(2002). A Fantasy-Theme Analysis of Arthur Barlowe's 1584 Discourse on Virginia: The First English Commercial Report Written about North America from Direct Experience. Technical Communication Quarterly: Vol. 11, No. 1, pp. 31-59.

Abstract As a form of discursive practice, consciousness‐raising links recovery, recuperation, and the development of theory. The recovery of texts by women and recovery from the dynamics of suppression by which women's voices were silenced encompasses an enormous conversation among women through time. As a recuperative process criticism promotes an appreciation of women's artistry and eloquence and challenges the capacity of traditional theory to analyze or evaluate women's discourse. Finally, extracting theoretical principles from the practices of women through time suggests alternative ways of viewing rhetoric.

Abstract For well over a decade, a number of scholars have argued that a more thorough and representative account of the history of rhetoric can only take place after women are accurately included in the rhetorical tradition. If we are to provide a sensitive accounting of women in the rhetorical tradition, current methods of, and perspectives on, historical research need to be reconsidered and adjusted in three respects. First, our mentality toward rhetoric must expand beyond civic, agonistic discourse to include alternative modes of expression used by women. Second, our efforts to discover primary evidence must intensify so that a more representative body of sources becomes available. This expanded body of evidence must include non‐traditional sources that provide insight to the oral and literate practices of women. Third, historians of rhetoric must create methods of research and analysis that will provide a more sensitive accounting of primary material than current historical methods were designed to yield. This essay argues that these needs can be met by an archaeological approach to historical rhetoric. A method called “rhetorical sequencing”; is offered as an heuristic to facilitate historical research on women in the rhetorical tradition.

This study describes the extent to which shared assumptions of literary scholars form part of an introductory literature course. Fahnestock and Secor, in The Rhetoric of Literary Criticism, describe five special topoi of literary criticism (appearance/reality, paradigm, ubiquity, contemptus mundi, and paradox) that characterize the warrants of literary criticism appearing in a sample of major literary studies journals. This study triangulates ethnographic data of a class's meetings, analyses of students' essays, and questionnaires to discover whether these topoi are communicated to students in a survey course, whether students recognize and use them, and whether students are rewarded for using them. The special topoi of literary criticism appear in the discourse of instructors and students. Though textual analysis did not reveal a connection between using the special topoi in writing assignments and receiving a higher grade, questionnaires revealed that students adept at recognizing literary values and discourse conventions were more successful.

Critical discourse analysis of a 75,000-word corpus of newspaper articles, editorials, and letters to the editor reveals the presence of a cosmopolitan worldview-frame and its effects on representations of gun owners in the United States. This cosmopolitan worldview, which includes cultural frames of reliance on others, specialization, risk avoidance, and government responsibility for risk reduction, results in the marginalization of gun owners and the silencing of frames and information that would counter it. This study demonstrates that the frames news media adopt in covering contentious social issues can not only silence participants in public debate but hamper efforts to find common ground on those issues. Socially responsible news media should instead explore and report on the variety of frames in play regarding a range of social issues in an effort to educate their audiences and, in so doing, promote public debate.

This essay examines a series of InterChange transcripts to demonstrate how discourse that combines serious and playful purposes works to provoke and mediate conflict. Students use serio-ludic discourse to critique and to negotiate power relations and gendered subject positions with both positive and negative results.

Examines the collaborative discourse practices of the Red River Writing Project Teacher Research Group (RRWPTRG) as well as the processes by which this diverse group of classroom teachers developed into a discourse community of teacher researchers.

This study investigated a low-achieving class that featured regular discussions to gain insight into how dialogically organized instruction emerged within the context of a traditional recitation instructional setting, further complicated by settings of poverty and linguistic diversity. Dialogic discourse can happen when teachers are adept at linking and at enabling links between academic objectives and student concerns.

For too long, journal articles and textbooks on scientific and technical discourse have adopted a positivistic approach to visuals. Unfortunately, this approach is problematic. It ignores that visuals are constructions that are products of a writer's interpretation with its own power-laden agenda. For example, in representing a tamed and dominated nature, visuals become instruments of patriarchy. Reading them responsibly requires that we uncover some of the values attached to the strategies of creating visuals and to the objects created. This article reviews the current approach taken by composition scholars, surveys richer interdisciplinary work on visuals, and—by using visuals connected with the Human Genome Project—models an analysis of visuals as rhetoric.

