This study investigates how chronic pain is represented in widely used pain assessment scales. Through a thematic analysis, four overarching themes are identified: pain is framed as a linear continuum, depicted as a progressive bodily obstacle, normalized to a baseline of zero, and characterized as a predictable condition. The design of these scales oversimplifies the complexities of chronic pain into a linear narrative that can potentially marginalize patient experiences and lead to treatment delays. This research advocates for a shift toward patient experience design (PXD) to develop more nuanced, human-centered assessment tools that better capture the fluidity of chronicity.

This study explores technical and professional communication (TPC) students’ design of multimodal career portfolios, focusing on their strategies amid technological advancements and shifting workplace dynamics. The study analyzed 155 artifacts from 31 students, including resumes, video resumes, cover letters, LinkedIn profiles, and rhetorical and modal analyses, using MAXQDA for discourse analysis. The results highlight the importance of research synthesis, intertextuality, audience awareness, personal branding, and adaptability in portfolio development. TPC students effectively create portfolios that meet company expectations across boundaries. A multimodal approach in TPC curricula is recommended, along with further research on emerging technologies’ impact on portfolios.

This article presents survey data from a study on trends in technical and professional editing that focuses specifically on inclusive and accessible editing practices in the workplace and in the classroom. Scholarship focusing on inclusive communication and design practices is growing, but the role of technical and professional editing, though not excluded, remains underdeveloped. Frameworks for developing and maintaining editorial guidance must be designed to more explicitly incorporate concerns for accessible and inclusive content. Although editing instructors and researchers often look to the industry for such answers, this is an opportunity for them to take the lead.

We report on a longitudinal case study (n = 9) about popularization writing skills in undergraduate interdisciplinary students. Writing skills were determined by analyzing components of the cognitive process model of writing proposed by Hayes. Keystroke logging and video observation were used to analyze the text construction process (the process level) in third-year writing. Genre knowledge (the control level) was analyzed through text analysis and assessment of first-year and third-year texts. Results showed that writing was highly individualized at the process level, including switches between processes, timing, number of edits, and reliance on the source text. At the control level, popularization genre knowledge did not significantly change over time and text quality remained low to average, suggesting a lack in genre knowledge. Choices in the writing process are, thus, not reflected in the quality of the writing product. These findings point to a need for explicit training in popularization discourse alongside academic discourse training.

This article contributes to discussions of literacy in Old Kingdom Egypt (2700–2200 BCE) by offering a new perspective on “reading” that challenges alphabet-centric approaches and emphasizes the semiotic functionality of hieroglyphs. Through an analysis of publicly displayed royal decrees in temples, it argues that these texts, composed primarily of ideograms, nouns, and specific visual arrangements rather than phonograms or grammatical constructs, were designed to communicate effectively with nonscribal audiences. Local Egyptians, familiar with the visual layouts and ideograms, could grasp key messages, enabling the state to disseminate practical information about work-related regulations and discourage unauthorized labor. This pictorial and visual grammar-based system, which avoided the use of phonetic complements, facilitated comprehension across dialects, functioning as lexical “reminders” reinforced by oral transmission.

Marking the point of departure of the clause, Theme position is used to identify subject matter, the writer’s angle on that subject matter, and the direction of travel of the text. Learning to exploit this cohesive resource is essential to the learning-to-write process, becoming increasingly relevant in late childhood as children begin to write longer texts in a wider variety of registers. This research explores how children achieve this, by comparing texts written by 17 children aged 8-9 and 9-10 years, analyzing changes to thematization and identifying children’s “gateways” into new repertoires. Findings reveal that the writers’ choice of “macroTheme” (an overarching initial thesis statement) significantly influenced subsequent thematic choices. Furthermore, experimentation with new thematic resources reflected the writers’ adoption of a meta-perspective elicited by appropriation of modeled macroThemes, the integration of counterarguments, and recognition of the potential of abstract Themes to provide new insights into lived experience.

Generative artificial intelligence (GenAI) has brought into question how much ownership college students feel for “their” writing when it is AI-generated. This study recruited 88 college writers at one midwestern state university in the United States. In a within-subjects design, participants composed poems about a meaningful, challenging life experience, then prompted GenAI to compose a poem about that same event. Results showed significantly greater ownership for human-made poems; additionally, human-made poems were rated as more accurately reflective of selected lived experiences. Aesthetic merit, however, was rated higher for AI-generated poems for imagery, language, and form—but not for originality. Half the students preferred GenAI poems, mainly because of their textual features, while less than half preferred human poems, mainly for personal connections to the events presented. Implications for GenAI as a tool to support creative writing and meaningful literacy are explored.

