Master’s thesis writing is a challenging endeavor, requiring students to engage in deeper learning processes and apply several academic competences. This study investigates the associations between students’ approaches to master’s thesis writing, the perceptions of the thesis as a teaching-learning environment, self-efficacy for thesis writing, and thesis grade. The data consist of engineering students’ answers (N=283) to a survey and their thesis grade, gathered from the study register of a Finnish university. The findings indicate a positive association between the thesis grade, deep and organized approach to thesis writing, self-efficacy as well as levels of interest and relevance for thesis writing. This study identified three groups of thesis writers who differed from each other in their approaches to thesis writing: 1) Students applying a dissonant approach; 2) Students applying a deep and organized approach; 3) Students applying an unorganized approach. Students applying a deep and organized approach to thesis writing differed significantly from the other two groups as they scored higher in their experiences of the elements of the thesis as a learning environment, self-efficacy for thesis writing and thesis grade. This study highlights its results in conjunction with previous research and offers practical implications for master’s thesis writing support. 

The Routledge Handbook of Second Language Acquisition and Writing is a collection of research papers edited by Rosa M. Manchón and Charlene Polio. They aim to create a compendium that serves to contextualize and synthesize the development and research practices of the connection between second language (L2) writing and second language acquisition (SLA). The chapters of the collection feature theoretical perspectives and current empirical development on how and why L2 writing can be a meaningful site for language learning. Three reasons are formulated to articulate the significance of the volume concerning SLA-informed L2 writing studies: (1) research outcomes in this research domain are theoretically and empirically fruitful; (2) the theoretical contributions to the SLA knowledge are newly achieved; (3) L2 writing plays an indispensable role in instructed second language acquisition (ISLA) settings. By taking into account the socially situated nature of L2 writing teaching and learning, Manchón and Cerezo (2018) highlighted the substantial value of integrating L2 writing with SLA theories and research for both boosting the L2 learning process and advancing present and prospective SLA research agendas. Such an academic viewpoint appears to be predominant and invaluable in this collection with its theoretical advancements and practical insights contributed by authors from diverse educational settings.

Twictée, a portmanteau of Twitter and dictée (French for dictation), is a collaborative method for teaching spelling that promotes the metacognitive reasoning needed to understand and assimilate the morphosyntactic features of French spelling. The present study evaluated Twictée’s impact on spelling performance in 40 classes of 4th-, 5th-, and 6th-grade students (N = 893 students). Mixed-model analyses showed a significant improvement in global spelling performance over time, but the impacts of the interaction between time and condition reached significance for only four specific aspects of spelling performance. Nevertheless, further analyses showed that Twictée’s overall impact on spelling performance was significantly greater in schools in disadvantaged urban areas and in large classes. We discuss these results in the light of previous qualitative analyses carried out on this corpus

Jaclyn Carter is an educational development consultant at the University of Calgary and coeditor of Women and War from the Middle Ages to the Renaissance (2020).Michael Tavel Clarke is associate professor of English at the University of Calgary. He is the author of These Days of Large Things: The Culture of Size in America (2007) and coeditor with David Wittenberg of Scale in Literature and Culture (2017). He coedits the journal ARIEL: A Review of International English Literature with Faye Halpern.Maura D'Amore is professor of English at St. Michael's College in Colchester, Vermont. She is the author of Suburban Plots: Men at Home in Nineteenth-Century American Print Culture (2014).Faye Halpern is associate professor of English at the University of Calgary. She is the author, most recently, of an article in Narrative called “Charles Chesnutt, Rhetorical Passing, and the Flesh-and-Blood Author: A Case for Considering Authorial Intention.” She coedits the journal ARIEL: A Review of International English Literature with Michael Tavel Clarke.Derritt Mason is associate professor of English at the University of Calgary. He is the author of Queer Anxieties of Young Adult Literature and Culture (2021) and the coeditor, with Kenneth B. Kidd, of Queer as Camp: Essays on Summer, Style, and Sexuality (2019).Rachel McCabe is an assistant professor and director of writing at La Salle University. Her research focuses on the affective experience and its importance to the reading and viewing of texts and how doing so impacts the student writing process. She also considers how positions of power and privilege influence the interpretation process. Her scholarship has been published in Composition Studies, Studies in Documentary Film, and Compass.Jessica Nicol is an educational developer at the Southern Alberta Institute of Technology (SAIT) and author of the recent chapbook Can I Ask You a Question? (2020).Zack Shaw is a fourth-year PhD candidate in the Department of English at the University of Florida, where he studies rhetoric and composition, film and media studies, and animation. He has taught upper- and lower-division courses, covering diverse topics such as film analysis, argumentative writing, technical writing, first-year composition, and media composing. He designs each of his courses with the ultimate goal of creating a multimodal, inclusive, and accessible educational experience for all students. He holds a Master of Arts degree in English from Northeastern University, and his work has previously appeared in Kairos: A Journal of Rhetoric, Technology, and Pedagogy and ImageTexT: Interdisciplinary Comics Studies.Anne Shea is associate professor and chair of the Writing and Literature Program at California College of the Arts. Her fields of teaching and research include twentieth- and twenty-first-century North American literature and composition. She has published essays in College Literature, Contemporary Literature, MELUS, and Women's Studies, among others.Nathan Shepley is associate professor of English at the University of Houston, where he teaches rhetoric and composition courses at all levels. The author of Placing the History of College Writing: Stories from the Incomplete Archive (2016) and articles in journals including Reflections and Composition Studies, he studies interactions among place, history, and college student writing. He remains active in creating pedagogical resources for and otherwise assisting his fellow instructors at the UH Department of English.William Stroup is professor of English at Keene State College, New Hampshire's public liberal arts college. He teaches courses on eighteenth- and nineteenth-century British literature and on environmental literatures in many traditions. He has presented on Jane Austen and pedagogy at MLA and his essays have appeared in The Wordsworth Circle, ISLE, volumes on Wordsworth and the Green Romantics, and elsewhere. He is currently editing an unpublished play by the poet Amy Clampitt about Dorothy and William Wordsworth and serving as a Thayer trustee of the Keene Public Library.Morgan Vanek is assistant professor of English at the University of Calgary. She is currently at work on a book titled “The Politics of the Weather, 1700–1775.” Research related to this project has recently appeared in Studies in Canadian Literature/Études en littérature canadienne, Eighteenth-Century Studies, and Eighteenth-Century Fiction.Paul Walker is a professor of English at Murray State University, where he teaches rhetoric, writing, and literature. His published work has primarily focused on composition, assessment, environmental rhetoric, and archival research. He is the founder and editor of Intraspection: A Journal of Rhetoric, Culture, and Style, and is currently working on a monograph about the rhetoric of ordinary heroism.