One thread in the American nineteenth-centuryi f discourse of sentiment wraps itself around women's bodies.1 This essay is about those bodies, women's writing, and sentimental rhetoric. The three intersect in corsets-and not just in those torso-squeezing contraptions that assured a woman's hourglass figure in Western bourgeois Figure I Coat advertisement, culture from at least the 1750s to the early twentiMcLure's Magazine (1896). eth century. In this article I address a number of cultural constructions, formal matters that perform a kind of poesis shaping a woman writer's heart, spirit, and body back in the nineteenth century, and now, too. The Canadian National Film Board ad quoted above views the corset and its culture only as restraint. But sentimental rhetoric puts those corsets and cultural bodies in a different light. Rhetorical codes map a particular significance of

Much of the literature concerning participant relationships in academic writing has discussed features that project the stance, identity, or credibility of the writer, rather than examining how writers engage with readers. In contrast, this article focuses on strategies that presuppose the active role of addressees, examining six key ways that writers seek explicitly to establish the presence of their readers in the discourse. Based on an analysis of 240 published research articles from eight disciplines and insider informant interviews, the author examines the dialogic nature of persuasion in research writing through the ways writers (a) address readers directly using inclusive or second person pronouns and interjections and (b) position them with questions, directives, and references to shared knowledge. The analysis underlines the importance of audience engagement in academic argument and provides insights into how the discoursal preferences of disciplinary communities rhetorically construct readers.

Although Margaret Cavendish, Duchess of Newcastle (1623–1673), did not belong to the scientific community which after 1660 formed itself around the Royal Society, several of the philosophical issues discussed there are reflected in her writings. Lengthy reflections on language and style which run through her philosophical works provide evidence that the linguistic and rhetorical debates of the early Royal Society also left their mark. The isolation which Cavendish faced as a woman writer obliged her to discuss problems of terminology and style even more intensively, thereby adhering to the rhetorical principle of perspicuity which Thomas Sprat demanded in his proposal for a scientific plain style. The influence of the New Science on Cavendish’s work becomes obvious when her later writings are compared to her earlier ones where traces of a courtly and more elitist understanding of style can still be found. In this paper the development of Cavendish’s stylistic attitudes is traced in several of her works, including her Utopian narrative The Blazing World (1666).

Considers how constructing a hopeful professional discourse requires substantial revision of current professional discursive practices. Notes that the search for local knowledge and a shared, more hopeful discourse has rekindled interest in the rhetorical as well as material authority of ideologies, in various forms of writing collected under the overdetermined rubric "the personal." (SG)

In three voices - one as a scholar, one as a writer, and one as an alcoholic - Hindman considers the question: in what ways can our own personal writing illuminate the theory and practice of teaching composition? Demonstrating the process of composing the self within the professional, she responds both passionately and personally to literary criticisms about recovery discourse. Her purpose is to “make writing matter” and, in doing so, to attempt to dispel the tension between competing versions of how the self is constructed. She also considers how, in and for recovery, she learned to write, and how it has affected her professional writing. This type of writing, which she has called “embodied rhetoric,” offers lessons for composing a better life.

early Methodism John Wesley created an extracurricular site of literacy and rhetoric that empowered women and the working classes to read, write, and speak in public. Wesley's method of literacy in community not only transformed religious life in Britain but also redefined the intersections of education, class, and gender. an article based on her 1993 CCCC Chair's address, Anne Ruggles Gere critiqued the field of composition: In concentrating upon establishing our position within the academy, we have neglected to recount the history of composition in other contexts; we have neglected composition's extracurriculum (79). Influenced by Shirley Brice Heath's study of community literacy practices, Glenda Hull's work on workplace literacy, Patricia Bizzell's concept of multiple discourse communities, and others, Gere examined the cultural work and literacy practices of writing groups outside the academy, focusing particularly on nineteenth- and early twentieth-century American clubwomen, both white and African American. Gere urged us not only to expand our field's history to

This paper draws on the notion of discourse to explore complex relationships between teachers and curriculum change. It uses poststructuralist views of discourse to explore ways in which school subjects, such as Literature, are discursively constructed across time, while teachers too are positioned within discourses that shape the ways they understand the subject and themselves as teachers of it.

This article turns to the concept of interdisciplinarity as a framework for the design and development of observational studies investigating the discourse of medicine in language-based fields such as linguistics, rhetoric, composition, and professional communication. It argues that observational studies be designed as disciplined interdisciplinary studies, defined as research that makes an acknowledged contribution to both medicine and language studies. It proposes two guiding principles for the design of observational studies in medicine, both of which focus on issues of prospective design.

