Review Article| April 01 2019 Historicizing Women’s Public Pedagogies: Shared Authority and Cross- Cultural Collaboration Learning Legacies: Archive to Action through Women’s Cross- Cultural Teaching, by Robbins, Sarah Ruffing. Ann Arbor: University of Michigan Press, 2017. Siobhan Senier Siobhan Senier Siobhan Senier is professor of English and coordinator of the Women’s Studies Program at the University of New Hampshire. She is the editor of Dawnland Voices: An Anthology of Writing from Indigenous New England (2014) and author of Voices of Assimilation and Resistance: Helen Hunt Jackson, Sarah Winnemucca, and Victoria Howard (2001). Search for other works by this author on: This Site Google Pedagogy (2019) 19 (2): 353–358. https://doi.org/10.1215/15314200-7296019 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Siobhan Senier; Historicizing Women’s Public Pedagogies: Shared Authority and Cross- Cultural Collaboration. Pedagogy 1 April 2019; 19 (2): 353–358. doi: https://doi.org/10.1215/15314200-7296019 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search Books & JournalsAll JournalsPedagogy Search Advanced Search The text of this article is only available as a PDF. Copyright © 2019 Duke University Press2019 Article PDF first page preview Close Modal You do not currently have access to this content.

In the field of intercultural business and technical communication, intercultural communication has been a regular topic in curriculum for decades; various teaching approaches exist for developing students’ cultural awareness and helping them achieve a theoretical understanding about the concept of culture, cultural differences, and cultural conflict. But quite often teaching and learning are limited in the classroom context, although it is true that study abroad programs are available for a small group of students. As a result, students do not have enough opportunities to interact with members of other cultures, which limits students’ potentials for gaining intercultural competence. This study explores the rhetorical nature of simulations, defines the perspective of using activity theory as a framework to understand the learning process occurring in simulations, and provides an intercultural simulation example to explain how instructors can incorporate simulations into the business and technical communication curriculum.

This study offers a comprehensive review of data-based research on the practice of multicommunicating, that is, the behavior of participating in multiple, overlapping conversations. Initial research has occurred in various academic disciplines and described the phenomenon with a variety of terms. The authors begin by defining multicommunication and then identifying and comparing these various other terms. Next, they summarize past research, offer revised versions of five propositions concerning multicommunicating, and identify a new concept, multicommunicator aspirational stress. Finally, they offer suggestions for both pedagogy and future research on multicommunicating.

As I write this response, I am also preparing my life writing syllabus for the spring, and in that course, I will be teaching essays and memoirs whose authors seek adequate witnesses for their test...

Thomas A. Discenna Davos Redux: Language and Ethics in the Work of Cassirer and Rhetorical Theory I As I had not expected to find it in him, I must confess that I have found a neo-Kantian here in Heidegger.1 f the history7 of Western thought is replete with individuals that one might euphemistically label as "characters," prone to extremes not only in their thought and writings but in their private lives as well, then Ernst Cassirer must be regarded as something of an outlier.2 Recognized by his contemporaries for an unerring sense of equanimity, his evenhandedness as a scholar was a value that he affirmed even when it may have perhaps been better to lay down gauntlets and more forcefully defend positions he held dear? Indeed, at the conclusion to the famous Davos Disputation, a performance was held at which the participants, Cassirer and Heidegger, were caricatured by their students, Emmanuel Levinas playing the part of Cassirer repeating "I am in a conciliatory mood" over and over while flour flowed from atop his head, and out of his pockets, a "cruel allusion to Cassirer's intellectual poverty and 1 Ernst Cassirer in Martin Heidegger, Kant and the Problem ofMetaphysics. 5th Ed., enlarged. Trans. Robert Taft. (Bloomington: Indiana University Press, 1997), 193. It should be noted that this phrase and much of Cassirer's opening remarks do not appear in the two other translations of the Davos Disputation. 2See, for instance, Simon Critchley, The Book of Dead Philosophers (New York: Vintage, 2008); Andrew Shaffer, Great Philosophers who failed at love (New York: Harper Perennial, 2011). 3This is not to suggest that such positions did not exist only that his defense ot them bore the stamp of a conciliatory attitude that balanced even the most extreme of positions. Rhetorica, Vol. XXXVII, Issue 2, pp. 189-197, ISSN: 0734-8584, electronic ISSN: 15338541 . © 2019 by The International Society for the History of Rhetoric. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Rights and Permissions website, at http://www. ucpressjoumals.com/reprintlnfo.asp. DOI: https://doi.org/10.1525/rh.2019.37.2.189 190 RHETORICA defeat/'4 As much as it may be true that Levinas's caricature mocked his teacher's "failure" at Davos it is simultaneously an allusion to Cassirer's fundamental equability, a trait that permeates his work and, apparently, his very being. Thus, it seems strange, or perhaps entirely appropriate, that such a character should, in this contemporary age of extremes, be found at the center of contentious intellectual disputes regarding the meaning and importance of his philosophical legacy. Following an extended period when studies of Cassirer were, more or less, moribund save for stalwarts such as John Michael Krois and Donald Philip Verene, a renewed interest in his work seems to have taken root, though, perhaps inevitably, there seems no hope of consensus regarding what it all might mean. Now that very unCassirerean spirit of contention seems to have come to the field of rhetorical studies where in this journal two articles representing contrasting interpretations of Cassirer's intellectual contributions to our understanding of rhetoric have been published in recent years.5 My ambition in the first article was threefold: First, to con­ tribute to the literature surrounding the now famous debate between Cassirer and Heidegger at Davos by reading it as an instantiation of the ongoing conversation between rhetoric and philosophy; second, through such a reading to question recent efforts to appropriate Heidegger's work for advancing metaphysi­ cal claims for rhetorical work; and, finally, and most importantly, to initiate a conversation among rhetoricians concerning the utility of Cassirer's work by offering "a case for reading Cassirer's philos­ ophy of symbolic forms as both a metaphysical and normative ground for a rhetorical theory whose central purpose is to construct a decent, cultured, and critical humanism."6 In respect to these goals the first essay seems to have been mostly successful. While they have little to say about the context of Davos, Bengtson and Rosengren seem to accept, in their "contrastive critique" to my article my major contention that...