Though only two names appear as authors of this volume, it would take a crowded eighteenth-century-style title page to include everyone whose work is included. The content as well as the format of this volume are collaborative, in the best senses of the term, making it of great value to teachers in the humanities with specialties well beyond the long eighteenth century. Bridget Draxler, of St. Olaf College in Minnesota, and Danielle Spratt, of California State University, Northridge, take on crucial questions of engaging a wider audience with the scholarly dynamics of cultural history, and add to the rhetorical strategies of defending the humanities along the way. Their resolve to show both successful assignments and those that went wrong, and to prominently include the voices of imaginative and supportive administrators (thank you, John C. Keller at University of Iowa), inclusive museum and library directors such as Gillian Dow at Chawton House, and especially students and community collaborators, provides a reflective model for other educators. Austen scholar Devoney Looser's reflection that she had to “reinvent [her]self” to be “an engaging ambassador for the past” (52) speaks to the spirit of the volume: seeking participation without sacrificing attention, urging students and faculty to work beyond campus without condescension.Draxler and Spratt use a six-part structure to organize the volume: “The Street” takes on what Spratt calls “the savior complex” in service-learning projects, discussed in greater detail below. “The Library” and “The Museum” are differentiated based on the structure of student projects from “The Archives,” “The Digital Archives and the Database,” and “The Eighteenth Century Novel, Online.” Their theorizing of the connections between what service learning can look like in the humanities with the promises and limits of digital humanities strengthens the book. Some examples involve institutional support in terms of available collections and opportunities for enhancing the meaning of study-abroad programs, while others approach digitization strategies for institutions and students without access to such resources. “In the face of an expert-scoffing, diversity-averse, post-truth society that rejects care for language as mere political correctness it has never been more critical to teach the past with a public purpose” (8), the editors write in their introduction. From this, the examples of accountability and self-reflection to avoid a “savior complex” in connecting publicly engaged learning with literary studies, including undergraduate seminars on Austen, develops into an argument that expands from Austen into other examples.Austen's prominence in the title (and on the paperback cover) functions like Austen's name in lights in programming announcements and course titles: it brings in an audience who may have been exposed to Anya Taylor-Joy's expressive eyes in the most recent Emma or Ciaran Hinds's life-giving sideburns in the 1995 Persuasion and signed up for the books themselves. Once in, the connection to other cultural productions of the long eighteenth century besides Austen can ensue. The opening two chapters engage the most with Austen, while teachers in other historical fields might benefit the most from reading the later sections on digital archives. Emma is the most-cited novel, finding among its merits a fine object-lesson in a sort of “savior” complex: Emma's condescending visits to the cottages of the local poor, whose dingy interiors have been briefly illuminated by her visits. Spratt's opening chapter “The Street” augments recent Emma studies in a way that would make any reader want to enroll in her class, as she is able to use Emma Woodhouse's visits to the local poor as an object lesson to understand the class dynamics to be aware of in service learning. Two examples of complex moments in teaching Emma in the undergraduate classroom are used for extended examples. Both are helpfully presented, and one changed my mind in a way that parallels Spratt's account.From Emma the painful scene of Mrs. Elton, newly arrived in Highbury from Bristol, seeking to arrange Jane Fairfax's expected need for a position as governess has been one of the most famous in Austen studies at least since Edward Said (1993) centered the discussion of Bristol's role in the Atlantic slave trade in Culture and Imperialism. Spratt theorizes her approach to teaching this scene in ways that have become widely shared, but concludes that Emma's silence during a scene of discussing both “the sale of human flesh” and what Jane Fairfax calls “the sale of human intellect” and the suffering attached to unprotected governesses at the time demonstrates Emma's indifference to these topics. Certainly, Emma Woodhouse is no antiracist activist, any more than Austen was a Wollstonecraft, yet it is still possible to read her silence here as a shocked response to the arrogant, domineering, presumptive behavior of the newcomer. More convincing is Draxler's discussion of how student investment in their projects—especially preparing to lead discussions of each Austen novel at the local public library—changed her long-established feelings about the character of Henry Tilney in Northanger Abbey. If the received reading of his famous harangue of Catherine endorses the novel's critique of Gothic fantasy, her students’ engaged response to Henry's “Remember that we are English, and that we are Christians” (qtd. on 92) positions him not as an ideal but as “his father's son”: “A few months before the #metoo movement started, my students taught me that it's not just the General Tilneys and Harvey Weinsteins and Donald Trumps of the world who disempower women through villainous abuses of power; it is also, importantly and heartbreakingly, the Al Frankens and the Henry Tilneys, with their uncouth jokes and thoughtless entitlement” (92). At the time as such references may seem to risk a limited shelf life, this volume also includes one of the most thoughtful and useful definitions of “presentism” and its dangers that I know of, as it moves from a shared definition to a memorable, useful phrase many teachers will use: “Presentism occurs when we interpret historical phenomena according to the concepts, vocabulary, values, problems, or opinions endemic to our own time period, leading us to misapprehend the actual nature of our historical object of inquiry. Presentism interprets things as we are, not as they are” (emphasis added, 214). To write, and to teach, with the pull toward contemporaneity modified by this historical imagination comes close to my definition of the liberal arts, and that last sentence will show up in my class notes soon.The discussions of Austen's textual history, of the editing of primary sources from the long eighteenth century (with an extended example from the writings of Sarah Fielding), and of the undergraduate (and, in one chapter, graduate) productions that emerge from these sources would look quite different (the pandemic notwithstanding) at large institutions with substantial print-based library resources. For this reviewer, and for most of the teachers for whom their work is intended, the focus on digital access and shared resources for students at a range of schools other than Research 1 institutions are welcome and helpful, and even for those of us with commitment to printed texts and joyful unplugged reading, profoundly democratic and portable. Amy Weldon's contribution describing the guided tours she's led for her Luther College students to key Romantic-period author sites (which she presented brilliantly at a recent conference of the Association for the Study of Literature and Environment) also shows the need to theorize and complicate our historical experiences. Throughout the latter chapters the emphasis on making the work of editors and scholars understandable to students functions as another beyond-Austen structural example. This volume goes far to explain and contextualize for students the role and function of editors, which for the contexts of open-source and user-modified materials retain a special importance. Spratt's example from a graduate classroom of creating a digital edition of Sarah Fielding's 1759 novel The History of the Countess of Delwyn functions as a useful case study in this area. To the question of why digitization in itself cannot be the answer to every need, the inevitable challenge of the medial s remains instructive for teachers at every level: that is, from a high school history class encountering what looks like “Congrefs” in images of American Revolutionary documents, to the “Boatfwain” bellowed to in the opening dialogue of the First Folio: these cannot be scanned without intelligent, contextualized preparation of a reading text, even without the question of where and when to annotate. Austen's texts are among the first to transition away from the medial s in printed English, but even there such non-digitizable artifacts as paper quality (the acidic near-newsprint of the unknown author's first 1811 printing of Sense and Sensibility vis-à-vis the pleasantly heavy paper and generous margins of John Murray's 1816 first edition of Emma) provide useful reminders of humility for even the most passionate advocates of the digital humanities. Still, this volume features insightful analysis of how the implications of collaborative digital approaches challenge the philological precedents of what became the expected practices of modern literary scholarship. As part of a pattern of quoting students in this work, Draxler cites Alison Byerly from a Newberry Library seminar on a point that extends the interest of the book beyond the long eighteenth century to any “data-driven” “inherently collaborative” approach: “At some level, this requires us to abandon the notion that meaning can be generated only through the power of the individual mind. A different kind of meaning is exposed when technology uncovers patterns or information that would otherwise remain invisible. Coming to terms with that meaning requires a different way of thinking” (154). As much as this is in keeping with other theoretical approaches shaped by poststructuralist linguistics, the figure of “uncovering” the process of both editing and the selection of texts for attention provides a dynamic approach to a period of historical literature that won't keep still.Is 2018 already long ago? For teachers at most institutions, it certainly feels that way. The Enlightenment, and its spirited critique by many of the Romantic generations, created many institutions: the museums, libraries, schools that many current educators are working to make more accessible and inclusive. As remote learning, live-streamed events, and other virtual programming have become essential with the ongoing pandemic, the collaborators in this book are well positioned to help scholars in related fields with meaningful transitions. Though even the mention of sharing pizza at a class where students edit Wikipedia entries for eighteenth-century women writers, or of friendly talk and laughter among undergraduates and local senior citizens at Austen-related book discussions held off-campus take on a moving resonance of the power of in-person events, this reminder of the need for contact and synchronous discovery provides valuable inspiration as we move forward.

