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36722 articlesOctober 2025
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By Natalie Shellenberger. This bibliographic essay explores the use of Derrick Bell’s concept of interest convergence in the fields of composition, rhetoric, and writing studies since his definition of the principle in 1980. After a brief overview of the concept of interest convergence and its implications to the fields of rhetoric and writing/composition studies, the main focus of this essay will turn to how it is currently taken up within the discipline: pedagogical development, writing administration, and academic scholarship and where to go from here.
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Review of Aja Y. Martinez and Robert O. Smith’s The Origin of Critical Race Theory: The People and Ideas That Created a Movement ↗
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By Ruby Mendoza and Erin Green. In 2025, during a political climate where civil liberties and freedoms are under attack, a monumental book was published titled The Origins of Critical Race Theory: The People and Ideas that Created a Movement. Authors Aja Y. Martinez and Robert O. Smith released this brilliantly composed book during a kairotic moment where critical race theory (CRT) is under attack across the nation in mainstream media, presidential debates, and even school board meetings. Given the attacks on and speculation about CRT’s place in society, it is evident that many are unfamiliar with the creation of CRT. In response to this moment, The Origins of Critical Race Theory serves as a text that counters dominant discourse and humanizes the movement of CRT. This historical non-fiction book serves as a critical reminder of how CRT has been centered around amplifying, supporting, and uplifting communities that are often systematically marginalized by dominant colonial ideologies and policies. Our book review conveys not only the monumental importance of creating accessible knowledge to the general public about CRT, but also emphasizes how this book can also support composition studies.
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Storytelling is a key component of user experience (UX) design practice. However, while storytelling is universally acknowledged as important, what exactly is meant by storytelling is elastic. This elasticity makes it hard to explain and teach to emerging practitioners. In this research paper, we propose a data-derived definition to bring more understanding to the concept of storytelling in UX. The contribution of this work is a multifaceted definition of storytelling in UX that can be used as a heuristic to help make it more meaningful and understandable to students and early career professionals. We conclude by providing strategies to incorporate the storytelling heuristic into UX pedagogy.
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By Allison Gross and Jessica Lee. In the Fall of 2022, we set out with a handful of our colleagues in the English department to create an anti-racist writing curriculum. Of particular importance to us was crafting this curriculum for our specific context, not just as a two-year college, but also at Portland Community College (PCC) in particular, the largest higher education institution in Oregon, situated in the “whitest big city in America” (De Leon). Even though Portland itself is predominantly white, our students at PCC are far more diverse, with PCC itself situated on the traditional village site of the Multnomah, Kathlamet, and Clackamas bands of the Chinook, Tualatin Kalapuya, Molalla, and many other tribes who made their homes along the Columbia River. Specifically
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Review of Mentorship/Methodology: Reflections, Praxis, and Futures , edited by Leigh Gruwell and Charles N. Lesh ↗
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By Molly Ryan. Mentorship in the field of writing studies is broadly understood to be an essential facet of disciplinary matriculation, but its features are sometimes slippery to define. Indeed, mentorship is difficult to concisely describe and more challenging still to enact in practice. When it does take root, however, both mentor and mentee are aware of the power and benefits of this sometimes-elusive dynamic. In my own experiences both in my MA and PhD programs, my exceptional mentors entered my life through what sometimes felt like serendipitous chance, as in, I was (luckily) in the right place at the right time to meet them. I know too well how lucky I am to have them as my guides, colleagues, and sometimes even friends, but even as a grateful recipient of the best-case scenario for mentorship, so to speak, I find myself continuing to reflect on how we as a field might better scaffold the dynamic of mentor/mentee.
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By Paul Corrigan. The term Critical Race Reading Theory (CRRT) identifies and amplifies a previously unnamed body of work in writing studies: several disparate sets of scholarly texts sharing a project of leveraging reading toward antiracist aims. CRRT comprises the disciplinary resources available to us to counter the damaging reductive understandings of race and of reading on display in attacks against books and against antiracism in the US. This essay describes the sources of CRRT in writing studies, attending to shifts in critical inquiry from one body of work to another. While reading studies offers critical insights about reading and antiracist studies offers critical insights about race, both leave important questions about antiracist reading unaddressed. However, emerging work in antiracist reading studies has begun to fruitfully address both reading and race together.
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Review of Multimodal Composing and Writing Transfer , edited by Kara Poe Alexander, Matthew Davis, Lilian W. Mina, and Ryan P. Shepherd ↗
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By Taylor J. Wyatt. Any discussion about multimodal composition inevitably invites the question: “What counts as writing?” This question of what “counts” often reveals an underlying assumption that multimodality lacks adequate academic rigor. “What counts as writing” leads to further considerations, such as identifying pedagogical strategies to help students expand their knowledge in new writing contexts and genres. In their 2016 edited collection, Chris M. Anson and Jessie L. Moore define transfer “as the ability to repurpose or transform prior knowledge for a new context” (370). As they offer their definition of transfer, Anson and Moore note the complexity of the term and write, “for many scholars transfer functions as an umbrella term, encompassing an array of theories about the phenomenon” (370). Kara Poe Alexander, Matthew Davis, Lilian W. Mina, and Ryan P. Shepherd’s edited collection Multimodal Composing and Writing Transfer considers writing transfer and what counts as writing within a multimodal context.