This study explores how the scholarly writing practices of early-career academics in China create new “ecologies” of research writing. Using a literacy studies framing, we examine how productivity policies, including evaluation and incentivization, impact the writing practices of academics working in the humanities and social sciences (HSS), creating a set of spatiotemporal predicaments and uncertainties. We draw on interviews and multimodal journals obtained from 22 academics at Chinese universities. Findings reveal important practices among China’s HSS academics within the distinctive institutional and policy landscape of Chinese academia, including how they organize their space and time for writing, the significance and function of writing practices, and the ways in which boundaries are disrupted and negotiated. We show that writing is deeply intertwined with multiple spaces and times, forming an ecology of research writing within emergent and shifting assemblages. We emphasize the need for further theoretical and practical understanding of research writing in the context of Chinese universities.

I argue that composition studies must build critical awareness about how humans from the Global South train AI with their writing embodiments. To draw our attention to how those working in the Global South train AI in harmful conditions, even though AI companies use algorithms and terms of service to smooth away these embodiments, I adapt the concept of humans-in-the-loop. Critical awareness of humans-in-the-loop moves scholarship in writing studies from a focus on AI-human collaboration that begins after an AI produces a text to one that requires us to see how AI products are always already human authored. Through a case study of Google Translate, I demonstrate how a critical awareness of how AI can erase the writing embodiment of humans-in-the-loop affords me opportunities to ask generative questions: How does language translation play a role in the erasure of embodied writing? Why does AI produce with bias toward marginalized populations when marginalized populations are those that moderate AI? Overall, I ask compositionists to see AI products as already human authored so that writing studies can consider the invisible labor of humans-in-the-loop as the field moves forward in researching AI.

In this article, we explore how multilingual paraprofessional teachers and students broadened the construction of personhood through literacy instruction in an English-medium school located in a Mid-Southern, semi-rural US town. Drawing upon a study that blended practitioner inquiry with an ethnographic approach, we closely examine how the construction personhood in translanguaging read-alouds was broadened beyond dominant models of personhood—as monolingual and as having Eurocentric, middle-class, and adult-sanctioned knowledges. Our findings show how students and teachers constructed broader models of personhood by constructing a model of a multilingual speaker and reader as well as Latine, working-class, and childhood popular culture knowledges as highly valued and exciting attributes of being human. We conclude by discussing what kinds of interactions these moments could foreshadow and the implications of this work for researchers and teachers to understand how both discursive and contextual factors can contribute to broadening conceptions of personhood to provide children and youth with a greater sense of dignity and belonging in their literacy learning.

Simplified user interfaces (SUIs) refer to a new design technique in technical communication that simplifies screenshots by removing irrelevant elements and highlighting only the essential information. While there is consensus on the benefits of signaling in multimedia learning, there is currently no empirical evidence on the effects of SUIs on user performance. This study reports an eye-tracking experiment that examined whether users can work more effectively and efficiently with a software tutorial containing SUIs instead of unedited pictures without signaling or pictures using conventional signaling techniques. The study also aimed to clarify whether SUIs draw user attention to relevant areas of a picture. Eye tracking and performance measures indicate that SUIs draw user attention successfully, but do not improve user performance compared to unedited screenshot in a tutorial scenario. The results contribute to the question of whether design principles of multimedia learning can be successfully transferred to action-oriented texts.

ChatGPT has created considerable anxiety among teachers concerned that students might turn to large language models (LLMs) to write their assignments. Many of these models are able to create grammatically accurate and coherent texts, thus potentially enabling cheating and undermining literacy and critical thinking skills. This study seeks to explore the extent LLMs can mimic human-produced texts by comparing essays by ChatGPT and student writers. By analyzing 145 essays from each group, we focus on the way writers relate to their readers with respect to the positions they advance in their texts by examining the frequency and types of engagement markers. The findings reveal that student essays are significantly richer in the quantity and variety of engagement features, producing a more interactive and persuasive discourse. The ChatGPT-generated essays exhibited fewer engagement markers, particularly questions and personal asides, indicating its limitations in building interactional arguments. We attribute the patterns in ChatGPT’s output to the language data used to train the model and its underlying statistical algorithms. The study suggests a number of pedagogical implications for incorporating ChatGPT in writing instruction.

