame their engagement with local LGBTQ non-profit organizations in Boulder. In their journals, students moved from responding personally to the course material and their volunteer work to generating their own critical inquiries into queer discourse, as well as community-based service projects. This essay argues that self-reflecting on their own sexual citizenship in the context of community engagement fosters students' critical understanding of the public rhetoric of sexuality and gender and the social norms that delimit our sexual worlds.

Newspaper media create interpretations of marginalized groups that require rhetorical analysis so that we can better understand these representations. This article focuses on how newspaper articles create interpretations of sex work that affect both the marginalized and mainstream communities. My ethnographic case study argues that the material conditions of many street sex workers— the physical environments they live in and their effects on the workers’ bodies, identities, and spirits—are represented, reproduced, and entrenched in the language surrounding their work. The signs and symbols that make up these “material conditions” can be rhetorically analyzed in order to better understand how interests, goals, and ideologies are represented and implemented through language. Locating the street sex workers’ voices at its center, my analysis reveals that journalists include and omit words and themes that serve to highlight particular material conditions related to street sex work that influences the reader’s perspective of sex work as a whole. I then offer suggestions for making different language choices that subvert these disempowering ideologies.

Although most theorists agree that discourse creates meaning, they have not adequately described how this process emerges within the creation of procedural knowledge. This article explores how technical communicators in diverse settings based discourse decisions on their knowledge of (a) users, (b) organizational image and constraints, (c) software structure and features, and (d) genre conventions in order to create communication artifacts designed to help users develop procedural knowledge. The transformations in which they engaged indicated that these technical communicators were skilled in forming images in these four areas and then using these images as they created meaning in procedural discourse. In this process, they moved beyond merely translating or transmitting technical knowledge.

Recent research has emphasized the close connections between writing and the construction of an author’s identity. While academic contexts privilege certain ways of making meanings and so restrict what resources participants can bring from their past experiences, we can also see these writing conventions as a repertoire of options that allow writers to actively and publicly accomplish an identity through discourse choices. This article takes a somewhat novel approach to the issue of authorial identity by using the tools of corpus analysis to examine the published works of two leading figures in applied linguistics: John Swales and Debbie Cameron. By comparing high frequency keywords and clusters in their writing with a larger applied linguistics reference corpus, I attempt to show how corpus techniques might inform our study of identity construction and something of the ways identity can be seen as independent creativity shaped by an accountability to shared practices.

Kevin Porter's Meaning, Language, and Time is a fine contribution to scholarship, well worth reading, for a number of reasons. It is well worth reading if only because in the fields of rhetoric, communication, and composition, books that explore fundamental concepts and premises—particularly books that put such concepts and premises into historical perspective and into relationships with alternative theories—have become far too rare. But Porter's book is also well worth reading because the concept it explores is arguably the one most fundamental to rhetoric, communication, and composition—the concept of “meaning.”

Herbert Marcuse's relationship to the student-activists of the 1960s not only required a different form of discourse from that of his colleague, Theodor W. Adorno, but also indicated the range of conditions that govern political discourse in the academy. Whereas Adorno restricted his political activity almost exclusively to the pursuit of dialectical theory, Marcuse's insistence upon speaking to audiences of activists occasioned a contemporary manifestation of ancient debates over the discursive forms of rhetoric and dialectic. This essay analyzes two different kinds of discourses: (1) a dialectical conversation between Marcuse and Adorno, and (2) a rhetorical address that Marcuse presented to activists. Taken together, these texts reveal the dependence of the academy on more than one form of discourse and suggest that even under our contemporary circumstances, the ancient categories of rhetoric and dialectic continue to operate as counterparts.

Nineteenth-century women speaking to promiscuous audiences about the taboo topics of sex and sexuality found evolutionary science an ally, rather than an enemy, to their aims. Feminists arguing for free love promoted their arguments with the popular evolutionary discourse. This essay identifies three warrants in their arguments with a basis in Darwin's theories of evolution and sexual selection.

