This study examines the reading and writing strategies of one student, Yuko, over a 3-year period and traces the process she went through to acquire college-level academic literacy in English, her second language. Multiple data sources included interviews with the student and two of her political science professors, classroom observations, and texts from 10 courses in three disciplines—including course materials and the student's writing, with instructors' comments. The investigation was enriched by a cross-cultural perspective, for Yuko described learning strategies in two languages and learning environments in two countries, Japan and the United States. Data analysis suggests that her educational background shaped her approach to U.S. academic discourse practices and the way she theorized about those practices. Her theory and her analysis of her own experience changed over time, raising questions about cross-cultural interpretations of student learning.

In this study, we trace the development of ideas explored during reading lessons in children's writings from one transitional bilingual fourth-grade classroom. Using transcripts from audio- and videotaped lessons, we describe the ways in which the reading lessons, designed to facilitate discussions to enhance student reading comprehension, turned into an anchoring activity for the negotiation of joint meaning. They served as a springboard for joint exploration and the generation of intersubjective and co-constructed ideas that bridged the worlds of home and school. We trace the development of these ideas in representative pieces from five student portfolios. Discussions served to display a number of important literacy processes, and ideas and interpretations from these discussions reappeared in the students' writings. This study is of particular interest to educators concerned both with understanding better the influence of classroom discourse on student writing and with finding ways to incorporate students' cultural backgrounds into classroom practices.

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An MA student in professional writing and editing undertook ethnographic research on ghostwriting in the military headquarters where he has worked as a civilian writer for 18 years. He investigated the ways in which the military's review process (or “chop chain”) influences writer psychology and the final written product. His findings shed light on writer psychology and on bureaucratese as a cultural discursive product and lead him to propose changes in local writing and reviewing practices. To suggest innovations in teaching and curriculum, this article traces the MA student's academic authorship as he drew on the disciplines of ethnography, folklore, social psychology, and composition and as he used cultural theory from Foucault and textual theory from narratology.

Composition studies, as a field, has always depended on theoretical constructs and empirical methods from other disciplines. This article looks at interdisciplinary work in the area of composition and computer-mediated communication (CMC). The work on writing and electronic networks has drawn from early experimental studies of CMC in social psychology, the premises of which are at odds with current thinking in both composition studies and social psychology. In recent years, social psychological research on CMC has witnessed changes similar to those in composition: a rethinking of positivistic frameworks and a move to emphasize social constructs. This article reviews the work of four groups conducting social psychological research on CMC. It traces the movement away from theoretical frameworks based in positivism toward those grounded in social constructionism. It concludes by advocating a dialogic relationship between research in computers and composition studies and social psychology.

The purpose of this study is to trace the emergence of authorship in a beginning college writing classroom through two case examples. Three primary questions motivate this study of authorship: (a) What were students' interpretations of writing an essay based on sources? (b) How did these students organize their essays? and (c) What strategies did they use to advance their own ideas? An additional question focused on the instructional context of the course. In particular, how did the instructor represent the task of writing an essay based on different sources of information and the process of writing in the classroom? To answer these questions, each class was audiotaped during a 15-week semester and field notes were taken. Retrospective protocols and cued questions were used in order to understand students' evolving interpretations of the task they were given. The results show that although the instructor tried to foster a sense of engagement and commitment through reading, writing, and talking, the technical difficulty of the task, students' perceptions of their peers' interests, and a legacy of schooling and culture were equally important concerns that shaped the decisions made in writing. Implications for developing a theory of authorship are discussed as well as strategies for teaching.

This study compares two community newspapers, through content analysis, for indices of elaboration identified through various theoretical sources. The object of the study is to trace the relationship of economic development and technological growth to use of elaborative elements in text describing science and technology. One community was ascertained by census and other data to be developing; the other community was determined to be stagnant; indices for depth and breadth in coverage, use of visualization in figures of speech, and other indices were compared. Copy from the developing area showed strong correlations of all indices for breadth and depth; coverage from the other area, while containing elements of visualization, showed fewer correlations.

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This study shows that race/ethnicity significantly explained differences in attitudes toward human resource policies fostering diversity held by faculty at a large public university in the midwestern United States. Overall, whites' attitudes were less positive regarding diversity programs and other human resource policies relevant to women and minorities than Black's, Hispanic's, and Asian's attitudes were. We also found that individual race and ethnicity significantly explained differences in attitudes toward diversity programs to a greater extent than the demography of the organizational work unit.

