Abstract This article argues that care — especially care grounded in Black feminist traditions — is not an affective supplement to teaching but rather the radical foundation of liberatory pedagogy. Amid rising attacks on critical education and the austerity logics of the neoliberal university, the authors theorize care as infrastructure, method, and resistance. Drawing from the work of bell hooks, Audre Lorde, Patricia Hill Collins, Mia Mingus, and Leah Lakshmi Piepzna-Samarasinha, they offer a framework for care-centered teaching that foregrounds mutuality, trust, and collective accountability. Through vignettes, student reflections, and practices such as trauma-informed design, mutual aid, and collaborative assessment, the article demonstrates how care fosters relational transformation and deep intellectual engagement. It also interrogates the structural devaluation of care labor, particularly for women and faculty of color, and challenges dominant educational paradigms that equate rigor with detachment. As one student reflected, “You believed me when I said I needed more time, without asking for proof. That made me want to do the work even more.” Drawing from their institutional experiences, the authors position teaching as a form of organizing — an insurgent, relational practice that refuses extractive academic norms while building collective conditions for educational and institutional transformation.

Abstract Students in first-year composition are often asked to read multiple texts quickly and independently during the process of researching and writing research essays, yet reading is rarely an explicit pedagogical focus. Researchers in metacognition and readerly expertise agree that expert reading is purposeful, defined in part by agility in engaging with a text, its context and its embeddedness within larger conversations and with one's own intentions beyond or within such conversations. Drawing from these concepts of readerly purpose and source use, we propose a theory of mining reading — a way of reading for conversation. Mining reading is when readers mine a text to understand the text's message within a broader topic or disciplinary conversation and make a text mine by identifying its use for the reader's rhetorical purpose. We describe ways to scaffold mining reading from our writing classes and share findings from student reflections, gathered with IRB approval, about the affordances and constraints of this approach. We ultimately situate mining reading as one way to help students understand reading as an active meaning making process and develop a flexible sense of purpose and agency in their research essays.

Abstract This article describes a project taught in a British literature survey course, in which students navigate digital archives like Eighteenth-Century Collections Online (ECCO) to find a “companion piece” to a literary text. The essay shares the goals of the research project, the assignment design, and specific successes and challenges students encounter. The piece additionally offers reflections about teaching the conventional British literature survey course for undergraduate English majors, particularly considering the ways in which digital archives and historicist methodologies can expand students’ understanding of literary canons and the interrelationship between literature and history.

Abstract Taking their cue from the internet and popular cultures in which they engage, college students are becoming more comfortable with the notion of intersectionality, a term first coined in the late 1980s by the critical race scholar Kimberlé Crenshaw. Drawing from her legal training as well as Black feminist precursors such as Sojourner Truth, Crenshaw shows how to best understand the experiences of the multiply marginalized, not through a simple process of addition (woman plus Black, for instance) but through a careful attention to the way in which the specific combination of those two identities can create new forms of marginalization obscured by single-vector frameworks. For those who teach undergraduate writing students, the proliferation of intersectionality in cultural conversation offers a unique opportunity: here is a densely theoretical concept that students are eager to think about and which, in fact, they may already be thinking about. This piece provides a pedagogical model for approaching intersectionality in the writing classroom. Using Langston Hughes's richly ambiguous short story, “Seven People Dancing,” which foregrounds the racial, sexual, class, and gender identities of its characters, the article guides instructors through a process by which students can use theoretical concepts to produce stronger analyses of complicated texts.

Abstract Since March 2020, terms like resilient course design, resilient pedagogy, pandemic resilience, and keep teaching have become ubiquitous in higher education. In response to COVID-19, institutions have proselytized about bouncing back. However, what many may have internalized as a survival response to “the unprecedented” — resilience — is intrinsic to what many in English studies teach: the writing process. Writing is an exercise in resilience. To write is to think. To think is to reckon with complexity. And that reckoning requires that one abandons, however momentarily, the illusion of control for the possibility of creating something new. Building on a burgeoning body of scholarship on resilience in critical pedagogy and composition and rhetoric, this article works to normalize resilience in the writing process and in the teaching of First-Year Composition (FYC). In doing so, the article redefines resilience as a rhetorical tool: a flexibility of mindset and moves that student-writers may develop as they encounter different writing situations and reflect on how they navigate those situations, which can guide them in making strategic choices about languaging, in and beyond our classrooms.

