Computers and Composition

1666 articles
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March 2019

  1. “Feminist Leanings:” Tracing Technofeminist and Intersectional Practices and Values in Three Decades of Computers and Composition
    doi:10.1016/j.compcom.2018.11.004
  2. Metis as Embodied, Technofeminist Intervention: Rhetorically Listening to Periods for Pence
    doi:10.1016/j.compcom.2018.11.002
  3. TechnoFeminisms: A Conversation About Pasts, Presents, and Futures
    doi:10.1016/j.compcom.2018.11.006
  4. Introduction by the Guest Editors
    doi:10.1016/j.compcom.2018.11.007
  5. Editorial Board
    doi:10.1016/s8755-4615(19)30010-6
  6. Not Your Mother’s Tech Camp: Rebooting Girls’ Technology Camps to Equip the Next Generation of Technofeminists
    doi:10.1016/j.compcom.2018.11.003
  7. How Not to be a Troll: Practicing Rhetorical Technofeminism in Online Comments
    doi:10.1016/j.compcom.2018.11.001
  8. An Intersectional Technofeminist Framework for Community-Driven Technology Innovation
    Abstract

    In this article, we describe the philosophy, objectives, and development of Multilingual User-Experience (Multilingual UX), a community-driven initiative for supporting technology innovation with marginalized communities. We highlight how community-based mentorship can guide innovative technology design through an intersectional technofeminist perspective. We begin with a discussion of the impetus for building this initiative before discussing how we are collaboratively designing a research center to facilitate technology design with and for marginalized communities. We both theorize and enact the intersectional technofeminist principles of our work by telling the story of our project with our collaborators and community partners, in the form of vignettes from a symposium. We conclude by looking ahead to our next steps and by offering strategies for intersectional technofeminist community building and technology innovation, in the hope that our experiences can be further developed and localized to support similar initiatives that highlight the value of feminist collaboration in technology design.

    doi:10.1016/j.compcom.2018.11.005

December 2018

  1. Teaching Digital Literacy Composing Concepts: Focusing on the Layers of Augmented Reality in an Era of Changing Technology
    doi:10.1016/j.compcom.2018.07.003
  2. Guest Editors’ Introduction: Immersive Technologies and Writing Pedagogy
    doi:10.1016/j.compcom.2018.08.001
  3. Editorial Board
    doi:10.1016/s8755-4615(18)30104-x
  4. Framing Wearing: Genre, Embodiment, and Exploring Wearable Technology in the Composition Classroom
    doi:10.1016/j.compcom.2018.07.004
  5. Conspicuous Computing: Gamified Bodies, Playful Composition, and the Monsters in Your Pocket
    doi:10.1016/j.compcom.2018.07.001
  6. Composing the Un/Real Future
    doi:10.1016/j.compcom.2018.07.005
  7. Using Neurofeedback and Mindfulness Pedagogies to Teach Open Listening
    doi:10.1016/j.compcom.2018.07.002
  8. Teaching a Critical Digital Literacy of Wearables: A Feminist Surveillance as Care Pedagogy
    doi:10.1016/j.compcom.2018.07.006
  9. A (Virtual) Bridge Not Too Far: Teaching Narrative Sense of Place with Virtual Reality
    doi:10.1016/j.compcom.2018.07.007

September 2018

  1. ‘Why Won’t Moodle…?’: Using Genre Studies to Understand Students’ Approaches to Interacting with User-Interfaces
    doi:10.1016/j.compcom.2018.05.004
  2. Effective Social Media Use in Online Writing Classes through Universal Design for Learning (UDL) Principles
    doi:10.1016/j.compcom.2018.05.005
  3. Beyond Student as User: Rhetoric, Multimodality, and User-Centered Design
    doi:10.1016/j.compcom.2018.05.008
  4. Considerations of Access and Design in the Online Writing Classroom
    doi:10.1016/j.compcom.2018.05.001
  5. Integrating Usability Testing with Digital Rhetoric in OWI
    doi:10.1016/j.compcom.2018.05.009
  6. Co-Editors’ Welcome to the Special issue on Usability and User-Centered Design
    doi:10.1016/j.compcom.2018.09.001
  7. User-Centered Design In and Beyond the Classroom: Toward an Accountable Practice
    Abstract

