This essay analyzes Decision Points, an interactive exhibit at the George W. Bush Presidential Library and Museum, and illustrates how it leverages the digital properties of videogames to make an argument for the necessity of the Bush Doctrine. Starting with how the museum’s material and spatial environment builds identification between visitors and Bush, the piece proceeds to show how the exhibit relies on the affordances of digital environments to characterize Bush’s decision-making process as complex. Focusing on the exhibit’s simulation of the War in Iraq, I argue that rhetorical studies will need to account for the persuasive capacities of videogames in memory places in order to help visitors become more aware of and responsive to the rhetorical claims they encode. This necessity opens possibility spaces for collaboration between the fields of rhetoric, museology, and game studies.

In creating and presenting a collaborative dramatic presentation of a literary text, composition students bring "The Yellow Wallpaper" to life through close reading, literary analysis and synthesis, recursive multi-modal writing, and group performance. This assignment fosters the development of transferrable reading, writing, and creative thinking skills within an active learning environment.

This webtext approaches the notion of copyright as a counter-revolutionary tool abused by the corporate politics of global capital and its power networks. We, the authors of this webtext, respond to the triangle of revolution, copyright, and counter-revolution.

To help prepare students for the rigors of an online master’s degree in technical and professional communication, I created a course-embedded online student orientation (OSO) structured by the community of inquiry theory of online learning. The study researched the effect of the OSO on student satisfaction, student perceptions of online learning, and students’ program retention. The OSO was effective in helping students to reflect on their learning and demonstrated students’ interest in peer collaboration.

This article reports on a qualitative study of strategies and competencies used by technical communication and translation students to address challenges inherent in global virtual team collaboration. The study involved students from three universities collaborating in virtual teams to write and translate instructional documents. Qualitative content analysis of students’ reflective blogs and team transcripts was used to examine their experiences while collaborating. Students faced challenges related to communication, leadership, and technology, and developed various strategies to address those challenges. Although the students did not face cultural challenges, they reported increased awareness of cultural issues. Students also reported that the project helped them better understand the workplace and define career goals.

This article offers both a theoretical underpinning and a case study of practice as exhibits of a more democratic community engagement praxis for rhetoric and composition educators. The case study featured in the article suggests re-positioning the importance of collaborative and democratic engagement as the cornerstone of successful community engagement work. While the case is… Continue reading Inception to Implementation: Feminist Community Engagement via Service-Learning by Johanna Phelps-Hillen

Writing is a skill which is actively taught in both first (L1) and foreign language (FL) classrooms, yet surprisingly few cross-curricular links are made. This paper, aimed at both practitioners and researchers, presents a framework for designing and implementing a strategy-based, cross-curricular approach to writing pedagogy in schools. It first considers the factors which should be taken into account when designing such an intervention in both L1 and FL classrooms. It then outlines the key steps in the implementation of such a programme of strategy-based instruction. To exemplify this, the paper reports on data throughout from an empirical study involving a classroom intervention of explicit strategy-based instruction which was delivered first in the German FL classroom, and later also in the English classroom of a Year 9 (age 13–14) class in a secondary school in England. The aim was to help students to develop their writing strategies and to encourage transfer between languages. Findings suggest that while a programme of strategy-based instruction can improve strategy use and attainment in writing within a particular language context, effects are most powerful when there is collaboration between L1 and FL teachers. Evidence therefore calls for a multilingual approach to writing pedagogy.  <a rel="license" href="http://creativecommons.org/licenses/by/4.0/"><img alt="Creative Commons Licence" style="border-width:0" src="https://i.creativecommons.org/l/by/4.0/80x15.png" /></a><br />This work is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by/4.0/">Creative Commons Attribution 4.0 International License</a>.

During his keynote address at the inaugural Conference on Community Writing, Paul Feigenbaum discussed his origins as a “frustrated idealist” and wondered, “if it is possible to be a justice oriented scholar.” Many social justice scholars are likely revisiting the nature of “justice oriented” scholarship with a renewed sense of frustration and urgency in the… Continue reading Review: Collaborative Imagination by Paul Feigenbaum, reviewed by Mark Latta

Background: Virtual teams are more and more common since the internet and mobile revolutions. Organizations are facing new challenges due to the lack of interpersonal relationships between the members of these teams. This study examines common team processes in an e-environment, relying upon two virtual team types: temporary and ongoing teams. Literature review: The aim of the review is to provide an overview of the challenges of such teams and to understand the complexity of team processes in such an environment. Research questions: 1. Does the type of virtual team have an impact on the quality of common team processes? 2. Can criteria be identified to determine which type of virtual team is more appropriate for given tasks? Research methodology: A quantitative test was conducted to compare the mean gaps between temporary and ongoing teams in trust, communication, and five collaborative processes. Then, by employing qualitative thematic analysis, we constructed a conceptual model to understand the reasons for these mean gaps. Results: Primary findings indicate that all but one of the tested processes achieved higher levels in ongoing teams rather than in temporary ones. Also, the more the collaborative process entails complex activities involving social bonds, the greater the gaps between the two team types. Conclusion: At the initiation of a virtual team, it would be best to focus on projects limited to elementary activities. If more complex team activities are anticipated, virtual team members should work together for an extended period.

