Workplace gossip has long been a pervasive and intriguing communication phenomenon within organizational settings, yet its impact on group and team dynamics (i.e., coworker relationships and team performance) remains a topic of considerable interest. Drawing upon social exchange theory, this study scrutinizes the interplay between workplace gossip, coworker exchange, team performance and gender. The findings suggest that positive and negative gossip significantly influences coworker exchange, which in turn impacts team performance. Teams with stronger coworker exchange exhibit higher team performance, even in the presence of workplace gossip, and gender has no effect on these dynamics. Implications for scholars and practitioners in the supply chains and logistics industries are discussed.

This article presents critical positive communication pedagogy (CPCP), which synthesizes the fields of critical pedagogy and positive communication pedagogy to promote positive communication practices that develop a social justice sensibility among students. We argue that CPCP contributes to the creation of learner-centered classrooms that promote interpersonal connection, foster feelings of inclusion and belonging, and aid students in achieving sustainable happiness. We provide examples of CPCP in business and professional communication classrooms to promote diversity and inclusion, specifically related to issues of gender and sexuality, race, disability, and class.

This article explores the intersections of queer subjectivity, community storytelling, and recovery literacy through the digital storytelling project, Voices from Rock Bottom (VFRB). Drawing on feminist and queer theoretical frameworks, including queerstory of recovery (Bacibianco) and the concept of rhetorical velocity (DeVoss and Ridolfo), this research highlights how VFRB creates an inclusive multimodal platform for recovering alcoholics and addicts to share their stories beyond the privatized, hegemonic spaces of Alcoholics Anonymous (AA). This article argues that VFRB’s feminist construct creates a civic space where queer recovering alcoholics and addicts can resist institutionalized constraints, perform their stories, and engage in collective knowledge-making. Ultimately, this study advocates for a broader understanding of recovery storytelling as a communal act of dissent that empowers queer individuals to challenge hegemonic frameworks and offer new ways of knowing, being, and narrating recovery experiences in the public sphere, through what the author terms as “queerstory of recovery.” Keywords: Voices from Rock Bottom, queerstory of recovery, recovery literacy, queer subjectivity, queerstory, queer rhetoric, recovery rhetoric

This article presents findings from a content analysis of 707 articles appearing between 2011 and 2020 in five journals issued by the National Council of Teachers of English (NCTE), a major teaching and research organization in North America. We examined topics and theoretical frameworks, finding that while core topics such as academic writing, curriculum, cultural studies, literacy, and teacher development remained stable, the latter part of the previous decade (2016–2020) showed increased attention to labor, diversity, social justice, and writing program administration, alongside declines in work focused on history, educational policy, ESL, and community writing. Many articles lacked explicit theoretical grounding, often using broad labels like “critical theory,” though use of specified frameworks (e.g., feminist and postcolonial theory) has grown. We identify differences among the journals and discuss the implications of these findings for NCTE, for content analysis as a method and for scholars’ efforts to navigate a complex and expanding field.

US higher education faces mounting political pressure and censorship, resulting in threats to our institutional missions and challenges to academic freedom. In this article, we trace two moments in disciplinary history that examine (mis)understandings of how censorship functions: efforts to roll back the Guidelines for Nonsexist Use of Language in NCTE Publications (now Statement on Gender and Language ) and Students’ Right to Their Own Language , both approved by NCTE in the mid-1970s. We draw from the feminist theories of Kate Manne and bell hooks to analyze materials from the NCTE and CCCC archives, documenting the rhetorical and logistical moves employed in these rollback efforts. In doing so, we identify how the exploitation of organizational apparatuses contributed to the subversion of a larger and necessary priority: establishing credible disciplinary boundaries to serve as a bulwark against political encroachment into literacy education. In sorting through these case studies, we offer examination of how misguided censorship accusations can threaten our discipline when actual censorship efforts are enacted by governmental entities.

This study examines how metaphor and gender interact in venture capital pitches. We analyzed 60 pitches from a global competition, comparing metaphor usage between male and female winners and non-winners. Results show distinct metaphor preferences: male entrepreneurs used more BUILDING metaphors, while female entrepreneurs used more WAR and PLANT metaphors. The association between WAR metaphors and female winners suggests strategic metaphorical framing interacts with gender to impact persuasion. These findings reveal that gender norms influence decision making, and entrepreneurs can leverage metaphor to construct persuasive advantages, providing strategic and pedagogical direction for refining their figurative language in practice and training.

