Review Article| April 01 2019 "Stories People Tell" Myths of American Masculinity From Boys to Men: Rhetorics of Emergent American Masculinity, by Jones, Leigh Ann. Urbana, IL: National Council of Teachers of English, 2016. Christopher M. Parsons Christopher M. Parsons Christopher M. Parsons is assistant professor of English and the coordinator of secondary English education at Keene State College. His current research interests include the circulation of ideologies about identity and literacy in English classes and the relationship between teacher education coursework and site-based fieldwork. Search for other works by this author on: This Site Google Pedagogy (2019) 19 (2): 359–367. https://doi.org/10.1215/15314200-7296036 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Christopher M. Parsons; "Stories People Tell" Myths of American Masculinity. Pedagogy 1 April 2019; 19 (2): 359–367. doi: https://doi.org/10.1215/15314200-7296036 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search Books & JournalsAll JournalsPedagogy Search Advanced Search The text of this article is only available as a PDF. Copyright © 2019 Duke University Press2019 Article PDF first page preview Close Modal You do not currently have access to this content.

In this study, we examine how youth use media production to represent, (de)legitimate, and reimagine their experiences of hypercriminalization—the pervasive complex of social practices such as racial profiling that position young men of color as “always-already criminal.” We analyze two clips from a youth-produced news show called POPPYN, specifically a 2014 episode focusing on youth and the criminal justice system, using tools from recontextualization analysis and multimodal semiotics, which together allow us to index the substitutions, deletions, rearrangements, and additions of component elements of social practices. Through investigation of linguistic and multimodal processes that represent social actors, actions, and constructions of their legitimacy, this study demonstrates ways that media making can serve as a tool for youth of color to process and rewrite persistent hypercriminalizing positionings in more agentive and hopeful ways. We end by proposing implications for multimodal literacy practices and pedagogies.

Resulting from stroke or brain injury, aphasia affects individuals’ ability to produce and comprehend language, but it also creates profound social changes, limiting individuals’ opportunities to communicate or to be seen as capable of communication. To address these challenges, the field of communicative sciences and disorders (CSD) has sought to ensure “communicative access” by reducing barriers to communication. This article, through an analysis of the communicative practices of participants in a memoir group for people with aphasia, develops a nuanced conception of communicative access as a process of negotiation across individuals and modes and not just as a process of reducing barriers. The study shows, specifically, that rather than the mere presence of multiple semiotic resources enabling communicative access, individuals enact access by flexibly shifting between modes to take advantage of various kinds of affordances that best suit their needs. This willingness to use modes in atypical or nonnormative ways importantly challenges the very idea of “normal” communication. The theory of communicative access developed in this article melds (a) a CSD understanding of communication as social and tied inextricably to identity with (b) a disability studies conception of access as an ongoing, negotiated process and with (c) a writing studies emphasis on literate, communicative activity as complexly layered, distributed, negotiated, and (multi)semiotic.

Although composition scholars have long advocated for working-class and under-represented populations on campus, the emergence of “first-generation college” as a marker of difference in public, administrative, and scholarly discourses invites further consideration of how we theorize this marker. As a bureaucratic marker (originating in higher education administration) that exhibits potential for organizing students for self-advocacy across difference, “first-generation college” warrants particular attention from scholars interested in the intersections between literacy studies and rhetoric. This article initiates a conversation about FGC as a marker of difference, observing that the bureaucratic and rhetorical nature of “first-generation college” as a marker necessitates a constitutive rhetorical approach to the term, an investigation of how the use of the term articulates a literate positionality, situates it within local and cultural narratives, and assigns it value. Placing composition scholarship in conversation with interviews with 17 first-generation college and low-income students and alumni of a large state university, this article reads first-generation college literate positionality in light of students’ own use of the identifier and within the context of their accounts of navigating class difference in college.