AbstractInstructors of writing-intensive disciplines infrequently integrate cinematic media in composition curricula. Furthermore, when instructors use films in composition courses, they often treat films merely as supplemental texts tangentially relevant to course topics and prioritize teaching content rather than media or filmmaking. This pedagogical approach overlooks an opportunity to ask students to consider how the audiovisual rhetorical efforts can meaningfully harmonize or create dissonance with the content. In this research study, the author argues that students are active media consumers engaging frequently with media as a form of composition. He navigates the limitations of Gregory Ulmer and Lev Manovitch, whose early work stressing the primacy of media literacies in composition classrooms is nonetheless seminal to the author's larger claims of film's educational import. The author relates the results of the IRB-approved research of his composition students, who offer feedback about the use of film in the class. The author calls for greater attention to film instruction and curricula development for collegiate composition classrooms, urging educators to move beyond film's supplemental use and toward more educationally fruitful practices, including teaching active watching and basic film analysis. Film is a critical form of cultural communication and media, and the author contends that it is a pivotal part of the landscape of twenty-first century literacy engagements.

Abstract This essay maps the logistics and advantages of reading and teaching texts in their original installments as a means of theorizing seriality in the undergraduate literature classroom.

AbstractThe activity of close reading lies at the heart of literary studies, a “signature pedagogy” that distinguishes English from other disciplines. Despite its centrality to the discipline, however, close reading has been curiously resistant to analysis. This lesson study aimed to determine where students encounter challenges in close reading. Contrary to dominant narratives in the discipline, the university students in this study were adept at formal analysis. They were challenged, on the other hand, by invitations to make intertextual and personal connections to the text. Analyzing features of successful close reading, the essay proposes that intertextual thinking and personal connection are important components. The essay recommends assessing student skills in the initial stages of teaching close reading and, when warranted, integrating instruction in intertextual thinking and making personal connections alongside formal analysis. It also suggests group discussion may help leverage these neglected components of close reading.

AbstractThis article uses narrative inquiry to examine one instructor's experiences teaching two first-year writing classes, each one marked by different pedagogical choices. Themed with the topic of place and foregrounding the recurring example of Appalachia, the classes were nonetheless taught outside the region usually called Appalachia and to college students coming from, and identifying with, places other than Appalachia. This resulting data lends support for easing non-Appalachian-identified students into studying Appalachia as a rhetorical case and for encouraging students to explore various ways that textual representations of Appalachia reveal social and economic patterns noticeable in some form elsewhere.

