The Bhagavad Gita—an acclaimed and venerated ancient sacred religious and philosophical text integral to the Hindu faith—shows several rhetorical strategies. To figure out these strategies, in this essay I analyze the Gita using the Nyayasutras method—a systematic guide to rhetorical analysis of Hindu philosophy. Rhetorical scrutiny is applied to the dialog between two main characters of this sacred text: Bhagavan Krishna and Arjuna. I first introduce the Gita and its significance for rhetorical scholarship. In what follows, I present briefly the Nyayasutra method and discuss three types of rhetorical strategies found in the text: Astikya/bhava (ontological) strategy, jnapaka (revelatory) strategy, and tattva/nyaya (axiological) strategy. I also discuss very briefly some counter-arguments that are offered in the rhetoric of the Gita. My rhetorical analysis contributes to the rich ongoing academic discussion of Hindu rhetorical traditions and deepens existing English-medium scholarly discussion about rhetorical strategies employed in the text.

Click to increase image sizeClick to decrease image size Disclosure StatementNo potential conflict of interest was reported by the author(s).

ABSTRACTRhetoric scholars often turn to the sciences to understand animal rhetorics, but rarely query how scientists themselves listen to nonhuman modes of communication. This essay demonstrates how biologist Katy Payne employs a fully embodied method of listening in order to hear the songs of the humpback whale as well as feel the infrasonic rumbles of African elephants. Payne’s method of inquiry serves as a model for rhetorical listening beyond the human, and anthropologist Eduardo Kohn’s theory of an open semiosis is applied to understand Payne’s unique method. Rhetorical listening to the open semiosis offers a form of empiricism in which scientists, led by affect, intuition, and feeling, become more like witnesses than observers.KEYWORDS: Animal rhetoricsKaty Paynenew materialismsrhetorical listeningrhetorics of science AcknowledgmentsThe author thanks the two anonymous reviewers and the journal’s editor for providing insights that transformed the essay from start to finish. This project would not exist without the generosity of Katy Payne and the support of Debra Hawhee. Writing group members Sarah Adams, Curry Kennedy, Ashley Ray, and Michael Young also believed in this draft at its earliest stage. This article further benefitted from the intellectual community in Byron Hawk, Diane Keeling, and Thomas Rickert’s Rhetoric Society of America’s “The Futures of New Materialism” Workshop. Many thanks to Ed Comstock, Linh Dich, Anita Long, and Joe Vuletich who endured my endless frustration with the “meaning of meaning.”Disclosure StatementNo potential conflict of interest was reported by the author(s).Notes1 To listen to these songs, visit https://www.youtube.com/watch?v=sjkxUA041nM.2 Hereafter, I will use “Payne” to reference Katy Payne and use Roger Payne’s full name to avoid confusion with their shared last name. This intensive interview was deemed Institutional Review Board exempt from Penn State’s Office of Research Protections in 2018. There is no conflict of interest in writing or publishing this work.3 Recently, Gries has introduced a methodology for new materialist rhetoric studies, called new materialist ontobiography (NMO), that “draws attention to our sensorial, embodied encounters with entities in our local environment” in situ, or through experiential practice (302). My grounded theory approach works similarly to Gries’s NMO, but rather than focusing on my own experiential encounters, I focus on how scientists like Payne make sense of their sensory encounters with nonhuman rhetoric.4 The songs featured in Science were based on the recordings of Naval engineer Frank Whatlington, who was the first to take the Paynes out in the Atlantic Ocean to hear the songs of the humpback whale. Later, the Paynes would go on to conduct their own recordings of humpback whales off the coast of Hawaii and of right whales off the coast of Patagonia.5 Because of its embodied nature, listening, like seeing, is never neutral, as Indigenous sound studies scholar Dylan Robinson points out with his notion of “hungry listening.” Listening is a “haptic, proprioceptive encounter with affectively experienced asymmetries of power” filtered through how individuals attend, or not, to race, class, gender, and ability (11). Payne’s positionality as a white, middle-class woman with an Ivy League education certainly afforded her the ability to listen to whale songs for years on end without the need to make those songs mean, to publish about them, and/or profit from them. Yet what sets Payne’s form of listening apart from that of other scientific epistemologies is that she doesn’t seem to listen “hungrily,” or try to make the whale sounds “fit” colonialistic interpretations (Robinson 6).6 In The Sensory Modes of Animal Rhetorics, Parrish explains via Peirce’s “sign properties” how this detached perspective arises: “Firstness is simply a sign’s feeling or one’s sense of a sign. Secondness is the level of physical fact, of a sign’s material reality. Thirdness is the level of general rules that governs firstness and secondness in any given object” (116). To symbolize, then, is to be caught up in thirdness, or to be able to consider how the symbol functions via cultural influence.7 This moment of “regrounding,” of sinking into the open semiosis, of knowing affectively and intuitively beyond the symbol, is not dissimilar from what Rickert has called attunement.8 The field of biosemiotics studies this open sharing of signs between human animals and the natural world, even considering how signals are sent within the human body. Jesper Hoffmeyer works parallel to Kohn when he posits that human animals are able to signify about the natural world because the natural world is itself signifying. “How can signification arise out of something that signifies nothing?” (3), Hoffmeyer asks. Hoffmeyer, too, like Rickert, relies on Uexkhull’s theory of Umwelt to theorize communication and meaning beyond the human. For Hoffmeyer and others in biosemiotics, Umwelt comes to explain how all organisms live first and foremost in their own unique “semiospheres” (vii). Parrish further highlights that zoosemiotics also treats the sign as the basic unit of life (44). Kohn thus aligns with these arguments, but would perhaps avoid the bio- and zoo- distinctions, as, for him, semiosis is an open whole.9 In The Incorporeal, Elizabeth Grosz argues that there is an element of the immaterial in every new materialism. Rhetoric’s study of sensation and affect, as Davis’s “rhetoricity” highlights, provides the ideal lens needed to shed light on where the immaterial is located in new materialisms as well as what role it serves therein.

