In this article, we share findings from our process of “reading the past, writing the future” of elementary research in NCTE’s journals. Our analysis focused on major domains of the field, including literature, writing, reading, language, and multimodal literacies, and spanned Elementary English Review, which first appeared in 1924, was renamed Elementary English in 1947, and became Language Arts in 1975; Primary Voices, which ran from 1993 to 2002; and Research in the Teaching of English (RTE), which began in 1967. Findings revealed both surprising continuities across decades as well as clear and important social and cultural shifts that influenced theory, methods, and practice in the field, emphasizing the importance of 1) recognizing the level of historical and political influences in elementary literacy research, 2) paying explicit attention to how the cultural-historical zeitgeist shapes our work as scholars, and 3) interrogating how our representations of research problems may contribute to the continuance of social and cultural inequities.

In Performing Prose: The Study and Practice of Style in Composition, authors Chris Holcomb and M. Jimmie Killingsworth liken the practice of style to a ...

This study examines how Japanese students perceive the qualities of written arguments that were constructed to have different forms. Based on the theoretical dimensions of verbal communication styles that Gudykunst and Ting-Toomey (1988) proposed, the research questions asked whether the respondents would perceive direct arguments to be of higher quality than indirect arguments. They also asked whether they would perceive elaborate arguments to be of higher quality than succinct arguments. Japanese college students voluntarily responded to a questionnaire. The results revealed that they gave higher ratings to direct arguments than to indirect arguments for both of the two indicators, and higher ratings to elaborate arguments than to succinct arguments for two indicators out of the three. The results were discussed and implications were offered.

“Before we even got to the attendance policy, students were wrestling with an entire semester’s worth of work: they wanted to know how they could make a difference, how to get their voices heard.”

Legos Build the Way to Successful Process Analysis Writing, Michelle Rhodes (New Voice) Native American Elder Stories Make Descriptive Essays Easier, Pamela Tambornino (New Voice) Teaching Writing Style and Revision, Eric Bateman Dialect and Language Analysis Assignment, Amanda Hayes (New Voice) A Scaffolded Essay Assignment on Poetry, Jane Arnold (New Voice)

The author examines the circumstances and rhetoric of two petitions by Japanese Hawaiians, among them her grandfather, who were interned on the U.S. mainland during World War II. In particular, she explains how these writers were arguing for political subjectivity and voice within the discourse of their oppressors.

Composition theorists concerned with students’ academic writing ability have long questioned the application of voice as a standard for writing competence, and second language compositionists have suggested that English language learners may be disadvantaged by the practice of emphasizing voice in the evaluation of student writing. Despite these criticisms, however, voice continues to frequently appear as a goal in guidelines for teaching writing and on high-stakes writing assessment rubrics in the United States. Given the apparent lack of alignment between theory and practice regarding its use, more empirical research is needed to understand how teachers apply voice as a criterion in the evaluation of student writing. Researchers have used sociocultural and functionalist frameworks to analyze voice-related discursive patterns, yet we do not know how readers evaluate written texts for voice. To address this gap in research the present study asked: 1) What language features do secondary English teachers associate with voice in secondary students’ writing and how do they explain their associations? 2) How do such identified features vary across genres as well as among readers? Nineteen teachers were interviewed using a think-aloud protocol designed to illuminate their perceptions of voice in narrative and expository samples of secondary students’ writing. Results from an inductive analysis of interview transcripts suggest that participating teachers associated voice with appraisal features, such as amplified expressions of affect and judgment, that are characteristic of literary genres.

What is currently known about the history of the paragraph has relied on the work of the first English and American compositionists, humanists, and philologists of the late nineteenth century. Alexander Bain and his followers defined the requirements for the English paragraph and believed it had not existed prior to the eighteenth century. Their sole focus, on humanist and historical writing, yielded a distorted, if not an incorrect history of the paragraph. This article begins to correct that view, prevalent since 1866, by examining paragraphs of practical works, such as printed how-to books of the early English Renaissance until 1700. The variety and quantity of how-to documents increased with the growth of knowledge, advent of printing, and emergence and expansion of middle-class English readers eager for books written in an accessible, non-Latinate style. When we examine paragraphs from technical books printed as early as 1490, we find paragraphs that exemplify the qualities stipulated by Bain nearly 400 years later. The existence of well defined and formulated paragraphs throughout the English Renaissance and the seventeenth century in a wide variety of technical book—works ignored by literary scholars pursuing the history of English—suggests that the paragraph is clearly indigenous to the English composition, much more so than modern composition theory has acknowledged. This article explores example paragraphs of these first English printed technical works and begins to expand the history of the English paragraph. Further studies of later Middle English paragraphs in incunabula of practical, liturgical, and historical works will likely show the indigenous nature of the paragraph to English composition and allow scholars to see how the formation of the paragraph helped English writers over 500–700 years ago create complete texts.

