Computers and Composition

1666 articles
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March 2018

  1. Educating Online Writing Instructors Using the Jungian Personality Types
    doi:10.1016/j.compcom.2017.12.007

December 2017

  1. Book Review
    doi:10.1016/j.compcom.2017.09.004
  2. Letter from the Editor
    doi:10.1016/s8755-4615(17)30118-4
  3. Comparison of Online and Face-to-Face Peer Review of Writing
    doi:10.1016/j.compcom.2017.09.006
  4. Online Peer Review Using Turnitin in First-Year Writing Classes
    doi:10.1016/j.compcom.2017.09.001
  5. Editor Advisory Board
    doi:10.1016/s8755-4615(17)30115-9
  6. The Kairos Preservation Project
    doi:10.1016/j.compcom.2017.09.002
  7. The Digital Reader, The Alphabetic Writer, and The Space Between: A Study in Digital Reading and Source-Based Writing
    doi:10.1016/j.compcom.2017.09.005
  8. Multimodal Composition Pedagogy Designed to Enhance Authors’ Personal Agency: Lessons from Non-academic and Academic Composing Environments
    doi:10.1016/j.compcom.2017.09.007
  9. Contents
    doi:10.1016/s8755-4615(17)30112-3
  10. Writing Roles: A Model for Understanding Students’ Digital Writing and the Positions That They Adopt as Writers
    doi:10.1016/j.compcom.2017.09.003
  11. Editor List
    doi:10.1016/s8755-4615(17)30114-7

September 2017

  1. Writing for Algorithmic Audiences
    doi:10.1016/j.compcom.2017.06.002
  2. Call for proposals on Special issue Digital Technologies, Bodies, and Embodiments
    doi:10.1016/s8755-4615(17)30083-x
  3. Editor List
    doi:10.1016/s8755-4615(17)30078-6
  4. Book Review
    doi:10.1016/j.compcom.2017.06.001
  5. Contents
    doi:10.1016/s8755-4615(17)30076-2
  6. How First-year Students Expressed Their Transition to College Experiences Differently Depending on the Affordances of Two Writing Contexts
    doi:10.1016/j.compcom.2017.07.001
  7. Letter from the Editor
    doi:10.1016/s8755-4615(17)30082-8
  8. Communities of Inquiry: A Heuristic for Designing and Assessing Interactive Learning Activities in Technology-Mediated FYC
    doi:10.1016/j.compcom.2017.06.004
  9. Digital Social Media and Aggression: Memetic Rhetoric in 4chan’s Collective Identity
    doi:10.1016/j.compcom.2017.06.006
  10. History Writing and Wikipedia
    doi:10.1016/j.compcom.2017.06.005
  11. “That’s My Face to the Whole Field!”: Graduate Students’ Professional Identity-Building through Twitter at a Writing Studies Conference
    doi:10.1016/j.compcom.2017.06.003
  12. Editor Advisory Board
    doi:10.1016/s8755-4615(17)30079-8

June 2017

  1. Editor Advisory Board
    doi:10.1016/s8755-4615(17)30040-3
  2. Essay Composition across Media: A Quantitative Comparison of 8th Grade Student Essays Composed with Paper vs. Chromebooks
    doi:10.1016/j.compcom.2017.03.001
  3. Managing Digital Technologies in Writing Programs: Writing Program Technologists & Invisible Service
    doi:10.1016/j.compcom.2017.03.003
  4. Why Making?
    doi:10.1016/j.compcom.2017.03.005
  5. KNOWing How to Play: Gamer Knowledges and Knowledge Acquisition
    doi:10.1016/j.compcom.2017.03.004
  6. Editor List
    doi:10.1016/s8755-4615(17)30039-7
  7. Contents
    doi:10.1016/s8755-4615(17)30037-3
  8. Haul, Parody, Remix: Mobilizing Feminist Rhetorical Criticism With Video
    doi:10.1016/j.compcom.2017.03.002
  9. Rhetorical Choices in Facebook Discourse: Constructing Voice and Persona
    doi:10.1016/j.compcom.2017.03.006
  10. Letter from the Editor
    doi:10.1016/s8755-4615(17)30043-9

March 2017

  1. Contents
    doi:10.1016/s8755-4615(17)30012-9
  2. Mapping Personas: Designing UX Relationships for an Online Coastal Atlas
    doi:10.1016/j.compcom.2016.11.008
  3. The Adaptive Process of Multimodal Composition: How Developing Tacit Knowledge of Digital Tools Affects Creative Writing
    doi:10.1016/j.compcom.2016.11.009
  4. Game-based Pedagogy in the Writing Classroom
    doi:10.1016/j.compcom.2016.11.002
  5. Editor Advisory Board
    doi:10.1016/s8755-4615(17)30015-4
  6. The Limits of Hacking Composition Pedagogy
    doi:10.1016/j.compcom.2016.11.001
  7. Contents and Approaches to Technology in Digital Writing Instruction: Evidence from Universities of Two Canadian Provinces
    doi:10.1016/j.compcom.2016.11.007
  8. #MyNYPD: Transforming Twitter into a Public Place for Protest
    doi:10.1016/j.compcom.2016.11.003
  9. Composer Stories as Research and Design Materials in Webtext Scholarship (Review Essay)
    doi:10.1016/j.compcom.2016.12.001
  10. Letter from the Editor
    doi:10.1016/s8755-4615(17)30018-x
  11. Seeing and Knowing the Womb: A Technofeminist Reframing of Fetal Ultrasound toward a Decolonization of Our Bodies
    doi:10.1016/j.compcom.2016.11.004
  12. A Novel Approach to Examine the Impact of Web-based Peer Review on the Revisions of L2 Writers
    doi:10.1016/j.compcom.2016.11.005
  13. Composing for Sound: Sonic Rhetoric as Resonance
    doi:10.1016/j.compcom.2016.11.006
  14. Editor List
    doi:10.1016/s8755-4615(17)30014-2

December 2016

  1. Book Review
    doi:10.1016/j.compcom.2016.08.001
  2. Editor Advisory Board
    doi:10.1016/s8755-4615(16)30101-3