Abstract Bolivia captured international headlines (and a bit of notoriety) in 2014 when it became the first country in the world to relegalize child labor for ten-year-olds. Originally, the legislature was going to raise the minimum age for child labor from fourteen to sixteen to align with the International Labour Organization's recommendations, but as the Parliament deliberated, they encountered seemingly unlikely opposition, child workers themselves. Child workers led what the New York Timeslabeled the “first ever demonstration by child laborers in Bolivia,” and their advocacy shifted Parliament's trajectory and secured legislative change. This article examines their activism, paying attention to children's voices that are frequently ignored. By examining discourse from the Bolivian Union of Child and Adolescent Workers, local Bolivian news outlets, and international media coverage, I argue that Bolivian child workers privileged their rhetorical agency by redefining childhood, a construct that traditionally denies their voice. They accomplished the redefinition by using dissociation to carve out space for nuance and to combat the incompatibilities mapped onto their position as child speakers. Through their strategy, the child workers recast an Andean childhood in relationship to a Western childhood around the notions of practical needs, work, protection, and education. Their dissociations moved childhood from a temporal frame tied to an individual's age into a cultural frame rooted in place, relationships, and community.

This essay introduces a circulation analysis assignment, blending together insights from multimodal composition, remix/assemblage pedagogy, and circulation studies to encourage writing transfer. The assignment asks students to document the origins and evolution of a cultural meme (as coined by evolutionary biologist Richard Dawkins) as it is adapted for different rhetorical situations, modeled for students in the titular documentary film Feels Good Man. By completing this analysis, presenting it in multimodal contexts, and reflecting upon how they adapted that presentation for their audience, students begin to develop the metacognitive, cross-contextual thinking necessary for successful writing transfer.

This assignment, developed for a fall 2023 section of an upper-division undergraduate editing course, asks students to perform a comprehensive edit of a ChatGPT-generated text. The highest stated priorities for the assigned edit were factual accuracy, rhetorical appropriateness, and completeness in relation to user need. Overall, the project successfully developed and assessed the desired learning outcomes, and served as an introduction to generative AI for students whose experience with it was limited.

What are we in rhetoric, writing, and literacy studies currently practicing? What practices do harm and, in contrast, which counter harm? How do we disrupt everyday, cumulative, and structural injustices and instead invest in accountability? In addition to asking these and other questions, this article engages four accountability practices that are necessary for countering the ongoing violence of the mythical norm (Lorde), of domination, and of harm within higher education: (1) resisting denial of ongoing harms; (2) recognizing normalized violence; (3) divesting from whiteness; and (4) investing in a consistent, relational approach to seeking justice. These practices help us tap into and amplify the work of BIPOC feminist and womanist educators-scholars-activists (including Ahmed, Gumbs, hooks, Mingus, and Royster) who have been countering epistemic injustice by building linguistic resources and expanding what we can name. These practices are part of a whole in which taking a piecemeal approach entrenches the current state of affairs: white supremacy status quo and normalized violence. Together, these add up to a call for striving toward justice in a sustained, momentum-gathering way.

This Research Brief provides an overview of the current scholarship on transnational feminist rhetorics (TFR), drawing from interdisciplinary traditions. TFR inquiries should always begin with “a cogent analysis of power” (Dingo et al.), attending to how transnational power dynamics act on gendered bodies and how those bodies engage with and speak back to intersectional geopolitical forces. They rely primarily on the analysis of textual and visual artifacts in historical and contemporary contexts and use a variety of concepts and theories from rhetoric and elsewhere, grounded in the lived experiences of marginalized communities. The Research Brief ends with a discussion of future directions for this field, calling for more interdisciplinary inquiries, continued critical intersectional engagement with diverse transnational communities and subjectivities, reflexive and ethical research practices, and pedagogical applications.