Abstract Drawing from new and foundational scholarship in the field and from our experiences as teachers at a range of institutions, the authors consider how multimodal learning can support antiracist classrooms. This article emphasizes the value of cross-institutional collaboration, as the authors make a collective case for remixing the essay in first-year composition. This term denotes a method for building on the traditional college essay through activities and assignments that allow students to reevaluate and repurpose this well-established genre. The authors offer four case studies for remixing the essay—“Multimodal Translation: Playing with Post-Its” (Borough of Manhattan Community College /City University of New York), “Remixing Activism: The Essay as Personal and Political Playlist” (St. Francis College), “NYC Graffiti Autoethnography” (Fordham University), and “‘Vernacularity and Translation Activity” (Yale University). All four narratives present practices that support critical agency and linguistic justice by addressing the conventions of college writing assignments. Together, the authors offer a useful practice for composition instructors seeking to implement antiracist and multimodal instruction as well as a generative concept for administrators developing new writing curricula.

Abstract This article proposes the value hip-hop based education can add to the first-year composition classroom. It provides a framework for using hip-hop based education to scaffold traditional writing assignments, including rhetorical analysis assignments and argumentative essays using concepts like zines, cyphers, and song analysis. Drawing from culturally relevant pedagogy, linguistic justice, and Black feminist pedagogy, this article offers the genre of hip-hop to define and solidify its usefulness in composition studies and its relevance to the Black community, asserting that centering pedagogy relevant to Black students is beneficial for all students. Based on culturally relevant pedagogy's tenets, this article highlights ways culturally relevant materials can be implemented to recognize and value students’ diverse cultures and lived experiences to increase student engagement, agency, and academic success. The concepts presented here promote antiracism and multimodal learning in the classroom contributing to pedagogical research and praxis looking to disrupt hegemonic teaching and learning.

Abstract This article presents a prereading activity for Shakespeare's history plays, 2 Henry VI in particular. The activity involves students in carefully studying an anonymized family tree extending from Edward III through Richard III, choosing whom they believe to be the rightful heir, and posing arguments in support of their claim. The exploration of rhetoric and rule introduces students to key figures in the plays as well as the central theme of right rule. This problem-solving approach to early modern matters of succession has the further effect of introducing students to the idea that all claims to rule should be subjected to careful scrutiny.

Abstract Arts and humanities fields, specifically the field of writing, are well-positioned to help educate people about the lack of diversity in nature and the consequences (both good and bad) of visiting and documenting wilderness locations with writing technologies. Writing faculty can also find creative ways to provide outdoor opportunities to their students and to give them hands-on writing experiences. This field teaches the rhetorical and critical thinking skills necessary for students to understand who and how we write about such places. Writing also teaches students to be successful in analyzing problems and generating solutions for them, which can enable students to make significant and meaningful changes that better protect our environments. Many of the initiatives, programs, and policies that, for instance, conservation agencies and organizations create, are done so through the act of writing. This article, therefore, discusses a course, Writing in the Wilderness, that is designed to show students the impacts that writing can have on their local wilderness spaces. It provides students a range of on-location assignments and activities as well as introduces them to the people that work in and for wilderness spaces.

Abstract What is a pedagogy of the Anthropocene? Put another way, what would it look like to teach in a way that disrupts the logic of fossil fuel extraction? Building on critiques of Enlightenment thought that identify the causalities between dualistic models such as mind/body or nature/culture and systems of enslavement and extraction, the author argues we must orient ourselves against the toxic logic that has led to our current planetary crisis, and that a class on “climate fiction” can estrange students from the ubiquity of an epistemology that alienates us from the natural world and each other. Stories about climate change, whether speculative or realistic, can pry students loose from more familiar narratives that have immiserated us as a species and a planet. The author encourages a reorientation of how we teach that reframes the classroom as a space for students to imagine each other as allies rather than as competition, displacing the fetishization of “rigor” that aligns us to false idols of meritocracy and scarcity instead of the abundance that is possible when we find happiness in collective as opposed to individual success.

