Computers and Composition

1649 articles
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September 2018

  1. ‘Why Won’t Moodle…?’: Using Genre Studies to Understand Students’ Approaches to Interacting with User-Interfaces
    doi:10.1016/j.compcom.2018.05.004
  2. Effective Social Media Use in Online Writing Classes through Universal Design for Learning (UDL) Principles
    doi:10.1016/j.compcom.2018.05.005
  3. Beyond Student as User: Rhetoric, Multimodality, and User-Centered Design
    doi:10.1016/j.compcom.2018.05.008
  4. Considerations of Access and Design in the Online Writing Classroom
    doi:10.1016/j.compcom.2018.05.001
  5. Integrating Usability Testing with Digital Rhetoric in OWI
    doi:10.1016/j.compcom.2018.05.009
  6. Co-Editors’ Welcome to the Special issue on Usability and User-Centered Design
    doi:10.1016/j.compcom.2018.09.001
  7. User-Centered Design In and Beyond the Classroom: Toward an Accountable Practice
    Abstract

    The authors, an instructor and students, describe our practice of user-centered design on three levels: in the design and structure of an advanced undergraduate course in which we all participated, in student projects designed during the course, and in our reflections on the course presented here. We argue that principles of user-centered design can and should be more than course concepts and assignments; they can be core practices of the course that hold both students and teachers accountable for the impacts of their rhetorical choices. We offer a model for other teacher-scholars looking to involve students in the design of their courses and in writing together about their work.

    doi:10.1016/j.compcom.2018.05.003
  8. Editorial Board
    doi:10.1016/s8755-4615(18)30074-4
  9. Contextualizing Cyber Compositions for Cultures: A Usability-Based Approach to Composing Online for International Audiences
    doi:10.1016/j.compcom.2018.05.007
  10. Human Centered Syllabus Design: Positioning Our Students As Expert End-Users
    doi:10.1016/j.compcom.2018.05.002
  11. User-Centered Design as a Foundation for Effective Online Writing Instruction
    doi:10.1016/j.compcom.2018.05.006

June 2018

  1. Editorial Board
    doi:10.1016/s8755-4615(18)30044-6
  2. Understanding Learning Spaces Sonically, Soundscaping Evaluations of Place
    doi:10.1016/j.compcom.2018.03.007
  3. Just a Tool: Instructors’ Attitudes and Use of Course Management Systems for Online Writing Instruction
    doi:10.1016/j.compcom.2018.03.004
  4. Book Review
    doi:10.1016/j.compcom.2018.03.011
  5. Letter from the Editor
    doi:10.1016/s8755-4615(18)30047-1
  6. Book Review
    doi:10.1016/j.compcom.2018.03.009
  7. “wuz good wit u bro”: Patterns of Digital African American Language Use in Two Modes of Communication
    doi:10.1016/j.compcom.2018.03.005
  8. Cyborg Gamers: Exploring the Effects of Digital Gaming on Multimodal Composition
    doi:10.1016/j.compcom.2018.03.006
  9. First-Year Composition as “Big Data”: Towards Examining Student Revisions at Scale
    doi:10.1016/j.compcom.2018.03.003
  10. Digital Writing, Multimodality, and Learning Transfer: Crafting Connections between Composition and Online Composing
    doi:10.1016/j.compcom.2018.03.001
  11. Book Review
    doi:10.1016/j.compcom.2018.03.008
  12. Considering the Comments: Theorizing Online Audiences as Emergent Processes
    doi:10.1016/j.compcom.2018.03.002
  13. Cultivating Metanoia in Twitter Publics: Analyzing and Producing Bots of Protest in the #GamerGate Controversy
    doi:10.1016/j.compcom.2018.03.010

March 2018

  1. Uncovering Student Perceptions of a First-Year Online Writing Course
    doi:10.1016/j.compcom.2017.12.006
  2. Editorial Board
    doi:10.1016/s8755-4615(18)30005-7
  3. Letter from the Editor
    doi:10.1016/s8755-4615(18)30008-2
  4. Shared Passions, Shared Compositions: Online Fandom Communities and Affinity Groups as Sites for Public Writing Pedagogy
    doi:10.1016/j.compcom.2017.12.003
  5. Book Review
    doi:10.1016/j.compcom.2017.12.004
  6. Book Review
    doi:10.1016/j.compcom.2017.12.005
  7. Becoming Entangled: An Analysis of 5th Grade Students Collaborative Multimodal Composing Practices
    doi:10.1016/j.compcom.2017.12.008
  8. A Broad-Based Multiliteracies Theory and Praxis for a Diverse Writing Classroom
    doi:10.1016/j.compcom.2017.12.002
  9. Circulation Gatekeepers: Unbundling the Platform Politics of YouTube's Content ID
    doi:10.1016/j.compcom.2017.12.001
  10. Educating Online Writing Instructors Using the Jungian Personality Types
    doi:10.1016/j.compcom.2017.12.007

December 2017

  1. Book Review
    doi:10.1016/j.compcom.2017.09.004
  2. Letter from the Editor
    doi:10.1016/s8755-4615(17)30118-4
  3. Comparison of Online and Face-to-Face Peer Review of Writing
    doi:10.1016/j.compcom.2017.09.006
  4. Online Peer Review Using Turnitin in First-Year Writing Classes
    doi:10.1016/j.compcom.2017.09.001
  5. Editor Advisory Board
    doi:10.1016/s8755-4615(17)30115-9
  6. The Kairos Preservation Project
    doi:10.1016/j.compcom.2017.09.002
  7. The Digital Reader, The Alphabetic Writer, and The Space Between: A Study in Digital Reading and Source-Based Writing
    doi:10.1016/j.compcom.2017.09.005
  8. Multimodal Composition Pedagogy Designed to Enhance Authors’ Personal Agency: Lessons from Non-academic and Academic Composing Environments
    doi:10.1016/j.compcom.2017.09.007
  9. Contents
    doi:10.1016/s8755-4615(17)30112-3
  10. Writing Roles: A Model for Understanding Students’ Digital Writing and the Positions That They Adopt as Writers
    doi:10.1016/j.compcom.2017.09.003
  11. Editor List
    doi:10.1016/s8755-4615(17)30114-7

September 2017

  1. Writing for Algorithmic Audiences
    doi:10.1016/j.compcom.2017.06.002
  2. Call for proposals on Special issue Digital Technologies, Bodies, and Embodiments
    doi:10.1016/s8755-4615(17)30083-x
  3. Editor List
    doi:10.1016/s8755-4615(17)30078-6
  4. Book Review
    doi:10.1016/j.compcom.2017.06.001
  5. Contents
    doi:10.1016/s8755-4615(17)30076-2