ABSTRACT This article, an excerpt from my forthcoming book, Translation and the Rediscovery of Rhetoric, traces the surprising role of translation and of translatio (the medieval trope referring to the transfer of knowledge across time and space) in the story of Chaïm Perelman and Lucie Olbrechts-Tyteca’s turn to rhetoric. Neither Perelman nor Olbrechts-Tyteca were well versed in the French tradition of rhetoric as poetics. However, in two lectures Perelman gave late in his life, he offered a surprising description of the influence of Jean Paulhan, the French literary critic and long-time director of the Nouvelle Revue française, and of thirteenth-century Italian author and notary Brunetto Latini, on the turn to rhetoric. In addition, this essay situates these lectures as a critical response to the claim made by three important French thinkers, Paul Ricoeur, Roland Barthes, and Gérard Genette, that they had recovered rhetoric for the study of expression and thus as poetics.

ABSTRACT This is an introduction to and translation of Chaïm Perelman’s “De l’arbitraire dans la connaissance” published in 1933 by Maurice Lambertin publishing house. De l’arbitraire dans la connaissance has important implications for an understanding of Perelman’s intellectual development generally and specifically for an understanding the evolution of his New Rhetoric Project.

ABSTRACT This study contributes to the conversations on a more globalized and inclusive rhetorical praxis by focusing on how rhetoric was produced and understood by Turks – a group whose history spans centuries since their ancient origins in central Asia. We examine the ways in which Turkic/Turkish rhetoric was practiced and conceptualized in two seminal texts from the pre-Islamic and republican periods of the Turkish rhetorical tradition: the Orkhon inscriptions (8th century) and Atatürk’s Nutuk (1927). The intertextuality of these texts allows us to explore their relationships across time and space as well as mediate rhetorical styles and performances in their discourse.

ABSTRACT This essay develops a reception history of the Communist Party of the USA’s (CPUSA) responses to Richard Wright’s Native Son. Drawing on what Fiona Paton calls “cultural stylistics,” I argue that the voices residing in Native Son itself participated in the broader interpretive politics surrounding the novel. Specifically, Wright’s primary character, Bigger Thomas, functioned as a disruptive performance of blackness that revealed the limitations of communist orthodoxy for bringing expression to black subjectivity. I conclude by reflecting on the ways cultural stylistics poses salient ethical challenges to all of us who engage in the labor of critique.

ABSTRACT Two disciplinary stories told in mid-eighteenth-century Scotland omit an important plotline. One story is that university teaching of rhetoric transformed into belletristic criticism; another is that ideology and culture transformed to reorient rhetorical theorizing toward everyday practices by non-elites. Untold is a story of how familiar protagonists, such as Hugh Blair, clashed with antagonists, such as John Witherspoon, in the Church of Scotland. Telling that story from the antagonists’ perspectives shows that they reflected on how rhetoric ought to be practiced to manage disagreement in a democratic institution and used what amounted to Kamesian belletrism as a foil.

ABSTRACT The Panathenaicus is often referred to as one of the weakest and most enigmatic of Isocrates’ orations. It has been criticized for lacking innovation, coherence, and rhetorical style. Furthermore, it concludes with a curious use of dialogue otherwise foreign to Isocrates. In this article, I read the dialogue alongside the apparently digressive proemium and argue not only for the speech’s internal unity, but for its creativity and intellectual complexity. I demonstrate how the Panthenaicus connects Isocrates’ Panhellenic project with his civic-minded paideia in a way that simultaneously identifies Academic philosophy and attempts to subordinate it to Isocratean philosophia.

ABSTRACT This study establishes the Holley School as an important site of African-American rhetorical education in the post–Civil War United States. Abolitionist Caroline F. Putnam was a white Northerner who, like countless other freedmen’s teachers, moved south after the war to teach formerly enslaved African Americans. Putnam’s educational work was remarkable, however, in that she taught rhetoric in service of racial justice and continued this work for almost fifty years. I argue that she was able to sustain the Holley School through epistolary relations cultivated to persuade others to join in educating freedmen as well as support the school through donations.