The role of public memory in a digital information age beckons us to explore how information is stored, managed, and circulated throughout various networks. Engaging with questions of public memory allows us to meditate on how we and future generations have developed processes and methods of information management that shape how knowledge emerges today. In order to understand how public memory interacts with networks of information, we must look at the systems and technologies that store, manage, and make publicly accessible this information. Nathan R. Johnson’s Architects of Memory: Information and Rhetoric in a Networked Archival Age serves as an important contribution to this task by historicizing the formation of these information infrastructures. Johnson contends that the convergence between the labor of memory infrastructure and the development of mnemonic technê directly drives circulation of knowledge—and the history of this convergence undergirds the way networked archives take shape in our digital present.Architects of Memory carefully stitches together the history of memory with a detailed account of information science’s development in building infrastructures of memory in library schools and military intelligence agencies. In doing so, Johnson uses two key frameworks—memory infrastructure and mnemonic technê—to forge connections between memory as a commonplace in rhetorical history and in a digital age. By definition, memory infrastructure, per Johnson, refers to “the backgrounds that expose particular modes of memory” and elucidates a society’s typical patterns for exchanging and remembering information (6). Mnemonic technê denotes the technological resources used to collect, organize, and archive information that became crucial to the development of information science in the mid-twentieth century. While chapters 1 to 6 trace how memory infrastructures and mnemonic technê interanimated one another throughout the latter half of the twentieth century, Johnson’s “intermezzo” chapters provide specific examples that narrow in on the development of mnemonic technê. For example, the emergence of the Dewey Decimal Classification, punch-card coding systems, and library book trucks represent how mnemonic technê formed to systematize the processes of accessing information, which ultimately created networked memory infrastructures that produce patterns of memory management. Johnson shows that these technologies are issues of public memory because the systems that store information are the means by which future generations will come to access this information, meaning that these technologies mediate the information that publics will engage with and remember in the future.Chapter 1 of Architects of Memory is devoted to exploring the utility of an infrastructural model for understanding the rhetorical nature of memory. Johnson stresses that memory infrastructures both bridge the gap between what is remembered and what is forgotten and intervene in the process of remembering and forgetting (15). Johnson’s lengthy explanation of these phenomena is important in demonstrating how this infrastructural model stands far apart from how memory has been typically thought of in the field of rhetoric; without this long and at times repetitive explanation, the reader may struggle to understand that mnemonic technê and memory infrastructures bear a symbiotic relationship and collaborate in managing modes of public memory. Johnson discusses how artificial mnemonic devices give our future selves tools to remember the past, which, for Johnson, exemplifies how memory acts as a mode of exchange—an exchange of information regulated by the practices we use to store and access this information. Juno Moneta’s symbol on the Roman coin, as a marker of citizenship and economic participation, provides a metaphor for memory in that the networked exchange of coins crystalized the image of Juno Moneta as an important figurehead in Roman culture. Johnson’s detour into the figures of Simonides and Juno Moneta distracts from his theoretical hedging in this initial chapter because the book largely covers the twentieth-century development of information science, and yet this sets the foundation for the rest of the book by offering a helpful illustration of memory infrastructures and mnemonic technê that aids in navigating the following chapters.One of Johnson’s main contributions in this book is his thesis that the symbiotic relationship between memory infrastructures and mnemonic technê would not exist without the human labor forces that built these connections. Johnson dedicates chapter 2 to describing how the post–World War II panic over information security galvanized Western militaries to develop more sophisticated systems for scientific research and communication. The geopolitical impetus for protecting government information in the Cold War era intensified the development of more memory systems for the purposes of distributing and evaluating scientific research. Ushered in by the second industrial revolution (1870–1930), this new age of memory innovation gave rise to developments such as Paul Otlet’s Universal Decimal Classification (UDC). Further, the rise of “operations research,” championed by scientists like John Desmond Bernal, gave way to a new type of documentation that gathered data for the purposes of mathematical analysis (37). As an example, Bernal’s National Distributing Authorities (NDA) created a centralized system whereby those who work in science fields could be granted direct access to scientific research apart from the genre of academic journals. Johnson notes that while Bernal’s NDA forwarded a centralized system that ultimately failed, Bernal’s efforts mark an important milestone in the systemization of information distribution. The concept of centralized memory technologies—such as punch-card systems and microfilm—that were accessible for workers across a variety of fields took traction, which, as Johnson argues, speaks to the power of mnemonic technê to construct fields of public memory.Johnson explains in the first intermezzo chapter why information science and librarianship historically held a distant relationship. Librarianship, as a field characterized as “service-oriented” and mostly employing women, was largely disrespected, and the advent of information science could be characterized as a move to “exorcise the library spirit” (47). Thus, Johnson details in chapter 3 how information science upturned the structure of the library from the inside out. Because scientists often depended on libraries for accessing information, the postwar exigence for enhancing scientific communication and research trickled into the library sphere, ultimately reshaping library education to center around networks of information exchange. Johnson oscillates between exploring the Cold War panic over defending science research and the flourishing of professional librarian schools—a move that solidifies the causal relationship between postwar operations research and the revolutionizing of memory technologies in everyday libraries. Specifically, government grants given to Georgia Tech libraries allowed for Dorothy Crosland, the lead librarian at Georgia Tech from 1953 to 1971, to train librarians to be specialists in science and technical information—which led to the creation of a graduate program in information science. This institutional reform put a scientific sheen on the process of locating, storing, and accessing information, which created professional distinctions between the “information scientist” and the more bookish “librarian.” Information science, moreover, developed new systems for the retrieval of source information—such as Calvin Mooers’s Zatocoding system, the subject of Architects of Memory’s second intermezzo chapter. Johnson encourages the reader to see that the advent of information science, in part, stands to masculinize the field of librarianship in a way that glosses over the feminine history of library work. But instead of teasing out the ramifications of this conflict, Johnson turns at the end of chapter 3 to criticize the field of rhetoric’s indifference to memory during the mid-twentieth century. Denouncing Edward Corbett’s claim that memory is “a dead canon,” Johnson shows how the development of information science and new librarian graduate programs at Georgia Tech reveal that memory was far from a dead canon at the time. This switch to discussing rhetorical studies’ thoughts on memory at the time distracts from Johnson’s larger project of tracing the relationship between librarianship and information science, but at the same time it underlines Johnson’s work in restoring what memory can offer—and has offered—rhetorical studies.Chapter 4 clarifies that while government funding allowed for information science to blossom under the postwar frenzy for securing scientific communication, the practice of organizing and processing information in an accessible way was—and had always been—the librarian’s game. Specifically, Robert S. Taylor’s The Making of a Library (1972) outlined the transition from book-centered library services to making the library an “information institution” (91). Johnson upholds Taylor’s book as a key signifier of how this transition reflected both Cold War anxieties and a pivotal turning point in information access. Taylor was quite nervous about the possibilities bestowed by the library’s reformation as an “information institution,” and yet it was written to guide librarians and information scientists into the future of the profession. Even though Taylor remained loyal to his librarian roots, his career at the School of Library Science at Syracuse unearthed the tradition of “librarianship” and redirected library training to center around the new technologies and newer demands for accessing information. Whereas “the older course taught bibliography and literature and included sessions detailing particular academic subjects, . . . the newer informational course taught students the structure, channels, and systems of a universal scientific community” (103). This shift shows that the methods for cataloging and organizing data depend on structures of communication built both by librarians and by users over time, which indicates that library labor is less about organizing information and more about facilitating the process users undergo to locate information—effectively propping up what Johnson terms a “library economy” (105). Johnson calls us to see that teaching memory requires one to focus on how people use, access, and store modes of memory—not just the existence of memory practices themselves. Much like Crosland’s book trucks that haul books about the library for circulation (the subject of the third intermezzo chapter), the technologies one uses to access information do not lose relevance—these technologies might be picked up, dusted off, and restored for a new set of users with new demands.Johnson’s work in tracing the midcentury transformation of memory practices illustrates the symbiotic relationship between mnemonic technê and memory infrastructure. The ways people use both the mnemonic technê and memory infrastructures reveal how each take shape. In chapter 5, Johnson explains that the user’s motivations for accessing and storing data directly influence how memory infrastructures and mnemonic technê take shape. Chapter 5 pivots from the arc of the book’s predominant twentieth-century focus, as Johnson aims to rethink the tradition of memory in rhetoric’s history. He argues that memory operates as a coin, in that practices of memory center on the values and patterns of exchange that are characteristic of a community. This economic metaphor draws attention to how memory, much like currency, passes along from person to person in an established network that regulates its movement. To construct this metaphor, Johnson retells the myth of Simonides of Ceos and zeroes in on Simonides’s motivation for creating his memory palaces. By drawing on evidence from both Quintilian and Cicero’s telling of Simonides’s story, Johnson makes a compelling case that Simonides was motivated by economic reasons to remember where each person sat at Scopas’s table. In Johnson’s retelling, Simonides felt bitter about Scopas’s critique of his poem but still wanted to be paid, so when the temple fell on Scopas and his guests, Simonides sought to remember where each of them sat so that he could collect money from their families for writing their eulogies. In the same way that Simonides’s motivation for creating his memory palaces centered on money, so too can the importance of Juno Moneta to the Roman people be explained by the demands of economic exchange. While this comparison between Simonides and Juno Moneta is a bit anachronistic and far-fetched (as Johnson himself admits), this analogy suggests that memory practices can be better understood by locating users’ motivations for remembering. As the concluding chapter asserts, Johnson’s framework of memory-as-coinage illustrates that remembering and forgetting oscillate on the values and intentions of those who engage with memory practices. Chapter 6 briefly touches on the implications of Johnson’s infrastructural perspective for search engines. While he does not fully extrapolate on search engines and the algorithmic indexing that generates targeted information for users, he does imply that these memory infrastructures will play a significant role in the construction of public memory in the future. Johnson is careful to note that the construction of memory infrastructures and mnemonic technê will always be dependent on the human labor that works to make public memory possible. Just as Dorothy Crosland’s book trucks and Robert S. Taylor’s pedagogical reform changed the way library and information science work was done, so too does the future of memory technology depend on innovative labor.Johnson’s book contributes to rhetorical theory not only by calling our attention to the various technologies and systems developed over the years to accessibly store information, but also in calling attention to the rhetorical work these technologies do in shaping our interactions with information. In other words, memory infrastructures and mnemonic technê rhetorically guide our encounters with information across time and space. Though Architects of Memory applies a more historical focus and does not fully consider how memory practices will take shape in the twenty-first century, we as readers can deduce that the everyday encounters we have with search engine algorithms and targeted advertisements work on their own networked infrastructure, emerging from the tradition of data collection in information science that Architects of Memory describes. As Architects of Memory concludes, “The work of twenty-first-century mnemonists is to identify and locate memory’s commonplace so they can be reassessed continually” (155). Johnson words this as a call for rhetoricians to apply their nuanced insight into the commonplaces of networked memory infrastructures and their impact on public memory—but moreover, it is a call to the public as well to be mindful of how our commonplaces of memory will impact future generations. For rhetoricians and the public alike, Architects of Memory encourages us not just to draw on rhetorical theories of memory into our everyday encounters with information, but to take an intentional approach to exploring how the infrastructural networks of memory undergird our everyday moments of digital information access. Memory, in this sense, takes a direct role in the creation and circulation of rhetorical practices that we explore in the past, present, and future.