Abstract If writing studies today is engaged in a project to remake composition pedagogy apart from modern language ideologies, then medieval writing reminds us that such ideologies were not always dominant. This essay asks how medieval texts, written before monolingualism became normative, might help student writers to imagine possibilities for composing beyond monolingualism. What happens when students are invited to read Dante Alighieri's defense of his Italian vernacular in book 1 of the Convivio alongside contemporary defenses of linguistic diversity more commonly taught in the first-year writing classroom? As this experiment suggests, assigning medieval texts in composition courses offers at least two advantages to student writers in support of linguistic justice and critical language awareness learning goals. For one, contradicting a modern view of translingualism as deviation from a monolingual norm, students learn that writers have had to assume language difference, rather than homogeneity, as a condition of composition for most of history. Second, the juxtaposition of medieval and contemporary, far from flattening historical difference, prompts students to think even more specifically and critically about the conditions for and consequences of translingual practices in particular times and places.

Abstract This article discusses the development and design of a ten-week first-year seminar course, which has been offered in various modalities (online synchronous as well as in person) at the University of Iowa. The course specifically focuses on teaching first-year university students with limited background information about neo- and pseudo-medieval concepts based on popular medieval story clusters (e.g., Arthurian lore, Robin Hood tales, Norse sagas), as evidenced in literature of the Middle Ages which has been (re)adapted in popular culture (visual media, literary adaptations, video games, etc.). First-year students gain access to historical and scholarly contexts surrounding the stories and discuss how the Middle Ages (and its fandom) have inspired fantasy epics rooted in medieval-ish universes (e.g., The Lord of the Rings, Game of Thrones), as well as video games and cosplaying events. Students review pop culture items, explore archival repositories, and complete a multimodal assignment based on course readings and individual research.

Abstract This essay demonstrates the ways in which one assignment, the creation of a class bestiary, fulfills the course outcomes of a first-year seminar course introducing students to reading and writing in the humanities. Evolving from the critical field of monster theory, the assignment crumples the timeline between the medieval and the modern in four distinct ways: it responds to the anxieties of identity and definitions of the human by exploring questions of hybridity; it centers concerns about nature and the environment; it opens conversations about race and stereotypes through animal imagery; and it considers the role of technology and classification in shaping the future. The assignment reveals that student fears for the future, not merely of the individual, but of the human species and even the planet itself need to be addressed more deliberately in first-year courses and suggests methods for revising the course to help students articulate and respond to the anxieties of the twenty-first century, even as they look back and contemplate their connections with the past.

Abstract Considering the recent erasure of LGBTQ+ representation in school curricula in states like Texas, this article explores the benefits of pairing medieval flytings (verbal battles with homophobic insults) in “Loki's Quarrel” from The Poetic Edda with recent homophobic discourse over rapper Lil Nas X's controversial music video “Montero.” It suggests that teaching such pairings of past and present queer texts and utilizing a range of inclusive practices and activities in the college classroom can highlight queer experiences and foster inclusion through representation. Through comparing insults that the trickster god Loki is ergi (a bottom) with Lil Nas X's Twitter defense reclaiming his agency as a “power bottom,” the article shows as well how homophobia and misogyny intersect in practices of medieval and modern bottom shaming. Moreover, it demonstrates how queer figures, whether in Viking culture or American pop culture, have always drawn power from queerness to challenge heteronormative masculinity.

Abstract Students in a first-year seminar gained a deeper understanding of Arthurian literature and its modern adaptations by studying the 2018 animated series She-Ra and the Princesses of Power in conversation with Chrétien de Troyes's twelfth-century story Perceval. She-Ra and Perceval share many motifs, symbols, and character elements due to their common heritage in medieval romance. Students analyzed how the inclusive, diverse She-Ra recuperates the themes of the Grail story from Perceval and extended its tradition of coming-of-age stories, which provides strategies for other teachers to use in bringing together historically and generically disparate texts. Studying She-Ra in the context of medieval literature enabled my students to deepen their understanding of both works and to think critically about how modern media transforms and transmits the stories and ideologies of the past.