This personal essay addresses the intersections of my experiences as a HOH (Hard of Hearing) person and my teaching.

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This paper describes developmental writing paths within a Colombian major in Industrial Engineering. The accounts were created through retrospective descriptions of students' writing experiences collected by a qualitative survey and analyzing writing samples. The study shows that writing throughout the major embraces diverse functions (Writing to learn; Writing to apply content knowledge; Writing to research; Writing to communicate ideas), and traces diverse developmental paths (Writing for innovation; Lab writing; Writing for company analysis; Writing for conducting a senior thesis). This analysis also reveals that different types of problems (improving profits in companies or creating new devices) can be treated through different types of genres (research proposals in companies and projects of innovation), despite the fact that the same label (report) is being used by participants to group writing experiences. One of the writing functions in the major that seems overtly identified by the students is conducting a senior thesis. Since there are other writing functions present across the curriculum, further studies and pedagogical debates with faculty members are necessary to define what writing developmental paths are expected from the students and how many curriculum projects (that include explicit teaching on theories of disciplinary writing and genre knowledge) across the curriculum should be undertaken.

This study aims to explore effective ways in which students can learn to write synthesis texts. First, through a systematic literature search we found 16 (quasi-)experimental studies from 6th grade to undergraduate level in the field of learning to write source-based synthesis texts, that met our inclusion criteria. Second, we formulated a general instructional design principle, that included three main processes: (a) selecting relevant/important information from sources, (b) organizing, and (c) connecting that information. Bottom-up analyses of the six most effective studies yielded a set of learning activities that contribute to the improvement of students’ performance on writing synthesis texts. Subsequently, we supplemented our general design principle with relevant learning activities obtained from these effective interventions. One effective intervention differed considerably from the others due to its divergent nature, but its content was considered valuable enough to warrant the inclusion of an additional design principle. The design principles formulated in this study can be used as guidelines for future interventions in synthesis writing or as a means of support for teachers who want to develop educational materials for teaching synthesis writing.

This experience report shares the story of course redesign for cultivating technological and code literacy. This redesign came about as a result of listening to advisory board members as well as responding to recent scholarship calling for more specifics on the teaching of component content management and content strategy. We begin with discussion of code literacy differentiation between code-as-language, code-as-tool, and code-as-structure. We then share detail about our advisory board engagement and the resulting advanced-level technical communication course in which, framed by technological literacy narratives, students produce a static HTML site for a client, develop a repository for this work (GitHub), use XML and the DITA standard for dynamic document delivery, and create a digital experience element to accompany the site. We document and analyze student narratives and online course discussions. We emphasize a more holistic approach to code literacy and that course redesign should be a collaborative endeavor with advisory board members and industry experts. Through these experiences, students gain requisite knowledge and practice so as to enter the technical communication community of practice.

