This study examines the extent to which a teacher’s level of expertise in the subject of a technical paper affects the teacher’s reading and evaluation of it. Four engineering teachers and four writing teachers were asked to read aloud the same three student papers and to say aloud their thoughts as they read. The engineering teachers read papers on familiar and unfamiliar subjects. This method allowed direct comparison of the responses of (a) engineering teachers with relevant expertise in a paper’s subject, (b) engineering teachers without such expertise, and (c) writing teachers. The comparison indicates that technical expertise helps teachers evaluate validity and engage with the text but has a more ambiguous effect on evaluations of rhetorical appropriateness. The article also examines the teachers’ differing attitudes toward the importance of having technical expertise when evaluating and recommends approaches for teacher-training programs (in engineering and composition) based on the results.

This article focuses on supervising professors’ and master’s degree students’ understanding and experiences of supervision practices in a Norwegian university, with focus on differences in text cultures and text norms between and within three academic disciplines. The interview study shows that each discipline is a heterogeneous discourse community with largely unarticulated differences. The findings suggest three supervision models, described as teaching, partnership, and apprenticeship. Dominant trends in supervisory relationships and textual practices are distinguished, and characteristics of each are outlined. Connections are shown between the models supervisors adhere to, the kind of texts they expect from their students, and how they provide feedback. As an example, conflicting attitudes toward exploratory student texts are discussed. The study shows that supervision models and textual expectations are influenced by the disciplinary text cultures in which supervisors and students take part. Finally, some practical implications of the study are suggested.

This article enters an ongoing discussion about the usefulness of different theories and different research designs in the analysis of classroom writing. Starting with questions about how students interpret the norms of writing and their own selves in school writing, it demonstrates the relevance of an ecological theory of writing, methodologically connected to in-depth case studies—double histories—of the dialogical relationship of student and teacher positionings over time. The related concepts of discourse roles and positionings are discussed in the context of the theories of Bakhtin and Mead. The writing double histories of two students and their teacher over 2 years in a Norwegian upper secondary school are presented. Analysis shows informants positioning themselves dialogically in relation to their ideas about self and the other, the social meaning of their written utterances in various school genres, and their changing interpretations of the social rules of school writing.

The article explores the purpose and methods of teaching the personal narrative in foreign language classrooms. Following a cross-cultural comparison of the history, purpose, and form of autobiography in first-language contexts in the United States and Japan; a review of the place of personal narrative in second- and foreign-language compo sition theory and practice; and the results from survey research involving 160 Japanese freshman students about high school writing instruction in English, a rationale and methodology for teaching personal narrative to Japanese college students of English is presented. The five-paragraph, thesis-driven personal essay presented in English as a second language/English as a foreign language textbooks is critiqued, with recommendations for a more organic form synthesizing story and essay, as in Barrington's concept of “scene, summary and musing.” The limitations of peer editing are discussed, and the bundan writing workshop is described as an effective alternative.

Historically, annotations have provided a means for discussing texts and teaching students about reading practices. This study argues that giving students annotated readings can influence their perceptions of the social context of a writing-from-sources task. Over 120 students read variously annotated letters to the editor, wrote response essays, and answered recall and attitude questionnaires. Evaluative annotations influenced students'perceptions of the text: Passages annotated with positive evaluations were rated as more persuasive than identical passages without annotations; passages annotated with negative evaluations were perceived as less persuasive. Students' global attitudes to the issue were unaffected. Evaluative annotations seemed to decrease student writers' reliance on summary and encourage advanced engagement with source materials. However, some annotations appeared to have negative impacts on essays, causing students to include irrelevant information. Ahypothesis that the perceived position of the annotator shapes students'conceptions of the rhetorical task is advanced and lent limited support.