Studies in the rhetoric of science have tended to focus on classic scientific texts and on the history of drafts and the interaction surrounding them up until the moment when the drafts are accepted for publication by a journal. Similarly, research on disasters resulting from failed communication has tended to focus on the history of drafts and the interaction surrounding them up until the moment of the disaster. The authors argue that overattention to the moment skews understanding of what makes scientific discourse successful and neglects other valuable sources of evidence. After reviewing the promises and limitations of studies from historical, observational, and text-analytic approaches, the authors call for studies of responses to research articles from disciplinary readers and argue for studies using a variety of qualitative and quantitative methodologies that will explore the real-time responses of readers to scientific texts, test the effects of rhetorical strategies on readers, and track the course of acceptance or rejection over time.

A researcher (Schwebke), in collaboration with her supervisor (Medway), investigated the production and reception of a corpus of documentary exchanges in which condominium owners voiced their opposition to renovations proposed by their board of directors. During the course of the research, which included textual analysis, interviews with owners and management, and readings with disinterested outside parties, the texts became radically unsettled, changing their meaning with each fresh stage of the process. The social reality that underlay and was referred to by the texts became equally indeterminate. Encounters with both texts and everyday readers were pervasively intertextualized; each new conversation was felt to be conducted in the presence of a growing collection of eavesdroppers. The two sets of outside readers—a group of “ordinary folks” and an academic—became virtual participants in the ongoing construction of meaning, with academic and everyday perspectives merging in unusual combinations. The analysis draws on Bakhtinian and poststructuralist perspectives to elucidate this experience.

With the globalization of the world economy, it is imperative that managers, both present and future, be sensitive to differences in intercultural business communication. In particular, the context of global electronic commerce leads to an increasing use of email in negotiating deals, which to this point has been carried out almost exclusively via face-to-face (FTF) or other high-feedback media (e.g., telephone) but not of non-FTF media. This study, involving 20 participants, uses speech act theory and psycholinguistic analysis to explore the effects of culture on non-FTF communication.

Reviews Thomas A. Szlezak, Reading Plato, trans. Graham Zanker (New York: Routledge, 1999), xii + 137 pp. This short book will be interesting to all readers of Plato and all those who have pondered the relationship of oral and written discourse. It consists of twenty-seven short sections (2-6 pages each) the totality of which makes the following argument: Plato's philosophy can best be understood when read in the light of his critique of writing in the Phaedrus. According to Szlezak, nineteenth and twentieth-century readers have misunderstood and misinterpreted Plato's dialogues. This is so, he explains, because they have paid insufficient attention to Plato's critical comments on writing, because they have tended "to align the great thinkers of the past with the attitudes of [their] own times" (p. Ill), and because thy have confused Plato's esotericism, which is directed to a cause, with the notion of secrecy, which is directed to power (p. 115). Szlezak observes that starting with Schleiermacher "the modern devo­ tees of the god Theuth" (p. 41) have missed the intent of Plato's critique of writing. Consequently, they have supplemented the text of the Phaedrus in in­ admissible ways. Their graphocentric orientation and anachronistic readings have kept them from seeing Plato's repeated point that written philosophy itself can only go so far; to go further, it needs support, the kind that only the dialectician's oral logos can provide. Szlezak applies Plato's critique of writing to most Platonic dialogues, and shows that most of the recent interpretations have little, if any, merit. This is so, he argues, because the internal evidence of several dialogues points not to what is written but to what remains to be spoken about the texts at hand. Rather than read each dialogue separately, Szlezak reads across several dialogues, and identifies seven structural features they all share: 1) they typically depict conversations, with only occasional monologues within the conversational framework; 2) the conversations are place- and time-bound, happen between true-to-life participants most of whom are historically verifi­ able; 3) they all have a discussion leader, generally Socrates; 4) the discussion leader converses with one partner at a time, and in some cases he replaces the real partner with an imaginary one; 5) the discussion leader answers all objections, introduces all elements helpful to the conversation, refutes all other participants but is never himself refuted; 6) the conversation is raised to a higher level in the course of warding off an attack; and 7) none of the© The International Society for the History of Rhetoric, Rhetorica, Volume XIX, Number 3 (Summer 2001). Send requests for permission to reprint to: Rights and Permissions, University of California Press, Journals Division, 2000 Center St, Ste 303, Berkeley, CA 94704-1223, USA 341 342 RHETORICA dialogues comes to a definite conclusion, they all point to the need for further investigation and reflection, and they all have one or more "deliberate gaps" (pp. 18-19; 103-108). Szlezak does not argue for the general superiority of oral discourse over its written counterpart. Rather, he shows that oral discourse has a higher status but only for those capable of playing the role of a philosopher, more specifically a dialectician in the Platonic tradition. To play such a role requires that one identify significant topics for discussion (it is simply not the case that any one topic is as good as any other), expedite the discussion through poignant questions, refute objections, and defend doctrines committed to writing. Effectively, a Platonic dialectician possesses something of higher value (ta timiotera) than his philosophical writings (p. 49). This something consists of doctrines whose articulation happens orally and whose function is to support, defend, or extend written doctrines. Reading Plato is a good piece of scholarship, it guides the reader through Plato's dialogues carefully and thoughtfully. And it raises questions that expose the limitations of the disciples of Derridolatry. At the same time, however, it brings attention to several theoretical issues that Szlezak does not address. For example, how is a contemporary reader to "adapt himself to the perspective of the author, against all kinds of prejudices and resistance which are specific to...