    The authors, an instructor and students, describe our practice of user-centered design on three levels: in the design and structure of an advanced undergraduate course in which we all participated, in student projects designed during the course, and in our reflections on the course presented here. We argue that principles of user-centered design can and should be more than course concepts and assignments; they can be core practices of the course that hold both students and teachers accountable for the impacts of their rhetorical choices. We offer a model for other teacher-scholars looking to involve students in the design of their courses and in writing together about their work.

    doi:10.1016/j.compcom.2018.05.003
  8. Editorial Board
    doi:10.1016/s8755-4615(18)30074-4
  9. Contextualizing Cyber Compositions for Cultures: A Usability-Based Approach to Composing Online for International Audiences
    doi:10.1016/j.compcom.2018.05.007
  10. Human Centered Syllabus Design: Positioning Our Students As Expert End-Users
    doi:10.1016/j.compcom.2018.05.002
  11. User-Centered Design as a Foundation for Effective Online Writing Instruction
    doi:10.1016/j.compcom.2018.05.006

June 2018

  1. Editorial Board
    doi:10.1016/s8755-4615(18)30044-6
  2. Understanding Learning Spaces Sonically, Soundscaping Evaluations of Place
    doi:10.1016/j.compcom.2018.03.007
  3. Just a Tool: Instructors’ Attitudes and Use of Course Management Systems for Online Writing Instruction
    doi:10.1016/j.compcom.2018.03.004
  4. Book Review
    doi:10.1016/j.compcom.2018.03.011
  5. Letter from the Editor
    doi:10.1016/s8755-4615(18)30047-1
  6. Book Review
    doi:10.1016/j.compcom.2018.03.009
  7. “wuz good wit u bro”: Patterns of Digital African American Language Use in Two Modes of Communication
    doi:10.1016/j.compcom.2018.03.005
  8. Cyborg Gamers: Exploring the Effects of Digital Gaming on Multimodal Composition
    doi:10.1016/j.compcom.2018.03.006
  9. First-Year Composition as “Big Data”: Towards Examining Student Revisions at Scale
    doi:10.1016/j.compcom.2018.03.003
  10. Digital Writing, Multimodality, and Learning Transfer: Crafting Connections between Composition and Online Composing
    doi:10.1016/j.compcom.2018.03.001
  11. Book Review
    doi:10.1016/j.compcom.2018.03.008
  12. Considering the Comments: Theorizing Online Audiences as Emergent Processes
    doi:10.1016/j.compcom.2018.03.002
  13. Cultivating Metanoia in Twitter Publics: Analyzing and Producing Bots of Protest in the #GamerGate Controversy
    doi:10.1016/j.compcom.2018.03.010

March 2018

  1. Uncovering Student Perceptions of a First-Year Online Writing Course
    doi:10.1016/j.compcom.2017.12.006
  2. Editorial Board
    doi:10.1016/s8755-4615(18)30005-7
  3. Letter from the Editor
    doi:10.1016/s8755-4615(18)30008-2
  4. Shared Passions, Shared Compositions: Online Fandom Communities and Affinity Groups as Sites for Public Writing Pedagogy
    doi:10.1016/j.compcom.2017.12.003
  5. Book Review
    doi:10.1016/j.compcom.2017.12.004
  6. Book Review
    doi:10.1016/j.compcom.2017.12.005
  7. Becoming Entangled: An Analysis of 5th Grade Students Collaborative Multimodal Composing Practices
    doi:10.1016/j.compcom.2017.12.008
  8. A Broad-Based Multiliteracies Theory and Praxis for a Diverse Writing Classroom
    doi:10.1016/j.compcom.2017.12.002
  9. Circulation Gatekeepers: Unbundling the Platform Politics of YouTube's Content ID
    doi:10.1016/j.compcom.2017.12.001