Approximately 1.8 million students in the United States are homeschooled, according to 2012 data from the National Center for Education Statistics (Redford et al.). However, researchers have only begun to examine how these homeschooled students reflect on their own literacy development, especially once they have entered college. Using the Digital Archive of Literacy Narratives (DALN), I gather and analyze eighteen literacy narratives of currently and formerly homeschooled students, exploring how these students reflect on their own developing literacies, especially as they contrast their experiences with those of their traditionally-schooled classmates. The results of this study reveal, first, that these homeschoolers participate in a wide variety of literacy practices that both respond to and redefine those of the “traditional” classroom. Second, many of the narratives tend to embrace the “child prodigy” literacy structure, as identified and defined by Kara Alexander (2011) and Stephanie Paterson (2001). Third, four narratives reveal problems that can occur in homeschooling: namely, a parent-educator’s perceived lack of authority, and, in two cases, a tendency to trap students in unhealthy family environments. Despite these exceptions, most narratives reveal their family network as a place of vibrant literary sponsorship; and a few students narrate the “pedagogic violence” that may occur when they transition from this warm family environment into traditional secondary schools (Worsham 121). Overall, I argue that as participants in a non-dominant mode of education, these homeschoolers feel the need either to justify or to repudiate their literacy acquisition process against the dominant group. More quantitative research is needed to understand whether these experiences represent trends across the homeschooling movement.

Scholarship in literacy and composition studies has demonstrated the many connections between literacy education and citizenship production (e.g. Guerra, Wan). Despite often being neglected in conversations about literacy education and citizenship training, prison education programs and incarcerated students have a unique relationship to citizenship and can make an important contribution to that scholarship. By putting literacy studies in conversation with queer studies and critical prison studies, I argue that we as literacy educators and teachers can train ourselves to notice and push back against the harmful ideologies underlying the discourse around prison literacy education programs and citizenship education. This attention to language is essential because it has a material effect on the incarcerated students we teach, as well as the futures we imagine for our classes, programs, and the wider landscape of prison education.

Background: Research suggests that communication instruction is particularly effective when situated in disciplinary courses. While studies show that this approach improves communication skills, less is known about how it enhances engineering learning. Literature review: Prior work includes approaches to integrating communication into engineering, studies of writing to learn, and explorations of the role of communication in identity development. Research question: How might the integration of communication instruction and practice into undergraduate engineering courses support engineering learning? Methodology: Because little is known about how communication instruction enhances engineering learning, we conducted an exploratory case study of an established integrated program in one European university. Participants included six engineering instructors, five engineering program heads, and six engineering students. Using interviews and focus groups, we explored the engineering-specific gains that faculty and students perceived from integrating communication assignments into engineering courses. Results: Our analysis yielded three salient areas of learning: 1. understanding disciplinary content, 2. selecting important information, and 3. justifying choices. While the first aligns tightly with writing-to-learn research, all three themes, in fact, bridge content learning and disciplinary literacy to enhance students' development as engineering professionals. Conclusions: Communication instruction can potentially support engineering learning through assignments that prompt students to select information in ways that are consistent with both disciplinary values and the needs of stakeholders, and make and justify decisions about approaches and solutions in ways that demonstrate sound engineering judgment.