Initiating and continuing rhetorical invention is an important practice for teams seeking to innovate. Workplace professionals demonstrate one potential model of rhetorical innovation by instantiating four rhetorical moves that make up a broader practice of difference-driven inquiry (DDI). But it remains unknown how DDI, as a model of innovative rhetoric, can be taught in the technical and professional communication classroom. Over the course of two studies, the author investigated a pedagogy attempting to teach practices for innovation rhetoric. The results show that the pedagogy can be effective but that more scaffolding is needed.

In this essay I bring together two spaces—street needle exchange and the university classroom—to explore harm reduction as an epistemological model that can be adapted pedagogically in our rhetoric, communications, and composition classes. I first identify capitalism in the classroom as an insistence on mastery and the relentless call to know, acquire, and achieve. I then offer harm reduction, a public health practice that rejects these iterations of capitalism, to instead ask how we might meet students where they are and how we might forego the rewards of telos for the discomfort of process and mess. I’ll argue in this piece that reducing the harms of capitalist-based writing and knowledge requires considered attention to the ways we are lured toward production (what we might even call “deliverables”). I explore the epistemological nodes of harm reduction—its emphasis on temporality and its privileging of process—as methods for teaching writing, rhetoric, and communications while also offering a pedagogical case study along the way.

In view of the limited research attention so far given to the developing cognition of novice L2 writing teachers, this qualitative study examines the extent to which L2 writing teacher cognition can be enhanced by the experience of tutoring. By adopting the theory of experiential learning, the study considered the role that the experience of tutoring could play in the development of novice L2 writing teachers’ conceptualizations of learners’ needs and their view of themselves as developing L2 writing teachers. The results of this study point to the participants as having all made realizations that served as catalysts for continued growth after the original tutoring experiences. These findings indicate that the practice of tutoring changed their perceptions of teaching L2 writing by seeing clearly the benefits of dialogic interaction with L2 writers and also learning the value of holistically viewing the writer.

This reflection focuses on teaching writing online for the first-year students in the Academic English course at the Westminster International University in Tashkent (WIUT), Uzbekistan. Academic English is a core course for all incoming first-year students and aims to develop students’ proficiency in listening, reading, and writing skills. A great emphasis is placed on the development of writing skills, and students are required to write at least four summaries, two essays, and one reflection during the twelve weeks of the first semester. A new challenging component in the autumn 2020 semester was teaching writing online, due to the lockdown caused by the COVID-19 pandemic. The classroom writing processes were examined through the lens of the Self- and Socially-Regulated Multilingual Writing model (Akhmedjanova, 2020), which revealed prevalence of socially-regulated rather than self-regulated writing practices. Also, teachers instructed students to use revision strategies more than planning and formulating writing strategies. A cursory examination of students’ reflections suggested that many students struggled with the environment and time management skills. Future revisions to the Academic English course should include explicit teaching of planning and formulating writing strategies along with planning and time management skills.

Teaching and Learning Writing in ESL/EFL. Rachael Ruegg. Foreign Language Teaching and Research Press, Beijing (2021). × + 177 Pp., ¥28.00, ISBN: 978-7-5213-2455-6 (pbk)

This article explores illuminative evaluation as a method to reflectively assess a pilot implementation of an intercultural-competence-focused first-year writing curriculum at a US large public university. The goal of this curriculum is to promote integration of diverse student populations on our university campus, while developing all students’ intercultural competence and writing skills. In this article, we present practitioner reflections on classroom experiences and collaborative design of our approach to data analysis. These reflections show how an illuminative, context-rich approach to an early phase of a writing pedagogy research project shapes a holistic curricular evaluation. Illuminative evaluation drew our attention to the interaction between teaching and curriculum evaluation as well as to how this approach promotes an invitational and exploratory approach to teacher research.

This paper presents, discusses, and evaluates research-based materials for English for Research Publication Purposes (ERPP) teaching, based on a study conducted with exiled academics supported by CARA (Council for At-Risk Academics) and their UK-based co-authors who provided textual interventions on their texts. Using data from interviews with exiled academics and their UK-based co-authors/mentors as well as their article drafts and textual interventions, we present teaching materials for ERPP workshops aimed at raising the participants’ awareness of issues that may arise in co-authorship involving asymmetrical power relations, such as those between exiled academics and their UK-based co-authors/mentors. The materials take the shape of data-based scenarios which ask workshop attendees to consider experiential co-authorship narratives involving (i) the issue of ‘parochialism’, i.e., failure to indicate the relevance of one’s research to a larger audience, (ii) issues with the type and amount of feedback regarding writer development and text production, (iii) blurred lines of co-authorship roles, and (iv) authority issues in interdisciplinary collaborative writing. Each scenario is followed by a research-informed discussion. We argue that scenario-based awareness-raising activities can sensitize all parties in asymmetrical co-authorship pairs/groups to common challenges that arise in such collaborations, help them navigate collaborative writing successfully, and encourage them to reflect on their own co-authorship practices. We conclude by discussing the merits of the scenario-based approach to developing materials for ERPP teaching.

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GitHub provides a project hosting platform and Git-based version control system for individuals and teams looking to develop and manage software and documentation online. Technical writers have long played an important role in this process, contributing the documentation infrastructure that organizes and sustains project development. As GitHub continues to grow in popularity, the field of technical and professional communication (TPC) educators will need to devote more effort to researching GitHub while developing both critical pedagogies and industry best practices committed to design justice. This paper provides a primer for this discussion as well as tools and scaffolding designed to assist GitHub implementation in the TPC classroom. – GitHub provides a project hosting platform and Git-based version control system for individuals and teams looking to develop and manage software and documentation online. Technical writers have long played an important role in this process, contributing the documentation infrastructure that organizes and sustains project development. As GitHub continues to grow in popularity, from 73 million users in 2021 to an expected 100 million by 2025 (GitHub 2021), the field of technical and professional communication (TPC) educators will need to devote more effort to researching GitHub while developing both critical pedagogies and industry best practices committed to design justice. This paper provides a primer for this discussion as well as tools and scaffolding designed to assist GitHub implementation in the TPC classroom. We begin by situating GitHub in relation to TPC discussions of technical skills and coding literacy, then offer an introduction to GitHub as a platform, site of analysis, and teaching tool. Next, we provide descriptions of sample assignments that can be used to scaffold code literacy in the TPC classroom and share student GitHub project na rratives. Finally, for readers who wish to learn more about GitHub and/or adapt…

In this article, we describe how technical communication students explored user advocacy and coalitional action by creating trauma-informed, intimate partner violence (IPV) awareness campaigns for our campus. The nature of this project required us to develop a trauma-informed approach to teaching at the undergraduate level. To create a supportive community of practice for instructors and students, we used a lesson study methodology in which a team of teacher-researchers collaboratively designed, observed, analyzed, and revised a sequence of lessons. We provide the larger context for our lesson study project, the lesson study structure including preparatory material for students, trauma-informed teaching strategies, and reflections on the lesson. To effect meaningful change and learning, we needed to have difficult conversations with students; this required us to acknowledge the presence of trauma in the classroom and then work to support the students who have experienced trauma. Finally, we offer a reflective critique of our experience as a heuristic for instructors to use as they implement and reflect on trauma-informed pedagogy in their own classes.