In clinical nursing simulations, a group of students provide care for a robotic patient during a structured scenario. As care is transferred from one group to another, they participate in a patient handoff, with outgoing students passing key information onto incoming students. In healthcare, the nursing handoff is a critical and perilous communication moment that is mediated by a range of participants and texts. Drawing on observations and video recordings of 52 simulation handoffs in the United States, this article examines how two student-designed texts – a collaborative patient chart and individual notes – are leveraged during the handoff. I also consider how handoff talk and writing changes as student nursing knowledge increases over the course of a year. By focusing on textual mediation of the simulated nursing handoff, this article contributes to existing research on professional writing pedagogy and to nursing scholarship on the handoff. Ultimately, it argues that a textual mediation framework can help bridge classroom and professional contexts by evaluating student writing not for how successfully it meets a set of imposed criteria but for how effectively it supports classroom activities.

Over the past decade, compositionists have made a number of claims about opportunities presented by Wikipedia for teaching writing. The encyclopedia allows for transparent observation of concepts and skills related to process, research, collaboration, and rhetoric. Beyond observation, Wikipedia allows for public writing with an authentic audience, which often results in increased motivation. Much of this early research has dealt in opportunities and possibilities: speculation about how Wikipedia sponsors particular pedagogies and learning outcomes, and there remains a need for more empirical evidence. This article presents select data from a recent large-scale study conducted by the Wiki Education Foundation that begins to meet this need, and that confirms and extends research from the computers and writing community. Key findings from this research include positive evaluations of Wikipedia-based assignments in general, as well as positive evaluations concerning the capacity of Wikipedia-based assignments to teach critical thinking skills, source evaluation and research, public writing, literature review and synthesis, and peer review. This study also adds significantly to our field's knowledge of how contextual factors related to the course and assignment affect students’ evaluation of a Wikipedia-based assignment. Finally, this article suggests key recommendations for teaching with Wikipedia based on these findings.

Co-authored by a professor and two undergraduates and drawing on interviews with community partners, this essay analyzes a community writing project to document the Civil Rights Movement in a northern city. In collaboration with a local African American history museum, students interviewed 22 African Americans ranging in age from 62-90 years old who lived in… Continue reading Counternarratives: Community Writing and Anti-Racist Rhetoric by Laurie Grobman, Elizabeth Kemmerer, & Meghan Zebertavage

This article explores rhetorical practices underlying productive deliberation about climate change. We analyze discussion of climate change on a Reddit subforum to demonstrate that good-faith deliberation---which is essential to deliberative democracy---exists online. Four rhetorical concepts describe variation among this subforum's comments: William Keith's distinction between 'discussion' and 'debate,' William Covino's distinction between good and bad magic, Kelly Oliver's notion of ethical response/ability, and Krista Ratcliffe's notion of rhetorical listening. Using a three-part taxonomy based on these concepts, we argue that collaborative climate change deliberation exists and that forum participation guidelines can promote productive styles of engagement.