Edited by Mark Zachry and Charlotte Thralls. Amityville, NY: Baywood, 2008. 263 pp. In Communicative Practices in Workplaces and the Professions, Zachry and Thralls assemble a collection of works f...

This article offers a heuristic for conceptualizing the broad contours of electronic instruction sets as they have developed for and in online environments. The heuristic includes three interconnected models: self-contained, which leverages the features of fixed instructional content; embedded, which leverages the features of user-generated metadata; and open, which leverages the features of mutable instructional content. Although the models overlap to some extent, their distinctions help to illustrate the changing nature of online how-to discourse.

In his avowedly Stoic De Officiis, Cicero publicizes the persuasive power of a conversational manner, a communicative style consonant with Stoicism’s emphasis on human togetherness. The relationships between and among conversation (sermo), Stoicism, and rhetoric call for scrutiny, especially since in other works Cicero decries the uselessness of Stoicism to orators of res publica. By connecting Stoicism with sermo, and sermo with oratory-glory, Cicero fits Stoicism to Rome’s political contours and also ushers future leaders of public affairs into both rhetorical and philosophical conversation—mild-mannered modes of discourse—during a politically turbulent time.

236 RHETORICA Ceri Sullivan. The Rhetoric of the Conscience in Donne, Herbert, and Vaughan. Oxford: Oxford University Press, 2008. xiv + 275pp. ISBN 019954784X On her Web page at the University of Bangor, where she is Reader in English, Ceri Sullivan says about her publications, 'Language most shows a man: speak that I may see thee/ Jonson's confi­ dence in his ability to read through the rhetoric is a constant challenge to me in research, and my three monographs have browsed, sheeplike, over this terrain. The first [1995] dealt with whether one may persuade oneself in devotion, focusing on Catholic texts (Dismembered Rhetoric: En­ glish Recusant Writing 1580-1603). The second [2002] mused over how a merchant represents himself and reads others' representations in the real and dramatic markets (The Rhetoric ofCredit: Merchants in Early Mod­ ern Writing). A third asks whether, if the conscience is structured as a language, the consequence of the divine I AM is YOU AREN'T ... The answer to the question posed in the most recent book is this: not necessarily—or even, on the contrary. An effort to reconcile one­ self with God may lead to tears and stylistic excess. But as Sullivan shows, it also may lead to an increased awareness of the human, the other-than-divine, parts of the self. Because actions of the self in prob­ ing its inferiority employed the devices and strategies of language, rhetorical analyses of resulting documents—poetry especially—are deeply revealing about the nature of that self. In dealing with the role of the conscience in Seventeenth Century writing, Sullivan has included in her purview analysis as well as genesis, the actions of interpreting discourse as well as responding to it. In choosing as her chief examples members of what used to be called "the school of Donne," she has picked three for whom the actions of the self in attending to what the poets thought might very well be the voice of God are both problematic and significant. Of these three, Donne has the most complicated relation to the nature of the self, to his own ego—or at least it's fashionable to think so these days when we have several studies adverting to Donne's fear of death as mainly a fear of losing his individuality, his very selfhood among the faceless and innumerable dead. The conscience, so the Seventeenth Century believed, is an innate moral sense planted in our inferiority by God. Because that sense was usually thought of as a voice, the conscience was accordingly structured as a language, and rhetoric figures in it of necessity. Literally so, as Sullivan shows. Rhetoric is present in such devices and strategies as syllogism, snbjectio, enigma, antanaclasis, aposiopesis, 237 Reviews chiasmus, to cite only those named in her chapter heads. These devices and strategies show up in discourse when one confronts, negotiates with, or advises others about that invariably troublesome inner voice. Donne debated with that voice in his poems and as priest overtly addressed the conscience of his parishioners. "Peace pratler, do not lowre" begins Herbert's poem Conscience. Vaughan found his own conscience "darting" and "full of stabs and fears" (The Relapse). "Donne, Herbert, and Vaughan," writes Sullivan, "spend much time peering curiously at their consciences, wondering who it is who is confessing to guilt" (p. 17). But these confrontations with the conscience are not re-examined simply as literary features, certainly not as psychological or moral cu­ riosities. One leaves Sullivan's book having learned as much about rhetoric and intellectual history as about the poetry of this period— perhaps even more about the former than the latter. Protestantism with its emphases on virtually unaided approaches to God and on in­ dividual responsibility toward divine law set the tone for a period in which—for the first time, Sullivan insists—judicial rhetoric was em­ ployed to deal with the conscience, a rhetoric the poems often show breaking down. As indicated, each chapter centers on a particular de­ vice or strategy, in something of the following progression, to skim briefly over the chapters. Stuart manuals described the conscience in legalistic terms; casuists invariably formed their discussions as syllo­ gisms. Torturing the...