A composition researcher and psychiatrist report findings from their 3-year study of the revision of the most important book in the mental health profession: the Diagnostic and Statistical Manual of Mental Disorders (DSM-III). This 500-page diagnostic taxonomy defines some 250 mental disorders, and it functions for the field as a charter document, shaping the way mental illness is understood, treated, and studied. The revision project, which culminates in 1994 with the publication of DSM-IV, is a 6-year project involving some 1,000 psychiatrists and other mental health professionals. In this study the authors examine the DSM revision using three methodologies: in Part I they trace the history of the DSM classification system; in Part II they analyze published accounts of the revision by project leaders; and finally, in Part III they observe the revision process as it was actually carried out in one of the 13 work groups. The authors conclude that the revision of DSM functions less to change the text than to achieve certain social and political effects. They find the revision works to further entrench the biomedical model of mental disorder, to maintain the dominance of psychiatry within the mental health field, and to enhance the prestige of psychiatry in relation to other medical specialties.

This longitudinal study examines the reading processes and practices of one college student, Eliza, through eight semesters of undergraduate postsecondary education. Specifically, the study traces the development of this student's beliefs about literate activity—focusing not only on changes in her reading and writing activities per se, but also on her views about those activities, her representations of the nature of texts, and her understanding of the relationship between knowledge and written discourse within her disciplinary field of biology. Multiple data sources—including extended interviews, reading/writing logs, observations and field notes, texts, and read-and-think-aloud protocols—were used to explore Eliza's rhetorical development over her 4 college years. Results of various analyses together suggest that Eliza's conceptions of the function of texts and the role of authors—both as authors and as scientists—grew in complexity. A number of possibly interrelated factors may account for Eliza's expanding notions of authors and of texts: increased subject matter knowledge, instructional support, “natural” development, and mentoring in an internship situation.

Many authorities have come to recognize the critical importance of the Greek notion of kairos (right timing and due measure) in contemporary rhetoric. But Aristotelian scholars have generally ignored or demeaned Aristotle's use of kairos in his rhetoric, often contrasting it especially to Plato's full treatment in the Phaedrus. This lack of attention has been partially due to faulty indexes or concordances, which have recently been corrected both by Wartelle and programs like PERSEUS and IBICUS. Secondly, no one has hitherto attempted to go beyond the root kair- and examine the concept as expressed in other terms. This article will attempt to meet both of these concerns. It will first examine carefully the 16 references to kairos in the Rhetoric and show that the term is an integral element in Aristotle's own act of writing, in his concept of the pathetic argument, and in his handling of maxims and integration. There are also important passages using kairos in his treatment of style, often in conjunction with his use of the notion of propriety or fitness (to prepon). Possibly the two most important indirect uses of the concept of kairos can be seen in his definition of rhetoric and in his treatment of equity in both the Rhetoric and in the Nicomachean Ethics, probably the two most important treatments of the concept in antiquity.

This article argues for an activity-based theory of genre knowledge. Drawing on empirical findings from case study research emphasizing “insider knowledge” and on structuration theory, activity theory, and rhetorical studies, the authors propose five general principles for genre theory: (a) Genres are dynamic forms that mediate between the unique features of individual contexts and the features that recur across contexts; (b) genre knowledge is embedded in communicative activities of daily and professional life and is thus a form of “situated cognition”; (c) genre knowledge embraces both form and content, including a sense of rhetorical appropriateness; (d) the use of genres simultaneously constitutes and reproduces social structures; and (e) genre conventions signal a discourse community's norms, epistemology, ideology, and social ontology.

This article collects several examples of technical and creative writing in order to examine whether the differences which have been assumed to exist between the two genres do in fact exist. The formulation of such a dichotomy is traced from I. A. Richards' definition of “poetic vs scientific” writing through C. P. Snow's Two Cultures to Coleridge's Biographia Literaria (Richards' acknowledged source). Coleridge in turn has been shown to be heavily influenced by, in fact to have plagiarized, the work of German idealists, particularly the Schlegels. The German idealists, finally, were working with dichotomies which originate in Cartesian dualism and thus ultimately in the mind/body dichotomy with whose invention Nietzsche credits, or discredits, Plato. The differences and similarities discovered and discussed between the object texts turn out to be governed by Richards' elements of writing—“sense, feeling, tone and intention”—as these elements have been used to dichotomize technical and creative writing. Such previous formulations have attempted to show differences in what Aristotle termed “material cause.” The material causes—the tropes and devices of description—are in fact the same in technical and creative texts. The actual differences and similarities discovered between and among the object texts are, rather, differences governed by Aristotle's “final cause” ( telos).