Building from previous work by Lauren and Schreiber (2017) and research individually conducted by the author (Lauren, 2018), this brief teaching case provides a rationale for coursework in project management that draws from experiential learning to teach facilitation. The case begins by providing a research context for how communication designers are increasingly focused on practices of facilitation in their work, particularly in fast-paced, distributed work environments. The case presents two metaphors (gardening and cooking) for helping students think about facilitation techniques. Then, the article describes a project management course that emphasizes the importance of facilitation in classroom exercises and major assignments by developing skills in three foundational areas: improvisation, document design, and systems design. Each area is described with examples to help instructors of project management adapt or use similar approaches at their own unique institutional, programmatic, and classroom contexts. The article concludes with four suggestions, such as partnering with industry practitioners and arranging site visits to see project management in action. As well, the concluding suggestions explain recent iterations of the course's design.

Activists and change agents have long used all of the tools and resources available to them to accomplish their goals: they’ve used their voices (rallies, canvassing, lobbying politicians, even talking with friends about causes near to their heart); the written word (letters to the editor, posters, flyers, and community newspapers/zines); their bodies (strikes, marches, sit-ins,&hellip; Continue reading Teaching with Vision, Teaching Social Action: An Interview with Dr. Kristie Fleckenstein by Lauri B. Goodling

Authors in issue 3.1 of *Prompt* present ideas for teaching proof writing in math, examining scholarly writing in the classroom, and reinvigorating approaches to teaching professional writing genres.

Teaching rhetorical flexibility within a nonprofit environment to professionally-oriented students can be challenging because the seemingly transactional genres of nonprofit communication, such as grant applications, do not appear to invite improvisation. This genre analysis assignment from a Writing for Nonprofits course asks students to reflect on the intersections of their own values as emerging communications professionals and the rhetorical choices they made while writing in a nonprofit genre of their choice. To complete the assignment described here, students created a "personal code" that describes their professional values and used the code to write a genre analysis that examines the rhetorical choices made in a nonprofit genre. This "reflective genre analysis" allows students to recognize their own agency in the negotiation of genre and reinforces the idea that professional behavior is rhetorical and situational.

ABSTRACT Two disciplinary stories told in mid-eighteenth-century Scotland omit an important plotline. One story is that university teaching of rhetoric transformed into belletristic criticism; another is that ideology and culture transformed to reorient rhetorical theorizing toward everyday practices by non-elites. Untold is a story of how familiar protagonists, such as Hugh Blair, clashed with antagonists, such as John Witherspoon, in the Church of Scotland. Telling that story from the antagonists’ perspectives shows that they reflected on how rhetoric ought to be practiced to manage disagreement in a democratic institution and used what amounted to Kamesian belletrism as a foil.

This essay examines the work of Genevieve Stebbins (1857-1934), an author, teacher, and proponent of the ideas of French acting and vocal instructor François Delsarte. Specifically, I examine Stebbins’s concept of “artistic” statue posing, a practice fraught with contradictory arguments and tensions among late nineteenth-century commentators and other elocutionists who discussed appropriate forms of female embodied display. This study asserts that Stebbins drew on the rhetorical strategy of contradiction to perform an ethos of complexity and boundary innovation in advocating for female embodied rhetorical performance. Her work reveals the conflicts women have attempted to negotiate in considering rhetoric as embodied practice.

Numerous studies have examined the relationship between lexical features of students’ compositions and judgements of text quality. However, the degree to which teachers’ judgements are influenced by the quality of vocabulary in students’ essays with regard to their assessment of other textual characteristics is relatively unexplored. This experimental study investigates the influence of lexical features on teachers’ judgements of English as a second language (ESL) argumentative essays. Using analytic and holistic rating scales, English pre-service teachers (N = 37) in Switzerland assessed four essays of different proficiency levels in which the levels of lexical diversity and sophistication had been experimentally varied. Coh-Metrix software was used to manipulate the level of lexical diversity, as measured by MTLD and D, and the Tool for the Automatic Analysis of Lexical Sophistication (TAALES) software was used to obtain differing levels of lexical sophistication, as measured by word range. The results suggested that texts with greater lexical diversity and sophistication were assessed more positively concerning their overall quality as well as the analytic criteria ‘grammar’ and ‘frame of essay’. The implications of this study for classroom practice and teacher education are discussed.