In Permanence and Change, Kenneth Burke wrote that rhetorical style is nothing more than ingratiation—an attempt to gain approval by saying the right thing in the right context. Marie Lund’s commendable goal in An Argument on Rhetorical Style is to argue beyond this understanding and achieve a greater conceptual consensus on style for rhetorical scholars and critics. Lund does this by developing her own concept of “constitutive style,” making style valuable as an aesthetic aspect of rhetoric, a deliberate rhetorical strategy, and an analytical category comprising communicative actions, identity constructions, and social influence. She achieves this lofty goal by re-theorizing rhetorical style, exhibiting skillful stylistic analyses in selected popular and social contexts, examining the concept of style from historical eras including the postmodern, and analyzing style from several critical perspectives. This rich and important work provides a fresh, appropriate and comprehensive framework for scholars to analyze rhetorical style from textual, interactional, social and theoretical angles. Lund invokes and engages historically with accounts of style from the classical Greek and Roman periods to the present, and does not disappoint in synthesizing these traditions before creating her transcendent “constitutive style” contribution.Lund’s book is separated into two parts—“Rhetorical Style as a Critical Concept” and “Critical Perspectives.” Three chapters are dedicated to each part. The goal of these chapters is to make style “both powerful and useful in line with other concepts in the practical and critical disciplines of rhetoric” (11). Lund argues that style needs to be re-theorized in order to accomplish this goal and introduces an expansive dialogue between research traditions in order to do so. By separating the book into these sections, Lund illuminates previously fragmented analyses of rhetorical style and is able to bring a synthesized framework to focus for the critic. She begins by covering the range of definitions of style since antiquity and explores the Sophistic treatment of style as constitutively inventive, transformational, and performative. She then guides the reader through some of the earliest etymologies of style (stylus), as well as the modern conceptions of “Style as Dress” and “Style as Man.” She describes these historical and modern definitions of style in precise detail and explains how some of them have retained analytical utility while others fall short. For example, although she sees all three conceptions of style (“Style as Dress,” “Style as Man,” and her “Constitutive Style”) as viable formations in shaping our current perceptions of style, she doesn’t view them as equally effective. She draws on Gerard A. Hauser’s view that rhetoric is not only a strategic process but also a “social practice which constructs a reality” (49). Moreover, she argues that style constitutes our social relations, moral actions, identity constructions, and worldviews. She rejects the simplicity of the topos “Style as Dress,” which characterizes style as a rhetorical ornament that dresses thought. Although Lund recognizes the aestheticizing aspect of style as worthwhile and viable for criticism, she opposes the fundamental separation of style from thought inherent in rhetoric’s five classical canons: invention, arrangement, style, delivery, and memory. A “Style as Dress” reduction ignores the inventive nature of style and the notion that all five canons can operate constitutively. Moreover, she rejects the presently loose versions of “Style as Man,” which convey the identity of the speaker as purely constituted through language.Instead, Lund proposes a re-theorization of style as “rhetorical language that constructs a social practice and may be turned into particular rhetorical strategies,” depending upon “the particulars of the rhetorical situation, and also, to some extent, the frame and focus of the critic” (50). It is here where Lund argues for an official third topos—“Style as Constitutive”—exploring the inventive side of constitutive rhetoric and how invented styles are ultimately performed. She supports her overall argument by weaving relevant and robust rhetorical analyses throughout her theoretical elaborations across chapters. For example, after taking stock of the contemporary research of rhetorical figures in chapter two, she analyzes how rhetorical figures function in Danish hip-hop style. She does so to “present rhetorical figures and style as significant analytical concepts that are part of a comprehensive theoretical complex” (86). This analysis is a rich, detailed and cohesive foundation for her analysis of constitutive style as argument. She includes rhetorical devices such as figures of speech and metaphor and re-conceptualizes them beyond mere ornament, substitution or value-addition. These views range from the classical to the postmodern, and Lund is able to admirably rise above them and bring clarity to the conceptual ambiguity concerning style and rhetorical devices. By drawing upon the constitutive function of rhetorical figures, Lund shows that strategic devices can be examined, not only as effective means for persuasion, but also as contributing to the very idea, topic, or style created. This is conveyed in her analysis of the Danish hip-hop style, where rhetorical figures are used strategically as textual and argumentative devices within a systematized cultural style.Lund wraps up Part I by examining the development of style in recent rhetorical criticism, noting equivalence between her constitutive style and the constructions of style brought forth by Barry Brummett and Bradford Vivian. However, Lund invokes an analysis of Danish political style to separate and bolster her own constitutive conception. She examines Prime Minister Helle Thorning-Schmidt’s Opening Address on the First Assembly of the Danish Parliament in 2011 to illuminate the amalgamation of rhetorical strategy and rhetorical style. She concludes that Thorning-Schmidt’s style is constitutive of collaboration, creating “the qualities, ethics, and aesthetics of cooperation rhetorically, in its practice” (121). In this way, style is developed as constitutive of rhetorical strategies, essential qualities, and as orientations toward rhetorical situations.Part II of An Argument on Rhetorical Style is dedicated to an elaboration of three critical perspectives that may be adopted when analyzing rhetorical styles: feminine, provocative, and speechwriting. The chapters include critical analyses from the three perspectives. Lund argues for the significance of constitutive style as a theoretical and critical construct, designating provocative style as a critical concept comprising argumentative stylistic devices in an interpretive frame, feminine style as a flawed rhetorical strategy, and speechwriting as dependent on her constitutive framework in order to be analyzed as stylistically constructing meaning, identity and performance at the textual level. Ultimately, Lund is dedicated to enabling the critic with a constitutive topos that recognizes the “rhetorical effects of using style to argumentative and strategic ends” (203). Style is thus constitutive of “so-called substantial qualities such as meaning, ideas, argumentation, political action, cultural values, identity, and gender” (208).Marie Lund has synthesized the work on style in rhetoric and related fields and has added to the tradition her own construct, “constitutive style.” An Argument on Rhetorical Style covers the full range of what is known about rhetorical style and advances the scholarship in admirable, pragmatic and analytical fashion. Future scholars can now adopt this new framework to further engage rhetorical style beyond the feminine, provocative, and speechwriting—something Lund was unable to fully accomplish in this comprehensive work. The limited number of critical perspectives expounded upon in Part II warrants closer attention and further contribution. Overall, the theory and critical application of constitutive style provides scholars from different critical approaches with an important, comprehensive take on rhetorical style.