This article raises questions about the social, cultural, and political assumptions embedded in the concept of authorship. The discussion occurs within the framework of social-constructionist theories and is based on a feminist critique of science and composition. This critique challenges us to remember that we and our students operate within a culture, that we and our students are located within gendered categories and along class and race lines, and that each of us has a history and a system of beliefs or worldview. Additionally, the author suggests strategies for infusing personal understandings with professional/academic writings.

To study the possible impact of feminist theory on technical communication, this article discusses six common characteristics of feminist theory: (a) celebration of difference, (b) impact on social change, (c) acknowledgment of scholars' backgrounds and values, (d) inclusion of women's experience, (e) study of gaps and silences in traditional scholarship, and (f) new female sources of knowledge. Three debates within feminist theory spring out of these common characteristics: whether to stress similarity or difference between the sexes, whether differences come from biological or social forces, and whether feminist scholars can avoid reinforcing binary opposition. The article then traces the impact of these characteristics of feminist theory and debates within feminist theory on the redefinition of technical communication in terms of the myth of scientific objectivity, the new interest in ethnographic studies of workplace communication, and the recent focus on collaborative writing.

The evolution of page design to improve the readability of technical writing can be traced to improvements in typography and also to the influence of Peter Ramus. Ramus's logic used bracketed outlines to show the relationships among ideas within larger concepts. Used by legal writers and Puritan theologians to analyze concepts, Ramist method was also used by English physicians who sought to create medical texts that could be easily read and remembered by students and practitioners. Texts that used Ramist method illustrate their writers' awareness of the importance of making information visually accessible by use of white space, headings that reveal hierarchies of ideas, and bracketed dichotomies and partitions to reveal content for selective reading.

This article traces the evolution of “Once upon a time” in a child's classroom story writing, drawing upon data collected in a three-year study of writing development in an urban magnet school. The developmental literature on young children's literacy has treated story language as a set of structural routines that children learn from being read to, routines that serve the function of representing imaginary worlds. In contrast, this article assumes that stories are cultural discourse forms that serve multiple functions and that to internalize those forms, children must transform them into tools that are functional within their own social world. Moreover, children's discourse forms and functions are in a dialectical relationships: The initially awkward forms children produce may have limited social meaning—but those forms may elicit social responses that embue them with new functional possibilities and thus lead children to further grappling with forms. In brief, the story forms young children learn from others are not the end products but the catalysts of development.

Current treatments of tone rely on a hit-list approach in which writers are presented with lists of words to avoid and a few do and don't examples. Such treatments, however, do not constitute a theory of why certain linguistic elements create problems in tone. The linguistic concept of presupposition can be used to construct such a theory. Presuppositions are unstated propositions conveyed by the use of certain linguistic expressions called presupposition triggers. These presupposition triggers may convey the writer's beliefs about the truth of a proposition or the writer's value judgments about a proposition. Many problems in tone can be traced to one of two types of conflict between reader and writer: different beliefs about the truth of an implied proposition, and different attitudes toward a proposition whose truth is agreed upon.

The changing relationship of humanist education and society may be traced through historical changes in the relationship of formal education to technical writing. Technical writing with its intrinsic social purposes provides a powerful metaphor for the needs of society, and the resistance of the modern English department to applied writing provides evidence of the growing separation of society and the humanities. From classical philosophies of education through the humanist movement of the Renaissance, education was committed to the development of ideal leadership. Both classical and Renaissance humanists were epistolographers and public orators, meeting the needs of their societies. Modern humanists focus on the individual and the text. While Western culture from ancient Greece to the Renaissance educated citizens to specific service in society, the modern humanities are failing to combine utility with the preservation and creation of knowledge. Teachers should emulate the humanities of the past and teach writing as a social force in technology, politics, and business.

This article studies the fate of scientific observations as they pass from original research reports intended for scientific peers into popular accounts aimed at a general audience. Pairing articles from two AAAS (American Association for the Advancement of Science) publications reveals the changes that inevitably occur in “information” as it passes from one rhetorical situation to another. Scientific reports belong to the genre of forensic arguments, affirming the validity of past facts, the experimental data. But a change of audience brings a change of genre; science accommodations are primarily epideictic, celebrations of science, and shifts in wording between comparable statements in matched articles reveal changes made to conform to the two appeals of popularized science, the wonder and the application topoi. Science accommodations emphasize the uniqueness, rarity, originality of observations, removing hedges and qualifications and thus conferring greater certainty on the reported facts. Such changes could be formalized by adopting the scale developed by sociologists Bruno Latour and Steven Woolgar for categorizing the status of claims. The alteration of information is traced not only in articles on bees and bears, and so on, but also on a subject where distortions in reporting research can have serious consequences—the reputed mathematical inferiority of girls to boys. The changes in genre and the status of information that occur between scientific articles and their popularizations can also be explained by classical stasis theory. Anything addressed to readers as members of the general public will inevitably move through the four stasis questions from fact and cause to value and action.