Abstract This introduction defines crumpling the timeline as a classroom practice in which instructors and students explore medieval texts alongside twentieth- and twenty-first-century works. In this special issue, some contributors describe teaching strategies that pair premodern literature with overtly “medievalist” contemporary works. Other contributors engage students in analyzing themes, questions, and rhetorical strategies found both in medieval texts and in more recent works that do not explicitly invoke the Middle Ages. Developments within medieval studies as a field necessitate new ways of conceptualizing the relationship between the present and the past. Often surprised by the common ground between medieval preoccupations and our own, students embrace the opportunity to incorporate their own cultural expertise into classroom conversations.

Abstract Although the collected essays in this special issue were not expressly intended to address the impact of the digital environment on current pedagogies, all the contributions demonstrate in one way or another how computer-based communication modifies the work of teachers and students. Using the key concepts of hybridity, spatiality, connectivity, and user response, this essay describes how the internet, as the dominant twenty-first-century medium for knowledge exchange, has become the filter through which medieval ideas are presented and received. Hybridity refers to a teaching approach that combines face-to-face with virtual, computer-mediated (and often asynchronous) methods, whereas an awareness of spatiality emerges from the advanced geo-location tools now used unthinkingly. Connectivity allows for the creation of virtual communities and communications among their members, while user response refers to the many ways that the digital world supports and even encourages input about computer-based ideas. Since the medieval and digital eras share many characteristics not found in cultures of print communication, making such connections, and thereby crumpling the timeline, can often be automatic and perhaps even unintentional for instructors. The methods described in all the contributions demonstrate the validity of medieval themes for the modern world, which in turn can be effective tools to reach learners beyond traditional academic settings.

Abstract This study addresses the paucity of literature on the impact of ungrading — contract grading, specifically — on international students at American colleges. Over the course of four semesters, 307 international and domestic students were surveyed (anonymously) about their perceptions of grading contracts in their writing (and writing-heavy) classes. Specifically, the survey was designed to find out if grading contracts serve as “just another thing” to navigate as international students transition into the Western educational setting and, furthermore, to find out if grading contracts inadvertently do more harm than good. Ultimately, international students perceive more overall benefits than drawbacks of ungrading. However, the data show that international students do find contract grading confusing — especially at first. This article analyzes the sources of confusion along with mitigating topics named by the survey participants, such as fairness, student agency, and stress reduction. The data also show that ungrading practices can serve as a transitional tool to ease international students into American education; a portion of students identify the grading contract as a means of facilitating the transition into American education, rather than as a barrier to it.

Abstract This article offers a theory of action model for grading in first-year writing classes, as enacted at two public, suburban, Midwestern two-year colleges. First, it analyzes labor-based contract grading and specifications grading through this model, examining how these popular grading methods have manifested in unintended negative consequences for historically and multiply marginalized students. Then, it proposes a sociocognitive grading model designed to maximize course-level success rates for New Majority college students. The sociocognitive model was iteratively built on feminist standpoint theory, intersectional learning sciences, multilingual writing pedagogy, and disability studies. Thus far, student course-level success has improved, along with their learning in four domains of a robust writing construct: intrapersonal, interpersonal, cognitive, and health. While it does not prescribe specific patterns of response, this model nevertheless establishes an overall referential frame that holds the potential to incorporate empirically based best response practices.

Abstract The word ungrading means raising an eyebrow at grades as a systemic practice, distinct from simply not grading. The word is a present participle, an ongoing process, not a static set of practices. Too many approaches to grades treat students as if they are interchangeable and fail to recognize their complexity. Educational institutions need to start by rewriting policies and imagining new ways forward for the most marginalized students. This essay examines contemporary approaches to assessment; considers the history of grades; interrogates the bias inherent in standardized systems; and explores methods and approaches for designing assessments that push back against traditional notions of grading.

