Reviewed by: Lives, Letters, and Quilts: Women and Everyday Rhetorics of Resistance by Vanessa Kraemer Sohan Sarah Walden Vanessa Kraemer Sohan. Lives, Letters, and Quilts: Women and Everyday Rhetorics of Resistance. Tuscaloosa: University of Alabama Press, 2019 232 pp. ISBN 978-0-8173-2038-6 In Lives, Letters, and Qailts, Vanessa Kraemer Sohan argues for the value of “everyday rhetorics of resistance” or “the conscious, purposeful recontextualization of the seemingly ordinary means and materials available in order to mediate thought and action, and to persuade others” (3). She examines three women or groups of women who demonstrate the power of persistent, everyday acts that recontextualize the means available to them in a particular time, place, and space. Throughout the book Sohan emphasizes two key arguments. First, she argues for the importance of a translingual and transmodal framework in order to avoid oversimplifying language, to understand difference as the norm, to “recover and reclaim the ways individual composers recontextualize within and across languages, genres, modes, and media,” and to adopt “more democratic and descriptive approaches to language” (9). Sohan’s second key argument involves the need to expand what counts as rhetoric, to redefine resistance, and to reframe how scholars situate rhetors who do not necessarily fit within the typical heroic narratives. For example, when Sohan discusses the ministry of Eliza P. Gurney, she describes the legend that one of Gurney’s letters was in President Abraham Lincoln’s breast pocket the night he was assassinated. She writes, in one of the most powerful lines of the book, that this myth serves as “a reminder of how a powerful, feminist rhetorical figure can be pigeonholed and, as a result, remain hidden in plain sight, because her rhetorical practice is evaluated solely in relation to the men with whom she came in contact, rather than on its own merit” (70-71). Sohan’s commitment to feminist rhetorical scholarship is clear throughout the book as she works to articulate and examine the everyday rhetoric available to women and to argue for its value as a site of study. In chapter one, Sohan explores the letter-writing campaigns of the Townsend Movement, a populist movement that advocated pension reform for the elderly by establishing local clubs that could organize and promote the plan through letter-writing campaigns, voter-registration drives, and petitions. These clubs promoted literacy through workshopping letter-writing, which allowed members to “collaboratively imagine” their future without financial worries (41). Pearl Buckhalter, president of the Oregon [End Page 209] City, Oregon, Townsend Club No. 1, is an example of a leader who recontextualized the means available to position herself as an expert, using her own experience as her ethos, rather than simply repeating the words prescribed by Townsend headquarters (52). Sohan argues convincingly that the translingual and transmodal literacy practices of the Townsend Movement allowed individuals like Buckhalter to transform their lives through the literacy training they receive as part of their activism, even if the movement they promote ultimately fails, as the Townsend Movement did. Nevertheless, she argues, this is exactly why rhetorical scholars must fight against the impulse to examine only heroic narratives of activism and must include the everyday in their analyses. In chapter two, Sohan examines the life and work of Quaker minister and activist Eliza P. Gurney. Gurney, Sohan argues, skillfully blends the epideictic form of classical rhetoric with the “nondirective, nonconfrontational, conversational rhetorical approach” of the Quaker community (71-72). Sohan examines several key parts of her ministry: her development as a minister, her traveling ministry in Europe, and her relationship with President Lincoln. Sohan argues that Gurney harnessed silence and kairos to establish an ethos with potentially hostile audiences, at a time when ethos was assumed to be more fixed than fluid. In her discussion of Gurney’s meeting and correspondence with Lincoln, Sohan demonstrates how Gurney recontextualized the epideictic to develop a relationship with the president and to plead with him to imagine a more peaceful and just world. In this chapter, Sohan significantly builds on prior scholarship on Gurney to establish her as a skillful activist and rhetorician through a detailed exploration of Gurney’s speeches, letters, and meetings. Chapter three is perhaps...

Compositionists are committed to social justice in classrooms, in academia, and in our communities, but we must also respond creatively and strategically to the structural consequences of precarity capitalism, even more urgently so in the wake of Covid-19. Precarity has shaped both composition studies’ and community literacy’s histories, and compositionists have often had little choice but to develop entrepreneurial responses to austere conditions. In this article, we advocate owning up to this history so that we can more intentionally direct entrepreneurial practices toward social justice, noting that people across numerous communities have worked along these lines for some time. Justice-oriented entrepreneurship is especially relevant for community literacy practitioners. To contextualize this argument, we examine how scholars in community literacy and technical and professional communication have conceptualized entrepreneurship as an analytically useful frame and/or employed entrepreneurial practices themselves. We then unpack the work and values of justice entrepreneurship, highlighting traditions of communalist Black entrepreneurs who have fought for economic and political self-determination. Next, we offer a model of justice entrepreneurship practiced by Youth Enrichment Services, a Pittsburgh-based non-profit that has demonstrated community-responsive, entrepreneurial flexibility in confronting Covid. We conclude by considering the future of justice entrepreneurship in a society simultaneously trending toward further crises of precarity and, contradictorily, new opportunities for progressive experimentation.

This article details a flood-focused, community-based writing course that was derailed by the beginning of the COVID-19 pandemic crisis to argue that despite major challenges, the course helped to prepare students to face some of the fear and uncertainty of the COVID-19 pandemic, offered them a space through weekly reflection responses to process their isolation, and positioned them to more capaciously empathize with community members who had lived through the trauma of persistent, catastrophic flooding. The stunted community-based learning course still allowed students to contribute to the work of the community partner and offered unexpected chances for students to process their own trauma. By the end of the semester, students emphasized the importance of community-based learning for cultivating the kinds of empathy and critical civic responsibility they felt would become necessities in a COVID-19 and post-COVID-19 world. We detail some of the important lessons of adapting the course to the COVID-19 crisis and suggest pathways for other faculty and community partners to build flexible, long-term collaborations that can not only ride out traumatic interruptions but actually provide students with the equipment they need to navigate these challenges.

The COVID-19 outbreak impacted regional Australia in ways yet to be measured; for many of the country’s regions, the pandemic immediately followed natural disasters including droughts and bushfires. In such affected regional communities, activities such as writing offer opportunities for pleasure, engagement, and connectedness. Yet the restrictions developed in response to COVID-19, such as the need to move traditionally face-to-face learning online, significantly disrupted the usual way of undertaking these activities. For the New England Writers Centre (NEWC), a productive community writing organisation operating in the North Western part of the state of New South Wales in Australia. These restrictions required both quick responses and more long-term consideration of the ways writing instruction is delivered to the community it serves. This profile provides an example of a community-based writing project, an online course in writing historical fiction, developed in response to COVID-19 restrictions. The profile offers three distinct perspectives on the course: Chair of the New England Writers Centre, Sophie Masson, gives an overview of the Centre’s role in the region, the effect of the pivot to online teaching on the centre’s programming, and the initial learnings that impact the centre; online workshop facilitator Ariella Van Luyn provides an overview of the pedagogical design principles and learning objectives underpinning the design of the course and her observations of participant engagement; and NEWC program director and workshop participant Lynette Aspey reflects on her experiences learning online. Together, these three perspectives offer initial findings about online community writing instruction useful to other regional writing organisations.