This essay argued that, in the post-Dobbs era, reproductive justice-themed mural art serves a memorializing function as well as a site of utopic imagining in a time of declining access to reproductive healthcare. The author has used personal experience as a clinic escort to ground a visual rhetorical analysis of three reproductive justice-themed murals across the United States. The essay has identified recurring aesthetic elements in the murals’ compositions, including the female gaze, flowers in bloom, haloes, bold directional symbols, and affirming text. Drawing on reproductive justice scholarship and feminist rhetorical theories of place, the author argued that these aesthetic elements counter fetal personhood rhetoric and assert reproductive justice principles.

[Introduction] Edited by Linda S. Svitak and Christin Jaye Eaton, with Lee Svitak Dean, and published by the University of Minnesota Press, Kitchens of Hope: Immigrants Share Stories of Resilience and Recipes from Home (2025) fits neatly into the popular genre network of cookbooks that blend essay with recipe, mixing memoir with meals perfected over generations. But this book doesn't simply share the legacy of Liberian rice bread or summer beat soup. It explores the migration of these dishes and their cooks, contextualizing stories of displacement and development. Because of the breadth of this book, Mikhail Bakhtin might describe this collection as a chronotope of sorts, a configuration of time and space that "takes on flesh, becomes artistically visible" (qtd. in Bemong & Borghart, 2010, p. 4). Through Omedi Ochieng's lens of chronotopian humanitarianism, this book is a rhetorical tool for feminist scholarship seeking to counter a Eurocentric understanding of how and why people and stories move around and through the world.

Abstract This article argues that care — especially care grounded in Black feminist traditions — is not an affective supplement to teaching but rather the radical foundation of liberatory pedagogy. Amid rising attacks on critical education and the austerity logics of the neoliberal university, the authors theorize care as infrastructure, method, and resistance. Drawing from the work of bell hooks, Audre Lorde, Patricia Hill Collins, Mia Mingus, and Leah Lakshmi Piepzna-Samarasinha, they offer a framework for care-centered teaching that foregrounds mutuality, trust, and collective accountability. Through vignettes, student reflections, and practices such as trauma-informed design, mutual aid, and collaborative assessment, the article demonstrates how care fosters relational transformation and deep intellectual engagement. It also interrogates the structural devaluation of care labor, particularly for women and faculty of color, and challenges dominant educational paradigms that equate rigor with detachment. As one student reflected, “You believed me when I said I needed more time, without asking for proof. That made me want to do the work even more.” Drawing from their institutional experiences, the authors position teaching as a form of organizing — an insurgent, relational practice that refuses extractive academic norms while building collective conditions for educational and institutional transformation.