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Review of William Macauley, Jr., Leslie R. Anglesey, Brady Edwards, Kathryn M. Lambrecht, and Phillip K. Lovas’s Threshold Conscripts: Rhetoric and Composition Teaching Assistantships ↗
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By Meghan Hancock. I came to Threshold Conscripts: Rhetoric and Composition Teaching Assistantships—as I think many of us would—with vivid memories of my first semester teaching first-year writing. I felt some panic and anxiety, of course, at the very idea of a teaching role, but I was also struggling to reconcile the conflicting roles I carried. As Laura R. Micciche puts it in the Foreword to this collection, I was “not-quite teacher and not-quite student,” but was, nevertheless, asked to take on the important role of introducing students to college-level writing (xii). The anxieties and learning moments brought about by these intersecting identities make graduate student instructors of composition a rich and vital population to study, and yet as this collection consistently argues, the field of Writing Studies needs more scholarship examining their experiences. It is this gap that Threshold Conscripts, edited by William Macauley, Jr., Leslie R. Anglesey, Brady Edwards, Kathryn M. Lambrecht, and Phillip K. Lovas, addresses in its collective works that closely analyze the lived experiences of graduate RCTAs (rhetoric and composition teaching assistants) as they attempt to balance their multiple roles as teachers and students.
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Review of Julia Kiernan, Alanna Frost, and Suzanne Blum Malley’s Translingual Pedagogical Perspectives: Engaging Domestic and International Students in the Composition Classroom ↗
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Gitte Frandsen Kiernan, Julia, Alanna Frost, and Suzanne Blum Malley. Translingual Pedagogical Perspectives: Engaging Domestic and International Students in the Composition Classroom. Utah State University Press, 2021. My first encounter with the concept of translingualism was in a graduate seminar where Bruce Horner, Min-Zhan Lu, Jacqueline Jones Royster, and John Trimbur’s Language Difference in Writing: […]
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Joseph Forte Abstract This article argues that writing studies should perform something it terms “construct-focused RAD research,” or quantitative RAD research involving psychometric measurements, to study cognitive constructs that pertain to student writing. Construct-focused RAD research, which today is rare in the field, can provide a clearer sense of what writing pedagogy can accomplish. In […]
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J. Michael Rifenburg, Jenn Mallette, and Rebecca Nowacek Abstract This methods-focused article attends to the mechanics of participant drawing as a data collection tool in qualitative research. Writing studies researchers undertaking qualitative research benefit from a wealth of handbooks on how to design methodologically sound studies. However, despite interest in visual research methods, little guidance […]
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Habits of Mind as Heuristic for Asset-Based Reflection in First-Year Writing: Students’ Perspectives ↗
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Paige V. Banaji and Kathryn Comer Abstract The habits of mind (HOM) in the Framework for Success in Postsecondary Writing offer a useful bridge between high school and college writing instruction. As the field evaluates the benefits and drawbacks of the HOM, we would be well served to listen to students’ perspectives. This article presents […]
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Kathleen Lyons Abstract This article explores the role writing teachers play as access-makers. Invoking theories of embodiment, relationality, disability, social justice, and making, the article offers a technē of access as rhetorical framework for developing and implementing accessible writing pedagogies. Technē is often associated with processes of making and knowing; meanwhile, access is a rhetorical […]
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Collaborative and Equitable Assessment: Graduate Student Responses to Co-Creating Feedback Guidelines in a Graduate Composition Pedagogy Course ↗
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Megan McIntyre Abstract In response to a growing awareness of the oppressive foundations of educational institutions, literacy educators have turned to antiracist, culturally responsive (Alim and Paris; Paris), and equitable teaching and assessment practices to combat the inequities (colonialism, racism, sexism, homophobia, ableism, etc.) on which our institutions are built. According to scholars including Geneva […]
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Bloom Where You’re Planted: Integrating Writing Knowledge into a Scottish Initial Teacher Education Programme ↗
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Rebekah Sims and Sharon Hunter Abstract This program(me) profile describes the development of embedded writing instruction within a Scottish initial teacher education course: the Professional Graduate Diploma in Education (PGDE). This programme is the main entry route into primary and secondary school teaching in Scotland, where all teaching is a university-degreed profession. This profile describes […]
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Lab Notes as Disciplinary Literacy: Developing an Integrated, Genre-Based Writing Curriculum in a First-Year Engineering Physics Program ↗
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Raffaella Negretti, Hans Malmström, and Jonathan Weidow Abstract In this program profile, we describe the development of an integrated, genre-based writing curriculum in first-year engineering physics at a technical university in Sweden. The curriculum aimed at supporting undergraduate students develop disciplinary literacy and an understanding of the exigencies that different scientific genres fulfill, with a […]