Learning from Language: Symmetry, Asymmetry, and Literary Humanism, Walter H. Beale Out of Style: Reanimating Stylistic Study in Composition and Rhetoric, Paul Butler Performing Prose: The Study and Practice of Style in Composition, Chris Holcomb and M. Jimmie Killingsworth Academic Writing in a Global Context: The Politics and Practices of Publishing in English, Theresa Lillis and Mary Jane Curry A Taste for Language: Literacy, Class, and English Studies, James Ray Watkins Jr.

Although Orwell's essays—particularly “Shooting an Elephant”—are used in freshman composition classes as stylistic models of clarity for student to imitate, this practice is pedagogically unsound because Orwell's essays are examples of the contemplative essay, whose aims are very different from those of the expository prose students learn to write in composition classes.

One of the most distinctive stylistic virtues of speechwriting is characterization, the art of capturing a client’s voice in a believable and engaging manner. This article examines characterization in the context of corporate communication, interweaving an interview with veteran executive speechwriter Alan Perlman with accounts from the ancient rhetorical tradition. As the analysis shows, Perlman’s approach to characterization confirms long-standing rhetorical wisdom yet incorporates insights that reflect the contemporary corporate context in which he has worked. The analysis also calls attention to enduring tensions in characterization—tensions between imitation and representation, effectiveness and ethics, and dramatic character and trustworthy ethos.

The authors describe two pedagogical strategies—rhetorical sentence combining and rhetorical pattern practice—that blend once-popular teaching techniques with rhetorical decision making. A literature review identified studies that associated linguistic and rhetorical knowledge with success in engineering writing; this information was used to create exercises teaching technical communication students to write Introduction, Methods, Results, and Discussion (IMRaD) reports. Two pilot studies report promising results: Preliminary findings suggest that students who were taught this method wrote essays that were perceived as significantly higher in quality than those written by students in a control section. At the same time, however, the pilot studies point to some challenges and shortcomings of exercise-oriented pedagogies.

Using rhetorical genre theory and research on reported speech, this study investigates the citation practices in 81 forensic letters written by paediatricians and nurse practitioners that provide their opinion for the courts as to whether a child has experienced maltreatment. These letters exist in a complex social situation where a lack of clarity exists as to which professional group (healthcare providers, police, social workers) is primarily responsible for gathering accounts of children’s injuries. Yet physicians need these accounts into order to compare them to actual injuries. The study documents the direct and indirect citations that occur in the letters, observes documentation strategies, notes the instances in which partial breakdowns in citation occur, and points to the linguistic factors contributing to these breakdowns.

Freelance technical writers perform their work outside their clients' corporate culture, and this occurrence is becoming more and more common. It is important to understand the significance of the separation between technical writers and corporate culture, especially given that some freelance technical writers never meet their clients in person. Does corporate culture play a significant role for the freelance technical writing professional?

Most research involving the analyses of discourses targets particular points in time or relatively short durations (i.e., one semester, one year). Failure to recognize the ways discourses operate over long periods of time limits the ability of educators and researchers to recognize the temporal nature of meaning construction. Through this longitudinal research project, I tracked discourses about literacy and schooling to document how events at multiple timescales (Lemke, 2000, 2001) converged in the literacy and schooling experiences of one student. Specifically, I asked how one African American middle-school student and members of her family drew upon and negotiated discourses related to past and ongoing experiences as well as larger social histories as they made sense of literacy and schooling. Based on data from an eight-year study, I applied grounded coding methods to identify and track discourses voiced in interview transcripts and field notes. Findings from the study suggest that discourses were taken up, challenged, modified, negotiated, and abandoned by participants across time. Participants drew on multiple, intertextual language resources within families and other social contexts to make sense of themselves and their experiences recursively as they recalled, neglected, revisited, and forgot particular stories and eventsand identified familiar social types.

In a 2002 article in College English, Peter Elbow argued that writing pedagogy would benefit by “[m]ore honoring of style, playfulness, fun, pleasure, humor” (543). Although Elbow was referring specifically to the need for cross-fertilization between the disciplines of literature and composition, his call for attention to playfulness in writing pedagogy is equally relevant to the teaching of creative nonfiction. The question he fails to consider is how playfulness can become an essential part of writing pedagogy without undermining the seriousness of the endeavor. My experience teaching an upper-level creative nonfiction class devoted to humor writing suggests that while incorporating playfulness into nonfiction-writing pedagogy poses serious challenges, it also provides significant rewards and develops skills transferable to other writing tasks.