L2 writing scholars have recently debated the appropriateness of using cultural constructs to enhance the teaching of English. An important aspect of writing, critical thinking, has received considerable attention. Some have suggested that Asians, including Japanese, do not display critical thought in their writing in English. Other researchers claim that Asians display critical thinking abilities differently than Western learners. In addition, they argue that learners from a particular culture are too diverse to make claims about the whole group's thinking abilities. This study proposes a model for assessing critical thinking in the writing of L2 learners to determine whether content familiarity plays a role in critical thinking. Findings of a study of 45 Japanese undergraduate students indicate that the quality of critical thought depended on the topic content, with a familiar topic generating better critical thinking. Results also suggested that differing assumptions between the L1 and L2 culture may lead to misinterpretations of the critical thinking ability of L2 learners.

In this study, the author examines the ways a small group of students and their teacher from an intermediate-level university writing class use the texts they create to negotiate private and shared public understandings of the complex interactional contexts of their work together. The author begins by examining some of the competing goals and motives that energize the participants' classroom efforts. To understand the sources of those diverse purposes and how they serve to shape and sustain subsequent classroom interactions, the author develops an activity-based framework of analysis that draws extensively from dialogical and functional-linguistic approaches to language, context, and interaction. Writing and written communication are portrayed as linguistically mediated and interactively structured processes of contextualization. Implications for how we conceptualize and organize classroom interactions, such as intensive peer review and student-teacher conferencing, and the central role that talk and writing must play in operationalizing those interactional contexts are discussed.

The issues of authentic context and authoritative ethos are explored through a study of a graduate student learning to write for mathematics within the context of an English for academic purposes (EAP) course. The student faced conflicts about audience, purpose, and content knowledge as she was required to write math texts within what she perceived was an inauthentic context, an English as a second language (ESL) course. She questioned the purpose of the writing tasks as well as why an ESL instructor was teaching her to write for math, and she addressed the conflicts by writing for the instructor's discourse community and expectations, rather than her own, to earn a grade for the course. The text the student created was thus inauthentic within her own discourse community and lacked her voice of authority. These findings question the validity of EAP courses and raise several issues, especially in terms of the transferability of skills from EAP to content courses.

This article examines the strategies used to read science articles written in the IMRD (Introduction, Methods, Results, and Discussion) format. Drawing on the results of a survey conducted at an international conference of science editors, it shows how three reader roles—those of the scientist, editor, and reviewer—influence reading strategies. Overall, respondents were more likely to read in IMRD sequence as editors than as reviewers. When reading for personal gain as scientists, they read strategically, not in IMRD order. Other variables considered were the mother tongues (native English or nonnative English), ages, and scientific backgrounds of readers. Nonnative English speakers tended to focus on news-rich sections, especially when reading as scientists. No evidence was found of an effect of age, but there was some evidence of a difference between readers from the hard sciences and those from the humanities. The findings have implications for our understanding of the function and development of the research article and for teaching scientists how to write for publication.

Commentary: English composition as we know it began in the early nineteenth century...but why is that important? Why would we care about poorly educated grammar school pedagogues—our distant colleagues!—fingers aching with cold as they parsed sentences, heard recitations, and fed the wood stove during those long wintery terms? Very simply, because their lives, practices, and less frequently, their writings give us back ourselves. Our own problems in teaching writing have recurrently presented themselves in forms that nineteenth-century teachers easily would have recognized. Like them, we sense the ongoing need for hard basics, the primitive core of our profession. Yet like those early teachers, we also dwell within a “reform tradition” that stresses the importance of students' interests and experience and continues to see the writing task as based on what used to be called “synthetic” insights and “self-active” learning. Inspired partly by romantic educational theories from the continent, this tradition grew out of the social and educational reforms of the 1830s and 1840s and provided the basis for the early progressive teaching of the 1890s. Prominent during the 1930s, and reasserting itself powerfully in the 1960s and 1990s, this student-centered approach manifests the continuing vitality of the enlightenment ideas and values and the romantic individualism that first gave it life.

In response to the need for studies that focus on learning and writing in mathematics, this study examined changes in students' probabilistic thinking and writing during an instructional program that emphasized transactional writing in a problem-solving context. Although correlations between probabilistic thinking and writing levels at the end of the study were not significant, students did make significant gains in both probability reasoning and writing. Analysis of target students' journals revealed that their writing incorporated both writing symbols and mathematical symbols. These symbols were more complementary for those students whose writing increased to the higher levels during instruction. Moreover, this growth appeared to be promoted by the teacher herself, who systematically sought verbal explanations of solutions and written interpretations of diagrams and numerical patterns.