This design-based study occurred within a writing methods course in an urban teacher education program. We designed an intervention to develop student teachers’ meta-composing strategies, critical thinking, and justice-oriented reflexivity by revising a teacher-as-writer course assignment to achieve two pedagogical goals: (1) synthesizing antiracist and pedagogical content from curated source texts, and (2) explicating racial literacy as future writing teachers of K-6 students. Using discourse synthesis as both an instructional and research method, we analyzed the synthesis outputs of student teachers during a writing assignment designed to communicate their learnings to an intended audience. Outputs included graphic organizers, planning documents, and a range of final products. We employed discourse synthesis to analyze source and synthesis texts through propositionalization, template formation, and thematic categorization, identifying idea unit origins, progression, or omission. Additionally, content and thematic analyses evaluated instructional strategies and materials to assess whether pedagogical objectives were met. Results indicated discourse synthesis instruction facilitated student engagement with antiracism content, such as historical events, systemic trends, and awareness of racist practices in schools. Findings also highlighted areas for improvement, including modifying source texts, revising the teacher-as-writer assignment, and reevaluating assessment practices in antiracist writing pedagogy.

The police written witness statement is a major evidentiary document that has a direct bearing on the prosecution and adjudication of criminal cases. The present study examines the rhetorical structure of police written witness statements in Ghana as a genre by adopting Bhatia’s genre model to examine 120 statements on alleged criminal cases that were sampled from the Wenchi Division of the Bono Regional Police Command in Ghana. The findings suggest that the police written witness statement is typically characterized by five moves ( Disclaiming, Identifying the Witness, Stating Witness’s Involvement with the Case, Reporting the Facts , and Indicating Discharge of Legal Responsibility ) that bear facts necessary in the prosecution of crime in Ghana’s criminal justice system. The choice of lexicogrammatical features varied depending on the function of each move. The study concludes that the witness statements possess peculiar functional features that meet the legal demands of Ghana’s judicial expectations and police discourse.

This study explores student engagements with hybrid writing courses, revealing their experiences and perceptions of a modality that blends in-person and online instruction. Hybrid learning as a format is often overshadowed by its association with fully online instruction. After a number of writing courses on our campus were redesigned for hybrid delivery, we conducted interviews and focus groups with students taking those courses. What we found, among other things, was that students largely saw hybrid writing courses as striking a balance between the flexibility of online learning with opportunities for human contact and the social presence afforded by in-person class meetings. Even more intriguing, though, was how students talked about the purposes of—and relationships between—the online and in-person components of their hybrid courses. In other words, it was not just the case that students appreciated hybrid learning, but also that clear patterns emerged in the meanings and values they ascribed to the constituent elements of these courses and the perceived cohesiveness of instruction across the modes. This study ends with implications for the design and implementation of hybrid writing courses, and it emphasizes the need for further scholarship that recognizes the unique affordances and challenges of this instructional modality.

Exploring multimodality and transfer from the perspective of transduction (a multidisciplinary term that describes a change in form as something moves from one state to another) reveals conceptual overlap between the two concepts. Transfer is fundamentally multimodal because anything moving from one “place” to the next must change its form (or modality) in some way. Multimodality also inherently involves a transfer from one context to another. Each concept requires that existing content or knowledge be changed in some way to account for new situations. Multimodality and transfer do not describe a one-to-one duplication, but a transduction, changing form from one context to the next.

The majority of what we compose, we compose for others. Because audience impact is central to the success of writing and designing, peer review tests how our compositions work in the world. Accordingly, we have built decades of scholarship establishing best practices for sharing our work with others, especially as new technologies emerge. This article argues for the introduction of eye tracking as a tool that can supplement peer review, offering an expansion of what counts as feedback that fosters greater access and agency for students throughout the writing process. The method for incorporating eye tracking to expand traditional peer review modalities moves students from passive research subjects to active users of eye-tracking data. In doing so, students can examine how audiences experience their work, helping to frame revisions of their multimodal compositions and consider what story they most want to tell.

The language movement in East Pakistan (now Bangladesh) was a social movement that seeded Bangladeshi consciousness and is often considered as prefiguring Bangladeshi independence in 1972. It underscored the centrality of linguistic identity in modern nationalism. Developments in the language movement also provide a generative example of how development and modernity can frame discussions around language reform and literacy in contexts characterized by a multilingual norm and postcoloniality. This article examines the rhetorics of language reform in the movement through a reading of a set of recommendations for developing a simplified register of Bangla, called Shahaj-Bangla, within a sense of the overall language movement and its discourse. I argue that the new register simultaneously presents a scientific and cultural view of language to suit the needs of the region. This study contributes to current scholarship in the field by showing how an example of language reform assumes a fluid nature of language while also arguing for a form of standardization aligned with modern nationalism. It also adds to our developing conversations around language and literacy transnationally through its focus on a language debate about a non-European language set in a non-Western context.