This essay examines the queer rhetorical capacities of what the pornographer, poet, professor, and tattoo artist Samuel Steward called latriniana—sexual graffiti located in public lavatories. While this genre’s rhetorical objective is often associated with sexual solicitation, this essay argues that latriniana proffers a destabilized logos—always in motion, roving along a continuum of cohesion and disintegration, while never truly landing on any definitive form. As a result, the genre exemplifies what Jonathan Alexander and Jacqueline Rhodes have cited as queer composition’s impossibility. Using samples of latriniana collected from gay bars in San Francisco and New York City, the essay traces the rhetorical gestures inherent to the genre, exploring the way latriniana enables a multiplicity of readings, and thus embodies the chimerical, uncontainable queer logos.

Desire confounds rhetoricians and sexologists alike. In this essay, I draw on Karen Barad’s agential realism to theorize sexual desire as a “phenomenon”: a dynamic entanglement within and between bodies, including physiological processes, stimuli, awareness, and the instruments deployed to measure it. These relational elements intra-act in the context of enduring social forces that shape our experiences. Juxtaposing contemporary clinical research and an influential sexual survey, The Hite Report, as “agential cuts,” I examine how the phenomenon of desire is complexly rhetorical, as the elements comprising desire collaborate to mobilize and inhibit behavior but may also be subject to gendered intervention and constraint.

From 1821 to 1830, Americans took an intense interest in the Greek Revolution. Their experiences of the revolution were, with very few exceptions, entirely textually mediated. In this context, nationally prominent editors such as Hezikiah Niles of Baltimore exercised an outsized influence over how people understood the war. Niles’s reporting on the conflict revolved around atrocity narratives in which “monstrous” Turks slaughtered innocent, “civilized” Greek Christians before an uncaring world. In his writing, Eastern barbarity and European conspiracy combined to present a stark case of American moral exceptionalism, which has long been a normative assumption of public understandings of foreign policy. I argue that Niles’s atrocity narratives hinged on the figure of “peripheral subjects,” or onlookers to atrocities who bear a moral responsibility for their melioration. By focusing on the in/actions of European peripheral subjects, philhellenes used the excessive violence in Greece as a means of denouncing America’s rival powers and thereby creating rhetorical space for an exceptional American national identity.

ABSTRACTDuring a 2018 sentencing hearing of former Olympics and Michigan State University doctor Larry Nassar, 156 survivors offered Victim Impact Statements, and Judge Rosemarie Aquilina made national headlines for her impassioned responses to each survivor. This essay shows how Aquilina’s responses use epideictic rhetoric to make audible a judicial practice of feminist witnessing of assault testimony. In so doing, Aquilina challenges the way blame “sticks” to survivors and casts a scrutinizing gaze on a culture that silences survivors; praises the individual act of testimony and constitutes a collective of “sister survivors,” thereby fostering connection and potential for coalition building; and reframes sexual assault testimony as a public act with socially transformative effects.KEYWORDS: Epideictic rhetoricfeminist judicial theoryfeminist witnessingsexual assault Disclosure StatementNo potential conflict of interest was reported by the author(s).Notes1 I rely on the VIS reproduced on the website In Our Own Words, a resource created by Heartland Independent Film Forum and sponsored by the Michigan Daily Newspaper, MSU’s student paper. Because the statements were published with survivors’ permission on inourwords.org as an educational resource, I have used the survivor’s name if it was released. In cases where it was not, I use the number or symbols that appear on inourwords.org.2 The VIS followed Nassar’s guilty plea to seven counts of sexual misconduct. Although the plea deal meant there would be no public criminal trial during which survivors could testify, Aquilina invited any survivor impacted by Nassar’s abuse, including parents, to offer a statement.3 Aquilina’s vengeance-focused comments also received criticism from feminists, even as they often acknowledged them as an understandable response to Nassar’s abhorrent acts (Gruber; Press). Her comments, in this moment, demonstrate the limitations of what Elizabeth Bernstein calls carceral feminism, wherein criminal prosecution is viewed as a solution to gender violence, without attention to the ways criminal law is entrenched in “masculinism, racism and cruelty” (Gruber).