Bridget C. Donnelly is an assistant professor of English at Middle Tennessee State University. Her primary teaching areas include eighteenth-century British literature, the novel, and Gothic and horror literature. Her research has appeared in Philosophy and Literature, Studies in Eighteenth-Century Culture, and The Literary Taylor Swift: Songwriting and Intertextuality (2024). She is completing, along with a team of undergraduate and graduate student researchers, a critical edition of Elizabeth Meeke's 1796 The Abbey of Clugny, under contract with Routledge's Chawton House: Women's Novel Series.Kishonna Gray (she/her) is a professor of racial justice and technology in the School of Information at the University of Michigan and director of the Mellon-funded Intersectional Tech Lab. Her research explores the intersections of race, gender, and digital technologies, particularly in gaming and platform culture. She is the author of Intersectional Tech: Black Users in Digital Gaming and Race, Gender, and Deviance in Xbox Live and coeditor of Woke Gaming and Feminism in Play. Gray is also a faculty associate at Harvard's Berkman Klein Center for Internet and Society.Ashley Nadeau is an associate professor of English at Utah Valley University in Orem, UT, where she teaches courses in nineteenth-century British literature and critical theory. Her current research project examines the role of audiobooks in undergraduate literary studies and studies on the Victorian novel. When not thinking about audiobooks, she studies the relationship between the social and architectural histories of built public space and the Victorian literary imagination. Her work has appeared in Nineteenth-Century Contexts, Victorian Literature and Culture, Victorians Journal, The Gaskell Journal, Modern Language Studies, and Undisciplining the Victorian Classroom.Eleanor Reeds is an associate professor of English at Hastings College in Nebraska where she enjoys teaching across genres and periods in a small but vibrant department. Her research has appeared in venues such as Children's Literature Association Quarterly, Victorian Poetry, American Literary Realism, and Twentieth-Century Literature.Tes Schaeffer (she/her) previously served as an advanced lecturer in Stanford's Program in Writing and Rhetoric and as the associate director of the Hume Center for Writing and Speaking. She is currently an assistant professor of English at Central Oregon Community College. Her fields of scholarship include composition and reading pedagogies, affect studies, and phenomenology.Krysten Stein (she/her) is an assistant professor of communication at the University of Cincinnati Blue Ash College. She is a research affiliate with the Intersectional Tech Lab at the University of Michigan's School of Information and the Center on Digital Culture and Society at the University of Pennsylvania's Annenberg School for Communication. Her research explores reality television and social media, with a focus on identity, political economy, and wellness. She is completing her first book, And How Does That Make You Feel? Theratainment and the Digital Commodification of Mental Health, and is a cofounding member of the Content Creator Scholars Network.Lisa Swan is an advanced lecturer in the Program in Writing and Rhetoric at Stanford University. She holds a PhD in curriculum and instruction with a specialization in English education from the University of Maryland, College Park. Her research interests include writing studies, pedagogy, reading, teacher training, and equity.

This paper reports on a user experience (UX) study investigating how college students navigate university-sponsored online systems for sharing chosen name and pronouns. While the opportunity to share gender identity ostensibly enables inclusive and usable systems for queer students, the visibility of gender nonconformity also imposes surveillance concerns, as pronouns have become an organizing tool for governments and university boards intent on limiting diversity, equity, and inclusion initiatives. Drawing from trans and queer scholarship, this article suggests that the concept of visibility should be closely scrutinized in design settings where heightened visibility can present risks to bodily autonomy or safety.

The CIA's Operation PBSuccess represents a pivotal moment in Cold War securitization that illuminates technical communication's role in security contexts. We use Haas and Frost's apparent decolonial feminist (ADF) rhetoric of risk to trace how communicators mediated security logics across cultures and networks while exploiting technological asymmetries between the US and Guatemala. Building on theories of risk and (in)security framing, we demonstrate how the scriptwriters and hosts of Radio Liberación , as technical communicators, functioned as security actors complicit in the decades-long aftermath. We conclude by calling on technical communicators to approach risk communication through continued decolonial praxis.

Using multilevel modeling, the current study examined student-level predictors of compositional quality and productivity in Grade 2 Australian children ( N = 544), including handwriting automaticity, literacy skills, executive functioning, writing attitudes, and gender; and classroom-level ( n = 47) variables predicting students’ writing outcomes, including the amount of time for writing practices and the explicit teaching of foundational (handwriting, spelling, grammar) and process writing skills (planning and revision strategies). Multilevel analyses revealed that student-level factors, including gender, general attitudes, and transcription skills (handwriting automaticity and spelling), were key predictors of writing outcomes. Interaction analyses showed that spelling and word reading influenced writing outcomes, with effects varying by gender. At the classroom-level, time spent on planning had a positive effect on students’ compositional quality, and time spent on spelling instruction had a negative effect on students’ compositional productivity. Implications for research and education are discussed.

This webtext invites audiences to engage with Conference Creatures, an experiment in feminist new materialist praxis in which the authors create and distribute crochet creatures at academic conferences. Through photos, videos, and interactive elements, we demonstrate how Conference Creatures enacts non-extractive forms of networking that move our professional spaces toward relational praxes of belonging in academia, particularly for graduate students and junior scholars.

In Feminist Technical Communication , Erin Clark both articulates and demonstrates an apparent feminist lens on the idea of slow crisis. She does this through a case study of the Deepwater Horizon Disaster (DHD), the 2008 oil spill into the Gulf of Mexico in which the lack of clear answers on health impacts demonstrates a critical need for transparency. By tracing DHD through a feminist lens and under the realm of crisis management, Clark raises important questions about what we mean when we talk about efficiency, how we define crisis, and how critical these questions are to the reconsideration of technical communication as neutral or objective. Her primary argument focuses on her theoretical contribution of apparent feminism that works to acknowledge and bring to light the need for explicitly feminist practices. Through Feminist Technical Communication , Clark provides scholars, practitioners, and community members with a new approach to crisis and risk communication.