Critiques of neoliberal capitalism have offered a rich vocabulary for the analysis of the political economy of literacy across professional, public, and classroom contexts. Since the Great Recession, commonplaces about work-readiness have been conditioned by economic precarity and changes to the social contract of work that blur the lines between professionalization and exploitation. Looking beyond the confines of the neoliberal present, the uncertain future of work for our undergraduate students will be shaped by what the World Economic Forum describes as the “double-disruption” of the pandemic and the rise of automation. Whereas neoliberal critique offers a vocabulary for describing many job seekers’ experience of the present, this article seeks to recover an element of “literacy hope” (Wan) by looking to speculative and utopian postcapitalist theory to inform and challenge career guidance conversations with students in writing studies. By framing the future as a resource in the rhetorical constitution of present-day workers, this article advances an inquiry-focused career-guidance pedagogy that asks: How do our assumptions about the future of work inform our relationships with employers and each other in the present?

This article examines how Aristotelian rhetorical principles— ethos, pathos, and logos—can help manage social media outrage in complaint handling by translating them into defensive and accommodative response strategies commonly used in service recovery. Two online experiments evaluated four strategies for their effects on complainants’ moods: (a) blame-shifting; (b) promising action; (c) apologizing; and (d) a combination of empathy, apology, and promise. The results showed that accommodative strategies were more effective than defensive ones, with the combination of empathy, apology, and promise as the most effective. The findings suggest incorporating rhetorical training in business communication to enhance response efficacy.

Given the prioritization of video format in social networks, the interest of scholars and managers in the elements that determine their effectiveness has increased. This article analyzes image type (product vs. people) and written text’s role in message reinforcement. Three studies are carried out combining conscious and unconscious responses. We contribute to visual rhetoric literature, affirming image-based videos are more liked and shared versus short videos that are based on written text. Specifically, the images related to the content of the message are more liked than the image of a person that explains the content, although attention is greater when a person appears. As for the overwritten text, it favors the willingness to share short videos, but reduces likeability in videos with images related to content. Additionally, the unconscious response through electrodermal activity shows that short videos with persons and overwritten text achieve more emotional activation and avoid that attention wanes. These findings aid in designing effective short video content for brands and individuals that use social media to communicate.

We argue that calling attention to how workplace writing is constructed in rhetorical contexts is a useful way to disrupt the seemingly “common sense” logic of professional participation. The first part of this article introduces the framework’s questions and explains the purpose of the framework. The second part of the article describes two writing assignments from our classrooms to illustrate how the framework functions as a prefigurative approach.

Misinformation has generated much discussion in the aftermath of the COVID-19 pandemic and attendant "Infodemic," as the World Health Organization (WHO) dubbed the challenge of disordered information. Rhetorical genre studies can offer important insights about how misinformation functions within informational ecologies by revealing how typification and recurrence provide opportunities for misinformation to take hold. This article develops a genre-based framework to study scientific and technical misinformation as illicit genres through concepts of genre function and abusability.

This article examines the patient perspective as an emerging feature of medical case report writing, and through analysis of technical reporting guidelines and a corpus of published reports, shows how the biomedical community incorporates patient-authored perspectives into processes of research and publication. The author concludes by discussing the value and complexities of patient inclusion efforts and the potential for scholars of rhetoric and technical communication to take part in shaping those efforts.

Amidst the panic, fear, and uncertainty during the COVID-19 pandemic, Dr. Wenhong Zhang emerges as a go-to source for the Chinese public to seek information to protect themselves and find hope and order in their distress. Focusing on Dr. Zhang's 39 WeChat posts from January 2020 to March 2022, this case study reveals that he employs a constructed ethos and leverages WeChat as a powerful social media to craft the kairotic responses to the pandemic.

Over the past few decades, Plato’s Phaedrus has become an important text for scholars interested in tracing new materialist approaches to the history of rhetoric and writing. Drawing on rhetoric and plant studies scholarship, this essay contributes to this conversation by arguing that trees disclose an important layer of irony in the dialogue, producing a deep, if not ambivalent, unity that brings together rhetoric, writing, and discourse. Through a study of trees in the dialogue, this essay demonstrates how the Phaedrus offers rich connections between spatial, nonhuman, and ecological dimensions of writing, rhetoric, and discourse.