: This article offers an overview of a first-year writing course in Aotearoa New Zealand, Tū Kupu: Writing and Inquiry, which forms part of a core Bachelor of Arts (BA) curriculum with “citizenship” as a key theme. I situate the course in the context of the tertiary sector in Aotearoa New Zealand, and the social and political contexts for teaching here, analysing how these contexts deeply inform the sense of “the civic” that we engage in writing instruction. In particular, I account for neoliberal trends in higher education and the complexities of citizenship, including the multiple and sometimes competing kinds of belonging, participation, and publics we invoke when we name citizenship as a teaching focus, and the role of writing in their enactment. My broadest claim is that this set of complexities is a useful one to illuminate the multifaceted work of writing instruction in this country. In addition, in three sections, this article works through some of the institutional and policy demands on writing instruction, the competing accounts of citizenship that we\nmight engage, and how our assignments, text choices, and workshop pedagogy model civic engagement and frame writing in terms of inquiry and collectivity, amid\nshifting frames and hierarchies of belonging, and questions about the role of the university.

Responding to the call for the contemplative teaching of writing initiated by O’Reilley (1993) and extended by Kirsch (2008; 2009), Kroll (2013), Kroll (2008), Wenger (2015), and Harrison (2012), among others, this article explores the theoretical considerations, practical components, challenges, and adaptability involved in teaching a contemplative research writing course. This article takes up the theoretical considerations of teaching a contemplative research writing course by examining the growing need for contemplative writing as a practice of mindfulness in an increasingly de-selfed academic culture (Hurlbert, 2012). Relatedly, this article examines the challenges involved when a pedagogy makes attendant assumptions about students, knowledge creation, the role of mindfulness in higher education, and the holistic decentering of the classroom space. Concerning the practical components of a contemplative research writing course, this article describes the central roles of contemplative silence (Kirsch, 2009) and freewriting, sustained inquiry writing projects, stable writing groups, and cycles of revision and reflection. Following this, this article takes up the challenges often engendered by the deployment of contemplative pedagogies in the context of higher education. Finally, this article describes the use of this course as a model for fostering writers’ engagement with their own disciplinary knowledge that is adaptable for sustained writing courses across the disciplines.

Drafted in the wake of Hurricane María in Puerto Rico, this article explores the potential benefits of students writing unrevised, real-time auto/biographical narratives as an element of disaster pedagogy. The lesson of the ugly auto/biography builds on an impromptu post-9/11 assignment and allows students the space to resituate themselves in the classroom after facing natural and/or national disasters. This article argues that such narratives offer faculty means to be present and active for students in times of crisis and tragedy, teach more complex and nuanced critical reading skills, and explore the structures of contextual frameworks necessary for close readings while modeling vital research practices.

This article explores how contemplative writing pedagogy that integrates the practice of mindfulness, or moment-to-moment attention, into writing instruction can help students consciously and adeptly deploy their attention and construct a more responsible ethos. Mindful writers develop awareness of their own and others’ materiality and become more reflective digital citizens.

This article discusses the pedagogical opportunities for collaboration between university libraries and teaching faculty, something particularly relevant in the current university climate, when many units are being asked to “do more with less” and to justify the value of humanistic inquiry. The authors propose that digital curation projects are especially conducive to pedagogical experimentation in English departments, as they need not require huge investments of institutional resources. Moreover, the article provides a literature review and detailed case study for how to involve students in curating digital exhibits using library special collections, to explore the role of literary and popular texts in social change. Such projects offer student opportunities to understand cultural history in more complex ways, to develop the ability to collaborate effectively, to “do” interpretation rather than just learn about it, to think through information architecture, and to communicate to broader audiences.

Though enrollment of learning-disability (LD) students is on the rise in higher education, instructors are often underprepared to effectively support them. The composition pedagogy community needs more discussion of strategies to help LD students in the writing classroom. Scholarship on writing tutoring suggests that one such strategy is to exhibit active and intentional empathy. Tutoring pedagogy has long advocated approaching students with compassion through strategies such as empathic listening and interrogative, coparticipatory dialogue. To best serve all of our students, particularly those with learning disabilities or attention deficit disorders or who are on the autism spectrum, composition instructors should look to tutoring pedagogy’s model of a nonhierarchical, interrogatory, listening-based approach to working with students. These strategies begin with empathy for our students.