The famous Awk is a well-known designation, but this label does not refer to a well-defined concept. The authors report here on an empirical study of the predominant types and patterns of awkward sentences in student writing. They suggest that four general types of syntactic problems—mismanagement of clause structure in errors of embedding, of syntax shift, of parallel structure, and of direct/indirect speech—are associated with four general patterns of semantic problems—mismanagement of idea structure in errors of subordinating ideas, of starting and finishing ideas, of adding ideas, and of incorporating ideas from sources. The authors argue that awkward sentences arise from a complex combination of semantics and syntax, as student writers struggle to manage the relationships among multiple ideas as well as the relationships among multiple clauses. These findings are used to suggest a number of possible pedagogical approaches to the problem of awkward sentences, including the use of read-aloud editing, the targeted teaching of grammar for syntactic editing, and the separation of ideas from sentence form for semantic editing.

Although the writing needs of English as a Second Language (ESL) students in U.S. higher education have been increasing as the number of ESL students continues to rise, institutional practices that are responsive to the unique needs of ESL writers are yet to be developed. The relative lack of attention to ESL issues in writing programs may be related to how the field of ESL writing has been defined in relation to its related disciplines: Teaching English as a Second Language (TESL) and composition studies. This study attempts to construct a view of the field that meets the needs of ESL writers. For this purpose, I present three models of ESL writing in relation to TESL and composition studies and discuss their implications.

Developing academic literacy involves learning valued content and rhetoric in a discipline. Within history, writing from primary documents to construct an evidenced interpretation of an issue requires students to transform both background and document knowledge, read and interpret historical documents, and manage discourse synthesis. The authors examine the potential of the Advanced Placement Document-Based Question as constructed and presented by an exemplary teacher to engage students in historical reasoning and writing. The authors analyzed how five students responded to four document-based questions over a year, tracing how organization, document use, and citation language indicate the degree to which writers transformed and integrated information in disciplinary ways. Students moved from knowledge telling (listing period and document content as discrete information bits) to knowledge transformation (integrating content as interpreted evidence for an argument). Students had difficulty learning to handle the complex layers of the task. The authors discuss how instruction might mediate this complexity and promote academic literacy.

The article offers a fresh perspective on semiotic approaches to writing. It endorses recent arguments for more study of writing that shapes and directs the production of material artifacts and for considering writing as one semiotic mode among others. The main purpose, however, is to consider a case of nonwritten symbolic production, architectural design, for what it may suggest for the study and the teaching of writing. A constructivist account is proposed whereby the design (like equivalent written texts) not only proposes and foreshadows a new object in the world but creates one, bringing into existence, through acts of representation, a virtual object that is real in its social effects. Transcripts from design conversations are drawn on to elucidate the characteristics of such virtual artifacts, and implications for writing are drawn.

This project investigated the effects of training for peer response in university freshman composition classes over the course of one 15-week semester. Eight sections of composition (total n = 169) participated. Students in the experimental group, composed of four sections, were trained via teacher-student conferences in which the teacher met students in groups of three to develop and practice strategies for peer response. Students in the control group, also four sections, received no systematic training aside from viewing a video example. The experimental and the control groups were compared with respect to the quantity and quality of feedback generated on peer writing as well as student interaction during peer response sessions. Analyses of data indicated that training students for peer response led to significantly more and significantly better-quality peer feedback and livelier discussion in the experimental group.