Reviews Wendy Dasler Johnson, Antebellum American Women's Poetry: A Rhetoric of Sentiment, Carbondale, IL: Southern Illinois University Press, 2016. 265 pp. ISBN: 9780809335008 Sentimental poetry is not a common subject of rhetorical analysis. Nor is it a highly regarded literary form. However, Wendy Dasler Johnson argues that for a large number of antebellum American women, sentimental poetry served as an important rhetorical space where they could voice their opinions on social and moral issues. Specifically, Johnson presents a deep and focused analysis of the sentimental verse of antebellum America's three most popular female poets: Lydia Huntley Sigourney, Frances Ellen Watkins Harper, and Julia Ward Howe. Thanks to three decades of feminist recovery scholarship, Sigourney, Harper, and Howe are not entirely obscure figures in literary and rhetorical histories. Scholars of nineteenth-century American literature have recovered the writing of these three women, and feminist historians of rhetoric have recognized their rhetorical accomplishments as reformers in education, abo­ lition, temperance, and suffrage. However, their sentimental poetry remains a blind spot in both literary and rhetorical scholarship. While rhetorical scho­ lars do not usually consider poetry as part of these women's rhetorical oeuvre, literary scholars have struggled to analyze their verse. Johnson quotes (p. 1) the lament of literary scholar Cheryl Walker, who, upon the rediscovery of antebellum American women's sentimental poetry, said, "The problem is, we don't know how to read their poems." Johnson claims that a rhetorical framework is the solution to this problem. A literary/rhetorical divide has marginalized women's sentimental poetry in both literary and rhetorical his­ tory, and Johnson's study actively traverses this divide. To recover antebellum women's sentimental verse, Johnson argues that poetry, especially sentimental poetry, is a rhetorical genre. "[M]any hold to a modernist view," Johnson writes, "that literature by definition makes no arguments" (p. 4). However, nineteenth-century Americans, influenced by the belletrism and faculty psychology found in the rhetorical theory of George Campbell and Hugh Blair, understood poetry as a sub­ category of rhetoric, and they valued sentimentalism as part of the process of persuasion. Citing Campbell, Johnson demonstrates how eighteenthand nineteenth-century rhetorical theory linked "'sentiment to moral Rhetorica, Vol. XXXVII, Issue 2, pp. 207-212. ISSN: 0734-8584, electronic ISSN: 15338541 . © 2019 by The International Society for the History of Rhetoric. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Reprints and Permissions web page, http://www. ucpress.edu/journals.php?p=reprints. DOI: https://doi.org/10.1525/rh.2019.37.2.207. 208 RHETORICA and 'sensible/ not to an excess of feeling" (p. 7). As Campbell explains, "what is addressed solely to the moral powers of the mind, is not so prop­ erly denominated the pathetic, as the sentimental."1 Thus, as Johnson concludes, poetry is a valid rhetorical genre, and sentimentalism is a rhetor­ ical appeal that "works alongside pathos or persuasion of public feeling" to "invok[e] arguments about ethics, rational values, and judgments" (p. 18). Eventually, sentimentalism "got linked to women pejoratively," alongside the rise of women's literacy and the establishment of elite, white, male English departments (pp. 7-8). This feminization of sentimental verse played no small part in the marginalization of the genre. However, as John­ son demonstrates, in early nineteenth-century America, poetry was a valid rhetorical genre, and sentimentalism was considered a masculine discourse, which women co-opted in order to write about public issues. True to the rhetorical nature of her project, Johnson divides her study into three main parts: "Logos" (or rhetorical aims), "Ethos" (writing perso­ nae), and "Pathos" (audience appeals). In each section, Johnson offers anal­ yses informed by literary research, eighteenth-century rhetorical theory, and postmodern theories of semiotics that work to foreground the rhetoric of sentimentalism in the verse of Sigourney, Harper, and Howe. In Part 1, which consists of one chapter, Johnson examines the "reasoning and theo­ ries of persuasion" that these three women use to justify their right and their duty to write (p. 12). According to Johnson, sentimental logos does not rely on syllogism but rather is found in sentimental poets' use...

The nucleic acid DNA, which contains an organism’s genetic information, consists of a four-letter alphabet that has until recently been characterized as a read-only text. The development of a quick, inexpensive DNA targeting and manipulation technique called CRISPR, pronounced “crisper,” though, has changed DNA from this arhetorical, read-only data set, as it has been characterized in the rhetoric literature to date, to a fully rhetorical text—one that can be not only read but created, interpreted, copied, altered, and stored as well. The Book of Nature, an idea with roots in antiquity but popularized during the nineteenth century, provides proof of concept in the form of an historical and theoretical context in which DNA can be viewed in this light. Once ensconced in the Book of Nature, DNA can longer be considered a code; rather, it is a text. DNA text has structural components that are similar to those of traditional text, and now, with CRISPR, it also has purposes, audiences, and stakeholders. Given the enormous potential of DNA text for both good and ill, rhetoricians of science and medicine must participate in discussions of the complex literacy, policy, and ethics issues this new form of text brings about.