Ever since Plato, the Sophists have been seen as teaching "the art of persuasion", particularly the art (or skill) of persuasive speaking in the lawcourts and the assembly on which success in life depended. I argue that this view is mistaken. Although Gorgias describes logos as working to persuade Helen, he does not present persuasion as the goal of his own work, nor does any other Sophist see persuasion as the primary aim of his logoi. Most sophistic discourse was composed in the form of antilogies (pairs of opposed logoi), in which category I include works like Helen where the other side—the poetic tradition Gorgias explicitly cites as his opponent—is implicitly present. The purpose of these works is primarily to display skill in intellectual argument, as well as to give pleasure. Persuasion may be a goal of some sophistic works, but it is not their primary goal; and teaching the art of persuasion was not a major concern of the Sophists.

346 RHETORICA Roman notions of politics and ethics. Marijke Spies studies the claims made by an Amsterdam chamber of rhetoric, the Eglantine, that its writings on the art of rhetoric - which focused on natural human reason, took its examples from the vernacular and familiar, and gave instances of negotiation - were part of a process of reconciliation after the city left the Spanish crown to join the Dutch Republic in 1578. Several articles use ideas from classical rhetoric to interrogate modern German literature. Helmut Schanze discusses the relationship between the­ atrical speech and political oratory by examining the use of the metaphors of theatre and forum in Goethe, Jean Paul and recent studies of television and digital media. Gert Otto examines modern funeral orations by Max Frisch, Heinrich Boll and Christa Wolf in the light of the classical (Thucydides) and romantic (Grillparzer, Borne) traditions of consolatory oratory. Theodor Verweyen discusses the use of metonymy in Bertolt Brecht and Gottfried Benn in the light of modern analyses of classical theories this trope. Several of the modern pieces focus on the speech act and its context Rainer Schulze describes how studies of rhetoric have interacted with cognitive linguistics in the analysis of metaphors as constituents of understanding. Thomas O. Sloane mischievously argues that playing with words engenders a famil­ iarity and therefore a competence in playing with ideas—within defined playgrounds. As this brief notice has shown, the volume should be read as an un­ usually generous number of Rhetorica rather than a exploration of different aspects of a single topic (the editors wisely steer clear of an introduction). The wide range of the essays, literary critical, historical and theoretical, is a just tribute to the dedicatee's scholarship. Ceri Sullivan University of Wales, Bangor Georgia Clarke and Paul Crossley eds, Architecture and Language: Con­ structing Identity in European Architecture c. 1000—c. 1650 (Cambridge: Cambridge University Press, 2000). This volume of collected papers is noteworthy as containing the first extensive studies by art historians to acknowledge and explore the influence of teaching and theory of rhetoric on writings about architecture and on architectural practice in the Renaissance and early modern period. We have had a number of good books and articles on the influence of rhetoric on painting and on music in the Renaissance, and many works on architecture discuss political and social meanings of buildings without actually using the word rhetoric or employing rhetorical terminology, but until now we have lacked good assessments of the indebtedness of architectural treatises to Reviews 347 rhetorical invention, arrangement, and style, including viewing the classical orders of architecture in terms of rhetorical commonplaces, all of which is done in chapters of this book. The first four chapters discuss the language used by medieval writers to describe features of architectures in England, France, Italy, and Germany. It was only with Leon Battista Alberti, writing in the mid-fifteenth century, that the concepts and vocabulary of classical rhetoric entered architectural treatises. In "Architecture, Language, and Rhetoric in Alberti's De Re Aedificatoria ", Caroline van Eck shows that Alberti's source for theory and termi­ nology was not so much Vitruvius's De Architecture, as usually believed, but classical works on rhetoric by Aristotle, Cicero, Quintilian, and others. (There is an English translation of Alberti's treatise by J. Rykwert et al., published by the Harvard University Press, 1988.) Cammy Brothers then continues the subject with a chapter entitled 'Architectural Texts and Imitation in Late-Fifteenth- and Early-SixteenthCentury Rome". Debates ox er imitetio and eemuletio among Renaissance rhetoricians are echoed in architectural writing, and Brothers concludes that "the desire for authoritative models emerges from architectural treatises with increasing clarity over the course of the sixteenth century and parallels the development of an increasingly strict Ciceronianism" (p. 100). Subsequent chapters that will especially interest students of the history of rhetoric include "Sanmichelli's Architecture anti Literary Theory", by Paul Davies and David Hemsoll; "Architects and Academies: Architectural Theories of Imitetio and Literary Debates on Language and Style", by Alina A. Payne; and "The Rhetorical Model in the Formation of French Architectural Language in the Sixteenth Century: The Triumphal Arch as a Commonplace", by Yves Pauwels. Important rhetorical terms...

