Answering recent calls for more scholarship on LGBTQIA+ experiences in the writing center, this article reflects upon the joys and emotional labor involved in queering our center’s programming by offering an LGBTQIA+ literature writing group.

Walking and Talking Feminist Rhetorics: Landmark Essays and Controversies, edited by Lindal Buchanan and Kathleen J. Ryan, Reviewed by Cynthia Lewiecki-Wilson, Green, edited by Brooke Rollins and Lee Bauknight, Reviewed by Beverly Faxon, Writing Spaces: Readings on Writing, vols. 1 and 2, edited by Charles Lowe and Pavel Zemliansky, Reviewed by Rebecca Powell, Multiliteracy Centers: Writing Center Work, New Media, and Multimodal Rhetoric, edited by David M. Sheridan and James A. Inman, Reviewed by Vincent D. Robles

Considers how reading Jane Tompkins’ “Sensational Designs” helps foster a new appreciation of the ways in which students contribute to the creation of a literary work. Discusses how students responded to their semester-long study of various “neglected” 19th-century women writers.

A Group of Their Own: College Writing Courses and American Women Writers, 1880–1940, by Katherine H. Adams; Everyone Can Write: Toward a Hopeful Theory of Writing and Teaching Writing, by Peter Elbow; Teaching Composition as a Social Process, by Bruce McComiskey.

Argues that literature by Caribbean women writers of the 20th century offers two-year college students models for surmounting obstacles, resisting oppression, and holding life in fragile equilibrium. Discusses various Caribbean women authors and the influences upon them. Describes numerous ways that specific Caribbean works could be used in the two-year-college curriculum.

Reviews three books: Time to Know Them: A Longitudinal Study of Writing and Learning at the College Level, by Marilyn S. Sternglass; Feminism and Composition Studies: In Other Words, ed. by Susan C. Jarratt and Lynn Worsham; The Performance of Self in Student Writing, by Thomas Newkirk.