Abstract In this essay I explore the ways in which the issue/image dichotomy operates as a default criticism of democratic practice by examining its basis in persistent tensions and idealistic theories of democracy. Turning to political practice, I then explore the articulation and value of political image rhetorics offered during the 2008 presidential election, paying particular attention to political advertisements from the Obama and McCain campaigns that appeared after their nominations were assured but before the national nominating conventions. Ultimately I offer a normative justification of political image rhetorics in campaign discourse as beneficial to deliberation about public policy and political leadership.

Abstract Communication scholars interested in presidential rhetoric on public policy are very familiar with the rhetorical presidency, but there is another paradigm worth our consideration: the unitary executive. This model emphasizes the institutional reasons why presidents might not use public discourse to promote theirpolicies, relying instead on the expanding powers of the executive branch. Although there is relatively little discussion of one model within scholarship dedicated to the other, this essay argues for the benefits of considering both models simultaneously. As changes occur within the executive office’s capacity for creating and enforcing public policy, so too must our critical orientation to the study of presidential rhetoric.

In this article, I present a qualitative analysis of third graders’ experiences with a unit from their district-mandated commercial reading curriculum in which the children made strong connections between a fictional account of a Depression-era farm family’s economic hardships and their own 21st century lives in a city with one of the highest childhood poverty rates in the United States. The language of the curriculum revealed class-privileged assumptions and an instrumental, competency-based approach to literacy that provided no official space for resonance between reader and text around the issue of poverty. Employing depth hermeneutics, a form of critical discourse analysis, I discuss analyses of three texts: the literature selection, the children’s written responses, and the teacher’s edition for that unit. Implications for research and practice include the importance of analyzing complex interactions between curriculum, policy, and the material realities of children’s lives; the need to hold commercial curricula accountable for recognizing and engaging the experiences of children living in poverty; and the academic and moral imperative to include the lived knowledge of students and the emotional dimensions of response in what counts as successful literacy engagement.

This paper examines the ways in which social scientific discourse and classification interact with the objects of social scientific investigation. I examine this interaction in the context of the traditional philosophical project of demarcating the social sciences from the natural sciences. I begin by reviewing Ian Hacking’s work on interactive classification and argue that there are additional forms of interaction that must be treated.

An interactionist theory of discourse offers an explanation of why sometimes—not because they do not understand the language, not because they are unintelligent, and not because they are morally deficient—our interlocutors simply do not “get it,” and no amount of argument will help. Discourse succeeds only when interlocutors allow the resistance to their cognitive expectations they encounter to guide their revisions of signs' meanings by shifting their apperception between and within fields of ethical relationships. These shifts enable interlocutors to account for the temporal orders of events structured by the ethical fields within which their discursive partners act, enabling them to adjust their own discursive actions accordingly.