Abstract: This article offers an overview of the reception of Aristotle's Rhetoric and its audiences in and since its own time until the present day. It defines the three types of audience under consideration: Who was listening to or reading the treatise? What implied audiences did their versions of it envisage and construct responsively (or not) to Aristotle's implied audiences, internal and external? And who were the people in the audiences who did ultimately hear the speeches of those who had consulted Aristotle? It then summarises the major stages in the reception of the treatise from later antiquity through the Byzantine, Arabic and western Middle Ages, to its first Latin translations and printed editions in the Renaissance. Aristotle's Rhetoric is currently enjoying an efflorescence both in and beyond the Academy, especially in education, despite some challenges from postcolonial legal thinkers to its continuing relevance.

Abstract: Aristotle's use of endoxa (generally accepted opinions) in his account of emotions, Rhetoric 2.1–11, 1378a-1388b, is analysed from the perspective of authorial style and the audience. When Aristotle says (1.1.12, 1355a), that speeches for the "multitude" ( polloi ) should rely on generally accepted opinions, he reveals the significance of endoxa in illuminating the perspectives of the non-elite. The use of endoxa imports the language of "everybody," which has implications for how the work operates and its relationship to a democratic audience. The integration of familiar phrasing and vocabulary enhances its cogency for a heterogeneous audience. The explicit framing of shared views, signposted by collective language, sits alongside implicit engagement with both views and vocabulary that would be familiar to the audience from tragedy. Endoxa shed light on Aristotle's status as a writer, the cultural situatedness of his ideas, and the appeal of Rhetoric to a wider public.

Abstract: This article analyses the way Aristotle constructs the category of "everybody" in relation with himself and his treatise's audience. In the Aristotelian corpus, the noun anthrōpoi ("humans") is chosen when men as a species are contrasted with gods or animals, while the substantivized adjective pantes ("all"), as a universal quantifier, is used in contrast with smaller social subdivisions (e.g., "the majority," "the wise," etc.) and refers to "all men" in a distributive, rather than a collective, sense. Moreover, pantes may often be the subject of a first-person plural verb, thus explicitly including the observers—Aristotle and his readers/listeners—into the object of the observation. "Gnomic" anthrōpoi presents observations about humans as established truths from an external perspective whereas the "social" and hic et nunc character of pantes is at home both in demonstrative arguments and in the discussion of rhetorical tasks in the context of the Athenian democracy.

Abstract: This article investigates the conditions under which someone can be deemed an effective spectator of a poetic or oratorical performance, first considering Aristotle's distinctive theory of mimesis from Poetics . The question of whether Aristotle believes that spectatorship has a positive effect on the soul (not expressly dealt with in Poetics ) is illuminated by Aristotle's argument in Rhetoric that effective rhetorical performances produce psychic correspondences between speaker and audience member, something like "sympathies," crucial to Aristotle's theory of successful political persuasion and action. Aristotle coins a new term sunomoiopathein to explain how these sympathies obtain. The audience member in a rhetorical speech literally identifies with the character of the orator—an activity parallelled by the spectator's mimesis of the theatrical actor's actions. Hence, the dramatic and rhetorical stages become, for Aristotle, universal centres for learning about human character and its consequences for ethical and political action.

Abstract: Thomas Hobbes' 1637 adaptation of Aristotle's Rhetoric, A Briefe of the Art of Rhetorique , was the first English-language version of the ancient Greek treatise. It de-democratised it, rendering it useful to a leader who, in Hobbes' ideal polity, would have no need to contend with articulate subordinates. But it was hugely influential, being republished in various editions for practical use, rather than antiquarian interest, right through to the 20th century. This article sets the Briefe both in the political context in which it appeared, and against the background of Hobbes' earlier rhetoric-focused translation of Thucydides, motivated by his despair at the current political scene in the early 17th century. The intensity of Hobbes' engagement with Thucydides' accounts of Athenian orators illuminates his decision to study Aristotle's Rhetoric , the earliest extant handbook on persuasive speech and one produced in the context of the Athenian democracy so vividly portrayed in Thucydides.