ABSTRACT Incentives, economists remind us, are foundational to any economy: They include strategies to induce consumers to purchase products, motivate employees to work harder, or invite businesses to new localities. This textbook term, however, has not always been yoked to economic activity per se. This essay traces the history of the term “incentive” in two phases, first, from its origin in the Latin term “incentivum,” referring to “the thing that sets the tune,” and second, from its uptake and concretization by neoclassical economic thought through Jeremy Bentham, Alfred Marshall, and Paul Samuelson. In neoclassical economics, incentives “set the tune” of behavior by compelling rational economic action through the postulates of methodological individualism, equilibration, and utility-maximization. The terminological shift of “incentive” from its poetic origins into economic thought entails that “incentives” become an objective, univocal “thing” that embeds an argument about the dangers of actions that contravene market logics.

ABSTRACT This paper examines William Hazlitt’s collection, Eloquence of the British Senate (1807), alongside our interest in reception, accretion, and the rhetorical culture of Parliament. I trace Hazlitt’s interpretation of oratory, including his analysis of remediated, printed speech. Hazlitt investigates the circulation and power of oratory in modern print culture, while beginning a multidisciplinary, career-long interest in rhetoric. By mapping how Hazlitt criticizes the status quo while avoiding partisan exposes of corruption, I argue he thinks like a critical rhetorician in ways that enrich our histories of nineteenth-century rhetoric and help us reflect on our own enterprise as historians of rhetoric.

ABSTRACT Each year, members of the Moore’s Ford Movement conduct a memorial rally for and reenactment of a lynching that took place in 1946 near Monroe, Georgia. While a lynching memorial that includes a reenactment may sound suspect, particularly because lynching reenactments play a role in white supremacist activities, the Moore’s Ford Memorial’s unusual form offers affordances that other lynching memorials do not. This article argues that the memorial’s simultaneous attachment to and critique of necessarily inadequate traces of the past raise questions about what it means to remember violence in situ. Most lynching memorial rhetoric revolves around the narrow archive of lynching photographs produced, for the most part, by lynchers themselves. Through its combination of archival and lived memory, the Moore’s Ford Memorial both tells a broader story and draws attention to the archive’s inability to capture all that was lost. In dwelling in the gap between past and present, the memorial creates a generative space for community action.

ABSTRACT The landscape surrounding a memory site strongly influences how it is perceived by the people who visit it. As landscapes are prone to change over time, it is important to acknowledge the ways that such change exerts influence over visitors’ experiences. Through a historically oriented in situ investigation of Atlanta’s Civil War commemoration sites, I reconstruct a narrative from that city’s history that demonstrates how changing contexts, physical and social, can influence both the use of memory sites and the construction of future memory sites. I suggest that change in these sites’ fragmented surroundings prompted the construction of new monuments that were chiefly informed by ideological inadequacies created by transformed landscapes at older memory sites.

ABSTRACT This essay uses the commemoration of Emmett Till in the Mississippi Delta to explore the connections among race, geography, and memory. I provide four examples of how race and memory have conspired to fundamentally alter the geography of the Delta. I suggest that these four examples challenge the historic articulation of memory and site. While site is traditionally figured as a stable ground for commemorative work, I suggest that practices of commemoration can transform sites of memory. I conclude by previewing a collaborative, digital, public humanities initiative called the Emmett Till Memory Project. The project seeks to commemorate Till’s murder even as it alters the meaning and practice of commemoration.

ABSTRACT This essay examines how the dialectic over the presence of rhetoric in Michel Foucault’s catalog of truth telling in ancient Greek and Roman texts informs a separate but similar dialectic over the relationship between parrhēsia and contemporary whistleblowing. I posit that the argumentation justifying the practice of government and military whistleblowing used by Edward Snowden and Chelsea Manning parallels the dispute over rhetoric’s place in parrhēsia. This essay plots out how the arguments for or against the presence of rhetoric in parrhēsia routinely manifests at specific junctures in the whistleblowing timeline, indicating how the dialectic of parrhēsia naturally leads to a rhetoric of whistleblowing.