This paper highlights the importance, when researching writing across the lifespan, of addressing a range of aspects of social context which change over time, particularly focusing on tools, values, relationships and identities. It illustrates this argument by drawing on a range of empirical studies exploring different aspects of writing in university settings, working with adults at a range of levels from Masters through doctoral study to academics' working lives, and reflects on the implications of this research for lifespan writing studies more generally. The projects drawn on include a study of multimodal feedback on postgraduate student writing and students' responses to this; a detailed study of academics' writing practices in the context of structural changes in Higher Education; and an interview study with PhD students participating in writing retreats, reflecting on their writing experiences. Drawing on findings from this work, we argue that shifts in material, social and institutional dimensions of context have a significant impact on what individuals write and on the writing practices that they develop. We particularly highlight the role of changing tools for writing and values around writing, and the importance of transformations in identity and relationships. We argue that the tradition of literacy studies research, drawn on by all the projects described in this paper, provides the theoretical and methodological resources to approach such aspects of academic writing development across the lifespan, by adopting a holistic perspective on writing which locates writing as situated practice and thereby provides insight into these social and contextual influences.

We suggest that literacy narratives can be an important part of a curriculum designed to encourage students to understand themselves as developing learners and students. We know that there is great potential for literacy narratives—for narrativizing—when invited within a scaffolded curriculum of collaborative narrative inquiry. We place literacy narratives in the service of documenting learning—that is, within a pedagogical scaffolding designed to lead students through a series of moves that feature inquiry and discovery (about literacy). As such, the literacy narrative that emerges as most important is the final reflective narrative: the one we have spent all semester preparing students to write. That act of deferral creates an opportunity to put the literacy narrative (LN) assignment to different earlier use as a means for creating an ongoing, experiential literacy-learning narrative that will be realized as a reflective narrative: one we call the experiential-learning documentary (ELD).

This experience report shares the story of course redesign for cultivating technological and code literacy. This redesign came about as a result of listening to advisory board members as well as responding to recent scholarship calling for more specifics on the teaching of component content management and content strategy. We begin with discussion of code literacy differentiation between code-as-language, code-as-tool, and code-as-structure. We then share detail about our advisory board engagement and the resulting advanced-level technical communication course in which, framed by technological literacy narratives, students produce a static HTML site for a client, develop a repository for this work (GitHub), use XML and the DITA standard for dynamic document delivery, and create a digital experience element to accompany the site. We document and analyze student narratives and online course discussions. We emphasize a more holistic approach to code literacy and that course redesign should be a collaborative endeavor with advisory board members and industry experts. Through these experiences, students gain requisite knowledge and practice so as to enter the technical communication community of practice.

This article explores what lip reading can teach us about interface design. First, I define lip reading. Second, I challenge the idea that people can "read" lips---an idea that is deeply imbedded in the literate tradition described by Walter Ong (1982) in Orality and Literacy. Third, I frame lip reading as a complex rhetorical activity of filling in the "gaps" of communication. Fourth, I present a lip reading heuristic that can challenge those of us in communication related fields to remember how the invisible "gaps" of communication are sometimes more important than the visible "interfaces." And finally, I conclude with some reflections about how lip reading might "reimagine" disability studies for technical and professional communicators.

Preparing students to understand and practice search engine optimization (SEO) teaches them writing skills, technological literacies, and theoretical background needed to pursue a successful technical communication career. SEO employs a multifaceted skillset, including an understanding of coding, skills in shaping and crafting effective user experience (UX), marketing skills, effective research strategies, and competence in accessibility. We argue that instruction in SEO in undergraduate and graduate programs in technical communication prepares graduates for the interdisciplinary and agile profession they seek to enter and enables them to be successful in positions from information architect to technical editor. Our article details how studying and enacting SEO helps students to develop proficiencies and knowledge central to technical communication pedagogies, including technological literacies, an understanding of the interconnections between human and non-human actors in digital spaces, and the ethical concerns central to work within those spaces. We then detail how SEO can be incorporated into technical communication curricula and share details of client-based projects that can facilitate that integration..

"Analyze a Published Research Study" invites students to examine a published study's research methods to learn not only what a research report says, but also how the research was designed, carried out, and communicated. While this writing assignment was originally designed for an undergraduate course on research practices in literacy and composition, it may be used with both undergraduate and graduate students and may be appropriate for courses across the disciplines in which students study methods of scholarship. The primary goal of this assignment is to use writing as a mode of learning how to read scholarly research.

Honorable Mention for the 2019 Computers and Composition Distinguished Book Award Since its public launch in 2008, the Digital Archive of Literacy Narratives (DALN) has collected approximately 7500 unique contributions of people’s literacy experiences from across the globe and from a variety of backgrounds. The Archive as Classroom: Pedagogical Approaches to the Digital Archive of Literacy Narratives showcases the variety of innovative ways educators have used this resource in classroom practice.