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Maria Eleftheriou and Sana Sayed Abstract The American University of Sharjah (AUS) Writing Center, one of the first writing centers in the Gulf region, supports a multilingual student body in the transnational context of the United Arab Emirates. The profile gives an account of the Center’s history, peer-tutoring program, tutor-training course, and Writing Fellows initiative, […]
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Shane A. Wood, Nikolas Gardiakos, Matthew Bryan, Natalie Madruga, Pamela Baker, Joel Schneier, Joel Bergholtz, Emily Proulx, Vee Kennedy, Ricky Finch, Mya Poe, Norbert Elliot, and Sherry Rankins-Robertson Abstract The University of Central Florida’s First-Year Composition Program has sustained its commitment to values-based sustainable development despite a series of significant changes from 2020–2025. In this […]
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Apocalyptic Technical Communication from Clockface to Briefcase: Revealing the Spurious Coin of Nuclear-Security Rhetoric ↗
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This article the Doomsday Clock and the Nuclear Football as interconnected technical communication artifacts that function as two sides of a “spurious coin” in the securitization of nuclear deterrence. While the Clock externalizes existential risk through apocalyptic rhetoric, the Football internalizes it within exclusive military command structures—together legitimizing perpetual nuclear crisis. Drawing on technical communication scholarship and critical security studies, the analysis argues that both artifacts sustain nuclearist ideology by reinforcing deterrence as common sense. The Clock's ominous countdown and the Football's ever-present launch capability are mutually validating and together normalize nuclear brinkmanship as the price of global security.
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Carl Schlachte The picture shows a young white man, maybe eighteen years old, his face wracked with confusion or frustration, head resting on a fist. The background, with rows of out-of-focus books, suggests he is in a library. Thick brown hair sweeps across the man’s head in the style of the time. He is clean-shaven, […]
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Yan Li Abstract Over the past two decades, writing transfer theories have significantly influenced curriculum development in first-year writing (FYW) programs across the United States (US). This study examines the theories shaping multilingual curriculum development in FYW by presenting findings from a national survey informed by a transfer-encouraging methodology. Despite the critical importance of this […]
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Abstract Taking their cue from the internet and popular cultures in which they engage, college students are becoming more comfortable with the notion of intersectionality, a term first coined in the late 1980s by the critical race scholar Kimberlé Crenshaw. Drawing from her legal training as well as Black feminist precursors such as Sojourner Truth, Crenshaw shows how to best understand the experiences of the multiply marginalized, not through a simple process of addition (woman plus Black, for instance) but through a careful attention to the way in which the specific combination of those two identities can create new forms of marginalization obscured by single-vector frameworks. For those who teach undergraduate writing students, the proliferation of intersectionality in cultural conversation offers a unique opportunity: here is a densely theoretical concept that students are eager to think about and which, in fact, they may already be thinking about. This piece provides a pedagogical model for approaching intersectionality in the writing classroom. Using Langston Hughes's richly ambiguous short story, “Seven People Dancing,” which foregrounds the racial, sexual, class, and gender identities of its characters, the article guides instructors through a process by which students can use theoretical concepts to produce stronger analyses of complicated texts.
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Abstract Kate Chopin's The Awakening (1899) offers a feminist critique of marriage conventions and the Cult of Domesticity that prevailed in the nineteenth century. Yet hidden behind protagonist Edna Pontellier's entrapment in marriage and domestic life lies another systemic hierarchy: white privilege sustained by African American labor. Building from existing scholarship and from sources on teaching race, this essay explores the hidden Black labor that allows Edna's “awakening” to happen at all, given that the entire system is built around white privilege. This essay considers ways to teach The Awakening to a college literature class, illuminating the historical silencing and limitations of Black people in the United States and identifying the mechanisms of white privilege. The essay poses a key question for students: how do the silent Black bodies in The Awakening reinforce white privilege? Using various pedagogical approaches, this essay aims to help students investigate, uncover, and confront white privilege in other texts and in their world.
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Abstract Since March 2020, terms like resilient course design, resilient pedagogy, pandemic resilience, and keep teaching have become ubiquitous in higher education. In response to COVID-19, institutions have proselytized about bouncing back. However, what many may have internalized as a survival response to “the unprecedented” — resilience — is intrinsic to what many in English studies teach: the writing process. Writing is an exercise in resilience. To write is to think. To think is to reckon with complexity. And that reckoning requires that one abandons, however momentarily, the illusion of control for the possibility of creating something new. Building on a burgeoning body of scholarship on resilience in critical pedagogy and composition and rhetoric, this article works to normalize resilience in the writing process and in the teaching of First-Year Composition (FYC). In doing so, the article redefines resilience as a rhetorical tool: a flexibility of mindset and moves that student-writers may develop as they encounter different writing situations and reflect on how they navigate those situations, which can guide them in making strategic choices about languaging, in and beyond our classrooms.