The purpose of this study is to trace the emergence of authorship in a beginning college writing classroom through two case examples. Three primary questions motivate this study of authorship: (a) What were students' interpretations of writing an essay based on sources? (b) How did these students organize their essays? and (c) What strategies did they use to advance their own ideas? An additional question focused on the instructional context of the course. In particular, how did the instructor represent the task of writing an essay based on different sources of information and the process of writing in the classroom? To answer these questions, each class was audiotaped during a 15-week semester and field notes were taken. Retrospective protocols and cued questions were used in order to understand students' evolving interpretations of the task they were given. The results show that although the instructor tried to foster a sense of engagement and commitment through reading, writing, and talking, the technical difficulty of the task, students' perceptions of their peers' interests, and a legacy of schooling and culture were equally important concerns that shaped the decisions made in writing. Implications for developing a theory of authorship are discussed as well as strategies for teaching.

Vygotsky's and Bakhtin's theories of social interaction are so general that they are not always useful guides for classroom practice. This study of secondary school classrooms in Great Britain and the United States reveals that when teachers apply similar theories to everyday practice, important pedagogical contrasts remain—both in terms of the ways in which instruction is organized and in terms of what students produce. The theories need elaborating. In everyday practice, social interaction is not binary, that is, either there is interaction or there is not. Rather, participants position themselves along a continuum of involvement—from highly involved to relatively uninvolved. Learners occupy different points within classrooms, from one classroom to another, and for the same student at different times. Also, the social space within the classroom affects student involvement and the teacher's ability to track it. This study found that in classrooms with the most highly involved interactions, students participated in curriculum making and belonged to a close-knit community.

Although studies of writing and literary understanding have demonstrated the value of analytic essay writing for enhancing story understanding, these studies have focused on student's initial interpretations without considering the effects of a teacher's support and direction. The purpose of this study was to explore how 9th- (n = 6) and 11th- (n = 6) grade students reformulated and extended their initial written analyses of two short stories through revisions fostered by two different kinds of between-draft written comments. After revising initial drafts in two response modes (directive and dialogue), the students wrote paragraph-length responses to posttest questions of story understanding. Results indicated significant (p < .05) main effects for response condition and grade level, with the dialogue condition enhancing story understanding more than the directive condition, and the 11th graders attaining higher posttest scores than the 9th graders. Data from composing-aloud protocols revealed that the dialogue condition supported the students' reformulation of their own interpretations constructed in the initial drafts, while the directive condition seemed to shift the students away from their own initial interpretations of the stories.

This study proceeds from the assumption that computers do not function as independent variables in classrooms, but rather as part of a complex network of social and pedagogical interactions. It examines the integration of computers into the writing practices of a remedial English class in an urban high school. Computers and word processors were introduced midway into the school year. The class was observed and recorded daily throughout the academic year, and all written work was collected. Six students were selected for in-depth focus as they carried out writing tasks. Analysis focuses on how classroom writing practices were structured and carried out and how students participated in writing tasks before and after the computers arrived. Although many changes accompanied the use of computers, the study concludes that the teacher's structuring of writing instruction had the greatest impact on both student writing and the ways computers entered into that writing.

An important element of written and other technological forms of communication is that they accommodate “distance” between sender and receiver in a way proximate communication does not. Despite its importance, the notion of distance has remained pretty much undeveloped in theories of written communication, and the reference points for developing it have remained scattered across various, often noninteractive, literatures such as social theory, network theory, knowledge representation, and postmodernism. Synthesizing across these diverse literatures, we formulate a set of concepts and axioms that lays down some baselines for the general communication context, proximate or at a distance. Our baseline concepts include, among others, relative similarity, signature, reach, and concurrency. We then move beyond these baselines to concepts and axioms that accommodate the specialized distance characteristics of written (also print and electronic) communication. These concepts include asynchronicity, durability, and multiplicity. We conclude by discussing how these concepts and axioms matter to (a) the theoretical modeling of proximate and written systems of communication (including print and electronic systems); and (b) the educational challenge of teaching communication at a distance in the proximate space of the writing classroom.