Anti-immigrant legal violence and grassroots organizing against it have fundamentally shaped the lives of immigrant children and families in the US. This article inquires into the intergenerational literacy, teaching, and learning practices of Latinx immigrants’ political mobilization, drawing on qualitative data from a larger yearlong practitioner inquiry study that involved observant participant field notes, artifacts, photographs, and in-depth interviews with 11 undocumented and documented Latinx immigrants with whom I, a Latina immigrant, shared an organizing practice. Through analysis grounded on literacy as critical sociocultural practice, intergenerational learning, and Chicana/Latina education in everyday life, I argue that Latinx immigrants mobilize against oppression through critical literacy practices that facilitate what I theorize as a “communal pedagogy of resistance.” This is an intergenerational pedagogy enacted in communal spaces that grows from Latinx immigrants’facultad,meaning the critical consciousness and epistemic privilege that results from living in the liminal space of theborderlands. This pedagogy views our community’s cultural, literacy, and linguistic practices as strengths and tools of resilience and resistance, and expands our definition of family and our sense of interdependence to fellow oppressed communities, teaching us to enact inclusive justice. A key takeaway is that Latinx immigrant students’ educational and literacy practices cannot be separated from those of their wider family/community, nor from their intergenerational sociopolitical struggles and expertise. Another is that intergenerational literacy and learning are bi/multidirectional. Implications include the need for educational institutions to learn from this pedagogy, and for additional literacy research into communal sociopolitical mobilization.