This article offers a revision to an existing social science methodology, Q methodology, through “Q-Rhetoric.” After detailing Q methodology’s theoretical underpinnings and practical method, and persistent critiques of the methodology, the article employs perspectives from rhetorical theory and Amerindian anthropology to suggest a methodological correction. It concludes by detailing the use of Q-Rhetoric to intervene in a Wisconsin stream management controversy, proposing Q-Rhetoric as a pragmatic and theoretically sound methodology for working across disciplinary divides.

Review Article| April 01 2019 Historicizing Women’s Public Pedagogies: Shared Authority and Cross- Cultural Collaboration Learning Legacies: Archive to Action through Women’s Cross- Cultural Teaching, by Robbins, Sarah Ruffing. Ann Arbor: University of Michigan Press, 2017. Siobhan Senier Siobhan Senier Siobhan Senier is professor of English and coordinator of the Women’s Studies Program at the University of New Hampshire. She is the editor of Dawnland Voices: An Anthology of Writing from Indigenous New England (2014) and author of Voices of Assimilation and Resistance: Helen Hunt Jackson, Sarah Winnemucca, and Victoria Howard (2001). Search for other works by this author on: This Site Google Pedagogy (2019) 19 (2): 353–358. https://doi.org/10.1215/15314200-7296019 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Siobhan Senier; Historicizing Women’s Public Pedagogies: Shared Authority and Cross- Cultural Collaboration. Pedagogy 1 April 2019; 19 (2): 353–358. doi: https://doi.org/10.1215/15314200-7296019 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search Books & JournalsAll JournalsPedagogy Search Advanced Search The text of this article is only available as a PDF. Copyright © 2019 Duke University Press2019 Article PDF first page preview Close Modal You do not currently have access to this content.

Coworking spaces are shared working environments in which independent knowledge workers gather. Coworking is consistently described in terms of community and collaboration—yet these terms are defined inconsistently in the coworking literature. This study reviews the literature on coworking to better examine how community relates to collaboration. To anchor a more systematic analysis of community in coworking, the authors introduce Adler and Heckscher’s typology of communities; apply it to a study of six coworking spaces in the United States, Italy, and Serbia; and develop the typology to better understand coworking.

In this article, we describe the philosophy, objectives, and development of Multilingual User-Experience (Multilingual UX), a community-driven initiative for supporting technology innovation with marginalized communities. We highlight how community-based mentorship can guide innovative technology design through an intersectional technofeminist perspective. We begin with a discussion of the impetus for building this initiative before discussing how we are collaboratively designing a research center to facilitate technology design with and for marginalized communities. We both theorize and enact the intersectional technofeminist principles of our work by telling the story of our project with our collaborators and community partners, in the form of vignettes from a symposium. We conclude by looking ahead to our next steps and by offering strategies for intersectional technofeminist community building and technology innovation, in the hope that our experiences can be further developed and localized to support similar initiatives that highlight the value of feminist collaboration in technology design.

Studying development of writing across the lifespan contains many challenges, but research is now emerging, starting to fill in a dynamic picture of trajectories of development.  The study is necessarily complex, multidisciplinary, and collaborative. This special issue contributes to this emerging research focus.

This paper describes developmental writing paths within a Colombian major in Industrial Engineering. The accounts were created through retrospective descriptions of students' writing experiences collected by a qualitative survey and analyzing writing samples. The study shows that writing throughout the major embraces diverse functions (Writing to learn; Writing to apply content knowledge; Writing to research; Writing to communicate ideas), and traces diverse developmental paths (Writing for innovation; Lab writing; Writing for company analysis; Writing for conducting a senior thesis). This analysis also reveals that different types of problems (improving profits in companies or creating new devices) can be treated through different types of genres (research proposals in companies and projects of innovation), despite the fact that the same label (report) is being used by participants to group writing experiences. One of the writing functions in the major that seems overtly identified by the students is conducting a senior thesis. Since there are other writing functions present across the curriculum, further studies and pedagogical debates with faculty members are necessary to define what writing developmental paths are expected from the students and how many curriculum projects (that include explicit teaching on theories of disciplinary writing and genre knowledge) across the curriculum should be undertaken.