Abstract: Teaching of Aristotle's Rhetoric at secondary level in Britain has, until recently, been largely confined to elite fee-paying schools, attended by only seven per cent of young people. But since 2020, several projects have challenged the status quo by creating freely accessible resources based on Aristotle's Rhetoric for all schools to use. This article provides an overview of the recent educational audiences for Aristotle's Rhetoric , including an experimental modern Aristotelian "triad" of ethos, pathos, and logos in a deprived school in Surrey, grassroots initiatives inspired by a 2022 Ofsted (Office for Standards in Education) Research Review for English, the activities of the Network for Oratory and Politics , debating competitions, and the introduction of the teaching of Aristotelian rhetoric in prisons. The article concludes by pointing to future possibilities for further widening of access to this text in British classrooms.

At a time in history when we are faced with an authoritarian, misogynist, racist, imperial regime that has actively dismantled higher education in the USA, what does it mean to stand as an academic witness against the consolidation of white supremacy, of imperial regimes, of the normalization of gender, race, caste and class violence, of religious fundamentalisms and climate disasters, economic dispossession and the carceral state within and beyond the walls of the academy?In this special issue devoted to Transnational Feminist Rhetorical Studies, contributors mobilize critical race theory and transnational feminism to bear witness to the deeply violent, neoliberal, eurocentric narratives of the US academy that objectify, erase, and colonize minoritized international communities from the Global South.Using feminist autoethnography and counter-storytelling, these courageous authors develop complex, theoretically provocative analyses of a variety of rhetorical landscapes in the academy mapping the academic journey of a queer South Asian educator (Saurabh Anand); speculative linking and corporeal rhetorics--the body as the site, producer and consumer of labor in transnational feminist rhetorics (Florianne Jimenez); transnational counterstories and autoethnographies of Bangladeshi women (Abantika Dhar and Ridita Mizan); challenging female fragility and objectification of hegemonic narratives of refugees using counter-storytelling by Syrian Muslim women refugees to develop genealogies of agency and resistance (Nabila Hijazi); and finally, Sarah Cathryn Majed Dweik and Bernadita Yunis Varas' compelling autoethnographic, theoretically and historically grounded analysis of Palestinian feminist survivance rhetorics bearing witness to the profound impact of the occupation, colonization and genocide of Palestinians in the West Bank and Gaza.In speaking back to racist, colonial, objectified hegemonic knowledges normalized by the US academy these young scholars illustrate the profound significance of bearing witness to injustice, just as James Baldwin and many others stood witness to racism and white supremacy.

A photo of an orange and black Monarch butterfly.The butterfly is in flight against a light blue sky and field of yellow wildflowers.The butterfly is situated toward the upper left hand corner of the image.The background of the field is out of focus, while the butterfly heads toward a foreground of yellow flowers in focus.

[Introduction] "Hope is not like a lottery ticket you can sit on the sofa and clutch, feeling lucky. [...] Hope is an ax you break down doors with in an emergency." - Rebecca Solnit In 2018, Cheryl Glenn wrote, "The work of feminist rhetorical historiography is far from done; in fact, it has just begun-and it is anchored in hope." Following Glenn, we explore hope in this cluster as a methodological imperative in the archives. Informed by theorists Paulo Freire, bell hooks, Rebecca Solnit, and Cornel West, the writers in this Cluster Conversation envision hope as a radical orientation toward building new worlds and a willingness to do the work to make those worlds possible. Following the models of Jacqueline Jones Royster, Charles Morris, Terese Guinsatao Monberg, and others, we see archives and archival methods as a particularly valuable part of doing such work. As Linda Tuhiwai Smith argues in Decolonizing Methodologies, "To hold alternative histories is to hold alternative knowledges. The pedagogical implication of this access to alternative knowledges is that they can form the basis of alternative ways of doing things" (36). Archives and archival methods are vital to creating such alternative histories and knowledges.