Heather Brook Adams is assistant professor of English at the University of North Carolina (UNC) Greensboro. Her research investigates discourses of gender, reproduction, and shame as well as decolonial/intersectional methodologies. Adams's work has appeared in journals such as Quarterly Journal of Speech, Rhetoric Review, and Women's Studies in Communication. Her monograph, Enduring Shame: A Recent History of Unwed Pregnancy and Righteous Reproduction, is forthcoming from University of South Carolina Press. Adams has been granted funds for implementing undergraduate research while teaching at the University of Alaska, Anchorage as well as at UNC Greensboro. Currently she teaches courses on contemporary rhetoric, rhetorics of health and medicine, and advocacy and argumentation.Brian Cooper Ballentine is senior vice president for strategy and senior adviser to the president at Rutgers University. His research focuses on humanistic notions of value within the context of the modern universities, student debt, and the pressures of economic valuation and market forces. He has served as chief of staff to the president at Rutgers, as the director of the university's office for undergraduate research, and as research director at a global consulting firm. He holds a PhD in comparative literature, with a focus on classical reception in the English Renaissance, from Brown University.Laura L. Behling is provost at University of Puget Sound. She edited the Resource Handbook for Academic Deans (2014) and Reading, Writing, and Research: Undergraduate Students as Scholars in Literary Studies (2010). Publications in literary studies include Gross Anatomies: Fictions of the Physical in American Literature (2008); Hospital Transports: A Memoir of the Embarkation of the Sick and Wounded from the Peninsula of Virginia in the Summer of 1862 (2005); and The Masculine Woman in America, 1890–1935 (2001). She taught at Palacky University, Czech Republic, as a Fulbright scholar and served as a Fulbright specialist at the American University of Bulgaria.Hassan Belhiah is associate professor of English and linguistics at Mohammed V University in Rabat. Previously, he held the positions of chair of the Department of English Language and Literature at Mohammed V University, associate professor of English and education studies at Alhosn University in Abu Dhabi, assistant professor at Al Akhawayn University in Morocco, and lecturer/teaching assistant at the University of Wisconsin–Madison. His publications have appeared in Classroom Discourse, Journal of Pragmatics, Modern Language Journal, Language Policy, and Applied Linguistics. He has coedited a book entitled English Language Teaching in Moroccan Higher Education (2020).Andrea Bresee is a recent graduate of Utah State University with a degree in English teaching and a composite in writing. While at Utah State University, Andrea served as an undergraduate teaching fellow for three upper-level English classes, as well as an undergraduate researcher for three separate studies. She was named the English Department Undergraduate Researcher of the Year in 2019 and has presented at three undergraduate research symposiums and conferences. Andrea now teaches seventh-grade English at Space Center Intermediate School in League City, Texas.Kendra Calhoun is a PhD candidate in the Department of Linguistics at the University of California, Santa Barbara. Her research examines the intersections of language, race, and power in face-to-face and social-media contexts. Her dissertation analyzes diversity discourse in US higher education and its effects on graduate students of color. She served as a research mentor and instructor to undergraduate students in the UCSB-HBCU Scholars in Linguistics Program, and she recently published on Black-centered introductory linguistics curriculum in Language.Anne Charity Hudley's research and publications address the relationship between English language variation and K–16 educational practices and policies. She is the coauthor of three books: The Indispensable Guide to Undergraduate Research: Success in and beyond College (2017), Understanding English Language Variation in U.S. Schools (2011), and We Do Language: English Language Variation in the Secondary English Classroom (2013). She is the author or coauthor of over thirty additional articles and book chapters. She has worked with K–12 educators at both public and independent schools throughout the country. Charity Hudley is a member of the Executive Committee of the Linguistic Society of America (LSA).Dominic DelliCarpini is the Naylor Endowed professor of writing studies and dean of the Center for Community Engagement at York College of Pennsylvania, where he also served thirteen years as writing program administrator and five years as chief academic officer. He founded and administers the annual Naylor Workshop on Undergraduate Research and is coeditor of the Naylor Report on Undergraduate Research in Writing Studies (2020) as well as other articles on this topic. DelliCarpini served as president of the Council of Writing Program Administrators, secretary of the Conference on College Composition and Communication (CCCC), and as a member of the CCCC's Committee on Undergraduate Research.Mariah Dozé is a 2020 graduate of Emory University, where she received a BA in African American studies and sociology. While at Emory, she served as a research assistant studying racial disparities in capital punishment and a writing tutor, among many other positions. Dozé’s research exploring the intersection between rhetorical studies and social justice was awarded publication in the peer-reviewed scholarly journal Young Scholars in Writing. For this accomplishment, she was recognized as an Emory Undergraduate Research Program featured researcher. She is now a Georgetown Law 1L and intends to specialize in human rights law.Cecily A. Duffie is a PhD student in English literature at Howard University. She graduated cum laude from the University of Florida with a BA in African American studies with a concentration in journalism. Her master's thesis was on cycles of postmodernism in the work of contemporary Black women writers, particularly Terry McMillan and Toni Morrison. She has been selected as an UC/HBCU Initiative scholar, NeMLA panelist, and Howard University Research Week panelist and presenter. She has also been published by the Miami Herald. She writes Tudor-era historical fiction and southern Black gothic fiction.Jeremy Edwards is a PhD candidate in the Gevirtz Graduate School of Education at the University of California, Santa Barbara. His research examines higher-education practices and policies that impact college access and student development. His dissertation explores the relationships between Black students and the UC system in thinking about levels of support and advocacy for Black students on recruitment, retention, and postgraduation career plans. He was a co-instructor for the UCSB Engaging Humanities Initiative, was a 2019 graduate fellow of the Andrew W. Mellon Foundation, and served as a coordinator and mentor of the UCSB-HBCU Scholars in Linguistics Program.Jenn Fishman, associate professor of English and codirector of the Ott Memorial Writing Center at Marquette University, is a widely published, award-winning scholar and teacher whose current work addresses community writing and listening, longitudinal writing research, and undergraduate research in writing studies. She has edited special issues of CCC Online, Peitho, and Community Literacy Journal, as well as The Naylor Report on Undergraduate Research in Writing Studies (2020), and contributed national professional leadership through various roles, including inaugural cochair of the CCCC Committee on Undergraduate Research and president of the Coalition of Feminist Scholars in the History of Rhetoric and Composition.Lauren Fitzgerald is professor of English and director of the Wilf Campus Writing Center at Yeshiva University where she recently chaired the Yeshiva College English Department. With Melissa Ianetta, she edited Writing Center Journal (2008–13) and its first undergraduate research issue (2012) and wrote The Oxford Guide for Writing Tutors: Practice and Research (2015). She has also published on writing center undergraduate research in Writing Center Journal (2014) and the edited collection How to Get Started in Arts and Humanities Research with Undergraduates (2014).Hannah Franz is the Program Associate for Graduate Advisement at the Jack Kent Cooke Foundation. Her scholarship focuses on equity and inclusion in high-impact practices, such as undergraduate research and writing-intensive courses. She is coauthor of The Indispensable Guide to Undergraduate Research: Success in and beyond College (2017) and has published in Scholarship and Practice of Undergraduate Research.Collie Fulford is professor of English at North Carolina Central University. Her recent work on writing program development, writing across the curriculum, and the scholarship of teaching and learning has appeared in Pedagogy, Composition Studies, Across the Disciplines, and Journal of Effective Teaching in Higher Education.John S. Garrison is professor of English at Grinnell College, where he teaches courses on early modern literature and culture. He is coeditor of three essay collections: Sexuality and Memory in Early Modern England: Literature and the Erotics of Recollection (2015), Ovid and Masculinity in English Renaissance Literature (2020), and Making Milton (forthcoming). His books include Shakespeare at Peace (2018), Shakespeare and the Afterlife (2019), and Performing Gods in Classical Antiquity and the Age of Shakespeare (2020).Ian Golding is an assistant professor of English at the University of Cincinnati, Blue Ash. He is the editor of Queen City Review, an international journal of undergraduate research. His research addresses student agency, archival practices, and visual media.Kay Halasek is professor of English and director of the Michael V. Drake Institute for Teaching and Learning at Ohio State University. Halasek's research spans a range of topics within rhetoric and writing studies: feminist historiography, teaching writing at scale, collaborative learning, writing program administration, portfolio assessment, and basic writing. She is the author of A Pedagogy of Possibility: Bakhtinian Perspectives on Composition Studies (1999), which received the CCCC Outstanding Book award. As director of the Drake Institute, she leads enterprise initiatives in instructional support for faculty and graduate students and research on and policy development related to teaching and learning.Abigail Harrison graduated from the University of North Carolina at Greensboro (UNCG) in 2020. Her area of focus is English with minors in rhetoric and public advocacy and communication studies. While at UNCG, she participated in hands-on undergraduate research highlighting rhetoric in both historical and contemporary media. Her scholarship on rhetorical theory within university media centers can be found in the Communication Center Journal.Rachel Herzl-Betz (she/her) is the Writing Center Director and assistant professor of English at Nevada State College. She earned her PhD at the University of Wisconsin–Madison and began her writing center career at Carleton College. Her research focuses on intersections between disability, writing center studies, and educational access. Most recently, she has pursued projects centered on equity in Writing Center recruitment and the impact of “access negotiation moments” for disabled writing instructors. In 2017, her first novel, Hold (2016), received the Tofte/Wright Children's Literature Award from the Council for Wisconsin Writers.Katherine Hovland is an undergraduate student at Marquette University, double-majoring in writing-intensive English and data science. She was a member of a research team in the Ott Memorial Writing Center that studied the accessibility of writing on Marquette's campus.Kristine Johnson is associate professor of English at Calvin University, where she directs the university rhetoric program and teaches courses in linguistics, composition pedagogy, and first-year writing. Her work has been published in College Composition and Communication, Composition Studies, Rhetoric Review, WPA: Writing Program Administration, and Teaching/Writing: The Journal of Writing Teacher Education. An associate editor of Pedagogy since 2019, her research interests include writing program administration, teacher preparation, and undergraduate research.Rachael Scarborough King is associate professor of English at the University of California, Santa Barbara (UCSB). She is the author of Writing to the World: Letters and the Origins of Modern Print Genres (2018) and editor of After Print: Eighteenth-Century Manuscript Cultures (2020). She is also principal investigator for the Ballitore Project, a project combining archival research and digital analysis at UCSB Library's Special Research Collections.Joyce Kinkead is Distinguished Professor of English at Utah State University. In 2012, she was named a Fellow of the Council on Undergraduate Research. As associate vice president for research, overseeing undergraduate research, she instituted University Undergraduate Research Fellows, the Utah Conference on Undergraduate Research, and Research on Capitol Hill. Dr. Kinkead is a scholar of writing studies and undergraduate research; her titles on undergraduate research include the following: Researching Writing: An Introduction to Research Methods Undergraduate Research Offices and Programs (2016), Advancing Undergraduate Research: Marketing, Communications, and Fundraising (2010), Undergraduate Research in English Studies (2010), and Valuing and Supporting Undergraduate Research (2003).Danielle Knox is a Black creative writer who graduated from Howard University with a bachelor's degree in English. A prospective graduate student, her research interests include gender and sexuality across the African diaspora while noting the ways Black queer communities define and express themselves outside of a white Western context. She also desires to help challenge systemic inequalities, promote funding for public libraries, and support all forms of Black literature and art.Addison Koneval (she/her) is a doctoral candidate at The Ohio State University. Her work in rhetoric, literacy, and composition primarily focuses on culturally sustaining pedagogies. Most recently, she has been working with grammar education in first-year writing settings.Susan Lang (she/her) is director of the Center for the Study and Teaching of Writing and professor of English at The Ohio State University. Lang has extensive experience in teaching online and hybrid courses in technical communication at both undergraduate and graduate levels. She and colleagues at Texas Tech also developed Raider Writer, program-management software for large writing programs. Her research examines aspects of writing program administration, writing analytics, and technical communication. Her work has been published in College English, College Composition and Communication, Writing Program Administration, and Technical Communication, among others. She is the recipient of the 2016 Kenneth Bruffee Award for Best Article in Writing Program Administration and the editor-in-chief of the Journal of Writing Analytics.Bishop Lawton is a PhD student in history at the University of Illinois, Urbana-Champaign. His research interests include Pan-African Intellectual History, the history of precolonial African civilizations, and twentiethth-century Black movements. In further pursuit of his interests, in June 2020, Bishop became a writer for blackpast.org, the largest online encyclopedia of African American history.Ali Leonhard is an undergraduate at Marquette University, double-majoring in forensic science and philosophy. She was a part of the Ott Memorial Writing Center's research team that looked at the accessibility of writing on Marquette's campus.Hayden McConnell is an Elon University alumna. She graduated with a major in professional writing and rhetoric as part of the English Honor Society. Her research addresses the lack of video content that addresses the topic of rhetoric in an engaging manner while also using successful rhetorical strategies. Her work has many intentions, but the overarching goal is to begin providing more visually stimulating content that discusses rhetoric and its many branches for both new and current members of the field.John Henry Merritt is a senior English major and Mellon Mays fellow at Howard University. His research interests include African American fiction, postmodernism, literary theory, and the digital humanities. Currently, he is interested in using Twitter data to develop reader-response based analyses of blockbuster movies. His senior thesis examines the function of the underground as a setting throughout African American fiction. In his free time he likes to write code and study languages. After graduation, he hopes to pursue a PhD in English literature and get a puppy.deandre miles-hercules (they/them), MA, is a doctoral student in the Department of Linguistics at the University of California, Santa Barbara. They are originally from Prince George's County, Maryland, and obtained a BA in linguistics with minors in anthropology and African American studies from Emory University. Their research focuses on language as a nexus for the performance of race, gender, and sexuality in the domains of sociality and power, specifically as it pertains to Black, femme, queer, and trans communities. deandre currently holds a National Science Foundation Graduate Research Fellowship.Jessie L. Moore is director of the Center for Engaged Learning and professor of professional writing and rhetoric in the Department of English at Elon University. She is the coeditor of three books, including Excellence in Mentoring Undergraduate Research (2018). Her recent research examines transfer of writing knowledge and practices, multi-institutional research and collaborative inquiry, the writing lives of university students, and high-impact pedagogies. She served as Secretary of the CCCC, founded the CCCC Undergraduate Researcher Poster Session, and currently cochairs the CCCC's Committee on Undergraduate Research.Jamaal Muwwakkil (he/him), MA, is a PhD candidate in the department of linguistics at the University of California, Santa Barbara. Jamaal is originally from Compton, California, and transferred from Los Angeles City College to University of California, Los Angeles, where he earned a BA in linguistics. Jamaal's research focuses on political discourse, African American language and culture, and linguistic practices in educational and university contexts.Angela Myers is a professional writing and rhetoric alumna of Elon University. She was an honors fellow and a Lumen scholar, a two-year, competitive grant award earned by only fifteen Elon students each year. Her research addresses the rhetorical strategies of sexual violence prevention courses for undergraduate students.Sunaina Randhawa is a Marquette University alumna. She graduated in 2020 with a BA in English literature and minors in writing-intensive English, anthropology, and digital media. Along with a team of researchers from Marquette's Ott Memorial Writing Center, she worked in conjunction with the Office of Disability Services at Marquette. With their help, she and her team determined both the ways in which they could make writing more and the ways in which the writing center could help that Michael associate professor of English at the University of North as codirector of first-year composition and senior faculty fellow with Center for and He The Writing of (2018) and coedited Perspectives on and Writing He is currently and with undergraduate students that are on curriculum and is a of 2020 graduate of Grinnell College, with a major in English. He is a Undergraduate a research project on of by contemporary of the of the of the he has presented at and participated in a research at the University of in He to pursue a PhD in has a PhD in literary and studies from Mellon University, where she teaches courses on literature, and gender studies. Her current research explores can writing in the humanities. Her work on literature examines the ways in which and discourse the of gender as a modern of has a PhD in rhetoric and composition from Texas University. She Emory University as director of the Writing She has also been associate professor at College, associate professor and chair of English and language at University, and associate professor and chair of communication studies at King University. Her research in the intersections between literature and rhetoric as well as in teaching and She is a book on the in the She also coedited the Journal of the on Perspectives on Learning for is an undergraduate student in and in English and at Nevada State College. As an undergraduate writing and his work and code is professor of English and dean of the College of Arts at University. He taught undergraduate writing and graduate in the Rhetoric and Composition His scholarship focuses on writing program and the teaching of writing.