This article focuses on the seldom-discussed literacies of the Hip Hop audio engineer through the experiences of Lyrix, a Black woman audio engineer from the Midwest. Grounded in the literature of literacy scholars invested in the sonic dimensions of Hip Hop culture, two research questions guide this article: How does one develop their expertise as an audio engineer, and what insights can be gathered about literacy learning by focusing on marginalized Hip Hop figures, such as women audio engineers? This article ultimately argues that Lyrix’s experience underscores a nonlinear approach to sonic literacy education, highlighting a transitory approach that ruptures and flows through barriers of access. The article concludes with suggested starting points for future research on Hip Hop literacy studies in particular and literacy studies more broadly.

Writing studies scholarship lauds reflection’s capacity for building metacognitive understanding and facilitating transfer. Meanwhile, feminist and antiracist pedagogy scholarship highlights reflection’s ability to create spiritual and societal change. By contextualizing reflection within institutional and programmatic contexts, we argue that writing scholars can revise assignments to account for reflection’s contributions to civic and spiritual identity development. This cross-institutional case study analyzes patterns in first-year students’ reflective writing across three writing programs. Drawing on five codes for reflective identities—scholarly, writerly, professional, civic, and spiritual—we found that scholarly and writerly identities were emphasized regardless of context. However, students often had an “excess” in reflection, writing about civic and spiritual growth when prompts did not invite it. In conversation with university and program mission statements, we argue that instructors and WPAs can leverage reflection to expand beyond a single classroom context, ultimately tapping into its potential to create individual and social change.

Megan McIntyre Abstract In response to a growing awareness of the oppressive foundations of educational institutions, literacy educators have turned to antiracist, culturally responsive (Alim and Paris; Paris), and equitable teaching and assessment practices to combat the inequities (colonialism, racism, sexism, homophobia, ableism, etc.) on which our institutions are built. According to scholars including Geneva […]

This study investigated the effects of assessor gender (male vs. female), fictitious assessee gender (male vs. female), and assessment training (with vs. without) on peer feedback specificity (i.e. localisation and focus) and intrapersonal factors (i.e. trust in the self as an assessor and discomfort). This study involved 240 undergraduate psychology students (nMen=120, nWomen=120), with half receiving assessment training and the other half receiving the task instructions. Participants were divided into eight subgroups based on training condition and their self-reported gender to provide peer feedback to three writing samples (poor, average, excellent quality) by fictitious male or female peer assessees in Eduflow. A total of 3017 peer feedback segments were analysed, revealing that trained or untrained male and female assessors were comparable in most peer feedback specificity categories when assessing fictitious male or female assessees. Nonetheless, we also found that female assessors excelled in certain categories of peer feedback specificity, while male assessors also demonstrated competencies in other categories. Results also showed that assessors who received assessment training provided localised peer feedback in all the writing samples. Finally, gender and training did not affect participants’ trust in their abilities and (dis)comfort when providing peer feedback.

Abstract Taking their cue from the internet and popular cultures in which they engage, college students are becoming more comfortable with the notion of intersectionality, a term first coined in the late 1980s by the critical race scholar Kimberlé Crenshaw. Drawing from her legal training as well as Black feminist precursors such as Sojourner Truth, Crenshaw shows how to best understand the experiences of the multiply marginalized, not through a simple process of addition (woman plus Black, for instance) but through a careful attention to the way in which the specific combination of those two identities can create new forms of marginalization obscured by single-vector frameworks. For those who teach undergraduate writing students, the proliferation of intersectionality in cultural conversation offers a unique opportunity: here is a densely theoretical concept that students are eager to think about and which, in fact, they may already be thinking about. This piece provides a pedagogical model for approaching intersectionality in the writing classroom. Using Langston Hughes's richly ambiguous short story, “Seven People Dancing,” which foregrounds the racial, sexual, class, and gender identities of its characters, the article guides instructors through a process by which students can use theoretical concepts to produce stronger analyses of complicated texts.