While current community literacy scholarship foregrounds the importance of listening carefully to communities in the process of establishing, developing, and sustaining equitable and ethical community partnerships, the field does not yet offer explicit methods for practicing community listening, especially in the early, preparatory stages of the process. We address this gap by drawing on a case study of “preparatory community listening” in San Bernardino, California. In this project, we articulate an asset-based method for practicing community listening that emphasizes attention to discursive, material, political, and economic dynamics, particularly in communities shaped by deficit narratives.

This article foregrounds stories told by Kiowa Elder Dorothy Whitehorse DeLaune in order to distinguish “community listening” from “rhetorical listening” and decolonize community writing. Dorothy’s stories demonstrate “transrhetoricity” as rhetorical practices that move across time and space to activate relationships between peoples and places through collaborative meaning making. Story moves historic legacies into the present despite suppression enacted by settler colonialism, and story yields adaptive meanings and cultural renewal. When communities listen across difference, stories enact resistance by building a larger community of storytellers, defying divisive settler colonialist inscriptions, and reinscribing Indigenous peoples and their epistemologies across the landscapes they historically inhabit.

T he Community Literacy Journal is an interdisciplinary journal that publishes both scholarly work that contributes to theories, methodologies, and research agendas and work by literacy workers, practitioners, and community literacy program staff.We are especially committed to presenting work done in collaboration between academics and community members, organizers, activists, teachers, and artists.We understand "community literacy" as including multiple domains for literacy work extending beyond mainstream educational and work institutions.It can be found in programs devoted to adult education, early childhood education, reading initiatives, or work with marginalized populations.It can also be found in more informal, ad hoc projects, including creative writing, graffiti art, protest songwriting, and social media campaigns.For us, literacy is defined as the realm where attention is paid not just to content or to knowledge but to the symbolic means by which it is represented and used.Thus, literacy makes reference not just to letters and to text but to other multimodal, technological, and embodied representations, as well.Community literacy is interdisciplinary and intersectional in nature, drawing from rhetoric and composition, communication, literacy studies, English studies, gender studies, race and ethnic studies, environmental studies, critical theory, linguistics, cultural studies, education, and more.

This article investigates the uncanny logics of space, time, and voice in augmented reality by theorizing and illustrating how augmented space can serve as a formal medium for writing. Critical analyses of the audio and video walks of artists Janet Cardiff and George Bures Miller, and of student work on a “Writing in Augmented Space” assignment, demonstrate how the literate and literary possibilities afforded by these logics, which first appear as difficulties, identify techniques of an emergent genre of writing in the English studies curriculum.

Rhetoric and composition scholars have recently called our attention to the value of archival research in the undergraduate classroom, leading to rich collaborations with archivists and librarians at many institutions. As we engaged our own pedagogical collaboration as a university archivist and English faculty member, we realized that, though we might use slightly different language to articulate them or cite different sources in support of them, many of our learning goals overlapped. As we explored these goals together, we realized that they evidenced a correspondence in our disciplines that we had not explored—one that is reflected in our fields’ recent outcomes statements: the 2011 Framework for Success in Postsecondary Writing and 2016 Framework for Information Literacy for Higher Education. In this article, we briefly describe our course and use it as a touch point for comparing these disciplinary statements. We argue that analysis of the overlap between these two documents helps us articulate a new set of reasons for faculty to connect with their allies in libraries and archives to teach undergraduate research and writing.

This article explores how contemplative writing pedagogy that integrates the practice of mindfulness, or moment-to-moment attention, into writing instruction can help students consciously and adeptly deploy their attention and construct a more responsible ethos. Mindful writers develop awareness of their own and others’ materiality and become more reflective digital citizens.

The forces of globalization and the development of English as a lingua franca have made many scholars and practitioners highlight the urgent need for foreign language literacy. The Norman M. Eberly Multilingual Writing Center (MWC) at Dickinson College addresses that need by offering peer writing tutoring in eleven languages. This profile explains the development of the MWC, the rationale and benefits of the model, the collaborative governance structure that undergirds it, and the redefined pedagogical goals of tutor training.