This article explores the writing and reading requirements of the literacy practices, events, and texts characteristic of work mediated by the online labor platforms of the gig economy, such as Airtasker and Freelancer, which bring together people needing a job done with those willing to do it. These emerging platform-based discourse communities and their associated literacies are a new domain of social activity. Based on an examination of seven gig economy platforms, the present article examines the core literacy event in the gig economy, the posting and bidding for tasks, together with the texts that enhance and support this process. While some tasks require written texts as the outcome or product, all tasks involve the creation of some form of written text as part of doing the work. These texts are both interactional and interpersonal. As well as being a part of negotiating and then getting a task done, they relate to the complexities of building the identities, knowledge, and relationships required of those working in a virtual work space rather than a traditional workplace. While most of these texts reflect familiar text types, the core text cycle is argued to be an “emergent” genre. Implications for education are presented.

hile "family literacy" has been a popular term and concept in para-educational settings since the 1980s, it has o en focused on using home life to meet educational aims, rather than studying the family as a site of literate experiences in its own right.In their book Family Literacies: Reading with Young Children, Rachael Levy and Mell Hall intentionally move away from school-based aims for pre-and primary-school children to instead ask what families get from creating, sustaining, and sharing literacy experiences.ey explore a widely acknowledged, but surprisingly under-researched, family literacy practice: reading with young children.Levy and Hall frame what they call "shared reading" as a familial act that shapes routines, reinforces emotional bonds, and displays familial "belonging" both to family members and outsiders.Focusing on children who have not yet started school allows them to explore "shared reading" as a separate activity from "learning to read, " though their ndings have major implications for both preschool community literacy programs and, potentially, primary classrooms.e book draws on ndings from the Shared Reading Project, which interviews families to understand how shared reading "is perceived in their homes and how it ts (or does not t) within everyday family life" (13).Levy and Hall's ndings stress the importance of understanding the habits and goals of individual families, in order to create programming that supports ongoing literacy practices rather than promoting school readiness.Demonstrating the di erence in ndings that a shi in focus can yield, the authors examine families and homes, rather than programs, until they discuss implications in the book's nal chapters.e authors use theory and methods from sociology to study shared reading as a feature of everyday life, asking what the activity achieves for families and making reading a means to an end, rather than a goal.e book is clearly laid out in ten chapters: an introduction to gaps in family reading research, two chapters reviewing relevant work on reading as a sociological

T he Community Literacy Journal is an interdisciplinary journal that publishes both scholarly work that contributes to theories, methodologies, and research agendas and work by literacy workers, practitioners, and community literacy program sta .We are especially committed to presenting work done in collaboration between academics and community members, organizers, activists, teachers, and artists.We understand "community literacy" as including multiple domains for literacy work extending beyond mainstream educational and work institutions.It can be found in programs devoted to adult education, early childhood education, reading initiatives, or work with marginalized populations.It can also be found in more informal, ad hoc projects, including creative writing, gra ti art, protest songwriting, and social media campaigns.For us, literacy is de ned as the realm where attention is paid not just to content or to knowledge but to the symbolic means by which it is represented and used.us, literacy makes reference not just to letters and to text but to other multimodal, technological, and embodied representations, as well.Community literacy is interdisciplinary and intersectional in nature, drawing from rhetoric and composition, communication, literacy studies, English studies, gender studies, race and ethnic studies, environmental studies, critical theory, linguistics, cultural studies, education, and more.