Abstract Kate Chopin's The Awakening (1899) offers a feminist critique of marriage conventions and the Cult of Domesticity that prevailed in the nineteenth century. Yet hidden behind protagonist Edna Pontellier's entrapment in marriage and domestic life lies another systemic hierarchy: white privilege sustained by African American labor. Building from existing scholarship and from sources on teaching race, this essay explores the hidden Black labor that allows Edna's “awakening” to happen at all, given that the entire system is built around white privilege. This essay considers ways to teach The Awakening to a college literature class, illuminating the historical silencing and limitations of Black people in the United States and identifying the mechanisms of white privilege. The essay poses a key question for students: how do the silent Black bodies in The Awakening reinforce white privilege? Using various pedagogical approaches, this essay aims to help students investigate, uncover, and confront white privilege in other texts and in their world.

Jennifer L. Bay is professor of English at Purdue University, where she teaches undergraduate courses in the professional and technical writing major and graduate courses in technical and professional writing, community engagement, experiential learning, and rhetorical theory. Her work has appeared in journals such as the Journal of Business and Technical Communication, Journal of Technical Writing and Communication, IEEE Transactions on Professional Communication, and Technical Communication Quarterly.Felisa Baynes-Ross is an assistant course director of English 1014 (writing seminars) and senior lecturer in English at Yale University where she teaches courses in expository writing, creative nonfiction, and pedagogy. Both in her teaching and writing, she is interested in aesthetics of dissent, which she explores in medieval polemical treatises and poetry and historical narratives on the Caribbean. Her published work appears in the Journal of Medieval and Early Modern Studies, Caribbean Quarterly, and The Caribbean Writer.Caitlin Cawley is the assistant director of the writing program and an advanced lecturer of English at Fordham University. She teaches courses in twentieth and twenty-first-century American literature, composition and rhetoric, critical theory, and film studies. Her scholarship has appeared in the Journal of the History of Ideas, Journal of American Studies, The Faulkner Journal, and The Oakland Review and has received generous support from the US Army Heritage Center and the National Endowment for the Humanities.Tracy Clark is a senior lecturer in the Professional Writing program at Purdue University. Research interests include accessibility and usability, public health communication, multimodal content development, and the intersection of gender identity and neurodiversity in technology use.Garrett I. Colón is a doctoral candidate in the Rhetoric and Composition program at Purdue University and the assistant director of content development for the Purdue OWL. His research interests include technical and professional communication, user experience design, community engagement, and writing across the curriculum.Adrianna Deptula is a current doctoral student in the Rhetoric and Composition program at Purdue University. Her research interests include science, technology, and medicine (STM); patient advocacy; and new materialism.Shelley Garcia is associate professor of English at Biola University where she teaches courses on race, gender, and culture in American literature, as well as composition and rhetoric. She has published on Chicana feminist authors who write across genre, focusing on the intersections of form, identity, and resistance. Additional research interests that have emerged from her teaching include the role of literary studies in developing intercultural competence, the theme of abjection in Toni Morrison's novels, and representations of the femme fatale in American modernist fiction.Eliza Gellis is a recent graduate of the Rhetoric and Composition doctoral program at Purdue University. Her research interests include comparative rhetorics, public and cultural rhetorics, rhetorical theory, and pop culture.Caroline Hagood is an assistant professor of literature, writing, and publishing and director of Undergraduate Writing at St. Francis College in Brooklyn. Her scholarship has appeared in journals including Resources for American Literary Study, Texas Studies in Literature and Language, Pennsylvania Literary Journal, and Caribbean Literature, Language, and Culture.Emily Rónay Johnston is an assistant teaching professor in writing studies at the University of California, Merced, and a New Directions Fellow through the Andrew W. Mellon Foundation. She holds a PhD in English studies from Illinois State University, an MFA in creative writing from the University of Alaska, Fairbanks, and a BA in women's studies from the University of California, Davis. Prior to academia, she worked in a domestic violence shelter and an addiction recovery center for women. She has published articles on the relationship between writing and adversity, as well as the