This study reworks the concept of genre from rhetorical, dialectical, and dialogic perspectives. From these perspectives, genre is redefined as a stabilized-for-now or stabilized-enough site of social and ideological action. This definition is then applied to a specific literacy practice—medical record keeping—evolving in a specific context—a veterinary college. Data were gathered during a 6-month ethnographic study of the college. The larger research project focused on the teaching and learning practices that constituted literacy, i.e., the ways of speaking, reading, writing, and listening characteristics of veterinary medicine. The project consisted of interviews, observation, and document collection. Triangulation was achieved both within and between methods. Data were analyzed using Glaser and Strauss's “grounded theory” techniques. When the concept of genre is applied to medical record keeping, the complexity of this literacy practice becomes apparent. A specific record-keeping system—the Problem Oriented Veterinary Medical Record (POVMR) system—was the site of intense controversy at the college. The system articulated a set of values that one group of faculty and clinicians espoused and another group rejected. The system itself was embedded in the exam structure of the college, and a good deal of evidence emerged that the POVMR itself was promoting certain types of literacy abilities and making others less likely.

Metadiscourse refers to writers' discourse about their discourse—their directions for how readers should read, react to, and evaluate what they have written about the subject matter. In this study the authors divided metadiscourse into textual metadiscourse (text markers and interpretive markers) and interpersonal metadiscourse (hedges, certainty markers, attributors, attitude markers, and commentary). The purpose was to investigate cultural and gender variations in the use of metadiscourse in the United States and Finland by asking whether U.S. and Finnish writers use the same amounts and types and whether gender makes any difference. The analyses revealed that students in both countries used all categories and subcategories, but that there were some cultural and gender differences in the amounts and types used. Finnish students and male students used more metadiscourse than U.S. students and female students. Students in both countries used much more interpersonal than textual metadiscourse with Finnish males using the most and U.S. males the least. The study provides partial evidence for the universality of metadiscourse and suggests the need for more cross-cultural studies of its use and/or more attention to it in teaching composition.

This study evaluated a method for teaching writers to anticipate readers' comprehension needs. The method, called reader-protocol teaching, involves asking writers to predict readers' problems with a text and then providing them with detailed readers' responses (in the form of think-aloud protocol transcripts) to illustrate how readers construct an understanding of the text. Writers in five experimental classes critiqued a set of ten poorly written instructional texts and then analyzed the protocol transcripts of readers struggling to comprehend these texts. Writers in five control classes were taught to anticipate the reader's needs through a variety of audience-analysis heuristics and collaborative peer-response methods. Pretests and posttests were used to assess improvements in experimental and control writers' ability to anticipate and diagnose readers' comprehension problems. Pretest and posttest materials were expository science texts. Writers taught with the reader-protocol teaching method improved significantly more than did writers in control classes in the number of readers' problems they accurately predicted. In addition, in contrast to writers in control classes, writers taught with the reader-protocol method significantly increased in their ability to (a) diagnose readers' problems caused by textual omissions, (b) characterize problems from the reader's perspective, and (c) attend to global-text problems. Moreover, writers' knowledge of audience acquired in one domain (instructional text) transferred to another (expository science text).

This article takes the position that teaching writing effectively to diverse students of non-English background will require an examination of existing views about the nature of writing and a critical evaluation of the profession's ability to work with bilingual individuals of different types. In order to explain this view, the article is divided into three parts. Part 1 describes the nature of bilingualism, identifies the population of students who can be classified as American bilingual minorities, and suggests that existing compartmentalization within the composition profession cannot address the needs of this particular population. Part 2 of the article reviews trends in current scholarship in second-language writing and points out that most of this research has focused on ESL students rather than on fluent/functional bilinguals. Finally, Part 3 lists and discusses a number of research directions in which the involvement and participation of mainstream scholars would be most valuable. In presenting an outline of questions and issues fundamental to developing effective pedagogical approaches for teaching writing to bilingual minority students, this final section argues that involvement in research on non-English-background populations of researchers who generally concentrate on mainstream issues would do much to break down the compartmentalization now existing within the English composition profession. It further argues that by using bilingual individuals to study questions of major theoretical interest, the profession will strengthen the explanatory power of existing theories about the process and practice of writing in general.