Abstract This introduction defines crumpling the timeline as a classroom practice in which instructors and students explore medieval texts alongside twentieth- and twenty-first-century works. In this special issue, some contributors describe teaching strategies that pair premodern literature with overtly “medievalist” contemporary works. Other contributors engage students in analyzing themes, questions, and rhetorical strategies found both in medieval texts and in more recent works that do not explicitly invoke the Middle Ages. Developments within medieval studies as a field necessitate new ways of conceptualizing the relationship between the present and the past. Often surprised by the common ground between medieval preoccupations and our own, students embrace the opportunity to incorporate their own cultural expertise into classroom conversations.

Megan Behrend is a lecturer at the University of Michigan–Ann Arbor, where she teaches writing and literature in the Sweetland Center for Writing and the Department of English Language and Literature. Her writing on the multilingual literary culture of medieval England has appeared in Studies in the Age of Chaucer. Her scholarship and teaching thematize linguistic politics and diversity, translation, and adaptation across historical locations.Thomas Blake is associate professor of English and director of gender studies at Austin College in Sherman, Texas, where he teaches courses on medieval literature, gender studies, and fantasy. He is currently a principal investigator on the college's Pathways to a Just Society Mellon grant. He coteaches faculty learning groups on issues like gender identity and sexuality, and on strategies for teaching controversial topics and systemic thinking.Gina Brandolino is a lecturer in the Department of English Language and Literature at the University of Michigan-Ann Arbor. She teaches and writes about medieval and early English literature, working class literature, comics, and horror.Moira Fitzgibbons is professor of English at Marist College in Poughkeepsie, New York. Her teaching and scholarship engage with medieval literature, disability studies, comics studies, and the history of the English language.Natalie Grinnell is Reeves Family Professor in the Humanities at Wofford College. Her areas of research include Middle English and Old French romance. Dr. Grinnell is currently president of the Southeastern Medieval Association, a section editor for the Palgrave Encyclopedia of Women's Writing in the Global Middle Ages, and a member of the editorial board of the New Queer Medievalisms series by Medieval Institute Publications.Sonja Mayrhofer is an associate professor of instruction at the University of Iowa, where she has taught English, rhetoric, and business communication.Laura Morreale is a medievalist and independent scholar who lives in Washington, DC. Her research focuses on thirteenth- and fourteenth-century Italian historiography, medieval French-language writing outside of France, and digital medieval studies. She is the cofounder and coeditor of Middle Ages for Educators, based at Princeton University.Courtney E. Rydel received her PhD in English from the University of Pennsylvania in 2012. She is now an associate professor of English at Washington College, a small liberal arts college in Chestertown, Maryland, where she has the delight of learning alongside her students every day.Rachel Linn Shields is a PhD candidate in English literature at Saint Louis University. Her dissertation project explores transhistorical medieval eco-poetics through juxtapositions of Middle English poetry and modern fiction. She is also working on a book-length collection of translations of medieval poems and has published sections of this project, including “False Fiends: Middle English Lyric Poems in Translation” (Subtropics) and “John's Knot” (Poetry).Kisha G. Tracy is professor of English studies and chair of the General Education Program at Fitchburg State University in Massachusetts. She specializes in teaching early British and world literatures and in researching medieval disability, especially mental health. Tracy's recent publications are Why Study the Middle Ages? (2022) and two open access textbooks for the Remixing Open Textbooks through an Equity Lens project.

We ask, “What genre conventions are shared in 18th- and 21st-century midwifery manuals?” The article responds to this question by situating manuals as cultural arbiters and defining genre in a cultural context. The article identifies parallels between 18th-century and 21st-century midwifery manuals that focus on the rhetorical situation (via front matter, including title pages and prefaces) and accessibility of information (via design, definitions, and step-by-step procedures). Midwifery practices have changed drastically in the modern era, but the underlying goals—safety and health for the birthing person and child—remain constant. Increased publication of manuals dedicated to midwifery in the 18th century suggests a heightened focus on practices leading to successful outcomes in childbirth that highlight the value of examining manuals as a genre reflecting humanistic elements in technical documents. We argue that midwifery manuals emphasize underlying ideologies in the production and reproduction of socio-cultural consciousness still present today.