Gautam Basu Thakur is associate professor of English and director of the critical theory minor at Boise State University, where he teaches theoretical psychoanalysis, postcoloniality and globalization studies, and literature of the British Empire. His books include Postcolonial Theory and Avatar (2015), Lacan and the Nonhuman (coedited, 2018), Postcolonial Lack (2020), and Reading Lacan's Seminar VIII (coedited, 2020).Saradindu Bhattacharya teaches at the Department of English, University of Hyderabad, India. His recent publications have been in the domains of trauma studies, young adult literature, and the pedagogy of English. He has been teaching cultural studies, Renaissance literature, and new literatures in English at the postgraduate level. Additionally, he has also taught elective courses on nation, media, and popular culture and on children's literature. He particularly enjoys teaching English poetry and reading dystopian fiction.Jolie Braun is curator of modern literature and manuscripts at The Ohio State University Libraries, where she oversees the modern literature and history collections and provides special collections-based instruction. Her research interests include women publishers and booksellers, zines, and self-publishing. Her recent work has appeared or is forthcoming in Tulsa Studies in Women's Literature, American Periodicals, and Textual Cultures: Texts, Contents, and Interpretation.Craig Carey is associate professor of English at the University of Southern Mississippi. His research and teaching focus on nineteenth-century American literature, book history, media theory, and game studies. His scholarship has appeared in journals such as American Literature, American Literary History, and Arizona Quarterly, among others. He is currently working on a manuscript that explores the relationship between authors, archives, and invention in the age of realism.Moira A. Connelly is associate professor of English at Pellissippi State Community College in Knoxville, TN. She has published in Teaching English in the Two-Year College. Her research interests include equity in collaborative writing, writing transfer, writing about writing, responding to the writing of multilingual students, community college teaching, and applying ideas from the academy to activist spaces.Jathan Day is a PhD candidate in the Joint Program in English and Education at the University of Michigan. His research explores how writing instructors’ organizational and design decisions in the Canvas LMS affect the ways their students write and learn.Cassandra Falke is professor of English literature at UiT The Arctic University of Norway, where she teaches an introduction to literature, literary theory, romanticism, and contemporary fiction. She is the author of The Phenomenology of Love and Reading (2016) and Literature by the Working Class: English Autobiography, 1820–1848 (2013) as well as articles and book chapters on literary theory, phenomenology, romanticism, working-class writing, and liberal arts education. She has edited or coedited five collections and special issues.Paul Feigenbaum is associate professor in the Department of English at Florida International University and coeditor of the Community Literacy Journal. His research, teaching, and engagement interests include community literacy, public rhetoric, and the intersections between rhetoric and psychology. His scholarship has appeared in journals including College English, Reflections, and Composition Forum. His first book, Collaborative Imagination: Earning Activism through Literacy Education, was published in 2015.Dustin Friedman is associate professor in the Department of Literature at American University in Washington, DC. His fields of research and teaching are Victorian literature and culture, aestheticism and decadence, queer theory, the history and theory of aesthetics, and global nineteenth-century writing. He is the author of Before Queer Theory: Victorian Aestheticism and the Self (2019). His writings have appeared in Studies in Walter Pater and Aestheticism (2019), the Journal of Modern Literature (2015), ELH (2013), Literature Compass (2010), and Studies in Romanticism (2009).Helena Gurfinkel is professor of English at Southern Illinois University Edwardsville, where she teaches primarily critical theory and Victorian literature and culture. She is the author of Outlaw Fathers in Victorian and Modern British Literature: Queering Patriarchy (2014; paperback 2017) and is currently writing a book on the Soviet television and film adaptations of the works of Oscar Wilde. She has published extensively in pedagogy, literary and film studies, gender studies, and critical theory. She is editor of PLL: Papers on Language and Literature.Sarah Hughes is a PhD candidate in the Joint Program in English and Education at the University of Michigan, where she also teaches in the English Department Writing Program. Her research explores how women use multimodal discourse—grammatically, narratively, and visually—to navigate online gaming ecologies.Andrew Moos is a PhD student in the Joint Program in English and Education at the University of Michigan. His research focuses on how writing instructors can and are using antiracist assessment and feedback practices in writing classrooms to empower students.Julie Sievers is founding director of the Center for Teaching, Learning, and Scholarship at Southwestern University, where she also teaches. At the time of this research, she was teaching literature and writing courses at St. Edward's University, where she also directed the Center for Teaching Excellence. Previously, she taught English and composition on the tenure-track at Denison University and in graduate school at the University of Texas at Austin. She has published on literature, pedagogy, and faculty development in the William and Mary Quarterly, Early American Literature, the New England Quarterly, To Improve the Academy: A Journal of Educational Development, and the Journal of Faculty Development. She is currently studying annotation pedagogy in the context of first-year seminar courses.Danielle Sutton is a PhD candidate in English studies at Illinois State University. She works at the intersections of life writing, children's literature, and memory studies and is especially interested in comics and verse memoirs of childhood. She lives in Normal, IL.Kathryn Van Zanen is a PhD student in the Joint Program in English and Education at the University of Michigan. Her research centers on ethical negotiation in writing and writing instruction, particularly among raised-evangelicals writing back to their home communities on social media.Crystal Zanders is a poet, educator, activist, and public speaker from Tennessee. As a Rackham Merit Fellow in the Joint PhD Program in English and Education at the University of Michigan, her research focuses on Black teachers’ use of African American English in pre-integration classrooms in the South.

As a Latinx writer who has attended and taught at Hispanic-Serving Institutions (HSIs) in South Texas, I have been disappointed to find that much existing scholarship assumes sameness among us, oft...

T he Community Literacy Journal is an interdisciplinary journal that publishes both scholarly work that contributes to theories, methodologies, and research agendas and work by literacy workers, practitioners, and community literacy program staff.We are especially committed to presenting work done in collaboration between academics and community members, organizers, activists, teachers, and artists.We understand "community literacy" as including multiple domains for literacy work extending beyond mainstream educational and work institutions.It can be found in programs devoted to adult education, early childhood education, reading initiatives, or work with marginalized populations.It can also be found in more informal, ad hoc projects, including creative writing, graffiti art, protest songwriting, and social media campaigns.For us, literacy is defined as the realm where attention is paid not just to content or to knowledge but to the symbolic means by which it is represented and used.Thus, literacy makes reference not just to letters and to text but to other multimodal, technological, and embodied representations, as well.Community literacy is interdisciplinary and intersectional in nature, drawing from rhetoric and composition, communication, literacy studies, English studies, gender studies, race and ethnic studies, environmental studies, critical theory, linguistics, cultural studies, education, and more.

ust as musical codas persist beyond the end of musical work, Coda-a new sec- tion of the Community Literacy Journal devoted to creative writing-offers space for the representation of the lingering effects of community engagement, public engagement, and activism. Beginning with this, our inaugural effort, Coda will publish creative writing in a range of genres and voices in a move to expand conversations about writing studies, to document and preserve the work of community writing, and to encourage more creative writing. We invite readers and writers who are eager to create knowledge in new ways to join us in enacting writing as a form of communion.

In the era of a global pandemic, this article claims that community literacy scholars are well poised to support challenges currently facing healthcare providers. To demonstrate this, I offer one example drawing on my work with The ART of Infertility and explain how I repurposed patient art and stories to curate emotional literacy amongst healthcare professionals. I argue that "rhetorical curation" is an innovative method that can support public engagement around stigmatized or underrepresented health experiences. I end with an invitation for community literacy scholars to build upon their expertise and design innovative public projects that contribute to improvements in healthcare.

The author shares the challenges of facilitating a writing group in a temporary emergency shelter in the early months of the COVID-19 pandemic. She shows how within this constantly changing environment and its safety protocols, community literacy was as difficult to establish as it was vital to make available. Exploring some of the best practices in community literacy, including reciprocity (Miller et al.), fruitful forms of conflict (Westbrook), "meaningful acts of public rhetoric" (Mathieu and George), and flow (Feigenbaum), the author proposes that this challenging environment made possible new shapes for each of these concepts. This experience suggests that while best practices can guide creation of a writing group during an emergency, an emergency, in turn, can generate innovation with these best practices.

Exploring literacy practices of home cooks, this article analyzes how cookbooks are remixed by users (with writings, clippings and other ephemera added to the text throughout its use).The practice of remixing the text with further editing by its user/audience illustrates the multilayered literacies at work in establishing authorship within the domestic space.The article builds its argument around one remixed cookbook as a case study, describing the remix-literate practices of the user, as the woman who used this cookbook remixed the text and genre to fit her needs and interests.This literacy practice is argued as a remix, which results in a transformation of the text itself and of the authority of the user.Both the original authorship (the act of compiling recipes from the church community) and the remixed authorship (the added ephemera and handwritten editing done by the user of this particular copy) are analyzed in tandem.

A Critical Field Scan of Theory and History, Practice and Place. " Our idea for this issue was a simple one. As the title suggests, we hoped to generate a "field scan, " illustrating the ways in which community literacy programs draw upon theory, along with their respective regional geographies, past practices, and collective histories, to create community-engaged writing and literacy centers.

This case study demonstrates how a community-based literacy program, HELP, took up Black literate traditions, endarkened transnational feminism, and anticolonial practices to construct emancipatory literacy experiences for Haitian and Haitian American middle schoolers in Miami, Florida. Overall, the institutional practices of HELP worked to destigmatize the discourses of Haiti, center Black Haitian women's stories, and develop spiritual consciousness. Furthermore, this article discusses the "COVID-19 scramble" and its ability to detract from building socially just futures for Black transnational students. Lastly, the article ends with questions for consideration when confronting the cyclical violence of white supremacy in literacy programs.

As a consortium of individuals, programs, and agencies that embrace the power of collaboration, the Washtenaw County Literacy Network works to shift conversations and practices surrounding literacy and literacy inequities. Using an emergent strategy lens, the authors describe the partnerships at the center of the network and the collaborative work that has emerged from these partnerships. The authors also analyze the adaptations recent events have generated in terms of the relationships and interactions that center the work, and they explore ways to rethink the idea of assessment for community literacy initiatives. Ultimately, the authors posit that emergent strategy helps networks like the WCLN navigate change in thoughtful and sustainable ways.