342 RHETORICA dialogues comes to a definite conclusion, they all point to the need for further investigation and reflection, and they all have one or more "deliberate gaps" (pp. 18-19; 103-108). Szlezak does not argue for the general superiority of oral discourse over its written counterpart. Rather, he shows that oral discourse has a higher status but only for those capable of playing the role of a philosopher, more specifically a dialectician in the Platonic tradition. To play such a role requires that one identify significant topics for discussion (it is simply not the case that any one topic is as good as any other), expedite the discussion through poignant questions, refute objections, and defend doctrines committed to writing. Effectively, a Platonic dialectician possesses something of higher value (ta timiotera) than his philosophical writings (p. 49). This something consists of doctrines whose articulation happens orally and whose function is to support, defend, or extend written doctrines. Reading Plato is a good piece of scholarship, it guides the reader through Plato's dialogues carefully and thoughtfully. And it raises questions that expose the limitations of the disciples of Derridolatry. At the same time, however, it brings attention to several theoretical issues that Szlezak does not address. For example, how is a contemporary reader to "adapt himself to the perspective of the author, against all kinds of prejudices and resistance which are specific to modern times"? How can one identify the author's intention? Granted, "Plato's own devaluation of writing" (p. xii) has been devalued or inverted; but how are we to locate his oral or unwritten philosophy? What processes are involved in the move from the written to the spoken? Had Szlezak engaged these questions, his book would hav e been more interesting. Despite his silence on these matters, Szlezak renews the incentive for reading Plato and enjoying "the artistic perfection of his philosophical dra­ mas" (p. 1). Likewise, he tacitly reaffirms the notion that reading and inter­ preting Plato silently are only two steps of a three-step process; the third step involves participating in oral discussions of the written doctrines Plato left behind. John Poulakos University of Pittsburgli Greig Henderson and David Cratis Williams eds, Unending Conversa­ tions: New Writings by and about Kenneth Burke (Carbondale: Southern Illinois University Press, 2001), xviii + 233 pp. Jack Selzer, Kenneth Burke in Greenwich Village: Conversing with the Moderns, 1915-31 (Madison: Wisconsin University Press, 1996), xx + 284 pp. These recent studies of Kenneth Burke make significant strides towards a reappraisal of Burke s theories by situating their arguments within a variety Reviews 343 of academic discourses. However, neither text does so at the expense of Burke's relevance to rhetoric. Selzer's study skillfully demonstrates Burke's wider literary relevance. Likewise, Unending Conversations publishes for the first time selections from Burke's unfinished aesthetic theory and compiles essays considering his inter-disciplinary relevance. Adopting current notions of a modernist period "less a coherent and lin­ ear movement today.. .and more a controversy or conversation" (p. 4) Selzer demonstrates his familiarity with current trends in modernist scholarship at the same time as he employs Burke's famous metaphor of life as an "unend­ ing conversation". Primarily using Burke's extensive correspondence, Selzer tracks his intellectual development throughout the 1920s. The text's first two chapters describe Burke's integration into a number of Greenwich Village's artistic cliques and present the text's thesis: Burke "shaped and was shaped by modernist ideas during the first fifteen years of his career" (p. 6) of his participation in the modernist "conversation". Chapter 3 contextualizes Burke's early "classroom" attempts at symbol­ ist poetry within its overall influence on modernist art and his sometimes contentious relationship with his friend William Carlos Williams. The chap­ ter continues to suggest that Burke's early interest in symbolist poets led to his first pieces of analytical criticism (p. 84). Chapters 4 and 7 examine Burke's short fiction and only novel respec­ tively. Among the most interesting aspects of the book are these chapters' description and analysis of his work, both in terms of their aesthetics and as a means of suggesting their theoretical anticipation of...