Writing is common skill for many whose job requires them to communicate through business documents. But there are many professionals who seemingly have difficulty with writing. Many engineers are required to write proposals and reports yet have received little formal writing instruction. The purpose of this study was to determine if writing apprehension, their composition process, or the presence of deadlines affects the production of documents. The hypothesis was that engineers have high writing apprehension, generally use a product-based approach, and tight deadlines negatively affect the end quality. The researcher conducted in-depth interviews with civil engineers to gauge their level of apprehension, learn their personal composition process and determine how deadlines affect their writing. While the hypothesis was not conclusively supported, the study revealed six key themes into how engineers structure their writing tasks and found that the writing environment of engineers significantly impacts the composition process.

Although books in the For Dummies series and other similar series have found commercial success, the approach to information design they use has not received much attention in technical communication journals. This article reports on readers' responses to information presented in the magazine Nursing Made Incredibly Easy! and two other nursing journals. Three groups of readers (two groups of nursing students and one group of nursing faculty members) responded to three articles they read by completing questionnaires and participating in focus groups. Nursing Made Incredibly Easy! was regarded as easy to read and as a good starting point for less-experienced readers, but its tone and style elicited some strong objections as well. The article provides observations and recommendations about using an informal approach to information design.

Vision, Rhetoric, and Social Action in the Composition Classroom Kristie S. Fleckenstein Rhetorics, Literacies, and Narratives of Sustainability Peter N. Goggin, ed. Rhetoric and the Republic: Politics, Civic Discourse, and Education in Early America. Mark Garrett Longaker The Responsibilities of Rhetoric Michelle Smith and Barbara Warnick, eds. Active Voices: Composing a Rhetoric for Social Movements Sharon McKenzie Stevens and Patricia M. Malesh, eds.

This article reports findings from a qualitative study of Spanish-English code-switching “or Spanglish” among bilingual Latina/Latino sixth graders at a middle school in East Los Angeles. Analysis of the data revealed significant parallels between the skills embedded in students’ everyday use of Spanglish and the skills that they were expected to master according to California’s sixth-grade English language arts standards. In particular, students displayed an impressive adeptnessat (1) shifting voices for different audiences, and (2) communicating subtle shades of meaning. It is argued that this skillful use of Spanglish could potentially be leveraged as a resource for helping students to further cultivate related academic literacy skills. The article concludes with a discussion of specific implications for how teachers might begin to leverage Spanglish as a pedagogical resource by helping students to recognize, draw on, and extend the skills already embedded intheir everyday use of language.

This article presents the results of a study that investigated readers' perceptions of tone formality in online text passages. The study found that readers perceived text passages to be less formal when they contained personal pronouns, active voice verbs, informal punctuation, or verb contractions. The study reveals that professional communicators can impact their readers' perceptions of tone in online passages. This study provides useful guidance for writers who wish to understand the impact of their stylistic decisions on audience perceptions of passage formality.

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Abstract William F. Buckley afforded conservatives of all stripes a provocative rhetorical style, a gladiatorial style, as I term it. The gladiatorial style is a flashy combative style whose ultimate aim is the creation of inflammatory drama. I claim that conservatives encountered Buckley’s potent arguments about God, government, and markets and the gladiatorial style simultaneously. The theatrical appeal of Buckley’s gladiatorial style inspired conservative imitators with disparate beliefs and, over several decades, became one of the principal rhetorical templates for the performance of conservatism.

Responses to Rosalie’ Morales Kearns’s “Voice of Authority: Theorizing Creative Writing Pedagogy” and Johnathan Alexander’s “Gaming Student Literacies and the Composition Classroom: Some Possibilities for Transformation.”

This essay expands style pedagogy to include teachers' comments on student writing. To do so, it analyzes three major studies on response and the conceptions of style they both reflect and perpetuate. Ultimately, this essay argues that to teach style effectively though written commentary, we must use language that moves beyond impression and considers the rhetoricality of students' stylistic choices.

The guest editor introduces this special issue on Chinese rhetoric by emphasizing that we should (1) focus on how the Chinese engaged their domestic and foreign Other; (2) be prepared to acknowledge and validate voices that call for or search for other paradigms; and (3) resist the temptation to codify any definitions of rhetoric even as we seek non-Western alternatives.