Events following a display of archival photographs depicting a Navajo Civil Rights march that was sponsored by One Book/One Community of San Juan College illuminated racial tensions and competing injustices in the community of Farmington, New Mexico.These events are analyzed through a paradigm, indigenous-sustaining literacy, which could benefit common reading programs that conduct literacy work in communities with populations of indigenous people or border Native American reservations and are seeking to decolonize community literacy practices O ne late November afternoon, five members of the One Book/One Community (OBOC) committee hung archival photos of the 1974 Civil Rights Protests in Farmington, New Mexico, in a gallery space on the campus of San Juan College, located in Farmington.Several students stopped to look the 26 poster-sized photos selected by the committee from the Bob Fitch Photography Archive Movements of Change.The display was part of the OBOC programming associated with the committee's selection of the graphic memoir March (Lewis et al.), a retelling of Congressman John Lewis's civil rights activism.The committee recognized that March could provide an interesting connection to the 1974 Civil Rights protests in Farmington that resulted from the minimal sentencing of three white teenagers who had murdered three Navajo men and provide an opportunity for students and community members to explore this legacy and their situatedness in the community.The photos were compelling.One photo showed protestors marching down Farmington's main street.Another depicted a Navajo man holding a cardboard sign that read "veteran WWII.Holder Purple Heart.My son was kill [sic] by a white boy on the reservation." Three of the photos depicted protestors holding upside down American flags.Other photos showed groups of Native Americans facing off with law enforcement.Onlookers identified relatives in the photos and expressed their gratitude for showcasing an important moment in local history.Others stated they had no idea that there had been civil rights protests in Farmington and were glad to learn about them through the display.One onlooker, though, was not supportive.He said that the committee should not hang any photos near the glass display located in the gallery that is dedicated to veterans.Committee members agreed with the man, citing the need to be respectful.Still, displeased, he asked why the committee was displaying the photos.(Danielle), the director of the OBOC committee, explained the historical nature of the photos and the connection to the OBOC selection.She also explained

he Community Literacy Journal is an interdisciplinary journal that publishes both scholarly work that contributes to theories, methodologies, and research agendas and work by literacy workers, practitioners, and community literacy program staff.We are especially committed to presenting work done in collaboration between academics and community members, organizers, activists, teachers, and artists.We understand "community literacy" as including multiple domains for literacy work extending beyond mainstream educational and work institutions.It can be found in programs devoted to adult education, early childhood education, reading initiatives, or work with marginalized populations.It can also be found in more informal, ad hoc projects, including creative writing, graffiti art, protest songwriting, and social media campaigns.For us, literacy is defined as the realm where attention is paid not just to content or to knowledge but to the symbolic means by which it is represented and used.Thus, literacy makes reference not just to letters and to text but to other multimodal, technological, and embodied representations, as well.Community literacy is interdisciplinary and intersectional in nature, drawing from rhetoric and composition, communication, literacy studies, English studies, gender studies, race and ethnic studies, environmental studies, critical theory, linguistics, cultural studies, education, and more.

In this article, we share our experiences with the ongoing language and literacy practices and pedagogies of a bilingual, community-based writing center located in South Philadelphia's Italian Market. This writing center -one in a network of sites across Philadelphia and southern New Jersey -targeted bilingual, Latinx children from ages seven to eighteen. For the past four years, we have partnered with the center to create a translanguaging space. Here, we reflect on the experience of offering translanguaging writing workshops.

This article highlights how contemporary structural forces-the intertwined systems of racism, xenophobia, gentrification, and capitalism-have material consequences for the nature of community literacy education.As a case study, I interrogate the rhetoric and infrastructure of a San Francisco K-12 literacy nonprofit in the context of tech-boom gentrification, triggering the mass displacement of Latinx residents.I locate the nonprofit in longer histories of settler colonialism and migration in the Bay Area to analyze how the organization's rhetoric-the founder's TED talk, its website, the mural on the building's façade-are structured by racist logics that devalue and homogenize the literacy and agency of the local community, perpetuating white "possessive investments" (Lipsitz) in land, literacy, and education.Drawing on abolitionist and decolonial education theory, I prose a praxis encouraging literacy scholar-practitioners to question and ultimately divest from institutional rhetorics and funding sources that continue to forward racism, xenophobia, imperialism, and raciolinguistic supremacy built upon them.

Beyond growing and selling food, women farmers perform literacy work to establish and maintain legitimacy. As part of a larger interview-based dataset, this article analyzes the literacy practices that one woman farmer, Lauren, undertakes in relation to her legitimacy as a farmer. Informed by literacy studies research and feminist rhetoric scholarship, as well as interdisciplinary studies on women in agriculture, the analysis here illustrates how Lauren performs specific literacy practices. Audiences' gendered expectations necessitate such practices, which Lauren performs in order to be understood as a farmer in a masculine, patriarchal landscape shaped by her family, customers, and broader farming community. These literacy practices include crafting an image visually, interacting intentionally through verbal conversations, adapting to audience assumptions, and taking on community leadership roles.

In this article, an analysis of multimodal representations in elementary school students’ descriptive texts about the mobile game Pokémon Go (PG) is used to discuss youths’ new literacy practices emerging from their out-of-school experiences (e.g., gaming, producing game-walkthroughs, and fan art). Social semiotic multimodal analyses of two students’ PG texts and their participation in talks around their texts are used to exemplify what occurs semiotically in the translation of meanings and designs across modes, media, and sites. Combining the analysis of the meaning potentials of multimodal representations with ethnographic accounts of their use in context produces the following findings: The PG writing task connects with the students’ life-worlds and the gaming context around PG prompts the design of their multimodal representations. The students are active creators of content and demonstrate purposeful and innovative uses of semiotic resources in self-representation, stance taking, and audience awareness. The iPad facilitates multimodal and digital crossovers between leisure activities and school subjects. The concluding discussion suggests how game-based literacy practices could be transferred into academic settings.

Writing studies scholars have long examined how race- and class-based hierarchies shape teachers’ and students’ experiences of writing in US universities. But universities are also workplaces that profit from a racialized writing economy in which laborers of color () underpin writing production. Drawing from a yearlong qualitative case study that examines the writing practices of university custodial workers, this article addresses the following research questions: What kinds of writing do university custodial workers use and practice? What are the conditions for their writing? And what do these practices and conditions tell us about writing in race- and class-stratified workplaces, including educational institutions? Using critical race (; ; ; ; ; ; ) approaches to literacy sponsorship (), and observations and interviews with university custodians, this article discusses two main findings: (1) labor conditions restrict participants’ writing as a part of race and class hierarchies; and (2) the participants employ writing practices that run under the radar of institutional restrictions to serve their own purposes. This study’s findings have implications for workplace writing scholarship and higher education policy, because they expand definitions of and purposes for workplace writing in institutions of education.

rian Street reminds us that literacy practices-the "broader cultural conception of particular ways of thinking about and doing reading and writing in cultural contexts" ("What's 'New'" 79) -are always social acts and have to be defined in relation to the historical, economic, and political contexts in which they take place. As such, literacy is "always rooted in a particular world-view" and always "contested in relation to power" . Our introduction to this understanding of literacy practices as graduate students in the early 1990s gave us confidence that our literacy experiences as a Latina and as an international student from Austria would be addressed and valued. However, more than 15 years later, we are not sure how our own literacy experiences are reflected in our academic environments, and whether our literacy practices, like the practices of so many of our students and faculty colleagues, are social acts that have continued to be "contested in relation to power. "

This article focuses on how Street’s naming and delineation of the concept of “literacy practices” and the “ideological model” of literacy enable us to see and understand the literacy work of two 19th century African American women “literacy workers.” It introduces and provides an overview of the work of Frances (Fanny) Jackson Coppin and Hallie Quinn Brown and seeks to add early Black feminist voices of literacy workers in spaces often left out of dominant discourses around literacy. This article reveals how literacy for African American was, and is, tied to political, and social survival of a people.