restorative promises of writing pedagogy in the face of adversity, in College Composition and Communication (2023), Writers: Craft & Context (2022), Rhetoric of Health and Medicine (2020), and elsewhere.Pamela B. June is associate professor of English at Ohio University Eastern, where she teaches women's literature, American literature, literature and social justice, and writing courses. She is the author of two books, Solidarity with the Other Beings on the Planet: Alice Walker, Ecofeminism, and Animals in Literature (2020) and The Fragmented Female Body and Identity: The Postmodern, Feminist, and Multiethnic Writings of Toni Morrison, Theresa Hak Kyung Cha, Phyllis Alesia Perry, Gayl Jones, Emma Pérez, Paula Gunn Allen, and Kathy Acker (2010). In 2021, she earned the Ohio University Outstanding Professor Award in Regional Higher Education.Nate Mickelson is clinical associate professor and director of faculty development in the Expository Writing Program at New York University. He is author of City Poems and American Urban Crisis, 1945 – Present (2018) and editor of Writing as a Way of Staying Human in a Time That Isn't (2018). Nate's scholarly writing has appeared in Criticism; Journal of Modern Literature; Journal of Urban Cultural Studies; Learning Communities Research and Practice; and Journal of College Literacy and Learning.Ryan Michael Murphy is an assistant professor of business communication in the department of business information systems at Central Michigan University. He completed his PhD in rhetoric and composition at Purdue University in 2022. His current research focuses on the transfer of knowledge and skills between academic and nonacademic settings with a special interest in the ways business communication pedagogy can better recognize the experiences and knowledge students bring into the university.Jenni Quilter is executive director of the Expository Writing Program and assistant vice dean of general education in the College of Arts and Sciences at New York University (NYU). She is author of Hatching: Experiments in Motherhood and Technology (2022) and Painters and Poets of the New York School: Neon in Daylight (2014). She's currently writing and publishing about silent cinema, bodybuilding, Zeno's paradoxes, Afro-futurism, North African piracy, Norway, and animal migration. Quilter won NYU's Golden Dozen Teaching Award in 2014.Sahar Romani is a clinical assistant professor in the Expository Writing Program at New York University (NYU), where she teaches in the College of Arts and Sciences. She has published poems and essays in Guernica, Poetry Society of America, Entropy, The Offing, The Margins and elsewhere. She's received fellowships from Poets House, Asian American Writers’ Workshop, and NYU's Creative Writing Program.Megan Shea is a clinical professor and faculty mentor in the Expository Writing Program at New York University, where she teaches in the Tisch School of the Arts. Shea is the author of Tragic Resistance: Feminist Agency in Performance (2025). Her articles have been published in Theatre Journal, Theatre Topics, and the Journal of Dramatic Theory and Criticism. Shea is also an actor, director, and playwright. Her gender-bending play Penelope and Those Dang Suitors was selected as a 2018 winner in Hudson Valley Shakespeare's ten-minute play contest.Christina Van Houten is a clinical associate professor in the Expository Writing Program at New York University, where she teaches in the Tandon School of Engineering. She is completing her first book Home Fronts: Modernism and the Regional Framework of the American Century. Her articles have been published in Comparative Literature Studies, Women's Studies, Politics and Culture, and Workplace: A Journal of Academic Labor.Bethany Williamson is associate professor of English at Biola University, where she teaches courses in British and global literatures, literary theory, and academic writing. Her current interests include ecocritical approaches to the long eighteenth century and articulating the humanities’ value in the age of artificial intelligence. She is the author of Orienting Virtue: Civic Identity and Orientalism in Britain's Global Eighteenth Century (2022), as well as articles in journals such as Eighteenth-Century Fiction, the Journal for Early Modern Cultural Studies, South Atlantic Review, and ABO: Interactive Journal for Women in the Arts, 1640–1830.Elisabeth Windle is senior lecturer of English and women, gender, and sexuality studies at Washington University in St. Louis, where she teaches advanced writing courses and introductory courses in gender and sexuality studies, as well as courses on queer US literature, true crime, and contemporary fiction. She formerly taught in the College Writing Program. Her work has been published in MELUS and Camera Obscura.Mira Zaman is an associate professor of English at Borough of Manhattan Community College, City University of New York. Her research centers on representations of the devil in eighteenth-century British literature, and she is also passionate about teaching composition and rhetoric. Her scholarship has appeared in Persuasions, ANQ, Marvell Studies, and Eighteenth-Century Life.