Abstract During the late nineteenth century, language authorities in the United States were distressed by what they saw as a pervasive misuse of words. A particular type of language authority, the verbal critic, attempted to mitigate misuse by establishing and insisting upon "correct" meanings of words, and the writing of these verbal critics were remarkably popular at the time. Verbal critics' goals are not always clear-cut: they often lament the ignorance of those who "abuse" words, and at other times, they express their purpose as offering instruction in how to speak properly. Indeed, verbal criticism is full of contradictions, which this article explains in terms of a widespread crisis in representation, a crisis that seemed to threaten speakers' ability to communicate, affected late-nineteenth-century social structure, and mirrored political and economic debates over monetary policy, as well. Acknowledgment I thank the editor and anonymous readers for RSQ for their helpful comments and suggestions, which enriched this article, as well as my thinking about verbal criticism. A number of references cited or discussed in footnotes were brought to my attention by the readers. Notes 1Edward Finegan discusses Mathews's professorship (71), and Kenneth Cmiel tabulates the publication history of this and other such works (263–266). The number of copies in print comes from the title page to the 1896 edition. 2See Finegan, passim and Baron, 188–225 for more on this distinction between doctrines of correctness and usage. Plato's Cratylus offers the classical articulation of this distinction, with Cratylus arguing for correctness or "naturalism," described by Hermogenes as words with "a truth or correctness in them, which is the same for Hellenes as for barbarians" (383b), and Hermogenes arguing for usage or "conventionalism." 3As Assistant Keeper of the Department of Printed Books in the British Museum from 1838–50, Garnett composed a number of essays on philology that were later collected by his son (also Richard Garnett) as The Philological Essays of the Late Rev. Richard Garnett (Citation1859). The younger Garnett prefaced the collection with a "Memoir" explaining that Garnett aspired to join the clergy, in preparation for which he was required to "obtain a thorough acquaintance with Latin, of which he knew little, and with Greek, of which he knew nothing" (ii). Although, his son notes, Garnett's learning about Latin and Greek was "especially Scriptural," he nevertheless, in 1829, "entered upon an entirely new sphere of social intercourse and literary activity": writing about philology. As his son observes, Garnett "entered upon his new career at the most auspicious period imaginable, when Rask and Grimm and W. Humboldt" had begun writing about linguistics (x). However, Garnett's contributions to the discipline have gone largely unnoted by contemporary linguists, revealing perhaps that Garnett's "acuteness" derives more from his service to Mathews than it does from his service to more general studies of language. 4See p. 313. Cmiel studies eight newspapers: "the four refined papers were the Boston Daily Advertiser, The New York Times, the New York Evening Post, and the Chicago Tribune. The four popular papers were the Boston Herald, the New York Tribune, the New York Sun, and the Chicago Times." 5This way of approaching the debate between critics and scholars (the scholars were as elitist as the critics) turns out to be a way of missing another important similarity that I will consider later: the critics too had a democratic impulse. After all, given verbal criticism's immense popularity, what should we infer? Did readers consume books that merely made them feel inferior? Or did they find in these texts instruction for speaking in more refined or cultured ways? Cmiel has shown that Ayres and White, after publishing for refined newspapers in the 1860s and '70s, had their columns picked up by populist newspapers in the 1880s, and verbal criticism became "a part of popular adult education" (146). Adams Sherman Hill's Our English, for example, originated as a series of Chautauqua lectures. 6Plato's distinction between belief in beautiful things and beauty itself (Republic 476c) usefully distinguishes nominalists from realists (as well as particulars from universals). 7This is not to say that no one compared words to money prior to the nineteenth century. At least as early as John Locke, philosophers were noting the imprecision of words' representation of ideas and money's representation of value. (For Locke on language, see Book III of An Essay Concerning Human Understanding, particularly chapters II, "On the Signification of Words" and IX, "Of the Imperfection of Words"; on money, see Some Considerations on the Consequences of the Lowering of Interest and the Raising of the Value of Money.) However, discussing language as money (as opposed to language and money or language and/as a precious metal) does seem to have been rare until the nineteenth century. Martha Woodmansee and Mark Osteen's New Economic Criticism: Studies at the Interface of Literature and Economics (Citation1999) collects a number of works attempting "to rediscover the contact points among literature, culture, and economics" (9). Although the essays in the collection are primarily concerned with how critics informed by economics can approach the study of literature, the editors' introduction, particularly pp. 10–17, provides a helpful review of what they call economic criticism, recent attempts by theorists to link literature and language to money and economics. 8Although this evolution of the trope suggests it "had shifted from its earlier appreciation of beautiful coins," presumably to appreciation of a medium of exchange, the important point for Carr is that the trope's repetition demonstrates that "the history of nineteenth-century readers is marked by borrowing and adaptation, and by the persistence of traditional associations and definitions that nevertheless adapt to changing times and values" (145). But finding the same kind of value in language that one finds in money, I am arguing, has a particular significance in the late nineteenth century. 