We proudly present this special issue of Community Literacy Journal on "Building Engaged Infrastructure." Our vision for this collection begins with the inaugural Conference on Community Writing (CCW), which took place at the University of Colorado Boulder in October 2015 1 and attracted 350 scholars, students, activists, and community members representing forty-two states, three countries, 152 colleges and universities, and forty-eight community organizations.This large group was drawn to a vision of higher education that connects with local, national, and international communities by using writing for education, public dialogue, and social change.The overwhelming response to the conference underscored a desire by those working in community writing (a growing subfield within rhetoric and composition that includes genres such as service learning, community-based research, community literacy, community publishing, advocacy and activist writing, and more) to have opportunities to network, share best practices, and receive mentoring.This event brought together academics and community members to explore the relationships between communication, writing, and social action.According to CCW founding chair Veronica House, a conference goal was "to build a national network of people, ideas, resources, and support structures-an engaged infrastructure-to make the work we do in and about our communities more sustainable, impactful, rewarding, and rewarded." 2 In the pages that follow, we turn our attention to the scholarship and practice of community writing that emerged from, or was reflected in, presentations and conversations at CCW.We realize, and want to highlight in this special issue, the obstacles, challenges, and paradoxes of working in community writing.For one, as the astute reader will no doubt notice, definitions of community range widely.The same is true for what counts as writing.An exploration of engagement and infrastructure is no less complex.However, we believe that the inclusion of multiple viewpoints, and the deferral of a precise definition of terms, effectively identifies the fluid boundaries of this thing we call "community writing." Those who attended CCW, or previous events like the 2008 "Imagining Community Literacy" meeting in Philadelphia and the 2011 "Writing Democracy" conference in Commerce, Texas 3 , or who are energized by work that engages the ethics and populations outside of the traditionally defined borders of the university share enthusiasm for engaged work and an optimistic belief that the study and practice of writing can lead to a more just world.We also share concerns about the risks embedded in this work.In April 2016, the Conference on College Composition and Communication (CCCC) published an official "Position To this end, they hosted a conference of about 150 librarians, public historians, community leaders, and teachers and scholars from our field and beyond at Texas A&M-Commerce in March 2011 and have held pre-conference workshops at the CCCCs every year since.In July 2012, Michelle Hall Kells hosted about 25 leading scholars in community literacy in Santa Fe, New Mexico, for the Summit of the National Consortium of Writing Across Communities.Clearly, the desire to establish a collaborative unit of some kind is high.3.

Emerging from the keynote address at the inaugural Conference on Community Writing, this snapshot examines how an engaged infrastructure for community writing might operate as a flow-cultivation milieu. Such a milieu would facilitate self-determination, which suggests that people do their most compelling, rewarding, and innovative work when they exercise autonomy, pursue competence, and feel purpose; wise mentorship, in which mentors and mentees interrelate in an ongoing manner that supports mutually high expectations and achievements, and a listening stance that broadly distributes participation and shared learning. This snapshot also argues that, should an engaged infrastructure ever cease operating as a flow cultivation milieu, it should be dismantled.

This article discusses the successes and vulnerabilities associated with combining the pedagogical methods of Theater, Composition, and Community Literacy in the Composition classroom. It examines how the ideas of Augusto Boal’s Theatre of the Oppressed and Paulo Freire’s Pedagogy of the Oppressed can be combined to support an innovative approach to Composition teaching, one that additionally employs engaged scholarship and service learning. The essay describes how methods and cycles of story gathering, playwriting, and rhetorical analysis have been used with various community partners, including an adult day care for dementia patients, an HIV/AIDs clinic, and Public Health outreach programs that address Health Disparities. The article explains how the ready audience of community-written plays and the inherent characteristics of theatrical production enable finite and clearly definable communication moments and products—especially in the autobiography-fantasy fused genre I have termed magical memoir—while engaging and empowering the voices of students, teachers, community partners, and audience members alike. All human beings are actors (they act!) and spectators (they observe!) They are spect-actors. … Theatre is a form of knowledge; it should and can also be a means of transforming society. Theatre can help us build our future, instead of just waiting for it. –Augusto Boal, Games for Actors and Non-Actors

We understand "community literacy" as the domain for literacy work that exists outside of mainstream educational and work institutions.It can be found in programs devoted to adult education, early childhood education, reading initiatives, lifelong learning, workplace literacy, or work with marginalized populations, but it can also be found in more informal, ad hoc projects.For us, literacy is defined as the realm where attention is paid not just to content or to knowledge but to the symbolic means by which it is represented and used.Thus, literacy makes reference not just to letters and to text but to other multimodal and technological representations as well.We publish work that contributes to the field's emerging methodologies and research agendas.

This essay argues that while fostering individual and collaborative literacy can indeed promote self-awareness, confidence, and political awareness, the threat of emotional and material retribution is ever-present in jail, making the development of infrastructure challenging. Such reality compels engaged teacher-researchers to develop tactical methods for promoting literacy with limited social and material support from institutions that are primarily invested in compliant behavior. Rather than relying upon traditional models for building engaged university-community infrastructure in such contexts, I suggest a participatory curatorial model and explore the notion of curating a program within an ever-shifting set of artists, regulations, allegiances, and expectations.

This is a snapshot of a service learning course founded on narrative medicine, a clinical practice designed to replace impersonal care with empathic listening. By utilizing poetry therapy techniques among nursing home populations, a program called HPU LifeLines promotes a community literacy of illness and provides psychological and physical benefits to elders and students alike through intergenerational relationships sustained by a community writing infrastructure.

At our workshop at the inaugural Conference on Community Writing on the rhetoric of the corporate university, participants noted that the values espoused by community literacy “in the community” are being eroded at the university. Furthermore, they noted the underlying rhetorics of missionary zeal, whiteness, and privatization in community literacy and service learning work. The authors build on these critiques by examining two successive administrations at Syracuse University. The first presented a model of “engaged infrastructure” with progressive rhetoric but oppressive outcomes; the second shed the façade of community partnership for an explicitly corporate and militaristic vision of higher education. Through this comparison, the authors interrogate foundations that community literacy has been built on with the hope of opening new possibilities.

O ne of the first things readers will notice when reading The Arkansas Delta Oral History Project: Culture, Place, and Authenticity is that most of it is written in the past tense. Launched in the spring of 2007, the five-year-long Arkansas Delta Oral History Project (ADOHP), a community literacy partnership between the University of Arkansas and rural community high schools in the Arkansas Delta, is now complete. Jolliffe et al. 's volume serves as both critical reflection of the ADOHP and jumping off point for a new community literacy project called the Students Involved in Sustaining Their Arkansas (SISTA), which began in fall 2015. Even though the ADOHP is now over, readers will be interested in the way this particular university-community partnership took shape, what flaws the authors see in the original iteration of the project, and what enduring legacy exists because of the ADOHP's strengths.

While place-based pedagogies and place-conscious education have received a great deal of attention in community literacy, these studies have often focused on classroom efforts at engaging students in their communities. This article articulates an extracurricular pedagogy of place through a historical study of a network of creative writing groups in mid-century rural Wisconsin. Rather than thinking of place-conscious education as something that emerges from the classroom, the work of these writers suggests that scholars and educators in community literacy look instead for place-based literacies already at work in our communities.