This article examines issues of authenticity involved in using generative AI to compose technical and professional communication (TPC) documents. Authenticity is defined through an Aristotelian understanding of ethos, which includes goodwill ( eunoia), practical wisdom ( phronesis), virtuousness ( arete), and Fromm's concepts of true self and pseudo self. The authors conducted an initial analysis of AI affordances that align with TPC concerns—genre, plain language, and grammatical/mechanical correctness. The preliminary results show that these affordances may be limited by issues of inauthenticity. The authors suggest that in order to address AI's limitations, writers should adopt a rhetoric of authenticity via real-world engagement, human centeredness, and personal style.

This article considers the rhetorical risks of using generative AI to compose organizational communication during crises or in the aftermath of tragedies. It focuses on a case study in which representatives of Vanderbilt University’s Peabody College of Education and Human Development disclosed their use of ChatGPT to write a response to a school shooting at another university. The author argues that although generative AI can often be useful in technical and professional communication, it can also undermine perceptions of “rhetorical humanity” if its use is disclosed or discovered, making it rhetorically risky in certain contexts. Thus, knowing when not to utilize AI is an important aspect of AI literacy for practitioners.

This study examines how supervisor-candidate coauthoring collaborations contribute to doctoral students’ writer identity. Three candidates’ coauthorship experiences with their supervisors were investigated in depth using a multiple-case study design. Interviews, written reflections, and email correspondence between coauthors enabled thick descriptions of these candidates’ writer identity formation. Guided by Burgess and Ivanič’s framework of writer identity, the multiple-case study showed how the candidates’ autobiographical selves, discoursal selves, authorial selves, and perceived writer were influenced through the experience of coauthoring with supervisors. Notably, the candidates benefited from supervisor-candidate coauthorship by engaging in scholarly collaborations, bolstering their confidence as academic writers, and strengthening their authorial voice and rhetorical awareness. This study also reveals potential pitfalls or challenges of such collaborations, highlighting key considerations for supervisors and candidates considering coauthorship.

This article presents the development of a specialized data set for analyzing Estonian metadiscourse markers in academic usage, extending Hyland's interpersonal metadiscourse model to a non–Indo-European language. Our goal is to show how metadiscourse, as a feature of a writing tradition, can reveal aspects of writing in languages other than English, complementing the traditionally Anglo-centric perspective in metadiscourse research. By analyzing 21 Estonian linguistics research articles, we offer a transparent procedure to address methodological issues in metadiscourse studies and demonstrate the need for language-specific adjustments in the framework. We introduce statistical methods for analyzing multidimensional associations among marker categories, linguistic level, and rhetorical text structure. The findings suggest that Hyland’s metadiscourse model can be adjusted for specific languages, highlighting the influence of language structure on metadiscourse category variation and linguistic expression levels. The study reinforces that the distribution and manifestation of metadiscourse are shaped, among other factors, by unique writing traditions.

In their podcastEveryone's Writing with AI (Except Me!), McIntyre and Fernandes respond to the emergent conversation surrounding AI in rhetoric and writing studies. This webtext includes the podcast's first episode, an interview with Dr. Michael Black, and ends with the authors' thoughts about AI and writing studies.

Writing center consultant training must account for the multiple media and modes students use as they compose on new digital platforms. While most consultants come to writing center work already confident in traditional literacies, to advise on multimodal projects, they also need to understand how elements such as visual design, navigability, and accessibility play into the rhetorical situation. Starting in 2021, our writing center assigned an ePortfolio-focused professional development curriculum to our consultants, culminating with their creation of websites that integrated and showcased their knowledge, skills, and abilities. The authors studied the consultants’ responses over the first two years of implementation, collecting data from surveys, session observations, and interviews, which we analyzed through inductive and deductive coding. Our results indicate that consultants advanced their understanding of multimodality through their participation in the ePortfolio curriculum and applied their learning in consultations not only about ePortfolios, but also about other visually rich media and application materials. Other writing centers may consider incorporating ePortfolios into their tutor development programs.