This assignment, designed for a graduate certificate program in rhetoric and composition, asks students to create a writing prompt for an audience of their choice and to accompany it with a reflective letter written to a stakeholder of their choice. To prepare, students first read scholarship on college writing assignments: what kinds students perceive as meaningful, what kinds are most typical, and what kinds are encouraged in a writing-across-the-curriculum approach. They then consider what elements of this research they can bring into their own context, both in terms of teaching (via the prompt) and in terms of sharing their learning with a relevant stakeholder (via the reflective letter, usually written to an administrator, a colleague, or a student). By allowing students to expressly connect course content to their own contexts in two genres, this assignment enacts features of the scholarship students read. While personalizing learning is valuable in any context, it is especially so in a graduate certificate program, because this increasingly common site of instruction serves students with diverse educational and professional histories and future goals.

This article introduces a flexible and adaptable Map Composition assignment to promote cartographic literacy. With applications to composition and writing across the curriculum, this assignment promotes students’ awareness of the rhetorical nature of maps, which is important as maps inform and influence public discourse on wide-ranging issues. Student work shows how composing a map can lead them toward improved rhetorical awareness, cartographic literacy, and engagement with place-based civic issues. The article acknowledges limitations of teaching maps in writing classes and concludes with discussion of how this assignment can be adapted to a range of courses to promote cartographic literacy in support of broader literacies and civic engagement.

The Inquiry Journal Facilitation is a project that helps preservice teachers develop habits of mind for engaging in critical dialogue about the situations they confront in their teaching contexts. In this project, preservice teachers compose a piece of writing that examines an idea, question, or issue that emerges from their clinical teaching site and lead an inquiry-based discussion about the ideas raised in their writing. Pairing the activity of writing with the activity of discussion creates a context for preservice teachers to create “exploratory speech” (Smagorinsky, 2013) collaboratively. In doing so, preservice teachers practice intellectual moves—framing observations, explaining those constructions, and posing questions—that are essential for teacher-learning.

Abstract: In this article, we describe how technical communication students explored user advocacy and coalitional action by creating trauma-informed, intimate partner violence (IPV) awareness campaigns for our campus. The nature of this project required us to develop a trauma-informed approach to teaching at the undergraduate level. To create a supportive community of practice for instructors&hellip; Continue reading From Awareness to Advocacy: Using Intimate Partner Violence Awareness Campaigns to Teach User Advocacy and Empathy in a Trauma-Informed Technical Communication Course

Abstract: In this article, we describe how technical communication students explored user advocacy and coalitional action by creating trauma-informed, intimate partner violence (IPV) awareness campaigns for our campus. The nature of this project required us to develop a trauma-informed approach to teaching at the undergraduate level. To create a supportive community of practice&hellip; Continue reading From Awareness to Advocacy: Using Intimate Partner Violence Awareness Campaigns to Teach User Advocacy and Empathy in a Trauma-Informed Technical Communication Course

In this article, we present a novel framework for identifying young students’ writing development in the first years of primary school (age 6–8 years). It was developed to analyse a large number of student texts (n = 803), all in the format of digitised books, as part of the large-scale Danish research project titled Teaching Platform for Developing and Automatically Tracking Early Stage Literacy Skills (ATEL, 2018–2023). In this project, based on a text-oriented model of writing, we aim to gain insights into less considered dimensions of emergent writing. Specifically, we consider how young students construct sentences and expand their meaning-making repertoires in this regard, as well as how they tie a whole text together and begin to express interpersonal meaning. In developing the framework, we took inspiration from both formal and functional linguistic approaches to young students’ writing development and constructed a comprehensive framework to examine the first steps into ways of communicating through writing in school. Furthermore, through a theory-and data-driven process, we developed the framework to suit emergent writing in the educational and language context in Denmark. In addition to presenting the framework in this article, we discuss its limitations and potentials for research and practice.

This paper aims to validate scales for the early development of writing proficiency based on a framework used to linguistically describe multiple dimensions of writing development in 6–9 year-old Danish-speaking students and to lay the statistical foundation for empirically describing proficiency levels in emergent writers. The analysis is based on the Rasch model and was conducted on texts (n = 803) written by Year 0–2 students using the computer app WriteReader. The paper introduces both the model and the theory behind it, including the rationale for using this model, and it presents the main analytical steps taken and decisions made in the study, which is part of the large-scale Danish research project entitled Teaching Platform for Developing and Automatically Tracking Early Stage Literacy Skills (ATEL, 2018–2023). The results show that it is possible to identify detailed levels of early writing development in four dimensions: 1) text construction, 2) sentence construction, 3) verbals, and 4) modifiers.

Despite the growing prominence of writing in both educational contexts and society at large, research-based knowledge about the development of writing remains lacking, particularly regarding the developmental trajectories that students pass through as they encounter and grapple with the complex system of more formal writing during their primary years of school. This article presents a study that examined writing development in Danish primary grade students (ages 6 to 8) from a linguistic perspective to identify developmental patterns in students’ writing skills during these years. In the study, we applied a multidimensional analytical framework based on a text-oriented model of writing, for the coding of a large number of digitalised student texts (N=803). Subsequently, we analysed the coding results using statistical Rasch theory. Through this procedure, we were able to identify developmental patterns in the students’ writing in the form of different proficiency groups along four textual dimensions and to describe a number of linguistic levels for each dimension. Furthermore, the article discusses didactic potentials and limits from using proficiency groups when teaching writing in primary grades.

Eli Goldblatt and David A. Jolliffe's 2020 Literacy as Conversation: Learning Networks in Urban and Rural Communities is to be interpreted as a "book of essays" and, more importantly, as vivid and lived conversations that aim to showcase nearly three decades of friendship between two colleagues concerned about meaningful community participation and literacy. This collection captures their reflections on their participation in community-based projects within the urban neighborhoods of Philadelphia and rural and semirural towns of Arkansas, but also offers an expanded and active understanding of literacy as social practice with complex relationships between sponsors, learning networks, power, and taking place in non-school environments having an access point through conversation and written symbols. Goldblatt and Jolliffe's endeavor to highlight the social connections and complexity of literacy aligns with their intent to include not just scholars in higher education, but also "everyday folk" or ordinary people including educators, government officials and policy makers, and people from all walks of life. As a scholar of color and teacher of a Hispanic-serving institution and as a community member of a predominantly Hispanic city in Texas, I was immediately intrigued and captured by the authors' commitment to highlight the stories of people who persevere and design interventions to construct hope and shape themselves and the world into a better place.