Through the use of case study portraits, this article examines naturally occurring one-to-one writing conference conversations between a ninth-grade English teacher and three students in his class. Suggesting a broadened model of effective writing conference instruction, the article considers composing processes that appear to be privileged in the conference context when different students are learning to write. The focus is on the dialogic nature of markedly contrasting conversations, demonstrating that while dialogue wears many guises and while the give and take between teacher and student can be fleeting and “forgettable,” the conversational context contributes to a deliberative process critical to the process of composing. Methodology for the research on which this article is based drew on ethnographic techniques combined with discourse analysis of writing conference conversation.

This study examined the effects of computer network technologies on teacher-student and student-student interactions in a writing course emphasizing multiple drafts and collaboration. Two sections used traditional modes of communication (face-to-face, paper, and phone); two other sections, in addition to using traditional modes, used electronic modes (electronic mail, bulletin boards, and so on). Patterns of social interaction were measured at two times: 6 weeks into the semester and at the end of the semester. Results indicate that teachers in the networked sections interacted more with their students than did teachers in the regular sections. In addition, it was found that teachers communicated more electronically with less able students than with more able students and that less able students communicated more electronically with other students.

To understand the ways that teachers adapt writing instruction to a microcomputer classroom, the researchers observed and recorded activities minute-by-minute in four classes for a full semester of introductory composition. Two experienced teachers each taught two classes: one traditional class and one class that met for half of its time in a microcomputer classroom. This report contrasts their classes, calling attention to (a) the time pressures created by teaching with computers, (b) issues in training students to be proficient at word processing and revising, (c) ways a microcomputer classroom can foster workshop approaches to teaching writing, (d) the need for carefully structured classroom activities, and (e) the importance of teachers sharing with students common values for learning with computers in a group setting.

The fields of social cognition and writing have both evolved significantly from their infancy in the 1960s. Yet by 1960, each field had already suffered from years of neglect; a social-cognitive framework was initially published in the 1930s (Mead, 1934), while audience awareness in speaking and writing was first addressed by Aristotle (Cooper, 1932). During the 1970s, cognitive-developmentalists interested in audience awareness in writing found Piaget's (1926) description of the egocentrism displayed by children in various communicative tasks particularly appealing. The combined acceptance by these writing researchers of the concepts of egocentrism and decentration led to a growing concern for audience awareness and adaptation in written communication. However, many researchers noted the limitations of cognitively based audience heuristics and the conflicting evidence regarding egocentrism. Support for their views on writing was found in the new field of social cognition and writing. Of the four theoretical positions currently advanced in the field, Rubin's (1984) multidimensional proposal dominates the research. Although the actual studies generated have been few, numerous theoretical and methodological problems already plague this area of research. Nonetheless, the emerging social-cognitive model of writing presents implications for research and teaching not available under traditional perspectives.

Using a single-subjects-with-replicates design, this study investigated conference influence on first graders' knowledge about revision as well as revision activity. Sixteen children participated in group writing conferences with a teacher, in a natural classroom setting, every other week from February through June. Data from three baseline points and seven conference points were summarized. At conference data collection points, students wrote, conferred in groups with a teacher, were interviewed about potential revisions, and revised work in progress. At baseline points, the same events occurred, but there were no conferences. Two main variables were used to evaluate knowledge of the revision process: number of spots suggested for revision and average specificity of suggested changes. The main variable for actual revision activity was total number of revisions made. Final drafts were also rated for quality. Conferences did influence revision knowledge and revision activity for many children. However, the extent of conference influence was mediated by certain entry level student characteristics. Generally, the most positive effects occurred for students who began with the least amount of knowledge about revision, who were initially doing the least amount of revision, and who were initially writing pieces judged among the lowest in quality.

Holistic reading is widely used to assess the proficiency of non-native-speaking (NNS) writers. However, ESL professionals, who have been profoundly influenced by the notion that attention to the NNS author's message is an integral part of teaching the writing process, have questioned how well native-speaking (NS) raters comprehend NNS texts, given that the task of decoding NNS prose is even further complicated by the time constraints of the holistic scoring process itself. This article describes a study that investigated the extent to which NS holistic raters comprehend NNS texts. After rating several practice compositions, subjects rated one of two qualitatively distinct essays, and then wrote recall protocols to test their comprehension. Data analysis revealed that readers of the better written text recalled significantly more than did readers of the less well written text, indicating that NS holistic raters attend to meaning when evaluating NNS writing proficiency.