Christian Weisser, Jackie Hoermann-Elliot, Gavin P. Johnson, and Daniel Ernst Readers of Composition Forum may have noticed a pause in our regular volumes; we postponed a Fall 2024 release while we were making some modifications to the journal. First and foremost, we have upgraded the design and functionality of the CF website by implementing a […]

Argumentation, one of the foundational pillars of writing instruction in K–12 schools, is consistently framed in literacy policy, curriculum, and assessment as a crucial skill youth need to participate in democratic deliberation. Yet the normative emphases in argument discourse on individual subjectivity, binary analysis, and competitive social scarcity stifle the development of the solidarity and relationality needed to counter rancorous political discord and to build equitable civic futures. In this conceptual essay, the authors offer a reimagined paradigm and practice of argument that fosters empathetic thinking and mutuality, moving away from the conceptualization of argument as solitary edifice and toward a vision of argument as collective architecture. Drawing upon lessons from global communicative traditions and recent turns in literacy scholarship toward participatory design, multimodality, and critical speculation, the authors provide five guiding principles for the Argument Writing as Architecture (AWA) framework, share vignettes from classroom and community learning spaces to illustrate its utility, and propose strategies for its implementation in K–12 classrooms.

This project is an interdisciplinary endeavor to connect research in the teaching of English with Critical Disability Studies, an intersection that is crucial to disrupting ableism and creating more liberatory schooling and societal contexts that embrace broader notions of human differences. Invoking critical content analysis of five young adult novels that depict characters with Tourette syndrome (TS), we asked, how are various models for understanding “disability” invoked in YA fiction that depicts Tourette syndrome? How do these various models function to reinforce, complicate, or reconstruct in a more progressive way notions about human difference in YA fiction that depicts Tourette syndrome? We focused on one of the many pervasive tropes found within all five novels using the psychodynamic construct of splitting. In particular, we call attention to depictions of TS as embodying an animal—most often a dog—that splits off into the bad/dangerous side, usually subsumed within a character’s “normal self.” This trope can be seen as part of broader, historical discourses that have dehumanized disabled people, constructing them as “other” and subsequently rationalizing exclusionary practices. We advocate for and discuss ways for scholars and educators to continue integrating disability from the margins to the center in literacy research.

Sandie Friedman Reznizki, Michal, and David T. Coad, editors. Dynamic Activities for First-Year Composition: 96 Ways to Immerse, Inspire, and Captivate Students. National Council of Teachers of English, 2023. A May 2022 New York Times article featured a graphic with the instantly recognizable design of the Harvard crest, but in place of the Latin “Veritas” […]

Abstract This article proposes the value hip-hop based education can add to the first-year composition classroom. It provides a framework for using hip-hop based education to scaffold traditional writing assignments, including rhetorical analysis assignments and argumentative essays using concepts like zines, cyphers, and song analysis. Drawing from culturally relevant pedagogy, linguistic justice, and Black feminist pedagogy, this article offers the genre of hip-hop to define and solidify its usefulness in composition studies and its relevance to the Black community, asserting that centering pedagogy relevant to Black students is beneficial for all students. Based on culturally relevant pedagogy's tenets, this article highlights ways culturally relevant materials can be implemented to recognize and value students’ diverse cultures and lived experiences to increase student engagement, agency, and academic success. The concepts presented here promote antiracism and multimodal learning in the classroom contributing to pedagogical research and praxis looking to disrupt hegemonic teaching and learning.

Abstract This article presents a prereading activity for Shakespeare's history plays, 2 Henry VI in particular. The activity involves students in carefully studying an anonymized family tree extending from Edward III through Richard III, choosing whom they believe to be the rightful heir, and posing arguments in support of their claim. The exploration of rhetoric and rule introduces students to key figures in the plays as well as the central theme of right rule. This problem-solving approach to early modern matters of succession has the further effect of introducing students to the idea that all claims to rule should be subjected to careful scrutiny.