Teaching writing involves helping students develop as critical communicators who use writing to question often-unseen systems of power enabled by infrastructures, including digital spaces and technologies. This article uses Walton, Moore, and Jones' (2019) 3Ps Framework---positionality, privilege, and power---to explore how, through assignments we developed incorporating the Fabric of Digital Life digital archive, instructors can make visible to students the invisible layers of infrastructure. Using the 3Ps framework, we illustrate how our pedagogical approach encourages students to use writing to interrogate digital infrastructure and the ways it is entangled with positionality, privilege, and power.

Background: Technical communicators use special language information to describe technology products. Researching such information is part and parcel of their job and thus occupies a relevant share of their working time. Literature review: Numerous studies examine information needs and search techniques of various professionals, such as engineers or translators. However, very little is known about technical communicators’ use of and requirements for information sources containing special language information. This article contributes to filling this research gap by discussing results of an empirical study. Research questions: 1. What types of nonhuman information sources do technical communicators use when researching special language information? 2. What properties do technical communicators expect from special language reference tools? Research methodology: We conducted a written online survey among technical communicators. In this article, we analyze and interpret survey data related to the two research questions. Results: Respondents use 14 major types of information sources for researching special language information. Half can be categorized as reference tools, while the other half are document-like. Respondents would like to have special language reference tools that are available electronically, can be adapted to their personal needs, and offer up-to-date information with good usability. Conclusions: Half of the information source types are document-like and can be used as text corpora. Thus, text corpus-management methods and tools should be promoted in technical communication practice and teaching. Technical communicators’ requirements and wishes described in this article lay the groundwork for developing tailor-made special language reference tools.

In popularization discourse, insights from academic discourse are recontextualized and reformulated into newsworthy, understandable knowledge for a lay audience. Training in popularization discourse is a relatively new and unexplored research topic. Existing studies in the science communication field suffer from under-utilized baseline assessments and pretests in teaching interventions. This methodological problem leads both to a lack of evidence for claims about student progress and to a gap in knowledge about baseline popularization skills. We draw the topic into the realm of writing research by conducting a baseline assessment of pre-training popularization skills in first-year undergraduate students. Undergraduate science communication texts are analyzed to identify instances of popularization strategies using a coding scheme for text analysis of popularization discourse. The results indicate a lack of genre knowledge in both academic and popularized discourse: textual styles are either too academic or overly popularized; the academic text is misrepresented; and the essential journalistic structure lacking. An educational program in popularization discourse should therefore focus on the genre demands of popularization discourse, awareness of academic writing conventions, the genre change between academic and popularized writing, the role of the student as a writer, and stylistic attributes.

Preparing preservice teachers (PSTs) as teachers of writing has gained attention in recent years, but little is known about their preparedness when engaging with student writers over extended periods. We examine PSTs’ preparedness to teach writing within a structured literacy tutoring experience to better understand the skills and knowledge of PSTs related to teaching writing. Results indicate PSTs contextualized writing instruction, considered clients’ affect around writing, and used data to inform writing lessons. PSTs were also grappling with specific pedagogical considerations related to writing instruction, offering implications for teacher educators and researchers.&nbsp;&nbsp;&nbsp;&nbsp;

This article offers readers 13 teaching innovations debuted at the 86th annual meeting of the Association for Business Communication held online. Assignment topics presented here include personal and professional development as well as oral communication and presentation skills. Additional assignment support materials—instructions to students, stimulus materials, slides, grading rubrics, frequently asked questions, internet links, and sample student projects—are downloadable from the Association for Business Communication and DePaul University Center for Sales Leadership websites.

This multi-institutional study surveyed undergraduate students (n=669) about how and what they learned in hybrid and online first-year composition (FYC) classes, employing the Community of Inquiry (CoI) Framework to analyze their responses. The data illustrated a significant difference in hybrid versus online students’ perceptions of the student-teacher relationship.

Given the influx in people of African descent immigrating to the United States from diverse national, linguistic, and ethnic backgrounds, the demographics of the US Black community has shifted significantly over the last several decades. As a result of these changes, it is imperative that approaches to rhetorical studies, especially African-centered cultural rhetorics, remain inclusive and representative of diverse Black experiences in the United States and abroad. Toward this end, the authors propose a new disciplinary subfield called Global Black Rhetorics (GBR). GBR emphasizes engaging similarities and differences across Black experiences, positions of power, and privilege, which includes acknowledging, studying, and prioritizing the histories, languages, rhetorical traditions, and practices of continental Africans, Afro-Caribbeans, Afro-Latinx, Afro-Europeans, and other people of African descent across the African Diaspora. The authors introduce a four-themed framework for GBR that includes: assessing methods of education about global Black experiences, studying and teaching Black language diversity, teaching and citing contemporary rhetors and texts from Africa and African Diasporic contexts, and prioritizing healing as a communal goal for all Black people. The essay concludes with an introduction to the contributors of this special issue whose research advances the authors’ call for a globalized approach to Black Rhetorics.

Drawing on perspectives from cultural studies, affect theory, and critical literacy, this article explores comics made by three eighth-grade students in response to Art Spiegelman’s Holocaust memoir Maus. Students’ comics were developed through participatory research alongside their classroom teacher, a research team, and teacher candidates from a local university. These three students, Stella, Maisie, and Naomi, reacted strongly to the content of Maus and the comics medium, and raised questions around identity, representation, and the legibility of their often-intense emotional responses. We trace their affective engagements to explore how comic-making allowed students to represent feelings that are often difficult to make visible in school spaces. Our analysis highlights how affective critical literacy orients teaching and research toward working-through rather than resolving complicated emotions, allowing educators to recognize unanswered questions as forms of critical engagement.

In response to growing neoliberal pressures and austerity measures, two-year English teacher-scholars have embraced Sullivan’s call to activism, but this work is made challenging as aspiring teacher-scholar-activists struggle to balance activism with the other heavy demands of their professional practice. After expanding teacher-scholar-activism as a theoretical framework, we explore activism through cross-case analysis of three developmental literacy professionals’ actions, mindsets, and training. We then provide a pragmatic how-to manual for aspiring teacher-scholar-activists.

In a Spring 2020 Technical and Professional Communication (TPC) course on risk communication, we watched the COVID-19 pandemic unfold and discussed how technical communicators can foreground vulnerable and marginalized populations who are often excluded from official communication channels. The article below offers perspectives on tactical communication and/or coalition building during a pandemic, coining the term tactical risk communication (TRC) and examining how TRC functions in the face of a global health crisis.