The release of genetically modified mosquitoes in the Florida Keys is part of a public health initiative to limit the spread of infectious disease. The local debate over this proposed action provides a current case study of a public, scientific controversy in which citizens and officials disagree about what is best for the community. The case study challenges technical writing students to consider complex cultural circuits, or networks, that comprise a specific controversy. The students analyze the rhetorical situation, create new content that contributes to the ongoing discussion, and learn about audience through usability testing their multimodal projects.

Abstract Why do conversations regarding students’ right to their own language and antiracism in the writing center still invite insults and agitation? After all, these struggles for students’ rights to self-determination and their own language in composition are far from new. The narratives present within this writing move beyond mere analysis of how and why established institutions attempt to control, and, rather, put Laura Micciche’s theories of emotion and performance to the test. When teaching tutor training, readings regarding students' right to their own language and race potentially cause conflict and can, at least at first, elicit strong emotional responses. This article explores the value of such early emotional reactions to these readings. Can the tutors’ emotional performances, both in action and voice, eventually help to bring attention to, or subvert the backlash and attacks antiracism rhetoric tends to invite? Within its pages, Micciche’s Doing Emotion: Rhetoric, Writing, Teaching suggests that we perform emotional appeals rather than simply make them. Through performance, she claims, we present emotion, not as something that resides in people to be shared or withheld, but as encounters between people. This article’s narrative “reenactments,” then, are set to reveal the fears and desires behind the resistance I’ve both witnessed and encountered all while promoting what I deem to be a necessity for emotional performance in antiracism and writing center work.

He was professor emeritus of English at Brooklyn College, where he taught for many years and at various times directed the first-year English program, founded and directed the writing center, and directed the Scholars Program and Honors Academy. He is an exemplary figure for writing center and composition scholars because he was instrumental in establishing and conceptualizing peer tutoring in the teaching of writing. Bruffee began experimenting with peer tutoring in the 1970s as a response to the open-admissions policies that almost overnight brought hundreds of underprepared students to City University of New York campuses. Peer tutoring, he discovered, worked surprisingly well in that context. Properly prepared and situated, undergraduate student tutors

Positioned within our field’s work on supporting transfer of writing-related knowledge through careful course design, this article describes the development of a pedagogical intervention designed to help students identify knowledge gaps and pose questions about rhetoric and genre. Below, I tell the story of a 2012 teacher research study that helped me identify a key problem in my inquiry-based first-year composition classroom: while students were comfortable asking questions, they were not asking the kinds of questions that would help them move across assigned genres most successfully. I explain how this finding led me to develop a rhetorical reflection assignment and explore the rhetorical reflections of two students in my fall 2016 FYC course to identify and describe what happens when these knowledge domains are explicitly emphasized in reflective tasks and to consider questions for future study of this kind of reflective writing.

This article searches after more nuanced understandings of safe space pedagogies in writing classrooms. Drawing on experiences of teaching a first-year writing course on a campus that had been tagged with white supremacist graffiti, this article uses autoethnography and narrative to rethink the function of place in composition pedagogy and develop feminist tools for teaching. This article suggests that classrooms should not be thought of as singular places, and for that reason a safe space pedagogy cannot be thought of in stable or static terms; instead, this article attempts to articulate a situated and contingent idea of safe space pedagogies.

In this article, we investigate a new construct for conceptualizing learning transfer with writing knowledge: Transformative Experience (TE). With origins in educational psychology, TE has been effective for promoting transfer with scientific concepts in previous research, but not yet considered in relation to writing or other presumably procedural subjects. To investigate the usefulness of TE for revealing new dimensions of writer development, we present a brief case study focused on faculty members writing for scholarly publication. We use qualitative responses to a survey about faculty members’ experiences in a formal writing group to illustrate the three dimensions of TE in the context of writer development: active use, expansion of perception, and experiential value. Although we study advanced faculty writers, findings have implications for teaching and learning writing more broadly. Specifically, we argue that using TE as a framework for interpreting what learners do with writing knowledge widens the “warming trend” in transfer research, nuancing our understanding of writing transfer by attending to perceptual and experiential aspects of learning. We propose instructional interventions to test how incorporating TE into writing pedagogy might enhance teaching and learning for transfer.

In this interview Dr. Bruce Ballenger and I discuss his career, his many textbooks on writing, his recent collaboration on an extensive study of the revision processes of advanced writers, and the challenges of balancing a career with a foot in multiple academic fields (i.e. composition and rhetoric and creative writing). Dr. Ballenger retired from teaching at Boise State University in the spring of 2018.

