Although a growing body of research recognizes the importance of viewing argumentation as a means of understanding rather than combating others, little is known about how teachers cultivate this practice in classroom conversations when teaching argumentation. This study examines how argument can be taught in classroom discourse with an empathizing stance and generates associated pedagogical constructs. Adopting a microethnographic approach to discourse analysis, this study examines the key instructional events in an argumentative writing unit in two high school English language arts classes. The analysis demonstrates that the empathizing stance is introduced in the relationship between arguers and their warrants and the differences existing between arguers. It also generates four pedagogical constructs related to the teaching of argument with the stance: (1) identifying the connection between arguers’ warrants and backgrounds; (2) transposing oneself into others’ backgrounds; (3) exploring interlocutors’ common and divergent grounds; and (4) situating argument in a broader context. It concludes with a discussion of the affordances of teaching argument with an empathizing stance.

Time and temporality are variously conceptualized and employed ubiquitously in both theoretical and empirical studies of education and literacy. Since education and learning are inherently defined as change over time, any theory of learning or education makes implicit or explicit claims about the nature of time. In this exploratory conceptual review / theoretical essay, temporal discourse analysis is used to identify the temporal claims operating in six studies drawing on six different theoretical framings: (1) predictive theorizing (Sénéchal & LeFevre, 2002); (2) developmental theorizing (Sulzby, 1985); (3) sociocultural theorizing (Gonzalez et al., 1995); (4) critical literacy theorizing (Jones & Enriquez, 2009); (5) critical race theory (Solórzano & Yosso, 2001); and (6) queer theorizing (Schey, 2023). Each theorization brings theoretical, methodological, and practical implications related to how research might be conducted, what changes across time, how time operates, and what might be tracked across time. Theorizations of time have substantive implications for what happens in classrooms and how what happens is interpreted by teachers, students, and researchers.

Research has shown the benefits of peer interaction to scaffold learning of disciplinary literacies. We extend knowledge in this area to examine peer interaction and the affordances it creates when emergent bilinguals engage with multimodal texts in disciplines to make meaning. Using discourse analysis of the interactions of a small group of third graders carrying out a project in science class, we explored how four emergent bilinguals collaborated to design, produce, and distribute traditional and alternative texts. We found that translanguaging and transmodal collaborative structures support learning processes and comprehension to make sense of and contextualize disciplinary knowledge. A dynamic and recursive translanguaging pattern emerges in which the introduction and contextualization of knowledge happens in Spanish, the interaction occurs mainly in English, and the creation is in both English and Spanish. We discuss the affordances of these collaborative structures for supporting students in science and promoting Spanish and student bilingualism.

Set in one of the least privileged neighborhoods of the US Southeast, this research project took a discourse analysis approach to construct a day-in-the-life case study. It illustrates how, during an after school storybook cooking class, a 7-year-old, multilingual, Mexican American girl navigated local linguistic microaggressions and extended microaffirmations to her peers. At the same time, she contested and critiqued societal power imbalances associated with whiteness. This study widens the corpus of scholarship that has primarily examined children’s sociodramatic play and literacy development in preschool settings. It also broadens the body of research that has predominantly focused on students’ linguistic dexterity and metalinguistic awareness in middle and high school contexts.

This study explores the potential of fifth-grade children to take up, mold, and complicate the superhero genre to engage issues of social justice and equity in critical and dynamic ways. Using critical discourse and visual analysis, I explore the ideological and political work in the comics four students of color created as part of this study. I argue that, when given the opportunity to embody their full selves in the creation process to fight against issues of injustice that matter to them, children are more likely to imagine beyond conceptions of the child (e.g., being apolitical) and take on activist stances. Moreover, teachers have the power to encourage children to see themselves and their voices as important tools in the fight for social justice. This study pushes us to consider that we, as adults, can either help to expand the possibilities available to children or continue to perpetuate the inequities that children experience on a daily basis due to misconceptions of what it means to be a child and what children are capable of.

Drawing on data from a yearlong qualitative study examining how children in a multi-age (6-9 years) classroom utilized technology to write across genres, this article examines the gendered negotiation and discursive uptake of expert in early childhood writing. Zeroing in on genius hour as a “site of engagement,” the author thinks with rhetorical genre studies and mediated discourse analysis to examine how four second-grade writers positioned themselves as “experts” across the nexus of school writing. Findings highlight how expert—both conceptually and in practice—became gendered and was interdiscursively traced through three threads: the relational, the historical, and the distributive. Through analyses of young students writing in situ, this article contributes new understandings to thinking about children’s navigation of genres, not only as rhetorical typifications of academic and disciplinary discourse but as unique social actions of curricular play and gendered uptake.