The primary objective of this study was to investigate the role of content knowledge on topic choice in writing. Children's knowledge on topics they wanted to write about (want topics), on topics they did not want to write about (don't-want topics), and on topics the teacher chose (teacher topics) was measured using Langer's topic-specific knowledge measure. Results showed that children had significantly more knowledge, as assessed by the fluency and combined knowledge measures, on the want topics compared to the don't-want topics. In addition, children had significantly more knowledge on the want topics than on the teacher topics. There was no significant difference in knowledge between the children's don't-want topics and the teacher topics. These findings not only demonstrate the significant role of content knowledge on one writing process, topic choice, but also add support to students' self-selection of writing topics.

This program evaluation was undertaken to assess the broad, measurable effects of using computers to teach introductory college composition. In total, 24 classes were studied—12 control classes and 12 experimental—with the experimental computer classes meeting in the lab for half of their instructional time. Data on the success of the program were collected from a range of sources: pre- and posttests of student writing under both impromptu and take-home conditions; pre- and posttests of writing anxiety; records on attendance, tardiness, withdrawals, and homework and essay assignment completion; end-of-term course evaluation by both teachers and students; and self-report data collected from teacher meetings and teacher logs. Results favored the use of computers, with computer students revising and improving their posttest essays (especially discourse-level features) at levels significantly better than those of regular students. Those students in experimental sections who chose to compose on computers at the end of the term outperformed the group as a whole and performed significantly better than those experimental students who chose to compose with pen and paper. Attitudinal data from both students and teachers also favored the use of computers.

This article argues that the Given-New research done by linguists on texts can be used effectively in process approaches to teaching composition. Current theories define coherence as an integrative meaning formed cognitively by writers and readers. Cohesion refers to the means of combining surface text elements for retention in the reader's short-term memory. In this study, college students were taught Given-New cohesive principles as guides for invention, arrangement, and revision, and as cues to aid the reader's coherent processing of their intended meaning.

Donald Graves has achieved wide recognition for propounding a method for teaching elementary students how to write that stresses unstructured expression of personal experiences. He uses his case study of sixteen New Hampshire children as a research base providing proof of the efficacy of this method. However, his observations from this study qualify as reportage more than research. The work of the Graves team in New Hampshire represents a demonstration of teaching ideas that work well under favorable circumstances. Because he never considers negative evidence for the hypotheses he is testing, his work does not constitute research.

This article discusses one student's persistence in misunderstanding her teacher's written comments on her papers, even when these comments are accompanied by other response channels that serve, in part, to clarify the written comments. It presents the idea that student and teacher each bring to the written response episode a set of information, skills, and values that may or may not be shared between them, and it is the interplay of these three elements that feeds the student's reading and processing of teacher written comments and that leads to misunderstandings. This happened even for a high-achieving student in an otherwise successful classroom. An in-depth look at one student and the classroom context in which she learns to write, focusing on her grappling with her teacher's written comments, reveals the complexity of the teaching-learning process in the high school writing class.

Matched-pair samples (N= 174) of women and men faculty at doctoral-level universities and at traditionally women's colleges responded to a questionnaire in ways indicating (a) that at universities or colleges, women equal their male colleagues' time investments in writing and males' rates of publishing journal articles; (b) that at women's colleges, men and women devoted about half as much time to writing, devote about twice as much time to teaching, and publish articles at half the rate of their university counterparts; (c) and that, in either setting, women experience more discomfort about pressures to publish, feel more adversely affected by harsh reviewers, and report less confidence with their writing than do men, especially men at universities.