This paper examines how writing samples produced by middle school students reveal their emerging academic identities through their rhetorical choices in writing. Analyses of two texts produced by each student revealed students’ implicit understandings of the requirements of academic voice. Through comparisons of each student’s texts, strategies for taking up academic voices become more transparent. We provide analytic tools with which to reframe how student essays that may not conform to expected conventions of academic writing might be read by teachers, and we suggest that instructional intervention to fill gaps in students’ written expression can facilitate students emergent academic identities.

This essay examines women’s commencement addresses presented from 1910 to 1915 at Vassar College. These addresses are significant because they reveal the students’ rhetorical education and the “available means” upon which these women drew in developing a public voice. By prompting reflection and the potential for change, the commencement addresses also demonstrate the civic importance of epideictic rhetoric.

This essay interrogates the concept of “clarity” that has become an imperative of effective student writing. I show that clarity is neither axiomatic nor transparent, and that the clear/unclear binary that informs the identification of clarity as a goal of effective student writing is itself unstable precisely because of the ideological baggage that undergirds its construction. I make this argument by finding the traces of composition’s insistence on student writers’ clarity in the attacks on the writing of critical theorists.

Visual rhetoric fuels composition as rhetors refinish filmed moments to show others what they “see” in them. My work examines projects that model strategic discourse in public spaces. It offers ideas for achieving full and guarded disclosure when clarity is but one of several communicative goals.

In this article, I test claims made about rhetorical education for women in the late nineteenth and early twentieth centuries by examining Florida State College for Women (FSCW), one of eight public women’s colleges in the South. I recover the voices of instructors and students by looking both at the interweaving strands of literature, journalism, and speech instruction in the English curriculum and how students publicly represented themselves through writing. I argue that the rhetorical environment at FSCW created a robust climate of expression for students that complicates our understanding of the development of women’s education in speaking and writing.

A feminist reading of four prominent literacy narratives—Mike Rose’s Lives on the Boundary, Richard Rodriguez’s Hunger of Memory, Victor Villanueva’s Bootstraps, and Keith Gilyard’s Voices of the Self—shows that conflicts and anxieties about the consequences of schooling on working-class masculinity animate these texts. Each of these writers experiences, manages, and ultimately resolves, to greater or lesser degrees, his conflicts over masculinity, at least textually speaking, and does so, moreover, in ways that are linked to his views on literacy and education.

This study explores design presentations that were graded by engineering faculty in order to assess the distinguishing features of those that were successful. Using a thematic analysis of 17 videotaped, final presentations from a capstone chemical engineering (CHE) course, it explores the rhetorical strategies, oral styles, and organizational structures that differentiate successful and unsuccessful team presentations. The results suggest that successful presenters used rhetorical strategies, oral styles, and organizational structures that illustrated students’ ability to negotiate the real and simulated relational and identity nuances of the design presentation genre—in short, they illustrated students’ relational genre knowledge.

The fiftieth anniversary of the Strunk and White edition of The Elements of Style is an appropriate occasion for considering its enormous popularity. Especially interesting is the esteem for the book held by Theodore Kaczynszki, convicted as the Unabomber. His embrace of Strunk and White’s values points to a kind of violence and primitivist nostalgia in their ideology of style

Our article seeks to integrate alternative voices into traditional rhetorical study by turning to Bitch and BUST, two mainstream zines that serve as dynamic examples of young women’s rhetoric in action. We believe these zines are shaping the present and future of women’s rhetoric. Their most significant contribution to the understanding of women’s rhetoric is located in the way they accommodate ethotic constructions that are at once contradictory and complementary. While these texts can seem abrasive and perhaps even outrageous, the ways in which the writers shape their ethe can teach rhetoricians and teachers of rhetoric and writing about the modes of argumentation practiced by this subculture of the current feminist movement, one which is firmly grounded in the larger public sphere.

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This study explored how voice developed in the English writing of 57 Chinese teachers of English who participated in a three-week writing workshop during a summer institute in a large, urban school district in southeastern China. Teachers from grades 3 through 12 wrote daily in English in a workshop environment. Primary data sources were pre- and post-workshop writing samples. Supporting data included various teacher writings completed in the course of the workshop, daily written reflections, a final essay exam, anonymous course evaluations, and biographical and professional surveys. The pre- and post-workshop writing samples were assessed using the 6 + 1 Trait® analytical model of scoring writing (Northwest Regional Educational Laboratory, 2006). Scoring showed that the teachers’ writing improved significantly in the course of the institute, but the greatest gain was made in the trait of “voice””the distinctive, individual way in which a writer speaks to a reader. This finding will be considered in light of the current direction of educational reform in China and of current debates over the value of teaching voice in diverse writing contexts. The study had implications for the teaching of writing to English language learners and for the professional development of teachers of writing, including those who teach English as a Foreign Language.