9Mathews cites Farrar on this point, coincidentally on his own page 261. 10The point for Painter is that inflationary policy hurt workers and farmers, giving rise to Populist resentment. Milton Friedman ultimately agrees, albeit from a much different orientation, that deflation was devastating. More concerned with economic growth than with the effect on the working classes, Friedman concludes that "Whether or not a verdict of guilty would have been appropriate in a court of law for 'the crime of 1873,' that verdict is appropriate in the court of history" because a "bimetallic standard … would have produced a considerably steadier price level than did the gold standard that was adopted" (78, 76). 11The other significant plank of the Populists' platform was an endorsement of direct election of U.S. senators. For more on Populism as a response to monetary policy, see Trachtenberg 175. 12Ritter's conservative and antimonopolist positions map neatly onto the deflationist and inflationist positions I have been discussing. An excellent history of the "financial question" during the period 1865–96, Goldbugs and Greenbacks argues that existing scholarship has managed to recognize "the significance of the farmer-labor tradition" without accounting for the "prominence the antimonopolists gave to the financial question." Even "common citizens" were invested in debates about money, Ritter argues, because these debates concerned "the belief that the preservation of economic opportunity was essential for meaningful democracy" (ix–x). 13This question over the role of persuasion in Marxism, of course, has everything to do with rhetoric. James Aune's Rhetoric and Marxism is concerned with just this issue, in only a slightly different register. For instance, Aune asks how rhetoricians might bridge the theoretical gap between structure and struggle—that is, the difference between rhetoric being a tool for interesting, but finally defeatist, analysis and being a tool for producing discourse that might effect real change (13). 14Even earlier political economists (Smith and Ricardo) recognized the existence of surplus-value—the unpaid portion of production—but what "they had regarded as a solution" Marx "considered but a problem" (149–151). 15Production must itself be understood as more complex than the mere set of steps individual workers take to generate a product if we are to understand how it effects class positions that come to be occupied by workers. Production comprises the labor process and relations of production, the former of which is a material condition of production (which, Althusser argues, means "a denial of every 'humanist' conception of human labour as pure creativity"). The relations of production entail foremost "relations between men and things, such that the relations between men and men are defined by the precise relations existing between men and the material elements of the production process" (171–175). Moreover, insofar as these relations include "agents of production," we must distinguish between "direct agents," whose labor power directly and materially infuses the product with use-value, and non-direct agents—the owners of the means of production—whose "labour power is not used in the production process." The arrangement of these agents and their instruments of production designates "a certain political configuration." And it is this political configuration that has a structural effect on other elements (e.g., the economic and the cultural) in the social totality: "the nature of the relations of production … establishes the degree of effectivity delegated to a certain level of the social totality." In other words, what we have here is not a pre-existing arrangement of levels in the social totality. Rather, the mode of production is the name we give to the "site" and "extension" of each structural element (176–177). 16In this sense, Kenneth Cmiel misses the point when he writes, "The very success of verbal criticism was undermining the original goals" (139), since the goals of verbal criticism included giving readers the verbal tools for upward mobility. 17The tragedy has, nevertheless, been feared and even predicted on numerous occasions. Locke's theory of language allowed not only for the "Imperfection of Words" (Book III, Chapter IX of Essay Concerning Human Understanding), but also—as a result—for the "Abuse of Words" (Chapter X), proposing "Remedies of the Foregoing Imperfection and Abuses" (Chapter XI). As recently as 2004, Samuel Huntington warned that the "persistent inflow of Hispanic immigrants threatens to divide the United States into two peoples, two cultures, and two languages." Such linguistic anxieties, and there have been plenty in the intervening years, tend to correspond to other cultural changes. Huntington was responding to increased immigration, Locke the coinage crisis of the 1690s. Locke's case is similar to the late nineteenth century's insofar as he too was concerned with theories of representation for both language and money. In a fascinating reading that brings together these theories, Carol Pech shows that Locke identifies the value of money through metonymy and also (elsewhere) describes the problems of language as beginning with metaphor and synecdoche. "That Locke goes on to examine the problems posed by synecdoche through the example of a precious metal (i.e., gold) is significant to understanding his writings on money" (283). These writings reveal, Pech ultimately argues, that Locke fetishizes precious metals in order to "disavow the ways in which symbolic modes of signification have begun to sever the connections between currency and natural substances" (286). Additional informationNotes on contributorsWilliam Rodney Herring William Rodney Herring is a Lecturer in the University Writing Program at the University of Denver, 2150 E. Evans Ave., Penrose Library Room 202, Denver, CO 80208-5203.