As a counterpoint to rhetorical velocity, this essay proposes rhetorical stillness, the property of texts that are designed to have limited circulation but high audience engagement. Drawing from an analysis of Byzantine iconography, the essay examines how a rhetorical ecology of beliefs and embodied practices can slow down a text’s circulation and create space for audiences to have transformative encounters.

Shared governance, the principle that faculty members have a role in governing the institutions in which they work, in the American university is in crisis. Do the principles that underlie shared governance retain their efficacy in the contemporary, neo-liberal university? In this essay, I examine the commonplaces that underwrite our contemporary understanding of university shared governance and the practices that are animated by them: the idea of the university as a public good, the idea that faculty expertise grants them a governance role, and the assumption that governance provides stability, security, and continuity to the institution. The essay examines the development of shared governance as a (rhetorical) means of providing order through consensus, analyzes recent instances of governance crises in American higher education, and proposes an alternative set of commonplaces with which to address a period in American public higher education characterized by mobility, unsettlement, and vulnerability.

This essay argues for embodied dialog among scholars from different global situations as an academic practice crucial to anticolonial transformation. The essay illustrates this practice by recounting the critical interpretations of two differently situated anticolonial persons and the changes in interpretations wrought by our dialog. We draw on postcolonial and dialogic orientations and recent materialist theories that envision rhetorical scholarship as "making" in order to encourage expansion of the range of depictions of Muslims in literature. The analysis employs a persona theory revised through Burkean dramatism and the anticolonial perspective. The transformative potential of the approach is illustrated by a dialogically executed analysis of the Pakistan-focused novel, The Spinner's Tale, by Omar Shahid Hamid.

Communicative acts that deliberately disrupt how an audience understands them as either fiction or nonfiction are well-known phenomena. Still, the rhetoric of such disruptions has yet to be systematically investigated. This essay treats the experience of such disruptions as a distinct form of reflexivity, conceptualizing it as metanoic reflexivity. Drawing on recent work on fictionality theory and on theories of metanoia, the essay uses this concept to describe the reading effect that is produced when a rhetor uses nonconventional forms of fictionality to disrupt how an audience ascribes relevance to a communicative act. Through readings of Democratic campaign rhetoric from the US presidential election of 2020, the essay directs attention to how this reflexivity has moved from artistic practices to the communicative mainstream, investigates how it operates, and discusses its potential deliberative ramifications.

This essay explores the figure of “liberal tears” as a manifestation of contemporary sadistic conservative discourse in the United States. Sadistic rhetoric betrays an underlying structure of affect where hate and desire coincide. Its primary work is to enforce separation between sadistic subjects and fantasy objects that appeal to them in ways that must be disavowed for their identities to remain coherent. The liberal other is a figure both promising and threatening overwhelming enjoyment. Because of the ways in which it relies on separation and identification to generate enjoyment for its subjects, strategies like satire and empathy are insufficient to respond to sadistic conservative discourses, but rhetoric’s capacity to destabilize identities and undermine certainty remain promising contributions to engaged scholarship.

Rhetorical studies of water-related controversies highlight multiple interpretations of water at stake. Yet nearly every dispute over water involves not just contested meanings but contested ontologies. This essay examines water ontologies in a controversy over water wells in Ontario, Canada, which residents claim were affected by pile driving for wind turbine installation. Drawing on Annemarie Mol’s theory of multiple ontologies and the Bakhtinian term, chronotope, I show how different water ontologies emerge from spatiotemporal orientations and shift how expertise is enacted. Common water ontologies, water-as-resource and water-as-chemical-entity, enshrine white settlers as experts, despite their different stances on the issue in question. Municipal leaders, corporate representatives, and community members enacted water as an entity knowable to technoscience and exploitable by humans. An alternative ontology introduced by First Nations leaders, water-as-lifeblood, emphasizes water as a sacred, life-giving force. Speakers authorize themselves as experts by enacting water differently.