This study examines discussions of model papers in a high school Advanced Placement English classroom where students were preparing for a high-stakes writing assessment. Much of the current research on talk about writing in various contexts such as classroom discourse, teacher-student writing conferences, and peer tutoring has emphasized the social and constructive nature of instructional discourse. Building on this work, the present study explored how talk about writing also takes on a performative function, as speakers accent or point to the features of the context that are most significant ideologically. Informed by perspectives on the emergent and mediated nature of discourse, this study found that the participants used ventriloquation to voice the aspects of the essays that they considered to be most important, and that these significant chunks were often aphorisms about the test essay. The teacher frequently ventriloquated raters, while the students often ventriloquated themselves or the teacher. The significance of ventriloquation is not just that it helps to mediate the generic conventions of timed student essays; it also mediates social positioning by helping the speakers to present themselves and others in flexible ways. This study also raises questions about the ways that ventriloquation can limit the ways that students view academic writing.

Manhood, Lorain Style is a narrative essay in which the author discusses issues of masculinity and gender identity in the working-class environment of his hometown Lorain, Ohio. Written mostly as a story, the essay recounts a fistfight that the author provoked and participated in when he was sixteen years old in order to prove he wasn’t “gay” based on the standards of what he considers Rust Belt masculinity.

Through its analysis of birth plans, documents some women create to guide their birth attendants' actions during hospital births, this article reveals the rhetorical complexity of childbirth and analyzes women's attempts to harness birth plans as tools of resistance and self-education. Asserting that technologies can both silence and give voice, the article examines women's use of technologies of writing to confront technologies of birth. The article draws on data from online childbirth narratives, a childbirth writing survey, and five women's birth plans to argue that women's silencing, or rhetorical disability, during childbirth both prompts and limits the birth plan as an effective communicative tool. The data suggest that the birth plan is not consistently effective in the ways its authors intend. Nonetheless, this analysis also demonstrates that the rhetorical failure of the birth plan can be read as, and thereby transformed into, rhetorical possibility.

Sirc’s essay also uses the writing course as touchstone “this time, to wrestle initially” with the issues Allen Tate pondered in his 1952 essay . . . “The Man of Letters in the Modern World.” Sirc challenges contemporary instructors of writing, claiming that “the vox pop criticism of iTunes writing represents a new Attic style, one well worth studying and teaching to.”

Creative writing workshops typically feature a gag rule and emphasize purported flaws. This structure limits students’ meaningful engagement with each other’s work; positions the author as inherently flawed; and positions other participants as authority figures, passing judgment without articulating their aesthetic standards. I propose an alternative structure in which authors lead discussion; the work is treated not as inherently flawed but as “in process”; and discussants articulate their expectations about “good” writing rather than allowing them to function as unspoken norms.

“The study of activity ceases to be the psychology of an individual, but instead focuses on the interaction between an individual, systems of artifacts, and other individuals in historically developing institutional settings” (Miettinen, 1997). As teaching technical writing online becomes more widespread, teachers and scholars are identifying ways to increase teaching/learning efficacy. One way of accomplishing this goal is by continually reflecting on different types of student ethos being constructed in an online course. The changes that occur in the ethos development process can be contextualized through activity theory, which emphasizes the dynamic, evolving nature of social environments. Activity theory's focus on cultural history and tools makes it ideal for exploring active communication among multiple participants in an online technical communication environment. The triangle of human activity adapted and developed by Engeström (1987) Engeström, Y. 1987. Learning by expanding: An activity theoretical approach to developmental research., Helsinki, Finland: Orienta-Konsultit Oy. [Google Scholar] provides a framework for exploring ethos as an object within an online course's activity system.

Looking back at a few memorable moments during the 2008 presidential primary campaign, Barry Brummett describes a discussion over whether a sweater Senator John McCain wore was “gay” as well as a c...

Paul Butler's Out of Style: Reanimating Stylistic Studies in Composition and Rhetoric enters into several contentious conversations taking place in and around composition studies today. Ostensibly,...

Studies of blind manuscript review have illustrated that readers often form impressions of or speculate about unknown authors' identities in the manuscript review task. In this article, the authors extend that work by examining the discursive and nondiscursive features that play a role in readers' active construction of author voice. Through a survey completed by 70 editorial board members of six journals in applied linguistics and rhetoric and composition, the authors identify quantitative and qualitative trends in reviewers' practices regarding voice construction. Findings indicate that many readers do build impressions of an author's identity when reviewing anonymous manuscripts and that the rhetorical nature of the review task may lead readers to attend more to some discursive features than to others.