Abstract Arts and humanities fields, specifically the field of writing, are well-positioned to help educate people about the lack of diversity in nature and the consequences (both good and bad) of visiting and documenting wilderness locations with writing technologies. Writing faculty can also find creative ways to provide outdoor opportunities to their students and to give them hands-on writing experiences. This field teaches the rhetorical and critical thinking skills necessary for students to understand who and how we write about such places. Writing also teaches students to be successful in analyzing problems and generating solutions for them, which can enable students to make significant and meaningful changes that better protect our environments. Many of the initiatives, programs, and policies that, for instance, conservation agencies and organizations create, are done so through the act of writing. This article, therefore, discusses a course, Writing in the Wilderness, that is designed to show students the impacts that writing can have on their local wilderness spaces. It provides students a range of on-location assignments and activities as well as introduces them to the people that work in and for wilderness spaces.

Abstract What is a pedagogy of the Anthropocene? Put another way, what would it look like to teach in a way that disrupts the logic of fossil fuel extraction? Building on critiques of Enlightenment thought that identify the causalities between dualistic models such as mind/body or nature/culture and systems of enslavement and extraction, the author argues we must orient ourselves against the toxic logic that has led to our current planetary crisis, and that a class on “climate fiction” can estrange students from the ubiquity of an epistemology that alienates us from the natural world and each other. Stories about climate change, whether speculative or realistic, can pry students loose from more familiar narratives that have immiserated us as a species and a planet. The author encourages a reorientation of how we teach that reframes the classroom as a space for students to imagine each other as allies rather than as competition, displacing the fetishization of “rigor” that aligns us to false idols of meritocracy and scarcity instead of the abundance that is possible when we find happiness in collective as opposed to individual success.

ABSTRACT According to Simone de Beauvoir, realizing ourselves and genuinely understanding ourselves and others are conditioned by speaking with each other. The task of this article is to present the relevant mode of mutual communication, explain why it is required, and briefly gauge if it may propose a challenge to Arendt’s view of “enlarged mentality.” For Beauvoir, self-realization and understanding people require a mode of mutual communication, which (1) is second-personal (involving mutual claims on each other’s responsiveness) and (2) affirms, rather than denies, the fundamental separateness between us. Such a mode of communication is required by virtue of the free yet situated nature of the human self. Beauvoir’s approach is a challenge to Arendt’s picture of thinking with each other representatively if this picture recommends that we imaginatively inhabit others’ perspectives from our own first-person perspective.

Drawing on rhetorical genre studies, we explore research article abstracts created by generative artificial intelligence (AI). These synthetic genres—genre-ing activities shaped by the recursive nature of language learning models in AI-driven text generation—are of interest as they could influence informational quality, leading to various forms of disordered information such as misinformation. We conduct a two-part study generating abstracts about (a) genre scholarship and (b) polarized topics subject to misinformation. We conclude with considerations about this speculative domain of AI text generation and dis/misinformation spread and how genre approaches may be instructive in its identification.

Drawing upon scholarship on cultural-historical activity theory and writing across difference, this study investigated how students reflect on critical incidents in writing-intensive courses that are expansive by design, that is, spanning courses, semesters, communities, and cultures, and seeking to orient students toward critical incidents as catalysts for expansive learning. Findings indicate that students who reported valuing/understanding critical incidents in developing more expansive conceptualizations of literate activity tended to be further along in their studies, to be enrolled in courses with more reflective writing and semester-long community-engagement projects, and to have assumed significant team responsibilities. Students most frequently reported finding helpful concepts and design elements associated with the expansive-by-design classroom, and least helpful prior knowledge, skills, and experience (or lack thereof). The authors recommend more research into designing and assessing curricula bolstered by a writing across difference framework to illuminate the relationship between agency, sociocritical literacy, critical incidents, and expansive learning.

This article reports on a qualitative assessment of intercultural competence (IC) in U.S. first-year writing (FYW) courses designed to increase intercultural exposure and interaction among domestic and international students. To measure students’ intercultural development via a series of reflective writings, we designed two innovative qualitative analysis tools: a grounded-theory coding scheme and a mapping procedure aligned to the Developmental Model of Intercultural Sensitivity. Our results show that qualitative assessment of reflective writing reveals dynamic, complex IC development trajectories, displaying nonlinearity, nondiscrete phases, and development within phases. Specifically, we noted that reflective writing helped students engage with and become attuned to aspects of cultural difference. Affordances of the FYW context indicated that students strongly engaged the cognitive domain of IC, and that this domain appears to be activated by reflective writing.