In this essay I turn to the world-renowned book and film The Corporation: The Pathological Pursuit of Power and Profit by Joel Bakan in order to conceptualize and critique what I label the rhetoric of corporate psychopathy. Doing so, I advance two interrelated claims: first, that neoliberalism’s rhetorical force is derived primarily from its extension and alteration of liberal notions of possessive individualism into a dispositif of corporate personhood. Second, I claim that Bakan’s argument that corporations are psychopaths—and his larger rhetoric of corporate psychopathy—ultimately reinscribes rather than challenges the disciplinary functions of liberal discourse in interesting ways. Thus, while the rhetoric of corporate psychopathy is an easily digestible line of argument that offers a ready-made case against corporate personhood and rights it is an argument against corporate personhood that those who oppose corporate power ought to reconsider.

As a longstanding area of practice and inquiry in rhetorical scholarship, the role of the example in rhetorical discourse has undergone its share of debates, discussions, and important advancements. One important topic of discussion on these matters involves the role of the example in providing either strategic ambiguity or experiential clarity. Through an analysis of William James’s deployment of a pragmatic rhetoric of exemplary figures in The Varieties of Religious Experience, this essay advances a view of the example as a resource for transforming the ambiguous consequences of inner ideals into pragmatic and empowered social action. In a chapter titled “The Value of Saintliness,” James invokes a cadre of saintly figures as exemplars in the attempt to cultivate democratic individuality and inspire social change efforts through the conduct of spiritual meliorism. This essay offers expanded conceptions of exemplarity and pragmatist rhetoric in contexts concerning democracy and social justice.

In this essay, I argue for more representations of Caribbean women in rhetorical studies. In the effort toward representation, specifically for Haitian women, I developed a framework named Caribbean women’s rhetorics (CWR). CWR creates an interdisciplinary, multicultural, Black feminist framework and space where Caribbean women’s lived experiences are the primary focus of making, producing, sharing, and recognizing underrepresented rhetorical knowledges that offer rich representations. To do this work, the features of CWR uphold that value via voicing, proverbs, storytelling, reflection, linguistic practices, and multimodal composing. In providing an approach for the application of CWR, I analyze my interactive digital book The Cultivation of Haitian Women’s Sense of Selves: Toward a Field of Action. With CWR, I hope to expand the existing body of work on Caribbean women’s knowledges to disrupt sociocultural inequalities and improve the quality of life for Caribbean women.

This essay focuses on writing assessment. Specifically, the author explores the embedded raced construction of writing assessment, rubrics, inter alia, commonly used in first year composition courses. The author posits that rubrics used to assess what Asao Inoue termed Habits of White Language cannot effectively assess and may be detrimental to assessing speakers from different linguistic backgrounds, specifically African Americans. The importance of Black Language (BL), rhetoric, and argumentation styles to rhetorical studies and American discourse must not only be recognized but also explored and taught as a style of argumentation. I implement an Afrocentric rubric using the principles of African American Rhetoric as a means for both expanding the rhetorical triangle and providing ethical assessment of BL in writing.

According to African women’s theorizing, nationalism can be nonpolitical. This is a novel approach to defining nationalism, which is usually seen as a purely political event. Women of the Federation of Nigerian Women’s Organizations (FNWO) developed a rhetoric of nonpolitical nationalism in the 1950s that has been ignored by the current politically elite male-led narrative of African nationalism. This marginalization of African women is mirrored in the Black rhetorical cannon as well because they are Africans in an African American-centered narrative. In order to address this double marginality and to understand their novel characterization of nationalism, this essay joins scholarly conversations in the field of women’s historical rhetorics by upholding two objectives. First, it highlights the unique rhetoric of Nigerian women in the FNWO. Second, it analyzes their words to uncover characteristics of nonpolitical thought and situate it within a broader African rhetorical tradition.

Given the influx in people of African descent immigrating to the United States from diverse national, linguistic, and ethnic backgrounds, the demographics of the US Black community has shifted significantly over the last several decades. As a result of these changes, it is imperative that approaches to rhetorical studies, especially African-centered cultural rhetorics, remain inclusive and representative of diverse Black experiences in the United States and abroad. Toward this end, the authors propose a new disciplinary subfield called Global Black Rhetorics (GBR). GBR emphasizes engaging similarities and differences across Black experiences, positions of power, and privilege, which includes acknowledging, studying, and prioritizing the histories, languages, rhetorical traditions, and practices of continental Africans, Afro-Caribbeans, Afro-Latinx, Afro-Europeans, and other people of African descent across the African Diaspora. The authors introduce a four-themed framework for GBR that includes: assessing methods of education about global Black experiences, studying and teaching Black language diversity, teaching and citing contemporary rhetors and texts from Africa and African Diasporic contexts, and prioritizing healing as a communal goal for all Black people. The essay concludes with an introduction to the contributors of this special issue whose research advances the authors’ call for a globalized approach to Black Rhetorics.