Abstract Public discourse in contemporary Western democracies is constructed, studied, and policed according to a general suppression or suspicion of emotional display, which then can become a mode of dissent. These tendencies are evident in the use of visual images in the public media. An icon of emotional public protest—the young woman screaming over the murdered Kent State student on the ground before her—reveals how visual practices and emotional display are important for democratic life. The iconic photograph constitutes citizenship as an emotional construct while it shapes emotions according to norms of public order. This representation of dissent provides resources for advocacy and change, but it also is vulnerable to narratives of fragmentation and control.

Abstract In his essay “Disciplinary Identities: On the Rhetorical Paths between English and Communication Studies,”; Steven Mailloux notes that “many compositionists in the seventies and eighties did not find it necessary to claim to be a scientific discipline “(16). I respond to this claim by focusing on the new discourse about writing that emerged in the 1970s in work by Emig, Shaughnessy, Flower & Hayes, and others. Distinguishing between the “formative “ (intellectual) contexts from which this work drew, and the “receptive”; contexts in which it came to valued, used, and resonate, I show that whereas the roots of this work were almost exclusively empirical, their effects in the receptive context, including beyond the academy, were deeply rhetorical.

The purpose of this research was to examine both what it means to teach writing and what it means to write in a first-year university course in the history of science. More specifically, I investigated what students learned about writing when the focus was mainly on subject matter and only secondarily on writing and rhetoric. A number of converging methods of research were used to address this issue: audiotaping classroom discourse and taking field notes, interviewing students and collecting retrospective protocols about their responses to a writing assignment, and analyzing students’ texts. The analyses indicated that classroom discourse focused primarily on framing concepts that brought into focus different and conflicting conceptions of the scientific method and the ways authorship in history is colored by writers’ subjectivity and perspective taking. Although students’ interpretations of the writing assignment were not very detailed, the texts they wrote revealed some understanding of how to use comparisons as a tool for analysis in writing history, the importance of attending to context in examining a given historical phenomenon, and the extent to which writing history is both interpretive and rhetorical. Yet neither the focal students nor the other students participating in this study responded uniformly to the assignment. The data raise the question of whether disciplinary courses in writing provide an authentic alternative to the space general writing skills courses currently occupy, particularly if such classes exist as sites where students are introduced to critical thinking and argumentative writing in college.

In this paper I examine the role of imagination in literacy learning using data collected over a 5-year period in my primary classrooms. My conception of imagination as a missing component in literacy instruction was raised by a child’s question about the importance of the read-aloud experience as a daily literacy practice. That question, and my failure to answer it effectively for my student, prompted me to undertake a close study of imagination and its role in discourse acquisition. The study progressed from a general look at how imagination makes itself visible in the work of children to a conceptual structure that proposes an inside-out theory of literacy learning. This structure presents identity, discourse appropriation, and what I am calling the authoring process as essential elements that are unified through the imaginative actions of students as they come into contact with the texts, tools, and props of each discipline. I argue that to be successful and meaningful to all, literacy teaching must begin and end with a focus on imagination.

Committees within international standards organizations write standards. Prior to approval, these standards must pass through several reviews for technical accuracy and stylistic appropriateness. The style considerations are based on documents published by both the umbrella organization (International Organization for Standarization, or ISO) and the various committees and subcommittees within it. Because authors and editors who use these documents frequently do not have English as a first language, the documents must explain unambiguously just how committees should prepare their documents. This study looks at a sample of those instructional documents using Restricted and Elaborated Code and metadiscourse analysis to determine how easily users can read and understand the material. The findings suggest that the documents do not send a clear message to authors and editors and can be stylistically hard to understand. Consequently, the approved standards themselves are hard to read and interpret.

Addresses the hundreds of web sites devoted to the memory of Diana. Provides a thick description of the way in which people are writing and using the Internet in everyday life, with a special emphasis on the way in which this writing brings them into a public sphere. Concludes that hypermedia offers the immediate sense of audience and community.