Multimodal composing can activate literacy practices and identities not typically privileged in verbocentric English classrooms, and students’ identities as particular kinds of learners (e.g.,“visual artist”) may propel—or limit—their engagement in classroom work, including in multimodal composing. Although researchers have studied the ways multimodal projects can evidence literacy learning and have argued that identity is negotiated, improvisational, and hybrid, they have offered few sustained analyses of the processes by which identities evolve during and across multimodal composing tasks. By examining how students position themselves and one another as particular kinds of learners over time, researchers can better understand the ways in which multimodal tasks help students explore new skills and roles or reify old ones. Drawing on an approach to discourse analysis from the linguistic anthropology of education, we trace the pathways of three 12th graders’ learner identities across two events as they worked in a group to compose visual responses to literary texts for their English class. We examine how one student’s robust identity as an artist emerged in tandem with the devaluing of other participants’ artist identities. Seven weeks later, these positionings led her to act as the painting’s primary author and other students to act in increasingly perfunctory ways. We call for teachers and researchers to consider how students’ identities—interacting with factors such as the teacher’s expectations for group work and the affordances of particular media and materials for collaboration—drive students’ participation in and ownership of multimodal compositions.

In this Forum, colleagues remember and celebrate the life and legacy of Arthur Applebee, a former editor of Research in the Teaching of English and a leader in the field for many years, who passed away after a short illness on September 20, 2015. Intellectually, Arthur will be remembered for the sheer scope of his work over four decades, for his mentoring of several generations of scholars, for his contributions to research on literature and writing instruction in secondary schools, and for his theoretical work on “curriculum as conversation,” which has left an indelible mark on classroom discourse studies and English teacher education. More personally, Arthur’s friends and colleagues cherished his human kindness, generosity, humility, thoughtfulness, gentleness, equanimity, and affability.

There is considerable confusion in contemporary society when it comes to talking about race.Because of this confusion, race talk in schools can be fraught with difficulty, leading to problematic conversations, disconnections, and ultimately student disengagement. While studies in psychology, sociology, and linguistics have considered the role of race in discourse, there have been fewer of these investigations in English education, especially research on the teaching of literature. This article looks closely at the classroom talk of two veteran English teachers’ one an African American man, the other a White woman’ in a racially diverse high school, showing how teachers employ different strategies to navigate similarly fraught conversations. Taking an interactional ethnographic approach, I demonstrate ways that conversations about race that emerged from literature units in both classrooms opened up opportunities for some students to participate, while constraining and excluding others. The results of the study revealed that the two teachers navigated these dilemmas through tactical and strategic temporary alignments of actions and discourse, but in both classes, silence and evasion characterized moments of racial tension. As a growing number of researchers and teacher educators provide workshops and materials for teachers interested in classroom discourse studies, supporting new and experienced teachers’ investigations in this area may ultimately prove fruitful not only for teaching and learning, but also for race relations.

Current research suggests that emotional investment is essential for helping students critically engage in learning in the English language arts classroom. Yet, scholarship on the role of emotion in literary response has been limited, focusing chiefly on considerations of the merits of personal response—a focus that reflects dominant theories of emotion as located in the individual. Tethered to the personal, emotion has been conceptualized as a peripheral part of literary engagement—as something to be ignored, leveraged, or gotten beyond in an effort to move students toward more substantial textual engagement. This paper proposes that a sociocultural theory of emotion provides a new lens for considering how emotion engages students in literature learning. In this view, emotion is in the fabric of every classroom context, manifesting as “emotional rules” that have material implications for learning. Constructed using methods from Critical Discourse Analysis, the case study outlined in this paper demonstrates how emotional rules were perceived, taken up, and even transformed by one student, Nina, in two discussion contexts—a seminar circle and a literature circle—playing a central role in the work of literature learning in each context. Our findings advance scholarship on the relationship between response and emotion by suggesting that emotion cannot simply be invited in or left out of the literature classroom in the interest of moving students toward literary engagement, but instead is already fundamentally a part of literary engagement and must be noticed, interrogated, and sometimes disrupted in the interest of expanding interpretive possibilities.

This November issue of RTE once again contains the annual “Annotated Bibliography of Research in the Teaching of English.” This bibliography includes abstracts of selected empirical research studies as well as titles of other related studies and books published between June 2013 and May 2014. Abstracts are only written for research studies that employed systematic analysis of phenomena using experimental, qualitative, ethnographic, discourse analysis, literary critical, content analysis, or linguistic analysis methods. Priority is given to research most directly related to the teaching of English language arts. Citations in the “Other Related Research” sections include additional important research studies in the field, position papers from leading organizations, or comprehensive handbooks.