Western notions of race have never been for us. Yet culture has historically functioned as an “insider” discourse, representing our ways of living, knowing, and communing with one another. How, then, might Black folks remain mindful in our treatments of race and culture, ever cognizant of how we wield these constructs to our collective global advantage? In this essay, I reflect on how three Africana historical figures have engaged this question: (1) David Walker, whose sense of literacy in Appeal to the Colored Citizens of the World centered free and enslaved Black audiences as cultural “insiders,” (2) C.L.R. James, whose evolving sense of collective Black identity prompted him to write texts such as The Black Jacobins, a Black-centered interpretation of the Haitian Revolution, and (3) Reverend John Chilembwe, whose Africana global alliances and literacy-based leadership ignited the Nyasaland Uprising against colonial oppression in Malawi. I argue that these three figures resisted race by affirming global Black collectivity as a cultural homeplace, thus informing how we may theorize and practice Black rhetorical studies today.

In this essay, Patterson continues the tradition of turning to analysis of family as a way to challenge asymmetrical power relations within academic discourse. Through an analysis of publications and performances from three members of the author’s family—Phillip Patterson’s The Serenity of Knowing, Michael Patterson’s Humanist Solutions to American Problems: An Apolitical Approach to Governing, and Morgan Deane’s “A Light in the Night: Reopening & Operating Nightlife Venues in the Time of Covid-19”—Patterson animates Tracie Morris’s theory of grace as an African proverb performance rooted in Black family rhetoric to make visible rhetorical traditions and strategies used to create literacies for working across difference and surviving and thriving despite racist hegemonic structures of oppression. Additionally, Patterson extends their family rhetorical practices as useful techniques for decolonizing curriculum in form and content.

In this essay, I explore the rhetorical strengths and limitations of the Black identity as experienced in varying geographic locations across the globe. I draw from the work of Ruth Simms Hamilton who asked, “[A]re there a broad set of experiences which link diverse communities of the African Diaspora, temporally and spatially?” (“Conceptualizing the African Diaspora,” African Presence in the Americas 1995, 393). Hamilton believed the African Diaspora was connected via an “active site of cultural and political action and struggle,” as Black bodies remain racialized in a Western context where “being defined as an inferior race and in racial terms is pertinent to the people formation process” (404). Using the migratory/displacement narratives of the Somali diaspora as an example of a people who were, are, and are still becoming, this essay takes a geographic approach to consider the impacts of place on the Black experience, and to understand the existing nuances and diversity within it. Building on the works of Asante, Dotson, hooks, Kynard, Lorde, Royster, Sharpe, and more, I aim to examine how the Black experience feels and changes within and across geographies, and how this transforms us, “as we make a radical creative space which affirms and sustains our subjectivity, which gives us a new location from which to articulate our sense of the world” (bell hooks, “Choosing the Margin as a Space of Radical Openness,” Framework 1989, 23). I also hope to contribute nuance in Black rhetorical studies for understanding the broadness, aliveness, and richness of the Black/African diaspora while highlighting the uniformity that can be found in the experience of Black racialization across the globe.

White settlers began to establish Christian schools in what is now Wisconsin in 1661. Through examining the papers of Benjamin Stucki, the headmaster of the Winnebago Mission Home—a Wisconsin boarding school in which many Ho-Chunk, Oneida, Chippewa, and Potawatomi children (and others whom were of mixed ancestry) were indoctrinated into Christianity—the author argues manipulation of chronos affects decolonial kairotic moments. Undergirding this argument is the conviction that manipulation of chronos tampers with perceiving settler colonialism’s everyday exigency. The mission school’s rhetorical obscuring and replacing of settler colonialism’s exigency with one (or multiple) they manufacture is a settler exigency. In this process, settlers segment, omit, and create new timelines that distract from the past violence that is undoubtedly stretching into the present. Through manipulating time, what surfaces as the new problem (i.e., not settler colonialism) is the Indigenous person’s vulnerability. The implications of rhetorically manipulating time are therefore central concerns in decolonial goals and coalitions.

"Racing the Street: Race, Rhetoric, and Technology in Metropolitan London, 1840–1900." Rhetoric Society Quarterly, 52(2), pp. 217–218

Frankenstein myths circulate widely in Western culture and offer robust indices of common anxieties about invention. This essay articulates a version of the Frankenstein myth that emphasizes potential contributions to the practice and teaching of rhetoric. Specifically, this essay suggests that this myth about the practice of invention in general can contribute to understandings of rhetorical invention in particular, especially with regard to the extent to which rhetorical invention may, in some instances, be informed by themes associated with deception, duality, and autonomy. The essay closes with a discussion of implications and limitations.