Abstract While ungrading is gaining traction within higher education, many teachers still struggle with applying ungrading systems successfully in their classrooms. This article is designed to bridge the gap between an ideological commitment to ungrading and pedagogical praxis by focusing on the ideologies that are embedded in ungrading systems. This represents an important shift from the focus on tools or methods to a focus on the habits of mind necessary to adapt ungrading to individual classrooms. This article claims that one of the key challenges to implementing ungrading stems from attempting to tack alternative assessment onto existing pedagogical frameworks. By utilizing a disability justice approach, the author offers a praxis-based primer to support educators in shifting their habits of mind to facilitate ungrading. First, the article asks readers to examine their ideological assumptions surrounding classrooms and demonstrates how these ideologies influence and interact with ungrading principles. Next, the article explores how a disability justice framework provides important contextualizing guidance to enacting ungrading ideologies. Finally, it synthesizes key lessons from disability justice theory and localizes them in examples of classroom praxis, demonstrating how a reorientation away from a “best practices” approach to ungrading facilitates successful implementation in the classroom.

AbstractThis article examines writing instructors’ processes for creating grading systems through the lens of liberatory design, an offshoot of the popular design thinking framework that focuses on creating equity-focused responses to complex problems. It uses a thematic analysis method to analyze seventeen interviews with writing instructors. The results indicate that instructors already use various design-based practices to create grading systems. However, the analysis also demonstrates opportunities to build stronger connections between these practices, to center student voices, and to approach the design problem more creatively. The article closes by illustrating potential liberatory design practices for creating grading systems.

Abstract It is easy to fall into different modes of reading: books for pleasure, student papers for teaching. This essay considers what it might look like to read student work generously, arguing such generosity shifts a teacher's relationship to student writing.

Abstract Inquiry-based learning, that is, developing student capacity to frame and answer significant questions, is at the forefront of twenty-first century education. Expecting students to ask and solve genuine research questions creates a challenging teaching proposition that editorial cartooning can help solve. While the educational use of editorial cartooning is not a novel concept, asking our students to locate cartoons based on a topic of their choosing and to analyze the satirical debate across these cartoons serves as an accessible inquiry-driven research project for first-year college classes that introduces them to academic databases. This essay details the three-step process used in the college classroom: first, to “mind the gap,” that is, to apply specific rhetorical tools, like parody and juxtaposition, as a means of identifying and analyzing satire; second, to “mine the gap,” that is, to contextualize the cartoons by researching articles about contemporary culture and politics; and third, to “make the gap known” — to share their information with others through an oral presentation and a written essay. This editorial cartoon project, by educating students in research-encountering behavior, provides a genuine model of inquiry and analysis.

AbstractDrawing on object-oriented approaches to rhetoric and the scholarship of museum education, the author describes her development of a first-year composition experience that puts observation at the center of first-year writing—observation of an art object and its context of display, as well as self-observation of a writer interacting with that object. The experience uses these object-oriented encounters to broaden students’ understanding of the role that close observation plays in effective writing while acting as a case study for how first-year composition instructors can draw on object and museum theories to design experiences and assignments conducted outside of traditional classroom spaces.

Abstract This article details a collaboratively designed and taught honors course, Cultures of the Anthropocene: Climate Change and Survivance. The authors invite readers to consider interinstitutional political learning ecologies a viable and vibrant model of instruction for early-career scholars and experienced teachers seeking professional development and a profound pedagogical challenge.

AbstractThis article offers a rationale and model for a reflective capstone course for English majors. Rooted in the SoTL concepts of active transfer and project-based experiential learning, this course asks students to reflect on and analyze their undergraduate work while developing a toolkit to articulate the value of their humanities degrees. Toward that end, students create scaffolded professional projects in multiple genres that help them highlight the soft skills they have developed in their academic career.

Abstract Exhibition research, design, and creation offer students significant experience in a wide range of intellectual and practical pursuits. This essay presents these components as they are found in the Emory University joint undergraduate/graduate course Digging into the Archives and Creating an Exhibition. The students learn how to navigate archives; ways to collaborate successfully with library and museum exhibition teams (and each other); skills in design and presentation; public programming; and strategies for identifying and reaching broad and diverse audiences. This discussion of the course goals, structure, and outcomes details how such undertakings can enhance student learning in both undergraduate and graduate contexts, while building a range of transferrable skills.