English education researchers have established that whole-class discussions can support language and literacy learning. However, few studies have provided examples of whole-class discussions in which students explicitly reference their classmates’ ideas in order to elaborate different, but related, perspectives. Research that has described students’ uptake of their classmates’ ideas has typically portrayed disagreement either as an obstacle to student participation or as a step toward eventual consensus. In this article, I offer a sociolinguistic discourse analysis of two conversations in which a preservice teacher encouraged her urban, 10th-grade students to disagree. My analysis demonstrates the positive effects of the teacher’s use of indirect challenges and provocative paraphrases—features of the African American sociable conflict-talk practice known as The Dozens—to promote collaborative disagreement during whole-class discussion. I argue that teachers can promote collaborative disagreement in whole-class discussions by appealing tostudents’ home-cultural disagreement practices, which may already overlap with argumentation practices valued in school settings. I call for further research into the influence of teachers’ and students’ out-of-school discourses on discussions characterized by collaborative disagreement—a practice that is essential to ELA curricula and to participation in a democratic, literate society.

By examining how a student from Vietnam used English to interact with her peers in an English-medium secondary school in Singapore, this paper argues for an examination of language and literacy development through a cosmopolitan lens. Building on earlier research on cosmopolitanism (e.g., Campano & Ghiso, 2011; Canagarajah, 2013a, 2013b, 2013c; Hansen, 2010; Hull & Stornaiuolo, 2010), I illustrate how a broader understanding of cosmopolitanism in language and literacy education is timely in the wake of contemporary transcultural flows that characterize globalization, the emergence of a neoliberal order in education, and a pressing need to address educational inequities encountered by the growing number of immigrant learners whose home languages may not be valued in classrooms. The data in this paper, which include politicalspeeches, school documents, and classroom interactions, are part of a larger, yearlong critical ethnographic study and are subjected to microethnographic discourse analysis (Bloome & Carter, 2014). Through investigating how local interactional events are linked to broader events in wider Singapore society, I demonstrate how my Vietnamese focal student and her Singaporean peers were able to enact and develop a cosmopolitan outlook. Implications on language and literacy development are also discussed.

This paper discusses the teaching of writing within the competing and often contradictory spaces of high-stakes testing and the practices and priorities around writing pedagogy in diverse school communities. It uses sociospatial theory to examine the “real-and-imagined” spaces (Soja, 1996) that influence and are influenced by teachers’ pedagogical priorities for writing in two linguistically diverse elementary school case studies. Methods of critical discourse analysis are used to examine rich data sets to make visible the discourses and power relations at play in the case schools. Findings show that when teachers’ practices focus on the teaching of structure and skills alongside identity building and voice, students with diverse linguistic backgrounds can produce dramatic, authoritative, and resonant texts. The paper argues that thirdspaces” (Soja, 1996) can be forged that both attend to accountability requirements and also give the necessary attention to more complex aspects of writing necessary for students from diverse and multilingual backgrounds to invest in writing as a creative and critical form of communication for participation in society and the knowledge economy.

This article examines the ways in which a multimodal text—a YouTube video on globalization and business—was mediated in two English for Academic Purposes (EAP) classrooms, and how these mediations shaped the instructor’s and her students’ meaning-making in specific ways. I first explore the complex multimodal discourses involved with this particular video and present my own reading of it. In addressing the instructor’s and students’ engagements with this video, I adopt a mediated discourse analysis approach to examine their classroom discourses that interact with the social circulation of a globalization discourse featured in this multimodal text. A conversation with the participating instructor, who articulates several issues including concerns about the possible politicization of her classroom if certain approaches to texts are used, is also presented and used to examine her subsequent approach with her students in the second class. I discuss the ways in which social actors take up discourses differently, and conclude by exploring the possible classroom practices that can address an increasingly multimodal curriculum.

Permeable textual discussion occurs when the unofficial texts and discursive practices and personal histories that are already recognized and valued in students’ cultures are scaffolds to academically sanctioned literacies. Ideally, permeable textual discussions are safe havens where students’ identities (racial, gender, world views) are intentionally interwoven with classroom texts, and classroom communities are formed that responsively address matters of student identity. Yet the social contexts and instructional practices of academic tracking may shape how students reveal their identities during textual talk. This project examines the conditions of permeability during textual talk in tracked classrooms taught by the same teachers using the same texts. Using ethnographic methods and discourse analysis, the author examines how two tracked urban middle school language arts students of African American heritage revealed and hid their identities during textual talk and the instructional moves that precipitated textual talk.