This essay examines social panic surrounding trans youth, arguing that rhetorics supporting “rapid onset gender dysphoria” (ROGD) emerge from and reinforce hegemonic scripts about race, gender, sexuality, and dis/ability. Building from Jay Dolmage’s concept of “disability drift,” I demonstrate how anti-trans activists channel other social anxieties into transphobia. Arguments about ROGD frame trans people as infinitesimally rare and as threats to all other communities, but these claims rely on the same narratives used to stigmatize mental illness, to dehumanize people of color and queer people, and to police the bodies and behavior of cisgender women. Introducing the concept of “affective drift,” I consider how ROGD rhetorics draw from ableism, racism, and heteronormativity to fuel transphobia and vise versa. In direct opposition to the logics of ROGD, then, I propose that rhetorical studies is equipped to foster connections across contrived social divides, and to enact solidarity in one another’s struggles.

This essay conceptualizes and applies a theory of rhetorical debility to new materialist rhetorical studies. Drawing from critical disability studies, rhetorical debility frames the ways that hierarchical human and nonhuman relations can inhibit certain rhetoricities while enabling others under neoliberalism. This theory extends the concept of “rhetorical capacities,” located within a genealogy of new materialist and posthuman thought in rhetorical studies, in response to intersectional critique of new materialism from Indigenous scholars and disability studies. The essay demonstrates rhetorical debility’s applicability to transnational sites of oppression along axes of disability, colonialism, and neoliberalism through a case study analysis of Palestinian protest rhetoric.

Franklin Kameny’s 1963 congressional testimony was not the first instance of gay and lesbian issues being subjected to public inquiry, but his invited presence nonetheless represented the first time that an openly gay individual would testify to Congress. This essay argues that his testimony represents a unique form of rhetorical delivery—embodied silence—that combines public visibility and the language of embodiment with that of silence. Embodied silences interpellate audiences into witnessing absence and disrupt understanding a rhetor and/or their words. From Oscar Wilde to ACT UP, lesbian, gay, bisexual, transgender, and queer individuals are regularly conceived within a negotiation of absence, a queer embodiment of the unspoken and unarticulated. Silence’s legacy and continued centrality to publicness, therefore, marks an important conceptual framework for analyzing these rhetorics. Highlighting homophile activism’s unique historicity, this essay argues embodiment and absence are vital to future queer rhetorical theorizing.

This essay examines the multidimensional, cross-border actions and rhetorical strategies surrounding the 1931 case, Roberto Alvarez v. the Board of Trustees of the Lemon Grove School District, the nation’s first successful class action school desegregation decision involving Mexican-origin students. A commonplace in US school desegregation history is that it started with the 1954 landmark Supreme Court decision of Brown v. Board of Education. This study argues that the Alvarez v. Lemon Grove case’s success was because it was a multifaceted, multilayered effort involving multiple agents: Mexico’s State Department, the Secretary of Public Education, and the San Diego Consul, as well as lawyers and families. It considers the ways such efforts were successful in this instance in preventing segregation, yet how they were unsuccessful in disrupting other forms of racism, particularly whiteness as the standard. Ultimately, this analysis demonstrates the need for such a multidimensional analysis of similar cases in the future, a transnational archival methodology.

This essay utilizes the newly translated seminar by Jacques Derrida, Life Death, to formulate a theory of rhetoric linking genetic modifications and larger issues of social and environmental justice. The essay aims to demonstrate one avenue for integrating Life Death within the greater landscape of new materialist rhetorical theory as well as within the rhetoric of science. To do so, it examines the genetic impacts of lead poisoning in marginalized communities to posit how rhetoric links together research in the life sciences and humanities to explain the relationship between genetic alterations and structural discrimination.

After the catastrophic Wenchuan Earthquake occurred in Sichuan, China in May 2008, a memorial was built to commemorate the disaster. This essay aims to study how the Wenchuan Earthquake Memorial, as a rhetorical space, creates a national image of tenacious rebirth through the rhetorical reconstruction of the trauma. Analysis shows that the memorial selectively remembers the disaster, publicizes the collectivist spirit and the Communist Party’s leadership for their role in disaster relief and reconstruction of the disaster areas, conveys the rhetoric of hope for the people in the disaster areas and the nation, but ignores the controversies surrounding the quality of school buildings and student victims through silence and alternative presentation. As a political carrier and a tool for educating visitors, the memorial has become a politicized space and transformed from a natural historical site to a political memory space, thus realizing the penetration of politics into people’s daily life.