This article profiles three new graduate instructors in a PhD program in literature who are teaching composition for the first time while enrolled in a teaching methods course. I argue that understanding graduate instructors’ prior beliefs about literacy has the potential to make practica instructors more sympathetic to the complex identity-based and ideological negotiations new graduate instructors must undertake in their first year of teaching while also pointing to ways to facilitate this work.

This article revisits the relationships among gender, service, and composition pedagogy through a qualitative study of active-duty military officers who teach first-year writing at the United States Air Force Academy, one of the five major U.S. national military service academies. The U.S. national military service academies are under-studied sites of writing; there is little published about the experiences of the active-duty officers who comprise a significant portion of the first-year writing teaching faculty at these institutions. Interviews with the officers about their first-year writing pedagogy are framed by an analysis of military leadership policy as well as scholarship on writing teacher development, feminist composition pedagogy theories, and critiques of the role of service in composition studies. This study describes the officers’ first-year writing pedagogy and argues that the experience of these officers, framed through the theories of military leadership and the military service ethos, introduces a new way to understand how the concept of service could operate in first-year writing pedagogy. The officers’ experiences also support arguments that service in composition classrooms is still problematically gendered: even within a military environment, female officers report that they have less freedom than their male colleagues to demonstrate an ethic of care towards their first-year writing students.

Writing Studies’ emphasis on knowledge-transfer and learning stems from our pedagogical focus and is motivated by the fact that much of our research is about and our teaching is directed at students who will be entering other disciplines. Much of the research in the field has focused on tracing transfer and learning longitudinally through students’ college careers. This paper contributes to this larger body of research by presenting an approach to researching transfer and learning that focuses on the situated, moment-to-moment interactions that occur when students learn, when their dispositions form, and when they experience transfer. Initial findings from a study conducted at an R1 public university following this approach reveal that within these moments, students engage in complex boundary-marking interactions that iteratively define the material and discursive world and students’ place within it. The boundary marked in each iteration then affects future boundary-work, a phenomenon this study calls micro-transfer . The initial findings reveal that any given moment can have a profound impact on the trajectory of a student through a class, and that boundaries themselves have different characteristics and micro-transfer depends upon these characteristics. This study presents an initial set of categories of boundaries based on their flexibility and permeability and the field in which they form that could be a foundation for future research in boundary-work and micro-transfer in writing studies.

Diana George is professor emerita at both Virginia Tech and Michigan Technological University . In this interview, Diana reflects on moving late in her career to revitalize a first year writing program and writing center at a different university. She also discusses her approach to publication; institutional capital; finding balance across teaching, scholarship, service, and administrative duties; and the importance of collaboration and supportive colleagues.

Introduction: Group projects are a common pedagogical tool for technical and professional communication courses. These projects provide students with valuable learning experiences that they would not otherwise receive working individually. However, student group projects come with some unique challenges, such as unequal distribution of work, unequal levels of learning, and perceptions of fairness. Situating the case: While many instructor-led resources and strategies exist for facilitating group projects, fewer student-empowering strategies exist. Data provide one potential way to empower students to take ownership of their team experience and make more informed decisions throughout the teamwork process. About the case: This teaching case was born out of a response to the many teamwork problems that are outlined in the literature and that the author has observed as an instructor. This teaching case describes the implementation and outcomes of a data-driven framework for decision making called collect, analyze, triangulate, and act (CAT) that the author developed. After they learned about the CATA framework, the students completed a series of data-driven exercises during the team formation, team functioning, and team evaluation stages of the team project. Perceptions of CATA's effectiveness were collected after the project ended. Methods: A mixed-methods approach, which included a survey and a series of interviews, was used to gain insights into how both team members and team leaders perceived the CATA framework. Results: Survey results indicated that students found the CATA framework helpful in many team contexts. Students expressed particularly strong opinions about how CATA aided in the fairness and accuracy of peer evaluations, was helpful for self-reflection, and was useful for making informed arguments to convince team members of a decision. Interviews with team leaders revealed that appealing to data using the CATA framework was helpful in managing the team but had limited capacity to aid in managing conflict. Conclusions: Students realized many benefits from the CATA framework, and some team leaders even felt empowered in certain instances by appealing to data. However, instructors should still consider scaffolding data literacy and teamwork skills for students to be fully prepared for successful teamwork.