The article examines the significance of lore in creative writing pedagogy discourse, the problem posed by the historical distinction between teaching craft and drawing out talent in workshops, and the role of social identity as it is rejected, theorized, or ignored in discussions on teaching creative writing. Taking into account students' subjectivity as also constituted by the dynamics of collective identities such as those suggested by the terms gender, race, ethnicity, and so forth, the essay offers examples of workshop strategies that encourage dialogic voicing.

Book Review| January 01 2010 The Prettier Doll: Rhetoric, Discourse, and Ordinary Democracy The Prettier Doll: Rhetoric, Discourse, and Ordinary Democracy.Tuscaloosa: University of Alabama Press, 2007. 314 pp. $60.00, cloth; $38.00, paper. Tracy, Karen; McDaniel, James P.; Gronbeck, Bruce E. Christine Harold Christine Harold Department of Communication University of Washington Search for other works by this author on: This Site Google Philosophy & Rhetoric (2010) 43 (3): 296–300. https://doi.org/10.5325/philrhet.43.3.0296 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Christine Harold; The Prettier Doll: Rhetoric, Discourse, and Ordinary Democracy. Philosophy & Rhetoric 1 January 2010; 43 (3): 296–300. doi: https://doi.org/10.5325/philrhet.43.3.0296 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectivePenn State University PressPhilosophy & Rhetoric Search Advanced Search The text of this article is only available as a PDF. Copyright © 2010 by The Pennsylvania State University. All rights reserved.2010The Pennsylvania State University Article PDF first page preview Close Modal You do not currently have access to this content.

While scholars have begun to write a history of reports and instructions, little scholarship exists on the history of proposals. To fill this gap, I analyze proposals written by Dorothy Wordsworth and Anne Macvicar Grant, ca. 1800. My analysis uses contemporary rhetorical theory to determine how they structured their writing and incorporated rhetorical appeals to achieve their goals. My findings show that their texts should be placed on a continuum of the history and development of the proposal genre. Further findings suggest that their use of contemporary rhetorical theories authorized Wordsworth's and Grant's discourse to successfully affect change.

Richard Dawkins’s The Selfish Gene illustrates the power of ambiguity in scientific discourse. The rhetorical and epistemic resources that ambiguity provide are most apparent at the level of metaphor but are also central to the exigency for Dawkins’s argument and to the narrative form that the argument takes. Using ratios derived from Burke’s dramatistic pentad, I analyze how ambiguous language helped Dawkins to link different theoretical conceptions of the gene and consequently posit connections between genes and organisms that had not yet been empirically established. I thus demonstrate at a conceptual and textual level how ambiguity contributes to the construction of novel scientific arguments. For Dawkins, ambiguity provided a discursive space in which he could speculate on connections and developments for which he did not yet have evidence, data, or terminology. Despite his insistence that his use of figurative motive language was simply a ‘‘convenient shorthand’’ for more technical language, The Selfish Gene demonstrates the powerful epistemological and rhetorical role that ambiguous metaphors play in biological discourse.