Abstract The appearance of a spider in the classroom can disrupt the flow of teaching, often prompting strong reactions that unsettle classroom norms. Minor classroom disruptions like this might not seem worth theorizing, but this essay reframes such disruptions as rich sites for understanding the role of affect in humanities pedagogy. Ultimately arguing against killing a spider in the classroom, this essay theorizes the moment of disruption as an opportunity to model humanistic attention to both human and nonhuman actors in the classroom space.

AbstractRecent advocates of postcritique urge scholars not to read texts suspiciously but instead to regard texts as capable of saying what they mean and, accordingly, to take those meanings seriously. While a suspicious disposition underlies much of introductory composition pedagogy, especially the teaching of argument, postcritique has made little entry into discourses of undergraduate instruction. Attending to the New Sincerity movement in American literature, film, and music after 1980, this essay examines how teaching texts that emphasize their own sincerity (and the difficulty of achieving sincere expression) can encourage students to regard argument and interpretation not as suspicious practices but as means for a generous mode of description that does not sacrifice the complexity of a given text.

Abstract Co-teaching an interdomain literature and biology course, before, during, and after the COVID-19 protocols led the authors to consider how interdisciplinarity might serve as a means to “de-extinction” for English. The authors, an English professor and a biologist, provide contrasting models representing their distinct perspectives on how English may be revivified through disciplinary integration.

Abstract This essay details the evolution of an interdisciplinary course at a university with proximity to Baltimore, Maryland. The original course relied entirely on experiential learning via field trips. During these trips, students conducted analyses of museums as rhetorical and political spaces. As a result of the pandemic, the course evolved into one that relied entirely on students making virtual field trips for cultural organizations and for those at home. In both courses, students focused on issues of social justice as they pertain to museums: issues of access (who is able/encouraged to visit the museum?), issues of diversity (which artists/works of art are featured and who is offered positions of power within the organization?), and issues of engagement (does the museum offer exhibits/programming that is relevant to the public they serve?). In the revised class, students (1) virtually met with museum representatives to discuss their needs; (2) researched the types of resources, events, and objects that can be found in the different locations; (3) learned how to use technology such as Nearpod as multimodal composing platforms; and (4) created a virtual field trip to be used by that organization for educational and promotional purposes. By creating material for specific audiences, students not only learned the rhetorical skills of composing for diverse groups but also grappled with issues of equity, access, and engagement. While the revisions were made out of necessity, this essay details the transferable methodology that can continue to be employed in online classes and integrated into in-person learning.

Abstract Responses to the COVID-19 pandemic have increased feelings of isolation and lack of support among faculty. Grounded in collaborative curriculum and professional development, the Core Books at CUNY project offers faculty the opportunity to work together to incorporate texts from Columbia University's core curriculum into first-year writing (FYW) courses. The project invites faculty to collaboratively develop, implement, and reflect on the shared curriculum. As an Open Educational Resource (OER), the resulting curriculum was well positioned to become part of CUNY's Model Course Initiative that makes consistent curriculum easily shareable on the college's OpenLab, an open platform for teaching, learning, and collaboration. This curriculum provides the agility necessary for post-pandemic teaching as it builds a sustained community among participating contingent and full-time faculty and across community-building initiatives. It provides support on multiple levels, is flexible and adaptable for new situations—pandemic or otherwise—and ameliorates the isolation of teaching. Community through shared curriculum is therefore a way forward and a model for English departments in the post-pandemic future.

AbstractThis article proposes that the methods and philosophies informing corequisite teaching could be generalized throughout English studies to support students at all levels who are undergoing and recovering from pandemic-related traumas. Corequisite courses, which promote equity among first-year students, are designed with attention to trauma-informed approaches and a focus on process-driven writing. Instructors address noncognitive skills with students, such as time management and note-taking, and consider the cultural relevance of their reading and writing assignments. By describing specific activities and methods used at Hostos Community College, the article considers how strategies that are central to corequisite pedagogy might be widely adopted or adapted in this moment of reorientation for English studies. Additionally, the article suggests that mission-driven practices of community colleges serve as a model for higher education more broadly.