Theorizing WPA expertise as problem-oriented, stakeholder-inclusive practice, we apply the twenty-first-century paradigm of transdisciplinarity to a campus WID Initiative to read and argue that data-driven research capturing transdisciplinary WPA methods in action will allow us to better understand, represent, and leverage rhetoric-composition/writing studies’ disciplinary expertise in twenty-first-century higher education.

We suggest that literacy narratives can be an important part of a curriculum designed to encourage students to understand themselves as developing learners and students. We know that there is great potential for literacy narratives—for narrativizing—when invited within a scaffolded curriculum of collaborative narrative inquiry. We place literacy narratives in the service of documenting learning—that is, within a pedagogical scaffolding designed to lead students through a series of moves that feature inquiry and discovery (about literacy). As such, the literacy narrative that emerges as most important is the final reflective narrative: the one we have spent all semester preparing students to write. That act of deferral creates an opportunity to put the literacy narrative (LN) assignment to different earlier use as a means for creating an ongoing, experiential literacy-learning narrative that will be realized as a reflective narrative: one we call the experiential-learning documentary (ELD).

This experience report shares the story of course redesign for cultivating technological and code literacy. This redesign came about as a result of listening to advisory board members as well as responding to recent scholarship calling for more specifics on the teaching of component content management and content strategy. We begin with discussion of code literacy differentiation between code-as-language, code-as-tool, and code-as-structure. We then share detail about our advisory board engagement and the resulting advanced-level technical communication course in which, framed by technological literacy narratives, students produce a static HTML site for a client, develop a repository for this work (GitHub), use XML and the DITA standard for dynamic document delivery, and create a digital experience element to accompany the site. We document and analyze student narratives and online course discussions. We emphasize a more holistic approach to code literacy and that course redesign should be a collaborative endeavor with advisory board members and industry experts. Through these experiences, students gain requisite knowledge and practice so as to enter the technical communication community of practice.

This article foregrounds stories told by Kiowa Elder Dorothy Whitehorse DeLaune in order to distinguish “community listening” from “rhetorical listening” and decolonize community writing. Dorothy’s stories demonstrate “transrhetoricity” as rhetorical practices that move across time and space to activate relationships between peoples and places through collaborative meaning making. Story moves historic legacies into the present despite suppression enacted by settler colonialism, and story yields adaptive meanings and cultural renewal. When communities listen across difference, stories enact resistance by building a larger community of storytellers, defying divisive settler colonialist inscriptions, and reinscribing Indigenous peoples and their epistemologies across the landscapes they historically inhabit.

T he Community Literacy Journal is an interdisciplinary journal that publishes both scholarly work that contributes to theories, methodologies, and research agendas and work by literacy workers, practitioners, and community literacy program staff.We are especially committed to presenting work done in collaboration between academics and community members, organizers, activists, teachers, and artists.We understand "community literacy" as including multiple domains for literacy work extending beyond mainstream educational and work institutions.It can be found in programs devoted to adult education, early childhood education, reading initiatives, or work with marginalized populations.It can also be found in more informal, ad hoc projects, including creative writing, graffiti art, protest songwriting, and social media campaigns.For us, literacy is defined as the realm where attention is paid not just to content or to knowledge but to the symbolic means by which it is represented and used.Thus, literacy makes reference not just to letters and to text but to other multimodal, technological, and embodied representations, as well.Community literacy is interdisciplinary and intersectional in nature, drawing from rhetoric and composition, communication, literacy studies, English studies, gender studies, race and ethnic studies, environmental studies, critical theory, linguistics, cultural studies, education, and more.

Instructors of the literature survey often struggle to help students see past a brisk syllabus toward deeper literary, historical, and cultural concerns. Moreover, surveys often discourage participation and assess more historical knowledge like dates and names. This essay invites instructors to consider creative literary approaches to the survey by way of a lesson plan featuring Hogwarts School of Witchcraft and Wizardry, from the world of Harry Potter. Students were tasked in small groups to develop new Hogwarts Houses that embodied literary concerns while connecting course readings to students’ own lives. Students drew from medieval texts and further research to develop a House name, slogan, core virtues, founding story, description of the residence, and famous graduates. By reviewing and rereading texts with an eye to their own designs, students used recall and analysis as steppingstones toward higher-order thinking, including synthesis of medieval and modern ideals and creation of new “texts.” This essay includes the lesson prompt, sample House designs, and analysis of the class discussion that followed student presentations on their collaborative work.