This mixed-methods study examined the effects of different models of online professional development (PD) on 21 US elementary teachers’ writing instruction, on the teachers’ confidence, and on students’ writing quality. Participants were first-grade teachers who were randomly assigned to one of three conditions: Coaching-plus-Manual (C+M), Manual (M), or Business-as-Usual (BAU). All teachers received online-PD but the C+M and the M conditions received PD on genre-based writing-strategy instruction. The M group taught using only the manual of that approach but the C+M also received coaching. Results found that C+M teachers increased the most in their writing confidence, and C+M students wrote papers of better quality at posttest compared to the M and BAU students.

The study investigates how Chinese English-as-a-foreign-language (EFL) learners construct translanguaging space via multimodal orchestration in collaborative English-language YouTube videos introducing Chinese culture. By triangulating multimodal analysis of videos and students’ interview responses, the current research maps translanguaging space construction within and across modes and identifies four multimodal translanguaging space patterns. Meanwhile, learners’ understanding of modal affordances, their intents, their perceptions of the intended audience, and their experiences with relevant (multimodal) texts were found to influence their multimodal orchestration in translanguaging space construction. Digital multimodal composing (DMC) provides EFL learners with opportunities to draw upon their expanded multimodal repertoires, to combine multiple modes for meaning-making creatively, and to transcend the boundaries of languages and modalities critically. Pedagogical suggestions are provided regarding integrating DMC tasks into multilingual learning environments.

While researchers have explored the relationship between writing self-regulation and writing self-efficacy in student performance on academic writing tasks, less research has been conducted on the mediating effect of autonomous motivation on self-regulation and self-efficiency. In this study, researchers surveyed 445 elementary school students in China using the Writing Self-Regulation Strategies Scale, the Writing Self-Efficacy Scale, and the Autonomous Writing Motivation Scale. Researchers then compared the results of student responses to the scale items with scores on three written compositions. The results show that (1) writing self-regulation strategy positively predicts writing scores; (2) writing self-regulation strategies not only directly impact students’ writing scores, but also affect students’ performances indirectly through the mediation of writing self-efficacy; and (3) autonomous writing motivation modulates the first half of the “writing self-regulation strategy → writing self-efficacy → writing scores” path. Compared to students with low autonomous writing motivation, the writing self-regulation strategies of students with high autonomous writing motivation are more effective in enhancing their writing self-efficacy.

The question of how generative Artificial Intelligence (Gen AI) will reshape communication is causing questions and concerns across the field of education, particular literacy and writing classrooms. Although important questions have surfaced surrounding the varied effects on writing instruction and ethical implications of AI in the classroom, there are calls for deeper investigations about how these tools might shape multimodal composing processes. This study builds upon this developing field by exploring how 21 university students in literacy education courses multimodally composed with generative AI and their perspectives on the use of AI in the classroom. Data sources included screen capture and video observations, design interviews, pre- and post- surveys, and multimodal products. Through qualitative and multimodal analysis, four main themes emerged for understanding preservice teachers’ multimodal composing processes: (1) composing was an iterative process of prompting guided by the AI tools, (2) composers exhibited two distinct processes when designing their projects, (3) AI shaped creative possibilities, and (4) play, humor, and surprise served a key function while composing. Preservice teachers’ perspectives also revealed insights into how AI shaped engagement with content, the importance of scaffolding AI in the classroom, and how ethics were intertwined with technical function and teaching beliefs.

The article explores the prevalence of for-profit tutoring services contracted by four-year and two-year colleges and the perceptions writing center professionals have about for-profit tutoring services. Applying a grounded theory approach, the researchers found five main themes that emerged from an open-ended survey sent to writing studies and writing center listservs in fall 2022. The article concludes with suggestions modeled after not-for-profit tutoring initiatives such as the Western eTutoring Consortium.

Language arts and literacy curricula around the world have been advocating for the teaching and learning of literature in multiple forms. However, apparently in much of classroom practice, little attention has been given to distinguishing the literary distinctiveness of multiple forms of ostensibly the same story. Developing an appreciation of the distinctive interpretive possibilities of multi-version literary narratives may be facilitated by semiotic analyses that indicate how the deployment of image, paralanguage, and language resources have been designed to orient the audience to particular interpretive options. Understanding how to analyze texts to determine such orientations is a crucial aspect of critical literacy. In this paper, we draw on systemic functional linguistics and its extension to the description of the meaning-making resources of image and paralanguage to focus on how differences in characterization are achieved in three versions of the story of Coraline.