Because evidence is still limited on writing motivation around the globe and the factors that could influence it, a survey-based quantitative study with 2,067 Costa Rican students from first to sixth grade (84 classrooms in 4 schools) was conducted to explore variations in two constructs of motivation for school writing across school grades and gender in Costa Rican students. Attitudes towards writing were investigated with students from first to sixth grade, while self-efficacy beliefs towards writing were investigated with students from third to sixth grade. Results show that students’ positive attitudes towards writing decreased with grade level, with the highest positive attitudes found in second grade and the lowest in sixth grade. Grade level only determined students’ perceived self-efficacy for generating ideas and concentrating during writing, but not for punctuation and spelling, which is interpreted in relation to the Costa Rican writing education curriculum. Girls from second to sixth grade reported more positive attitudes towards writing than boys; however, they only had higher self-efficacy beliefs for generating ideas and not for punctuation, spelling, or concentrating on a writing task.

Abstract This study aims to analyze the perceptions of Spanish secondary school teachers in the fields of social and experimental sciences (n = 215) regarding the formative relevance of argumentative competence in the context of citizenship education. It also seeks to provide a psychometric instrument supported by robust empirical evidence of reliability and validity to achieve this goal. Based on a non-experimental, cross-sectional design, the AASES (Assessment of Argumentation in Social and Experimental Sciences) instrument,—developed ad hoc,—is administered to identify the potential relationship of sociodemographic factors with the theoretical subconstructs it comprises, the statistical association between age, origin, and gender, and the mediating role of gender in the relationship between age/place of origin and the defined latent factors, and the existence of significant differences among sociodemographic groups. The results indicate that, although a statistical association between age and gender was observed, the mediating role of gender in the relationship between age, origin, and the latent factors cannot be confirmed. SEM analyses showed that none of the sociodemographic predictors (age, origin, and gender) exert statistically significant direct or mediating effects on the latent factors. Furthermore, the comparative analyses complement the model by indicating that perceptions vary moderately by gender and age, even though these variables do not explain the latent factors in the SEM. Indeed, the analysis of variance revealed significant differences in the Critical and Ethical Skills dimension based on these two factors, with higher scores among male teachers and in the oldest age group, as well as increasing trends, with age, in the perceived importance of argumentation for the development and acquisition of critical thinking skills, informed decision-making, and ethical discussion. The findings highlight the need to incorporate specific spaces within the curriculum and teacher education programs to foster argumentative competencies and informed engagement with controversial socio-scientific issues, taking into account sociodemographic variables as influential factors in the educational process.

This study utilizes a communication accommodation framework to explore how entrepreneurs shape positive social identities through initiated intra- and intergroup (non)accommodation with other entrepreneurs, and non-entrepreneurs. Thematic analysis of semistructured interviews with 43 women and men in several U.S. cities revealed nine themes that represent ways in which participants’ verbal and nonverbal intra- and intergroup communicative convergence and divergence enhanced the development of this identity. The results offer insights into motivation for engaging in entrepreneurial ventures. Discussed are the findings’ implications for educators, corporate consultants, and managers who seek to encourage individuals’ entrepreneurial or intrapreneurial mindsets through training program development.

Queer Techné: Bodies, Rhetoric and Desire in the History of Computing is a little book doing big things. Author Patricia Fancher presents a well-theorized recovery of both queer lives and the lives of women in the history of computing, something of great import to scholars in technical and professional communication (TPC). Fancher engages with queer theory, rhetoric, technical communication, historiography, archival studies, mathematics, computers, and engineering, resulting in a robust interdisciplinary work. At the center of the book is Alan Turing, a pioneering mathematician and gay man, but just as important are the people around him—his queer community and the women of the University of Manchester Computer Lab. Fancher uses queer and embodied techné to explore these communities and the writing that occurred within them. Through this, she presents a case that pushes back against popular narratives of Alan Turing as a solitary genius while also bringing forward the embodied human presence in computing and TPC.

PCOS Discourses, Symbolic Impacts, and Feminist Rhetorical Disruptions of Institutional Hegemonies. Marissa C. McKinley, Lanham, MD: Lexington Books, 2023. 162 pages, $95.00 hardback, $45.00 ebook. Publisher’s webpage: https://rowman.com/ISBN/9781666905519/PCOS-Discourses-Symbolic-Impacts-and-Feminist-Rhetorical-Disruptions-of-Institutional-Hegemonies.