This essay contends that religious belief often matters to our students and that spiritual identity may be the primary kind of selfhood that more than a few of them draw upon in making meaning of their lives and the world around them. Particular attention is given to evangelical expression in the classroom and the complex ways that faith is enacted in discourse.

The condition of our public discussions about literary and cultural works has much to say about the condition of our democracy and the author argues for more public discourse--in classrooms, newspapers, magazines, etc. to reclaim a public voice on national artistic matters. In this revealing study of the links among literature, rhetoric, and democracy, Rosa A. Eberly explores the public debate generated by amateur and professional readers about four controversial literary works: two that were censored in the United States and two that created conflict because they were not censored. In Citizen Critics Eberly compares the outrage sparked by the publication of James Joyce's Ulysses and Henry Miller's Tropic of Cancer with the relative quiescence that greeted the much more violent and sexually explicit content of Bret Easton Ellis's American Psychoand Andrea Dworkin's Mercy. Through a close reading of letters to the editor, reviews, media coverage, and court cases, Eberly shows how literary critics and legal experts defused censorship debates by shifting the focus from content to aesthetics and from social values to publicity. By asserting their authority to pass judgments--thus denying the authority of citizen critics--these professionals effectively removed the discussion from literary public spheres. A passionate advocate for treating reading as a public and rhetorical enterprise rather than solely as a private one, Eberly suggests the potential impact a work of literature may have on the social polity if it is brought into public forums for debate rather than removed to the exclusive rooms of literary criticism. Eberly urges educators to use their classrooms as protopublic spaces in which students can learn to make the transition from private reader to public citizen.

Reviews Jeffrey Walker, Rhetoric and Poetics in Antiquity (Oxford and New York: Oxford University Press, 2000), xii + 396 pp. In this lengthy, densely argued volume, Jeffrey Walker engages two particularly contentious issues in the history of rhetoric, offering a novel reconstruction of rhetoric's origins and a revised account of the relation­ ship between rhetoric and poetics in Classical Greece and Rome. This dual focus is reflected in the organization of the study. Parts I and II (ch. 1-4) concentrate primarily on a reading of the rhetorical tradition originating in pre-Aristotelian sources and extending to the "second sophistic" of im­ perial Rome. In Parts III and IV (ch. 5-11), Walker uncovers the rhetorical dimensions of archaic Greek poetry and then traces the tension between grammatical and rhetorical elements in the major (and several minor) Greek and Latin poetic theories. In the first two chapters, Walker advances three claims that are defended at length in the remainder of the book: (1) that the distinction between rhetoric and poetics featured in the standard histories is illusory and has resulted in distorted characterizations of both arts; (2) that the fundamental or "primary" manifestation of rhetorical art is not deliberative or forensic oratory, but rather the various verse and prose forms of epideictic discourse; (3) that accounts of rhetoric's periodic decline in the face of restricted op­ portunities for "practical", political oratory neglect the vital socio-political significance assumed by epideictic eloquence in nearly all periods. Cen­ tral to Walker's argument, then, is an expanded conception of "epideictic". Developing an insight of Chaim Perelman, Walker rejects the traditional characterization of epideictic as a decorative genre, simple entertainment or "mere display", and attributes to it broad suasive and ideological functions: epideictic, for Walker, is "that which shapes and cultivates the basic codes of value and belief by which a society or culture lives" (p. 9). Thus conceived, the epideictic category cuts across the prose-poetry divide, as Walker would include much poetry—including archaic lyric poetry—within it. This enlarged conception of epideictic enables Walker to locate the ori­ gins of rhetoric in discourse practices that predate by centuries the theoretical conceptualization of the art of persuasive oratorical speech (this is the thrust of ch. 2). In this respect, Walker's study represents a healthy alternative to the recent work of scholars such as Thomas Cole and Edward Schiappa which identifies the "birth" of rhetoric with the fourth-century advent of a prop­ erly technical and theoretical vocabulary or "metalanguage". If Walker's 125 126 RHETORICA redescription of epideictic gives grounds for rejecting the narrow concep­ tion of rhetoric offered by Cole and Schiappa, it also confounds the wellknown distinction between "primary" and "secondary" rhetoric. In George Kennedy's formulation, primary rhetoric is associated with practical oratory, with speeches delivered orally in deliberative and forensic settings. This for­ mulation encourages epideictic's treatment as secondary, textual, literary and aesthetic. Walker reverses this narrative and the impoverished notion of epideictic it inscribes: "the epideiktikon is the rhetoric of belief and desire; the pragmatikon [dikanic and demegoric genres] the rhetoric of practical civic business...that necessarily depends on and appeals to the beliefs/desires that epideictic cultivates" (p. 10). Viewed in this frame, epideictic becomes "the 'primary' or central form of rhetoric" while deliberative and forensic speeches are derivative, applied forms of a more general logon techne (p. 41). In Part II (ch. 3-4), Walker considers the fortunes of rhetoric in the Hel­ lenistic and Roman imperial periods. Opposing the traditional characteriza­ tion of these periods as marking rhetoric's decadence and decline, Walker offers a more complicated narrative of a competition between two relatively distinct rhetorical traditions. The first version is that founded by the early sophists and given fullest expression in Isocrates' logdn paidea; it stresses the broad, culture-shaping function of poetic-epideictic eloquence. This tradi­ tion, Walker contends, is preserved in the fragments of Theophrastus and in later authors as diverse as Demetrius, Hermagoras, Dionysius, and Cicero (in De oratore). The second version of rhetoric is more narrow and technical, and by the late Hellenistic period focused almost exclusively on the practice of judicial oratory. This is...