AbstractOn Wednesday, March 11, 2020, the author received an email that would change the course of his teaching for the following twenty-four months. The university-wide communication indicated that, due to the emerging COVID-19 crisis, all classes, activities, and university business was suspended, with the email further instructing faculty to wait at home for more details. As the author mulled over the educational shifts ahead of him, his training as a technical communicator—and more specifically his knowledge of user-experience (UX) and design thinking—kicked in, offering him a set of tools he could pull from as he sought to create courses that reflected the quickly shifting needs of his students. In this article, the author discusses how the use of design thinking expands the limited conversations about course co-creation, a practice that leads to more effective and equitable course designs. The author additionally uses his experience employing design thinking in the creation of his Shakespeare seminar course as a case study, demonstrating the value that the collaborative nature of design thinking has for pedagogy.

Abstract The article recounts the author's experiences designing an undergraduate business writing course that bridges the long-standing divide between the traditional liberal arts and professionally-oriented forms of education. This course, organized around the television series The Wire, helps students grapple with the interpretive complexities that shape contemporary institutional life.

Abstract This article applies critical pedagogy to creative writing courses in the context of the modern transforming university. The author incorporates discussions of varied forms of capital, histories of cultural and capital production in the academy, and transforming canons into workshops to facilitate student contextualization of their own creative work.

Abstract This piece is a reflection on spatiality as critical approach in the classroom. The article focuses on a seminar taught during spring 2019, in which cognitive mapping and thirdspace were used as tools to analyze twentieth-century American literature. Through the elaboration of thirdspace provided by Edward Soja in his seminal work Thirdspace: Journeys through Los Angeles and Other Real and Imagined Places and Fredric Jameson's definition of cognitive mapping found in Postmodernism, or, the Cultural Logic of Late Capitalism, this study offers examples of how literary cartography can be used as a tool in the classroom to reflect on the social and historical conditions that informed specific literary narratives.

Abstract In this essay, the authors discuss how collaborative course design fundamentally reshapes power structures within the classroom, opening traditional texts and canonical authors to generative readings. Through the design of an introductory-level literature course centered around a single celebrity author, Charles Dickens, the co-teachers detail how students came to see authorship as an inherently collaborative act, and through the lens of Foucault's “author function,” how these students came to see themselves as both collaborators and authors. This course, from inception to execution, was a collaborative effort grounded in feminist pedagogy, and as demonstrated by student feedback and the project examples included in the appendix, this pedagogical approach empowered the students to recognize themselves as co-creators of knowledge within a classroom.

AbstractInstructors of writing-intensive disciplines infrequently integrate cinematic media in composition curricula. Furthermore, when instructors use films in composition courses, they often treat films merely as supplemental texts tangentially relevant to course topics and prioritize teaching content rather than media or filmmaking. This pedagogical approach overlooks an opportunity to ask students to consider how the audiovisual rhetorical efforts can meaningfully harmonize or create dissonance with the content. In this research study, the author argues that students are active media consumers engaging frequently with media as a form of composition. He navigates the limitations of Gregory Ulmer and Lev Manovitch, whose early work stressing the primacy of media literacies in composition classrooms is nonetheless seminal to the author's larger claims of film's educational import. The author relates the results of the IRB-approved research of his composition students, who offer feedback about the use of film in the class. The author calls for greater attention to film instruction and curricula development for collegiate composition classrooms, urging educators to move beyond film's supplemental use and toward more educationally fruitful practices, including teaching active watching and basic film analysis. Film is a critical form of cultural communication and media, and the author contends that it is a pivotal part of the landscape of twenty-first century literacy engagements.

AbstractWriting assessment and social justice rely largely on success-trajectory narratives, which sideline productive failure as a means of resisting normative futurity-based modes of education and policy. This essay offers an alternative perspective on failure in writing assessment and social justice by illustrating how relying on rhetoric as a hope and means for positive change can undermine aims of social justice and a critical education. By examining the queer (non)possibilities for assessment and acceptance without dependence on constant improvement and success, instructors may find more inclusive ways of thinking about the value of rhetoric's role in a generative acceptance of difference.

Abstract This article discusses how we have used undergraduate research (UR) to foster habits of mind associated with information literacy (IL). Our strategy is course based and involves students as potential contributors to the Graphic Narrative Database (GND), a digital work in progress. Presenting students with focused parameters for their research and with the prospect of an authentic audience for their writing, the assignment provides students with many opportunities to explore our complex information landscape as practitioners. Students deploy a wide array of strategies to gather and share information about a body of texts that are themselves richly multimodal.