This study examined three recent language arts textbook programs to determine the frequency of writing activities, the nature of writing tasks, and the frequency of process-approach activities such as selecting topics, prewriting, sharing, revising, and publishing. Results indicate that elementary school students receive in the central part of the lessons in their language arts textbooks opportunities to write an averange of approximately one piece of extended writing per week. Typically, the topic of the piece is selected by the text rather than the student; there is no prewriting activity; the piece is not shared with a teacher or peers; revision, which is seldom suggested, focuses on editing surface features, not content; and students' products are not published. Recommendations for improvements in writing activities are considered.

The purpose of this study was to examine the effects of teacher training in the NWP model on student writing. The sample consisted of 383 students, in junior and senior high school at the time of the study, with ten essays each gathered over three years. Teachers responded to a questionnaire of practices in teaching composition. Results favored the treatment group at the junior high level. The highest mean score was achieved by senior high students of trained teachers. Statistically significant differences were found between trained and nontrained teachers for four instructional practices and for the amount of interaction with other professionals.

Speech that is authentically oral tends to avoid language that is abstract and conceptual in favor of “down to earth” language. Literacy tends to encourage the former at the expense of the latter. Our educational system starting at the primary level should encourage the latter even while teaching habits of reading and writing. This can be done by including oral recitation in the curriculum and in particular recitation of popular poetry accompanied by music, dance, and also memorization. The modern media, despite their use of electronic sound and image, tend to overuse conceptual language to disguise the hard meaning of what is being communicated. The management of the public relations of the shuttle disaster offered a striking illustration of this habit.

Teachers of writing have currently been showing an interest in error analysis, a device that has been used informally for some time but has received serious attention from linguists and language teaching methodologists only recently. This interest in error analysis seems strange because this type of analysis possesses many of the characteristics of structuralism and few (if any) of the characteristics of tranformationalism. As a result, the objections to error analysis are partly theoretical in nature. Because the number of sentences in a language is infinite, the number of different kinds of errors that students can make is infinite or, at least, indefinitely large. Because of this, the chance of a student producing a particular sentence exhibiting a particular error is very small. This is the principal reason behind the creation of vague, general, and subsequently rather meaningless categories in the taxonomies that are used in error analysis. For this reason, it would seem to be appropriate for teachers to abandon error analysis and lead students through the use of creative language exercises into the writing of creative sentences.

This article discusses how research on the origins of writing from such fields as anthropology, linguistics, philosophy, and history provides new perspectives on current writing research and on the teaching of writing. Four major issues are considered: (1) the functions of writing, (2) the influence of writing and writing systems on the writer, (3) the role of the writing topic on writing, and (4) writing and the decontextualization of knowledge. The implications of these issues for research on and the teaching of writing are considered.

The composition teaching we tend to associate with nineteenth-century schools was exemplified by A. S. Hill's courses at Harvard, which emphasized correctness, clarity, stylistic refinements, and organization. But there was also a “reform tradition” that stressed the importance of the student's interests and experience, and saw the writing task as based on observation, description, speaking, and listening. Inspired partly by romantic educational theories from the continent, this tradition grew out of the social and educational reforms of the 1830s and 1840s and provided the basis for the early progressive teaching of the 1890s.

The purpose of this study was to examine one type of literacy event in a second grade classroom—“free writing” and, especially, its sharing time phase—from the perspectives of the classroom teacher and selected class members. The study was based on data collected over a 14-week period in a second-grade classroom. Data gathered included observation notes, audiotaped recordings of the children's talk while writing, written products, and child interviews. The study's findings suggest a social fact or dynamic operating in classrooms that has implications for both researchers and practitioners concerned with school writing; that dynamic is the individual child's social life within the classroom itself and, particularly, his or her social interpretations of school writing tasks (what each is trying to do, for whom, and why).

Considerations of audience awareness are receiving increased attention in composition theory and pedagogy. Sensitivity to audience characteristics exerts demonstrable effects on composing processes and products. Audience awareness is often conceived as a unitary, global construct, however. In fact, the distinctly identifiable dimensions of social cognition include (1) subskills, (2) coordination of perspectives, (3) content domain, (4) content stability, and (5) audience determinateness. These dimensions and their components are discussed along with their interaction with composing processes. This multidimensional conception of social cognition provides a framework for further composition research and teaching.