Technical and professional communication (TPC) curricula tend to prioritize hyperpragmatist learning outcomes, objectives, and activities. Drawing on a grounded theory analysis of curricular self-assessment data, including interviews with community partners, we argue that TPC in the U.S. is at constant risk of co-option by market logics. Through a speculative curricular framework that works toward building more just, liveable worlds, this essay reimagines TPC curricula as an opportunity to redress inequities caused by exploitative market logics.

Research in L2 writing contexts has shown developing writers’ beliefs exert a powerful mediating effect on how they respond to written feedback. The mediating role of beliefs is magnified in preparation for high-stakes English writing assessment contexts, where tangible outcomes pivot on successful test performance. The present qualitative case study utilises data from semi-structured interviews to investigate how the beliefs of three self-directed IELTS preparation candidates mediated their affective, behavioural, and cognitive engagement with electronic teacher written feedback across three multi-draft Task 2 rehearsal essays. Utilising a metacognitive conceptual approach (Wenden, 1998), the study identified seven themes: 1) self-concept beliefs regulated engagement, 2) reliance on the expertise of a quality teacher, 3) engagement was mediated by individuals’ learning-to-write beliefs, 4) belief in comprehensive, critical written feedback, 5) feedback deemed transferable was more comprehensively engaged with, 6) entrenched test-taking strategy beliefs hindered engagement, and 7) supplementary self-directed learning activities were considered of limited value. The implications for practitioners of IELTS Writing preparation and the IELTS co-owners are discussed.

hile teacher neutrality is a contested concept within the field of rhetoric and composition, the public often expects a teacher's neutral position.

Abstract Is it possible to teach creative writing? Although creative talent may be innate, all individuals have the capacity to create, and creativity can be nurtured through specific approaches. The works of David Kolb in relation to experiential learning pedagogy are explored and adapted to creative writing courses, and examples of potential exercises are given.

AbstractFocusing on a course taught to Palestinian and Jewish Israelis, this essay suggests that the study of life writing can help students develop a better informed civic identity, particularly in relation to divisive national matters. By carefully constructing collective classroom practices of reading, writing, discussing, and listening, the instructor can forge an environment that strengthens students’ capacity to appreciate the textual and contemporary interaction between individuals and their historical contexts, and to hear alternative perspectives and experiences attentively, without argument. University classrooms can thus play a vital role in democratic culture, as spaces in which a broader range of voices can be heard and in which minority voices are specially protected and projected.

Ilana M. Blumberg is professor of English literature at Bar Ilan University in Israel and author, most recently, of the memoir Open Your Hand: Teaching as a Jew, Teaching as an American (2018). She has won teaching awards from University of Pennsylvania and Michigan State University and is currently a recipient of an Israel Science Foundation grant entitled Postsecular George Eliot.Rosalind Buckton-Tucker studied at King's College, London, and the University of Leicester, UK, and holds a PhD in American literature. Her main research interests are twentieth-century British and American literature, travel literature, and the pedagogy of literature and creative writing, and she has published a variety of articles and book chapters in these fields as well as presenting numerous papers at international conferences. She has taught in universities in Kuwait, Oman, Cyprus, the United Arab Emirates, and Iran, and has also worked as a freelance journalist and editor in the UAE and Oman. She enjoys writing fiction, memoirs, and travel articles.Elizabeth Effinger is associate professor of English at the University of New Brunswick, where she teaches British Romanticism with special interests in William Blake, the intersections of Romantic science and literature, the Anthropocene, and human-animal studies. She coedited (with Chris Bundock) William Blake's Gothic Imagination: Bodies of Horror (2018). She was principal investigator of Erasing Frankenstein, a SSHRC (Social Sciences and Humanities Research Council)-funded public humanities outreach activity that transformed Shelley's 1818 novel into a book-length erasure poem in collaboration with incarcerated and nonincarcerated citizens. For more on the project, visit erasingfrankenstein.org.Moira Fitzgibbons is professor of English at Marist College. Her most recent work includes an edition of “The Merchant's Tale” in The Medieval Disability Sourcebook (2020).Michael Keenan Gutierrez is teaching associate professor in the Department of English and Comparative Literature at the University of North Carolina at Chapel Hill. He is the author of The Trench Angel (2015) and his work appears in the Guardian, the Delmarva Review, the Collagist, Scarab, the Pisgah Review, Untoward, the Boiler, Crossborder, and Public Books.Angela Laflen teaches digital rhetoric and professional writing at California State University, Sacramento. Her work has appeared in Computers and Composition and Assessing Writing, among other venues.Laci Mattison is assistant professor at Florida Gulf Coast University in the Department of Language and Literature, where she teaches courses on twentieth-century, Victorian, and contemporary literature. She is one of the general editors for Bloomsbury's Understanding Philosophy, Understanding Modernism series. For this series, she has coedited volumes on Henri Bergson and Gilles Deleuze. Alongside Derek Ryan, she has also coedited a special issue of Deleuze Studies titled Deleuze, Virginia Woolf, and Modernism (2013) and has published articles and book chapters on Virginia Woolf, Elizabeth Bowen, H. D., Mulk Raj Anand, and Vladimir Nabokov.Kelly Neil is professor of English at Spartanburg Methodist College, a small liberal arts institution located in the upstate of South Carolina. She received her PhD in English literature from the University of California, Davis, where she studied early modern literature and gender. She has published in such journals as Journal of Early Modern Cultural Studies and This Rough Magic. She is currently coediting a collection of essays on teaching Shakespeare to nonmajors.Sarah Ann Singer is assistant professor in the Department of English at University of Central Florida. Her work appears in College English, Technical Communication Quarterly, Journal of Medical Humanities, and Peitho.Rachel Tait-Ripperdan is associate librarian at Florida Gulf Coast University. She received her master's degree in library science from Florida State University and her master's degree in history from Florida Gulf Coast University. She serves as library liaison to the Departments of Language and Literature, History, Communication, Philosophy, and Religion. Her research interests include information literacy instruction, collection development, and graphic novels and manga in the academic classroom.Theresa Tinkle (she/her/hers) is a medievalist by training, a teacher committed to supporting students’ development and ambitions, and a disability studies scholar. Her most recent book is Gender and Power in Medieval Exegesis (2010). She has published widely on medieval English and Latin literature, gender, religion, and manuscript culture. She is currently director of the Gayle Morris Sweetland Center for Writing at the University of Michigan, Ann Arbor, and is engaged in antiracist work, writing to learn, writing in the disciplines, and writing program assessment.

This article presents findings from a study of a U.K. university writing centre regarding understandings of tutor roles, involving 33 Chinese international students, 11 writing tutors, and the centre director. The research used interviews and audio-recorded consultations as data to analyze and explore participants’ beliefs and understandings. The most common roles associated with tutors were proofreader, coach, commentator, counsellor, ally, and teacher. Mismatches were found in understandings of the proofreader role and counsellor role when comparing students’ views, tutors’ views, and the writing centre policy. Policy recommendations are made in light of the findings regarding how writing centres frame the tutor’s role and the function of writing consultations, in terms of (1) interrogating traditional conceptualizations of tutor role, (2) disseminating the centre’s aims to the student population and to the wider university, (3) expanding the centre’s activity across the university, and (4) strengthening tutor training and development.