Rhetoric and composition scholars have recently called our attention to the value of archival research in the undergraduate classroom, leading to rich collaborations with archivists and librarians at many institutions. As we engaged our own pedagogical collaboration as a university archivist and English faculty member, we realized that, though we might use slightly different language to articulate them or cite different sources in support of them, many of our learning goals overlapped. As we explored these goals together, we realized that they evidenced a correspondence in our disciplines that we had not explored—one that is reflected in our fields’ recent outcomes statements: the 2011 Framework for Success in Postsecondary Writing and 2016 Framework for Information Literacy for Higher Education. In this article, we briefly describe our course and use it as a touch point for comparing these disciplinary statements. We argue that analysis of the overlap between these two documents helps us articulate a new set of reasons for faculty to connect with their allies in libraries and archives to teach undergraduate research and writing.

This article discusses the pedagogical opportunities for collaboration between university libraries and teaching faculty, something particularly relevant in the current university climate, when many units are being asked to “do more with less” and to justify the value of humanistic inquiry. The authors propose that digital curation projects are especially conducive to pedagogical experimentation in English departments, as they need not require huge investments of institutional resources. Moreover, the article provides a literature review and detailed case study for how to involve students in curating digital exhibits using library special collections, to explore the role of literary and popular texts in social change. Such projects offer student opportunities to understand cultural history in more complex ways, to develop the ability to collaborate effectively, to “do” interpretation rather than just learn about it, to think through information architecture, and to communicate to broader audiences.

When two transgender teenagers posted eerily similar suicide letters to public Tumblr accounts in late 2014 and early 2015, they inspired a viral memorialization effort across the website. In this article, I argue the widespread circulation of transgender suicide rhetoric facilitates the possibility for queer rhetors to provoke collective enactments of rhetorical agency even after their deaths. I identify the suicide letters as an emergent rhetorical form, which on its dissemination and due to its intelligibility, incites a kairotic moment. The kairotic moment may be protracted by a network of bodies who feel and collectively reproduce its sensate exigence. As it becomes viral, the kairotic moment acts as the queer futurity of ecological rhetorical agency because it stretches the visceral pressure of exigence beyond its original spatiotemporal emergence, draws bodies into collaborative networks, and orients invention toward the dismantling of normative rhetorical constructs and the composition of alternative worlds.

Jason Crider and Kenny Anderson construct a digital MEmorial (Ulmer, 2005) commemorating those who have died at Walt Disney World as a means of investigating the intersections of hypermediated corporate spaces and place-based opportunities for civic rhetorics. Digitally augmenting the monumental aspects of Disney World offers readers of the webtext and visitors to the park a reconsideration of how individual, public, and historical experiences contribute to context-dependent collaborative compositions of space.

This pilot study details how a Practitioner Inquiry methodology was implemented as both a practice and research heuristic in our center. I explain how I draw from the foundational tenets of Practitioner Inquiry (Nordstrom) to foster collaboration among consultants and between consultants and the director in the running of our center. At the same time, I employ Practitioner Inquiry as a framework to produce Replicable, Aggregable, Data-supported (RAD) research to determine the efficacy of this approach in terms of consultant learning and their professionalization through qualitative and quantitative discourse analysis on consultants’ end-of-semester anonymous evaluations of their experiences working in the center. Recent scholarship points to the potential benefits that working in writing centers facilitates for consultants (Kail et al.), and represents our centers as pedagogical spaces that engender consultant learning and professionalization. This article furthers this work through an empirical investigation of the less examined subtopic of the director-consultant relationship in the context of the administration of the center. In addition, it acts as a case study that illustrates the efficacy of Practitioner Inquiry as a methodology for both practice and research.

The IWCA Special Interest Group (SIG) on Antiracism Activism “is a group committed to undoing racism at multiple levels: in the immediate context of the writing conference and local writing center, and more widely through systematic cross-curricular and cross-institutional initiatives” (“WCActivism”). This piece features the SIG’s participation in the 2018 online IWCA Collaborative at CCCC: the SIG leaders assembled a diverse panel of scholars and practitioners from different races, ages, institutions, and varying levels and types of writing center experience, but with useful and firm beliefs in action. Using Rasha Diab et al.’s 2013 article “Making Commitments to Racial Justice Actionable” as a starting point, the panelists drew on their various perspectives to examine the potential for and barriers to actionable antiracism activism within both the writing center and the IWCA. The authors reflect on antiracism action in, through, and by writing centers and those who work in them, situated within writing centers’ local, academic, and institutional contexts.