This essay draws from materialist rhetoric and game studies to conceptualize games as objects and sets of material practices whose relations to other objects and practices articulate discursive knowledge and, therefore, serve as sites of meaning making. Employing a Foucauldian archeology, it draws on documents, practices, and records surrounding the board game go during Japan's Edo period (1603–1868) to demonstrate how practices related to the game operated as part of a "governing apparatus" aimed at the regulation of players' bodies. This analysis locates the rhetorical value of games in the relational contexts that structure discursive knowledge, framing game practice as material exercises of these knowledges, or rhetorical knowledges. As one consequence, this approach opens a space to conceive of game-adjacent texts, paratexts, and practices as essential components in the discussion of the discursive practice and rhetorical understanding of games.

Scholars in disability studies have recently sought to account for fatness, claiming an inseparable link between disability and fat scholarship. Interrogating the stigmas of fatness as a sign of bad character or lack of discipline, rhetoricians have advanced this thinking, illustrating how to be fat is to be rhetorically disabled. Contributing to these efforts, this essay argues that eating disorders, too, are often framed through deficit thinking, positioned as antithetical to mental fitness—a disparaging view echoed prominently by Hilde Bruch. Challenging normative perspectives of rhetoric centered in her theories, I analyze Bruch’s The Golden Cage, tracing descriptions of anorexia and pain through a feminist materialist lens, ultimately revealing how the rhetoricity of fat stigma can be read not only as a product of cultural, patriarchal norms but also as a complex, lived, felt experience of mental disability, expanding theories of rhetoric to the material intersection of gender and embodiment.

In this essay, we offer the “investigative pivot” as a framework for teaching rhetoric researchers how to orient and withstand being re-/dis-/oriented by the research process. Investigative pivoting indexes how a researcher responds to material conditions under which they collect and analyze data. To illustrate investigative pivots, we present and analyze pivot narratives from four graduate student researchers. Drawing on the analytic power of E. Cram’s rhetoric of orientation, these pivot narratives detail how we negotiate infrastructural, ideological, and institutional influences on our research process. When adopted, the investigative pivot prompts researchers to anticipate, recognize, and respond to the material-discursive hurdles of life and learning that follow us into our research sites. Such a framework, we argue, facilitates simultaneous methodological and pedagogical opportunities for students, teachers, and researchers of rhetoric.

What does it mean to be literate in contemporary rhetorics of nostalgia? How can such knowledge lead to a better-designed world? From scrutinizing digital technologies of longing like Facebook’s On This Day to pursuing Afrofuturistic traditions toward neostalgic tomorrows, this essay surveys the human need to bathe in lost pasts, how such longing is coded into our lives, and how it can be activated by rhetoric students to design equitable futures. In doing so, I propose five tenets of nostalgic design, a making-centric approach to the rhetoric of memory that (1) interrogates technologies of nostalgia, (2) learns from user longings, (3) urges solidarity across a design’s lifespan, (4) fragments isolated traditions, and (5) surveys the past for lost futures. Within each movement, I both introduce defining features of the rhetoric of nostalgia and assignments that aid students in remaking the memory systems around them.

Fascism is currently resurgent in national governments and enhanced popular acceptance of fascist ideas. But preconditions of fascism may also lie in ordinary language or speech. I draw from twentieth-century structuralism to support this claim. An account of how modern institutions exercise control over entire populations by inciting individuals to speak versions of truth about themselves to presiding authorities forms the centerpiece of my analysis. I define this rhetorical and political phenomenon as the incitement. My analysis emphasizes Michel Foucault’s works while identifying complementary arguments from other thinkers in the structuralist context (like Claude Lévi-Strauss, Roland Barthes, or Gilles Deleuze and Félix Guattari) as well as contemporary figures (such as Giorgio Agamben, Michelle Alexander, Judith Butler, and Ibram X. Kendi). I conclude by highlighting avenues for future research on the incitement and latent fascism.

This essay draws on theories of rhetorical ability to analyze public discourse on sexual consent. By emphasizing the rhetoricity of disability, these theories underscore the environmental conditions of communication. Through an analysis of the discourse surrounding a controversial legal case, the author develops a rhetorical theory of consent that calls attention to the way that arrangements of power enable and constrain the communicative conditions that facilitate the possibility of consent.

In this essay, I argue that the ecological turn in rhetorical studies has produced spatiotemporal problems and that these problems are directly tied to the material disciplinary history of ecosystems ecology and its connections to the Anthropocene violence of nuclear colonialism. These spatiotemporal concerns result from rhetoric’s “ecological moment”—a kairotic framework that emphasizes flux but elides material histories. Building from rhetorical scholarship in decolonial historiography and place-based methods, I offer a counterhistory of ecology to demonstrate how our field can better engage with the dynamic narrative pasts that shape contemporary rhetorical ecological inquiry. Through this counterhistory, I provide a method for combating rhetoric’s spatiotemporal concerns, a framework I refer to as field histories, which aims to situate disciplinary practices in place and time by combining historiography and fieldwork.