This article examines rhetorical patterns in claim letters from two universities, one in China and one in the United States, to see whether these patterns are convergent. A genre-based textual analysis of the claim letters, written by two different cultural groups of participants, found that both groups of letters display a similar rhetorical preference for directness and indirectness. The author explores how local contextual factors have contributed to these groups of participants’ preference for similar rhetorical patterns and calls for the integration of contextual factors in intercultural rhetoric research, practice, and pedagogy.

In this article, the author proposes a methodology for the rhetorical analysis of scientific, technical, mathematical, and engineering (STEM) discourse based on the common topics (topoi) of this discourse. Beginning with work by Miller, Prelli, and other rhetoricians of STEM discourse—but factoring in related studies in cognitive linguistics—she argues for a reimagining of topoi as basic schema that interrelate texts, objects, and writers in STEM communities. Then, she proposes a topical method as a stable, broadly applicable heuristic that may help fit the rhetorical dynamics of the much-studied research article (RA) into the wider context of written technical discourse—exactly the type of improvement that Gross, Fahnestock, and others have proposed. Finally, as an illustration of this argument, the author performs a pilot topical survey of 18 RAs representing six STEM disciplines. This survey yields a set of 30 topoi used samplewide that can form a starting point for future surveys. She answers challenges to the significance and relevance of a topical method and finishes by sketching some future applications of the method that can move rhetoric of science beyond the RA.

This article reports on the types of scientific writing found in two primary grade classrooms. These results are part of a larger two-year study whose purpose was to examine the development of informational writing of second- and third-grade students as they participated in integrated science-literacy instruction. The primary purpose of the present article is to report on the “genre set” (Bazerman, 2004) established in this community around science instruction. Using Halliday’s (1993) Systemic Functional Linguistics approach and Hasan’s (1985, 1994) Generic Structure Potential, I describe the genres of scientific writing and drawing activities in which these children regularly participated. Findings indicate that children participated in several distinct scientific genres, some of which were flexible, and some of which were highly constrained by the teachers. Each of the genres represented a distinct purpose, structure, and linguistic nature of scientific discourse. The influence of this particular genre set on children’s appropriation of scientific discourse is discussed.

This article offers a way of using the theory of audience design—how speakers position different audience groups as main addressees, overhearers, or bystanders—for written discourse. It focuses on main addressees, that is, those audience members who are expected to participate in and respond to a speaker’s utterances. The text samples are articles, letters, and editorials on women’s suffrage that were published between 1909 and 1912 in Canadian periodicals. In particular, the author analyzes noun phrases with which suffrageskeptical women are addressed, relying on the theory of constitutive rhetoric to highlight the interpellative force with which the audience design of this public political debate operates.

Her current research interests are in the areas of the effectiveness of writing center rhetoric and the implications of individualized instruction as a defining writing center principle.

In Plato's famous critique of writing in the Phaedrus , Socrates declared writing a deficient form of communication next to speech, for any piece of writing, should it fall into the hands of an unintended reader, is susceptible to misinterpretation. He likened texts to orphans, who, upon separation from their authorial progenitors, wander about as message -bearing waifs. Obligated to stay on script, they can but parrot their parents' words, having no recourse to gloss, emendation, or retort.1 One of the virtues of writing centers is that they compensate for the alienation of writing. If the canonical literate encounter is one where writer and reader, separated in time and space, meet only through the medium of the text, then the writing center consultation restores immediacy to written communication. In its traditional form, the tutorial brings

Composition and rhetoric's attention to writing as cultural performance is expanded to analyze writing as organizational performance. A Foucauldian understanding of discourse enables the diagnosis of a technical writer's annual performance appraisal as grounded in 20th-century Taylorized management principles. Tenets from posthumanism—including a discarding of the liberal humanist subject in knowledge production and a leveraging of distributed cognition for enhanced performance of humans acting in concert with intelligent machines—enable a theoretical framework for repurposing this genre.