Though composition studies has long sought to leverage new technologies of literacy to help students go public, we remain anxious about our ability to do so, as students commonly enter our classrooms already composing for diverse public audiences in a variety of digital contexts. Yet students, too, are often anxious about these new modes of composition, which circulate in a destabilized rhetorical environment where traditional understandings of authority, argument, and audience no longer hold. This article identifies five topoi of this new rhetorical landscape— presence , persistence , permeability , promiscuity, and power —describing the anxieties and affordances they present for student writers, the dispositions toward writing they foster, and the challenges and opportunities they pose for composition. This framework provides a critical vocabulary for compositionists seeking to help students negotiate emerging networked publics.

This article profiles three new graduate instructors in a PhD program in literature who are teaching composition for the first time while enrolled in a teaching methods course. I argue that understanding graduate instructors’ prior beliefs about literacy has the potential to make practica instructors more sympathetic to the complex identity-based and ideological negotiations new graduate instructors must undertake in their first year of teaching while also pointing to ways to facilitate this work.

Introduction: Group projects are a common pedagogical tool for technical and professional communication courses. These projects provide students with valuable learning experiences that they would not otherwise receive working individually. However, student group projects come with some unique challenges, such as unequal distribution of work, unequal levels of learning, and perceptions of fairness. Situating the case: While many instructor-led resources and strategies exist for facilitating group projects, fewer student-empowering strategies exist. Data provide one potential way to empower students to take ownership of their team experience and make more informed decisions throughout the teamwork process. About the case: This teaching case was born out of a response to the many teamwork problems that are outlined in the literature and that the author has observed as an instructor. This teaching case describes the implementation and outcomes of a data-driven framework for decision making called collect, analyze, triangulate, and act (CAT) that the author developed. After they learned about the CATA framework, the students completed a series of data-driven exercises during the team formation, team functioning, and team evaluation stages of the team project. Perceptions of CATA's effectiveness were collected after the project ended. Methods: A mixed-methods approach, which included a survey and a series of interviews, was used to gain insights into how both team members and team leaders perceived the CATA framework. Results: Survey results indicated that students found the CATA framework helpful in many team contexts. Students expressed particularly strong opinions about how CATA aided in the fairness and accuracy of peer evaluations, was helpful for self-reflection, and was useful for making informed arguments to convince team members of a decision. Interviews with team leaders revealed that appealing to data using the CATA framework was helpful in managing the team but had limited capacity to aid in managing conflict. Conclusions: Students realized many benefits from the CATA framework, and some team leaders even felt empowered in certain instances by appealing to data. However, instructors should still consider scaffolding data literacy and teamwork skills for students to be fully prepared for successful teamwork.

This essay looks into the interactions between an older African American couple as they negotiate literacy together. By considering the entwined writing trajectories of longtime life partners, the author highlights ways that “Chief” and “Shirley” demonstrate their ongoing desire for literacy in this moment of their lives; how the reading and writing practices of the more literate partner impact the less literate partner, and vice versa; and, what that engagement can tell composition researchers about writing development across the lifespan, particularly for an older couple in which one partner has become more literate later in life. Writing, like many life practices that Chief and Shirley share, indicates personal and practical commitment. Their example can help literacy researchers in Age Studies and Lifespan Development of Writing Studies understand the unconventional paths that writing development can take, not just for an individual but for a couple, and to see the value in viewing writing development as always emergent.

Civic engagement has long been a topic that has drawn the attention of scholars in literacy and composition studies more broadly, and it is also a particular interest of both religious literacies and Age Studies. This article has an eye toward bringing these two conversations together—civic engagement in religious settings and civic engagement as practiced by older people—-through the lens of literate activity as practiced by progressive Christian churchgoers. Drawn from ethnographic fieldwork with a church book group, I argue that the members of the Pub Theology book group push back against the isolation and individualism of decline ideology and cookie-cutter notions of volunteerism promoted by productive aging, instead creating a robust model of civic engagement for older adults that is rooted in literate activity. Instead of being obsolete and useless, their familiar literate practices are crucial to connecting what they learned from their chosen texts, The New Jim Crow and Just Mercy, to their more expansive experiences of civic engagement as older members of their community.