Upon the Arab Spring’s rise (2010–11), Arabs started expressing a sense of confidence in their capabilities as agents of change (a sense of agency). The emergence of that sense appears to have pushed Arabs to protest in the streets across their region. I draw on theories of agency, affects, and rhetorical ecologies to illuminate the emergence of the sense of agency in the Tunisian revolution. I explicate that Arab cultures and Islamic tradition inspired the emergence of the sense of agency and its interrelation with a sense of vulnerability and a sense of responsibility among Arabs, which pushed them to revolt. Thus, I offer a decolonial theory that affirms the Arab Spring as an authentic movement led by its people. The theory contributes a new answer to the long-standing dispute over agency, which is essential to understand how structurally marginalized groups arrive at the moment of resistance across cultures.

Ida B. Wells uses what critical race theorists call counterstory to expose contradictions in majoritarian assumptions about race in her statistical rhetoric. By using rhetorically forceful characteristics of the African American Verbal Tradition in counterstories about the victims of lynching, Wells leverages embodiment and emotion to amplify statistics of lynching. This essay examines the rhetorical properties of different versions of statistics of Black victims of lynchings from 1883 to 1891 that Wells used in the early 1890s to show how Wells’s approach to amplification in quantitative rhetoric honors and advocates for the people that can make up a statistic.

This essay shows how Plato uses methods of fourth-century rhetorical theory to build a theory of language-as-signification, which he constructed to overcome the problem of lies and “false speech” in sophistic culture. By deconstructing Plato’s theorization of signification, I question the historical process by which the “sovereignty of the signifier” (in Michel Foucault’s terms) came to be established, and I reposition Plato as a theorist in the rhetorical tradition who, by redefining the key terms of onoma, rhêma, and logos, created a theory of language that made lies all the more potent by reducing them to “mere signification.” It is this understanding of language as merely signifying and referencing the world that, I argue, lies at the root of the post-truth problem in 21st-century politics. While Plato’s truth problem is characterized by “silence without disproof,” our own post-truth problem is characterized as “disproof without silence.”

This essay reviews five books in rhetoric studies with the aim of identifying how these varied rhetorical inquiries of Black culture, Black life, and Black living expand the field’s understanding o...

This essay reads the 2009 Climategate blogosphere through the rubric of visual style. We argue that Climategate bloggers used the stolen e-mails between prominent climate scientists to leverage claims about the proper perspective for seeing data, imitate institutional forms of climatological inquiry, and posit transparency as a moral imperative in many online forums. Rather than attacking science tout court, these appeals to visibility operated on the grounds of visuality and proof established by institutional forms of scientific inquiry, thus alleging climate change-denying bloggers were the “actual” scientists. By forwarding alternative visualizations of global temperature data and characterizing institutional climatology as secretive, Climategate bloggers significantly shaped public understandings of global warming. Ultimately, our purpose is to show how a visual style is an ambivalent form of rhetoric that scientific experts may also deploy in public science communication.

This essay presents a theory of rhetorical decay, a rhetorical state that results from argumentative gestures that “derail” and suppress productive discourse (i.e., exchanges that produce new understandings, consensus, or “legitimate dissensus” between members of a public). Reviewing works from critical race studies, rhetorical criticism, and feminist rhetorical studies, the author identifies several individual preexisting concepts that can be classified as individual rhetorical decay–fostering practices. However, a gap remains in theorizing the larger category and understanding the outcomes of such rhetorics; this essay intervenes in this space by creating the metatheory of rhetorical decay, characterizing the family of gestures, examining affiliate concepts, providing an example of rhetorical decay in a contemporary public argument (over lesbian, gay, bisexual, and transgender marriage), and identifying precedents for mitigating such practices.

In Indigenous/settler relations, temporal rhetoric functions as an essential tool for both subjugation and resistance. Much scholarship on these temporalities focuses on Turtle Island and is thus implicitly shaped by a seminal historical event: the arrival of European colonizers. We extend this research by turning to Sweden, where the Indigenous Sami and the Scandinavians, who would later become their colonizers, have a long history of continuous interaction. We analyze a pamphlet written by Elsa Laula, the leader of the Sami civil rights movement in early twentieth-century Sweden, as well as Swedish policies and press documents from the time. While the settler Swedes employ similar techniques of temporal othering and erasure as colonizers on Turtle Island, Laula’s rhetoric differs subtly. Her rhetoric enacts resistance by highlighting how Sami temporalities are braided with Swedish temporalities, a rhetorical move that echoes their intertwined histories.