Most rhetorical history has concerned itself with the theory of argumentation discourse as it developed from classical to modern times. This article traces a parallel but much less investigated strand of rhetorical history: the theory and practice of explanation. The slow growth of a body of knowledge about how information could best be communicated without necessary reference to overt persuasion is followed from Henry Day's Art of Rhetoric through contemporary explanatory rhetoric.

The article argues the relevance and utility of communication theory and models in the research, design and development of computer-mediated information systems. Toward this end, the underlying communication model of early management information systems (MIS), termed the information-transfer (IT) model, is derived. In particular, MIS are examined from seven aspects: epistemological and ideological bases, context, agents, problems addressed, nature and role of communication. The widely acknowledged failures of early MIS are traced to shortcomings of the underlying IT model. A model reflecting recent developments in communication theory is also presented, and state-of-the-art information systems are described and critiqued with reference to both communication models. The critique suggests directions for information-system development based on sounder communication theory.

Most rhetorical history has concerned itself with the theory of argumentative discourse as it developed from classical to modern times. This essay traces a parallel but much less investigated strand of rhetorical history: the theory and practice of explanation. The slow growth of a body of knowledge about how information could best be communicated without necessary reference to overt persuasion is followed from Aristotle's Rhetoric through the beginnings of a theory of written discourse in the American nineteenth century. A later continuation of this essay will trace explanatory rhetoric into modern times.

Rhetoric teachers often defer responsibility for technical-problem treatment to either the technical student or the technical instructor. But these technical persons are trained largely in academic problems and treatments, which are shown to differ profoundly from their professional counterparts. For engineering students are traditionally trained in a discipline dissociated from a professional base at its very origins, enrolled in a science-oriented curriculum, and taught by technical instructors lacking professional experience. Rhetoric instructors should not, therefore, consider engineering students experts in the articulation and treatment of typical problems addressed by professionals. This paper describes representative student difficulties in the selection and treatment of technical problems in simulated professional reports. Based on results obtained with questionnaires and in-depth interviews, these difficulties are traced to the use of academic materials as sources. Representative case histories are used to illustrate typical student pitfalls in adapting academic source materials. Pedagogical suggestions are offered.

This article traces the history of technical writing instruction in American colleges, concentrating on the major figures in technical writing instruction, the most important textbooks, the forces that shaped courses in technical writing during the period 1900–1980, and the refinements and improvements in teaching and materials that led to the current growth and success of technical writing courses.

Requirements of accuracy in technical writing overwhelm considerations of stylistic grace. Analysis of the resulting technical style, however, often reveals a discrepancy between technical and verbal accuracy. The object of verbal form is an accommodation between grace and accuracy. Several avenues to achieve this accommodation are presented from Martin Buber's I and Thou to psycholinguist theorists such as George Miller and Walter Kintsch. Linguistic theory and literacy analysis can also provide means of reestablishing grace, not as replacement, but in contention with technical accuracy. The aims of technical discourse, like that of all other discourse, should include the gracefulness of one human being speaking to another.

The purpose of this paper is to trace in general outlines the historical events which influenced the development of the present state-of-the-art of computer assisted instruction (CAI). The scope of this historical overview includes the salient contributions from the several scientific and engineering disciplines which made CAI possible during the late 1950s.

In this paper, the author briefly comments on the factors that influence interracial communication: physical characteristics, language and culture, social roles, and traditional values. He has indicated, primarily, that these differences between Whites and Blacks are not actually race-linked, yet, they tend to cloud most interracial communication.

Evolving from principles observed in telecommunications and servomechanisms, cybernetics is now a broad interdisciplinary science that embraces all biological and environmental activities, including human thought and social organization. Cybernetics provides the unifying basis for various scientific techniques used in business management today, but computer-aided administration and factory automation are only a start. Eventually, comprehensive systems of artificial intelligence will function at the highest level to direct, not merely manage, the total operation of industry, even the administration of society itself. Clearly, there will be marked impact on human communication, especially in scientific and technical publications for marketing and training.