As global disasters such as COVID-19 continue to disrupt lives, this article calls on professional communicators, practitioners, and volunteers who work during a crisis to rethink their crisis-communication and disaster-response strategies in order to address the needs of marginalized and vulnerable communities. To expand such strategies, the author presents an analysis of interviews with 30 feminist grassroots organizers and volunteers from Nepal, Puerto Rico, and Trinidad and Tobago who were disaster responders and crisis communicators during COVID-19. She illustrates how inclusive, intersectional disaster management and advocacy-based crisis communication are required when responding to any kind of disaster.

Based on the foundations of femininity-masculinity and assertiveness-responsiveness, this study investigates the interplay between gender roles and social styles in managerial behavior and its impact on employee voice and engagement in a fully remote work setting. The research gathered data from 542 Information Technology (IT) professionals with a two-wave survey design. The results suggest a potential linkage between gender roles and social styles. Managers with androgynous gender roles are more likely to exhibit expressive social style than any other style; masculine gender roles exhibit driver social style, while managers with undifferentiated gender roles are likelier to demonstrate analytical social style. The findings further indicate that managers exhibiting higher levels of femininity within their gender role (androgynous and feminine) positively impact employee voice and engagement. In contrast, lower levels of femininity (masculine and undifferentiated) seem to correspond with diminished employee voice and engagement. This pattern also extends to social styles.

A manuscript’s writing style is central to determining its readership, influence, and impact. Past research has shown that, in many cases, scholars present a unique writing style that is manifested in their manuscripts. In this work, we report a comprehensive investigation into how scholars’ writing styles evolve throughout their careers focusing on their academic relations with their advisors and peers. Our results show that scholars’ writing styles tend to stabilize early on in their careers – roughly around their 13th publication. Around the same time, schol- ars’ departures from their advisors’ writing styles seem to converge as well. Last, collaborations involving fewer scholars, scholars from the same gender, or from the same field of study seem to bring about a great change in their co-authors’ writing styles with younger scholars being especially influenceable. The proposed method can help to investigate the dynamic behavior of academic writing style.

This study examines the use of persuasive language by male and female entrepreneurs in high-stakes negotiation settings, focusing on gendered communication strategies. With a particular emphasis on Aristotle’s modes of persuasion (Ethos, Pathos, and Logos), the research analyzes 44 negotiation conversations from Shark Tank US , Season 11, using a quantitative approach. Data were processed with SPSS to assess gender differences in persuasive strategies. The findings reveal significant gendered patterns: male entrepreneurs predominantly used Logos as a way to emphasize on logical reasoning and evidence to persuade investors, while female entrepreneurs more often employed Pathos, sparking emotional appeals to build empathy and engagement. These differences are discussed in light of social constructivist theories of language, which suggest that gendered communication reflects broader societal power dynamics. The study highlights the challenges women face in balancing authority with warmth in negotiations, a double bind identified in earlier research. This research contributes to our understanding of how gender influences persuasive strategies in entrepreneurial contexts and offers implications for promoting more equitable communication in business settings. It also suggests that future research should further explore how these findings can be applied to support female entrepreneurs in overcoming communication barriers and achieving greater success in negotiation and leadership roles.

Abstract This article proposes the value hip-hop based education can add to the first-year composition classroom. It provides a framework for using hip-hop based education to scaffold traditional writing assignments, including rhetorical analysis assignments and argumentative essays using concepts like zines, cyphers, and song analysis. Drawing from culturally relevant pedagogy, linguistic justice, and Black feminist pedagogy, this article offers the genre of hip-hop to define and solidify its usefulness in composition studies and its relevance to the Black community, asserting that centering pedagogy relevant to Black students is beneficial for all students. Based on culturally relevant pedagogy's tenets, this article highlights ways culturally relevant materials can be implemented to recognize and value students’ diverse cultures and lived experiences to increase student engagement, agency, and academic success. The concepts presented here promote antiracism and multimodal learning in the classroom contributing to pedagogical research and praxis looking to disrupt hegemonic teaching and learning.