Although rhetoricians have studied the discourse practices of engineers, little is known about the production workers who must assemble engineering knowledge into functional products. This case study examines what happens when a production worker tried to improve manufacturing documentation, and how her success depended upon both her craft knowledge and the rhetorical skills she attributes to a Writing Across the Curriculum program she experienced in college. … although the goal of engineering may be to produce useful objects, engineers do not construct such objects themselves. Rather, they aim to generate knowledge that will allow such objects to be built [1, p. 5].

Mapping the Terrain of Feminist Cyberscapes, Kristine Blair and Pamela Takayoshi Map of Location I: The Body in Virtual Space Technological Fronts: Lesbian Lives On the Joanne Addison and Susan Hilligoss Postmodernist Looks at the Body Electric: Email, Female and Hijra, Sarah Sloane Re-Membering Mama: The Female Body Embodied and Disembodied Communication, Barbara Monroe Making the Map: Interview with Helen Schwartz Map of Location II: Constructions of Online Identities Our Studnets, Our Selves I, A Mestiza, Continually Walk Out of One Culture Into Another: Alba's Story, Sibylle Gruber Pedagogy, Emotion and The Protocol of Care, Shannon Wilson. Writing (Without) The Body: Gender and Power in Networked Discussion Groups, Donna LeCourt Making the Map: Interview with Gail Hawisher Map of Location III: Discourse Communities Online and in Classrooms A Virtual Locker Room in Classroom Chat Spaces: The Politics of Men as Other, Christine Boese The Use of Electronic Communication in Facilitating Feminine Modes of Discourse: An Irigaraian Heuristic, Morgan Gresham and Cecilia Hartley Over the Line, Online, Gender Lines: Email and Women in the Classroom, Dene Grigar Maps of Location IV: Virtual Coalitions and Collaborations Designing Feminist Multimedia for The United Nations Fourth World Conference on Women, Mary Hocks Voicing The Landscape: A Discourse of Their Own, Laura Julier, Paula Gillespie, And Kathleen Blake Yancey Thirteen Ways of Looking at an M-Word, Margaret Daisley and Susan Romano Making The Map: Interview With Mary Lay and Elizabeth Tebeaux Map of Location V: The Future: to be Mapped Later Feminist Research in Computers and Composition, Lisa Gerrard An Online Dialogue with the Contributors to Feminist Cyberscapes Mapping the Future: Interview with Cynthia Selfe

Presents a semi-annual annotated selected bibliography of recent research in the teaching of English. Offers 45 annotated bibliographies addressing: bilingual/foreign language/second language education; classroom discourse; curriculum; exceptional learners; literacy; professional development; reading; and writing. Notes most entries were published between January and June 2000.

The principal idea of this essay is that the study of verbal art can and must overcome the divorce between an abstract 'formal approach and an equally abstract ideological approach. Form and content in discourse are one, once we understand that verbal discourse is a social phenomenonsocial throughout its entire range and in each and every of its factors, from the sound image to the furthest reaches of abstract meaning. -M. M. Bakhtin, Discourse in the Novel (259)

Suggests that William Gibson offers a way to negotiate the conventional discursive elements used within online communication. Notes that cyberspace discourse appears to be at its best not when it tries to minimize the effects of the conventional narratives from which it is built, but instead when it exploits those discourses most fully to reveal their sources and conflicts.