In this study we take up challenges regarding researcher positionality, representation, and the construction of difference as a launching point to reflexively analyze our own practices within aresearch project exploring multilingualism, multiliteracies, and teacher development. Our data were drawn from a teacher study group we facilitated during the first phase of a two-year study.We draw on poststructuralist understandings of discourse, power, and performativity and use elements of Critical Discourse Analysis (CDA) to conduct a close thematic reading of two moments of discomfort in one study group meeting, and we critique our own complicity in the discursive production of difference. Further, we engage tools of process drama to theorize how we might have structured and responded to interactions differently during one of these same moments in order to address these challenges more successfully. We conclude by arguing for approaches and interpretive tools for researchers that could help to reimagine as well as respond both ethically and analytically to issues of representation in language and literacy research.

In this article, the author takes a close look at the discursive ways that Black and Latina preservice teachers reconcile tensions between their racial and linguistic identities and the construction of teacher identities in the current context of preservice teacher education in the United States.Through the study of language as representative of teacher identities, the author presents a critical discourse analysis of the language and literacy practices of Black and Latina preserviceteachers “all nonstandard language and dialect speakers” across diverse contexts within and beyond the university and school setting. This examination of their literacy and language practices elucidated a move beyond marginalization and inferiority toward agency and linguistic hybridity.

In this article, I present a qualitative analysis of third graders’ experiences with a unit from their district-mandated commercial reading curriculum in which the children made strong connections between a fictional account of a Depression-era farm family’s economic hardships and their own 21st century lives in a city with one of the highest childhood poverty rates in the United States. The language of the curriculum revealed class-privileged assumptions and an instrumental, competency-based approach to literacy that provided no official space for resonance between reader and text around the issue of poverty. Employing depth hermeneutics, a form of critical discourse analysis, I discuss analyses of three texts: the literature selection, the children’s written responses, and the teacher’s edition for that unit. Implications for research and practice include the importance of analyzing complex interactions between curriculum, policy, and the material realities of children’s lives; the need to hold commercial curricula accountable for recognizing and engaging the experiences of children living in poverty; and the academic and moral imperative to include the lived knowledge of students and the emotional dimensions of response in what counts as successful literacy engagement.

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In literacy and composition studies, efforts to develop data-driven theories of disciplinary writing expertise and of writers’ developmental processes in joining specific discourse communities have so far been limited. This case study, of one writer’s experiences as an undergraduate history major, parses the multiple knowledge domains comprising disciplinary writing expertise and compares his beginning and later work for signs of developmental progress. A conceptual model of five knowledge domains writers must draw upon—discourse-community knowledge, subjectmatter knowledge, genre knowledge, rhetorical knowledge, and writing-process knowledge—is applied to the data both for analysis of the case and for exploring the usefulness of the conceptual model for further empirical and theoretical work. What results is a fuller depiction of the complexities of gaining expertise in any given discourse community, as well as an indication of the importance of educators across all disciplines considering the multi-dimensional and developmental nature of their curricula for building literacy skills.

Quantitative analyses using CLASS 3.0 software and qualitative discourse analyses were conducted of the instructional and institutional effects of tracking in high- and low-track American literature classes taught by the same teacher, a participant in a national study of the effects of dialogic classroom discourse patterns on student achievement. The quantitative analyses of class activities and discourse patterns revealed somewhat different amounts and kinds of dialogic discourse in the two classes, but could not account for much of the difference in achievement between the two groups. A more detailed qualitative analysis of teacher interviews and classroom discourse, using discourse analysis to look at both how the classroom discourse positioned students vis-à-vis course content, and how students in the two tracks were characterized by the teacher, showed how instruction was influenced by the teacher’s cultural models of students’ institutional identities. The teacher’s identification with the high-track students aided her in enacting a curriculum that was more academically challenging and more coherent, both intertextually and culturally. These analyses suggest that institutional and instructional effects of tracking are inextricably interwoven where the teacher’s conceptions of students’ needs and abilities constrain the level of instruction and the coherence of the curriculum.

Examines the collaborative discourse practices of the Red River Writing Project Teacher Research Group (RRWPTRG) as well as the processes by which this diverse group of classroom teachers developed into a discourse community of teacher researchers.

Takes a systematic approach to defining and operationalizing the notion of discourse community, drawing on data from an ethnography of writing in a workplace setting. States that a single genre varied in form and function depending on the specific discourse communities in which it was used--writing events took on layered meanings in relation to other communicative activities.