Heeding previous scholars' calls for a critical investigation of the role of reflection in the professional development of tutors, this article examines reflections written by tutors in the context of conference records. More specifically, the authors investigate the consequences of incorporating a prompt to reflect on tutoring strategies into our online conference-records database. The authors first present the results of their opening coding of nearly 300 conference records, offering a taxonomy of specific types of reflections found in the conference records. The authors then identify three shifts in the content of conference records written after the introduction of the reflection prompt. Finally, the authors draw on analysis of tutor interviews to illuminate how the positive influence of the reflection prompt is inextricably linked to a larger culture of reflection that is often collaborative and leads to transfer of learning within and beyond the writing center.

This article examines the unique perspectives of nine writing center practitioners reflecting on the experience of conducting a collaborative and multi-tiered research project in their center. The focus of their work is on the process of conducting research rather than the product; therefore, much of the work is on how research is conducted and how it functions as an avenue for professional development, creating community, and benefitting the center. The article includes narratives from all of the researchers: undergraduate students, graduate students, and administrators/ faculty members. Each narrative presents positive experiences, insights, and obstacles encountered for each group of researchers. The article concludes with recommendations that could benefit others conducting multi-tiered research.

The forces of globalization and the development of English as a lingua franca have made many scholars and practitioners highlight the urgent need for foreign language literacy. The Norman M. Eberly Multilingual Writing Center (MWC) at Dickinson College addresses that need by offering peer writing tutoring in eleven languages. This profile explains the development of the MWC, the rationale and benefits of the model, the collaborative governance structure that undergirds it, and the redefined pedagogical goals of tutor training.

In this interview Dr. Bruce Ballenger and I discuss his career, his many textbooks on writing, his recent collaboration on an extensive study of the revision processes of advanced writers, and the challenges of balancing a career with a foot in multiple academic fields (i.e. composition and rhetoric and creative writing). Dr. Ballenger retired from teaching at Boise State University in the spring of 2018.

This program profile describes a globally focused cocurricular writing program led by faculty, staff, and graduate students from academic affairs and student affairs. Revisiting the program’s first two years, the authors (three graduate students and a faculty member) assert that writing-oriented learning activities within Texas Christian University’s (TCU) GlobalEX program were productively positioned to enable students to engage with other cultures and hone skills for becoming intercultural navigators. Drawing on a similar approach from Fernando Sánchez and Daniel Kenzie to apply Michel de Certeau’s ideas about tactics in cultural work, our program profile identifies important features shaped by this program’s cocurricular context that can be productively drawn upon both in non-course contexts and in curricular spaces. These include writing reflectively within flexible structures arranged to support learning through progressive stages; capitalizing on multimodal composing genres conducive to collaboration; and situating writing in public contexts without the individual pressure of grades.

This profile of the Writing at Moravian program discusses how an application of activity theory has facilitated a collaborative and context-responsive (re)development of the First-Year Writing, Writing Fellows, and Writing-Enriched Curriculum programs at our small liberal arts college. Activity theory is presented as a lens and flexible tool that allows us to identify and evaluate the myriad dynamic components of these interrelated programs in order to align the objectives of each program to work towards our programmatic mission built upon the fundamental ideas of transfer, reflective practice, and threshold concepts.

This article tracks the emergence of the concept of “transfer talk”—a concept distinct from transfer of learning—and teases out the implications of transfer talk for theories of transfer of learning. The concept of transfer talk was developed through a systematic examination of 30 writing center transcripts and is defined as “the talk through which individuals make visible their prior learning (in this case, about writing) or try to access the prior learning of someone else.” In addition to including a taxonomy of transfer talk and analysis of which types occur most often in this set of conferences, this article advances two propositions about the nature of transfer of learning: (1) transfer of learning may have an important social, even collaborative, component and (2) although meta-awareness about writing has long been recognized as valuable for transfer of learning, more automatized knowledge may play an important role as well.

Diana George is professor emerita at both Virginia Tech and Michigan Technological University . In this interview, Diana reflects on moving late in her career to revitalize a first year writing program and writing center at a different university. She also discusses her approach to publication; institutional capital; finding balance across teaching, scholarship, service, and administrative duties; and the importance of collaboration and supportive colleagues.

Public discourse about health and illness is often considered to lack the nuances and complexities offered in academic treatments of similar subjects. Drawing on the author’s collaborative work with fashion photographer/advocacy artist David Jay, the author calls on RHM scholars to consider the richness of this and similar projects for expanding notions of scholarship in the field. RHM scholars’ expertise in shaping messages about a continuum of health and medicine subjects can influence the perceptions of both academic and public stakeholders on these conversations.