AbstractThis article describes a creative public humanities project undertaken to mark the two hundredth anniversary of the publication of Mary Shelley's Frankenstein that transformed the entire novel into an erasure poem made by incarcerated and nonincarcerated participants. The article traces its genesis, outlines the pedagogies that informed it, and closely reads one image from the erasure poem as a touchstone for reflecting on the lessons learned from the project. It also addresses the absence of critical discussions of failure in the discourse of the public humanities.

AbstractThis article reports on an undergraduate course centered on autobiographies written by people who manage mental illnesses. Students learned about neurodiversity from multiple perspectives, examined social and medical models of mental illness, developed interpretive skills, and advanced their ability to write compellingly about both literature and their own experiences.

Abstract The authors present a lab-based research model that engages graduate students in undergraduate research mentorship positions that are mutually beneficial for graduate students, undergraduates, and faculty. They show how this model can be scaled up and adapted across the range of English disciplines. The authors share examples of the different types of research that they have engaged in for linguistics, literary archival studies, creative writing, and writing pedagogy. These examples illustrate how undergraduate research mentorship can prepare graduate students to teach and mentor students using effective methods in various institutional contexts.

Abstract This article profiles a University of North Carolina Greensboro undergraduate research digital humanities opportunity. The authors explain how their faculty-student-library team met challenges of generating a digital exhibit while overcoming typical resource constraints. They articulate three sites of applied knowledge the student gained from this research and detail the project design and efforts to call attention to invisible undergraduate research (UR). Such visibility facilitates additional course-based research opportunities and helps institutional stakeholders imagine further enterprising opportunities for UR despite time and material constraints.

AbstractThis article focuses on the progress of an undergraduate English major on the scholarship continuum outlined by Laurie Grobman (2009). The student engaged in authentic research in a research methods course for English majors, a class that also meets a university requirement of “quantitative intensive,” and she completed two research projects of note. Her journey has implications and significance for faculty in designing undergraduate research experiences.

Abstract This article examines the construction of and contestation over the idea of the nation through contemporary popular cinema in India. Building on his experience of discussing the Bollywood spy thriller Raazi (2018) in an English class, the author proposes that “reading” the film in terms of gender and genre can not only help students apply modes of textual analysis to narratives in other media but also alert them to the location of such narratives within larger discursive frameworks of defining national identities. Raazi presents a critical and ideological counterpoint to the generic conventions of the spy thriller within the increasingly polarized sociopolitical context of the Indian subcontinent. The film presents an unlikely female protagonist as both the physical agent and the psychological subject of the violence integral to the “action” of an espionage film. It also interrogates the oppositional relation between the patriotic “self” and the foreign “other” that lies at the basis of the militaristic conception of the nation and ultimately reveals the shared human vulnerability of both to the traumatic effects of pursuing the idea(l) of nationalism at the expense of individual moral integrity. Thus a close reading of the film's narrative structure and conventions, as well as a critical engagement with the historical context of its production and reception, can be pedagogically fruitful ways of understanding and critiquing the processes through which a nation is collectively imagined into being.

AbstractStudents are more likely to embrace failure in learning when they are intrinsically motivated, but formal education in the United States operates through extrinsic rewards that make failure something to fear and avoid. Accordingly, the author examines the lessons of “Failure Club,” a writing course he designed to challenge this basic pedagogical contradiction.

AbstractThis article addresses the challenges of fake news and echo chambers in the digital age by exploring the possibility that susceptibility to misinformation derives not from an inevitable fault in the medium of digital publishing but, rather, from the slower development and adoption of pedagogies that leverage digital tools for reading. The authors examined student annotations and argue that focusing on reading using collaborative digital annotation can stimulate knowledge acquisition and personal belief formation and, further, can assist educators to evaluate the effectiveness of instruction and intervene where needed. Digital annotation tools promote affective and cognitive engagement with texts and enable both instructor-to-peer and peer-to-peer modeling of reading strategies.