This article explores the methodological impact of building and curating a transnational archive of working-class literacy practices, spanning themes of vocation, immigration, gender, race, and disability, from the ground up alongside the Federation of Worker Writers and Community Publishers. The article focuses particularly on how our disciplinary methods might be (re) shaped within a context of precarity when working with/archiving the literacy practices of disenfranchised populations. I argue that such precarity shapes how our methods/methodologies account for material realities—the laboring of bodies, influx of finances, physical conditions of the community involved—and changing social conditions that affect not only archival creation but also sustainability. I illustrate how The FWWCP Archival Project responded through a kitchen-table ethos in order to design the archive with the community’s expertise at the forefront.

This article has been written about, and with, the Swintec 2410cc, the typewriter model approved for incarcerated writers in the State of Nebraska and many other prison systems across the United States. The co-authors, one of whom is currently serving a six year sentence, relate their personal experiences with typewriters and typists as well as connect functions described in the Swintec User Manual to issues in community literacy. The "Left/Right Margin" function reflects some of the institutional and material constraints prison typewriters face; "Impression Control" invites us to think about the forces and functions governing representations of prison and prison writing; this writing tool and the environment for which it was designed, demand one submit to the process of "Corrections". Finally, this typewritten performance models and attempts to enact critical literacy and social justice from within and beyond the typewriter's cage.

T he Community Literacy Journal is an interdisciplinary journal that publishes both scholarly work that contributes to theories, methodologies, and research agendas and work by literacy workers, practitioners, and community literacy program staff. We are especially committed to presenting work done in collaboration between academics and community members, organizers, activists, teachers, and artists.

Veronica: I bet that a bunch of our readers either have community literacy projects that they're working on or are thinking of launching, and they're wondering, how do I fund the work I do, and how do I explain it in ways that make sense to people outside of writing and rhetoric studies?So to begin, could you tell us a bit about your

for a video conference to discuss the second edition of Illegal Alphabets. Below are excerpts from their exchange, edited for clarity and length. Their conversation focused on the book's origins and the context of the scholarly commentaries that appear in the second edition. Kalmar and Leonard also discuss the book's contributions to literacy studies, teaching the book, and its lasting relevance to notions of migration, borders, discrimination, identity, language, and legality. Leonard's review of the second edition of the book follows her interview with Kalmar and frames its relevance to community literacy researchers, practitioners

Community Literacy Journal is an interdisciplinary journal that publishes both scholarly work that contributes to theories, methodologies, and research agendas and work by literacy workers, practitioners, and community literacy program staff.We are especially committed to presenting work done in collaboration between academics and community members, organizers, activists, teachers, and artists.We understand "community literacy" as including multiple domains for literacy work extending beyond mainstream educational and work institutions.It can be found in programs devoted to adult education, early childhood education, reading initiatives, or work with marginalized populations.It can also be found in more informal, ad hoc projects, including creative writing, graffiti art, protest songwriting, and social media campaigns.For us, literacy is defined as the realm where attention is paid not just to content or to knowledge but to the symbolic means by which it is represented and used.Thus, literacy makes reference not just to letters and to text but to other multimodal, technological, and embodied representations, as well.Community literacy is interdisciplinary and intersectional in nature, drawing from rhetoric and composition, communication, literacy studies, English studies, gender studies, race and ethnic studies, environmental studies, critical theory, linguistics, cultural studies, education, and more.

ince the 2016 election, activism and protests have garnered increasing media attention. At the same time, the conduct of individuals involved in social movements is intensely scrutinized by politicians and the public at large who label these protests obscene, unruly, or even violent. The edited collection Unruly Rhetorics attempts to address the fraught implications of "civility" in an age characterized by political tension and the rise of neoliberalism. Community Literacy Journal readers will find this collection to be an important resource for community organizing and deliberative rhetoric as many chapters discuss the rhetorical power of dissent. Activists and community organizers will also find that Unruly Rhetorics gives credence to the struggles they face every day in the public eye as they fight for equality and justice.

The prefix trans-surfaces frequently in the recent scholarship from the related fields of composition studies, applied linguistics, and writing center theory. With its emphasis on moving across/beyond, trans-evokes spatiality, liminality, collaboration, negotiation, flux, and destabilization. These concepts have become familiar in the scholarship on US writing centers that supports a transition from monolingual to multilingual paradigm and translingual approaches. Multiple meanings of traversing embedded in trans-acquire a new significance in the experience of founding and functioning in a transatlantic writing center in which all forms of communication occur in more than one language and cut across different cultures. This article draws attention to this less explored territory. I consider the transcultural disposition of a transatlantic writing center to facilitate translingual approaches that expose and transform power dynamics in ways that emphasize collaboration and negotiation. To this end, I analyze bilingual literacy practices in a Moscow writing center in its foundational stage.

This article centers disability justice, an ongoing and unfolding project of LGBTQA disabled BIPOC, to help understand and challenge the work of community literacy studies. By putting community literacy studies in con- versation with disability justice through three themes—"Nothing About Us Without Us,” “Access is Love,” and “Solidarity Not Charity”—this essay moves to unpack how community literacy can resist not only ableism but also the interlocking systems of oppression which support it.

This essay examines writing partnerships in 2016 and 2017 that invited com- munity nonprofit volunteers and employees into šǝqačib, which is a Seattle youth (middle school and high school) Native cultural literacy classroom community. As a white settler employed by the nonprofit during the events described, I emphasize the wisdom of šǝqačib students who reflect on the collaboration. Drawing on Rachel Jackson’s work on community listening, I find that šǝqačib students demonstrate the importance of cultivating lis- tening practices when community literacy practitioners enter identity-safe scholarly communities such as šǝqačib. I urge academic and literacy sup- porters in similar contexts to center Native and Native youth voices in their own terms.

As a graduate student in the humanities, I am often fearful that my labor is performed for the sake of performing labor. Exacerbated by academia’s in- creasingly precarious landscape, this fear requires a hopeful antidote: a new pedagogy of and for the public. Constructed through empathic conversa- tions between universities and communities, this new approach to pub- lic scholarship and teaching relies on the aims and practices of community literacy (e.g. sustainable models of multimodal learning, social justice, and community listening) in order to refocus the humanist’s work – particularly the disjointed labors undertaken by graduate students – around the cultiva- tion of publics and counterpublics. In turn, a pedagogy of and for the public also implements the digital frameworks and organizational tools of public humanities projects to enliven community literacy praxis. Graduate student conferences are one site where we could enact this jointly constructed ap- proach. By rearticulating these conferences’ capacity for professionalization, by expanding their audience, and by reimagining their form beyond the uni- versity context, I argue that we can establish sustainable programs aimed at expanding community literacies.

T he Community Literacy Journal is an interdisciplinary journal that publishes both scholarly work that contributes to theories, methodologies, and research agendas and work by literacy workers, practitioners, and community literacy program staff. We are especially committed to presenting work done in collaboration between academics and community members, organizers, activists, teachers, and artists.

<p>Video making and sharing have the potential to represent attitude in powerful ways and have become everyday literacy practices for many children. Research has only recently attended to the multimodal grammars of attitudinal meaning that characterize filmic media, while providing few examples of the successful teaching of these semiotic principles to elementary students. This article reports original research conducted in two schools over two years with elementary students (ages 9 to 11 years). It examines students' application of semiotic knowledge of the appraisal framework to communicate attitudinal meanings multimodally through film. Attitudinal meanings in the appraisal framework are categorized as affect, judgment, or appreciation, and can be communicated through discourse and multimodal texts. The students learned to configure multiple modes, including speech, written text, image, gaze, facial expressions, body movement, posture, gesture, and sound, to communicate attitude in their films. The findings provide an exemplar for the teaching and analysis of students' filmmaking that applies systematic, multimodal grammars for communicating attitude. The findings are significant because interpersonal language is a major semiotic system of English, and visual texts now feature prominently in digital communication environments. </p>