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In contemporary knowledge-intensive spaces, workers often team with experts from different disciplinary backgrounds and different geographic locations and, thus, they face the challenge of integrating knowledge in their work. When modeling how communication can be improved in these circumstances, previous studies have often relied on social network analysis to understand the aggregate exchanges among team members. In this study, rather than analyze social networks (people linked by communication), we argue that network analysis of knowledge networks (people linked by common knowledge) presents an opportunity to better understand and address the challenge of knowledge integration in organizational contexts. <bold xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink">Research questions:</b> 1. How can professional communicators use the distribution of knowledge on teams as a structure for planning interventions in the work of complex, collaborative teams? 2. What kinds of insights do networks of specific knowledge areas offer professional communicators about team communication challenges? <bold xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink">Literature review:</b> We describe prior uses of network analysis in professional communication research that inform our development of a knowledge network. In particular, we review current literature and highlight network-based concepts that we believe are organizing principles of knowledge networks. Previous literature has shown that network models, particularly social network models, are useful tools for professional communication researchers to examine a range of communication factors and practices. However, professional communication research has yet to fully explore the possible contributions of knowledge networks to understand communication processes. <bold xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink">Methodology:</b> We conducted an ethnography of a team science collaboration and used observations to create a survey of terms that measured subjects’ self-professed understanding of key concepts. We used the survey results to produce a bimodal network model of agents and terms, in which we binarized link values after filtering for only the highest-rated terms for each subject. <bold xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink">Results:</b> The model demonstrated that the team collaboration broke into two distinct groupings. Ego networks extracted from this parent network showed that concepts commonly well-understood in the team join together multiple subgroups of expert knowledge. <bold xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink">Conclusions:</b> The knowledge network is a useful instrument in helping team members understand possibilities for integrating knowledge across disciplines and subspecialties. The visual produced by this model also can be useful for developing research questions and strategizing work processes.

Abstract: Caregiving is a critical and yet understudied area related to aging, health, and wellness. Despite the importance of caregiving in the lives of older adults, assumptions about aging “actively” or “successfully” suggest that aging is independent, not interdependent. The healthcare industry reiterates these gerontological assumptions about aging when invoking notions of skills-based health literacy. This essay is an analysis of and response to the rhetorics of literacy as used in health care. Using John Duffy’s theoretical framework for literacy development as well as scholarship in age studies and community-literacy studies, I argue that literacy has become a rhetorical construct that promotes a view of older adults as particularly draining on the healthcare system. A more productive approach would be to frame the collaborative, distributed, and mediated work of giving and receiving care in the context of Paul Prior’s concept of literate activity. Finally, with a community-literacy approach that incorporates engagement and dialogue rather than individualistic skill development, I respond to this rhetorical construct of health literacy by considering how aging, interdependence, and networked caregiving expand the notion of what contributes to healthy living and well-being as we age. Using examples from a community care coordination project, this essay shows how compositionists might work together with patients, caregivers, and professionals to reframe health literacy rhetorics and act for change.

To counter inequitable, hierarchical classroom structures, research in the fields of language and literacy studies often looks to the affordances of online spaces, such as affinity spaces, for learning that is collaborative and knowledge that is distributed; yet, researchers continue to locate theirstudies in virtual spaces, outside classroom walls. This study, situated in a high school writing class, repositions the familiar classroom practice of peer feedback as a way to access affinity space features. Using qualitative case study design and grounded theory analysis, the study reveals that,when supported by an emphasis on social connection, the practice of peer feedback served as a portal for students with a range of writing experience and interest to collaborate and exchange honest feedback, practices indicative of affinity space features. Yet, traditional expectations preserved teacher roles and student roles in ways that prevented the class from more fully accessing the affinity space features of distributed expertise, porous leadership, and role flexibility. Discussion expands the field’s understanding of affinity spaces and their application in physical classrooms by outlining new features, theorizing these classroom spaces, and advocating for a reimagine dvision of peer feedback in ELA classrooms where role reciprocity and flexibility resist traditional,inequitable classroom structures.

This paper highlights a rather overlooked area of academic writing: that of publication by teachers of academic writing. The research focuses on exploring UK teachers’ views of the importance of publishing in terms of its impact on their practice, profession, and institution. Interviews were carried out with nine teachers of academic writing who worked within English for Academic Purposes at UK universities and were actively publishing. Data was collected in the form of their views and accounts of experiences of publishing, and the obstacles they had encountered. The study concludes that publishing by teachers of academic writing is considered a valuable parallel activity to their teaching, understanding and support of students with writing. It also seems that publishing could improve both the teachers’ individual reputation in their institutions and the status of their profession. However, it was also noticeable that many barriers to publishing exist, including lack of time, support and mentoring, as well as a more serious problem of hostility from line managers. Networks, collaborative initiatives and more informal writing opportunities may encourage teachers of academic writing to publish more themselves.