ABSTRACT Historical study of teachers and students reveals how rhetorical theories influence writers (McClish 2015). This case study of Nathaniel Hawthorne’s prose considers the nineteenth-century rhetorical teachings of Samuel Phillips Newman, Hawthorne’s professor at Bowdoin College, a student of Blair, and a proponent of rhetorical taste. Using Newman’s 1827 A Practical System of Rhetoric and Hawthorne’s 1832 travel sketches, we analyze Newman’s influences on Hawthorne—particularly taste and the sublime and how these concepts challenged Hawthorne as a writer in the travel sketch genre. We consider Newman’s influences on Hawthorne as evidenced by writing practices that Newman had recommended or disapproved. In particular, we examine Newman’s explanation of taste and its complementary construct of sublimity and how these concepts challenged Hawthorne. We argue that Hawthorne both wrote within the paradigm of rhetorical taste as Newman taught it and struggled against its constraints to find his own perceptions. Furthermore, we see this struggle happening within the context of Hawthorne’s exposure to Newman’s American-inflected belletrism that emphasized both a discriminatory principle of taste and the growing body of American literature.

ABSTRACT Quintilian’s notion of imitation is often acclaimed for its focus on invention and appropriateness and for highlighting attunement to individual talent. Yet these aspects tend to be somewhat neglected in the practice of imitation as shaped by the classical rhetorical tradition, which primarily focuses on imitation exercises for beginners. This essay accentuates Quintilian’s chapter on imitation, which, as stressed by Murphy, is aimed at the mature student, in order to propel these precepts into today’s teaching. Specifically, this article advances a pedagogy of student-driven imitation constituted of five dimensions and characterized by the student’s own choice of text, valuing reflexive process over mirroring, and strengthening rhetorical agency. The exposition of student-driven imitation is supplemented with questions that students might address and excerpts from a student’s work.

ABSTRACT This essay discusses the relationship between Quintilian’s vision of the ideal orator and his emphasis on declamation. I argue that, for Quintilian, declamation was much more than a useful exercise. Rather, it was a method for training orators to experience the world from a variety of perspectives, something Quintilian considered to be both an essential rhetorical skill and an important quality of the “good man speaking well.” I further argue—taking an exercise from my own first-year writing classes as an example—that contemporary adaptations of ancient rhetorical pedagogy often fail to fully engage with the ethical dimensions of exercises such as declamation. I conclude by calling for a greater consideration of the ethical dimension of ancient rhetorical exercises in our contemporary adaptations of them so that we can truly meet Quintilian on his own ground.

ABSTRACTThere has been a surge of scholarly interest lately in the progymnasmata, those ordered exercises in composition that played such an important role in rhetorical education from antiquity to the Renaissance. Comprising an integrated program in literary, civic, and moral effectiveness, they offer a compelling alternative to language arts pedagogy today, which seems too often driven by the goal of “college and career readiness.” But to be truly useful as a pedagogical model, the progymnasmata need to be embedded in something like the comprehensive educational philosophy of Quintilian’s Institutio Oratoria.

ABSTRACT Quintilian makes writing one of the four interrelating elements (with reading, speaking, and listening) to be used in producing in his “perfect orator” what he calls “habit” (hexis), or the facility of being able to write or speak well on any subject. It requires constant study over time, requires organization, and is reinforced by constant practice. His practical observations on writing may well have value for us in modern times.

ABSTRACT British rhetorical theorists demonstrate a persistent interest in Demosthenes, but their interpretations of his significance reflect different understandings of rhetoric. This article uses reception theory to illuminate how British depictions of Demosthenes at different moments in history reflect writers’ values and rhetorical aims. The focus on Demosthenes as a model of rhetorical prowess becomes particularly important for nineteenth-century British theorists who conceive of rhetoric as an individualistic display of linguistic virtuosity. Viewing Demosthenes through the lens of reception history reveals the inherent instability of a disciplinary history that is not only shaped by important figures, but also constructs those figures in ways that reflect shifting scholarly values.

ABSTRACT A theoretical bias pervades enthymeme. Most studies of the enthymeme are thoroughly Aristotelian and syllogistic, while the study of enthymemes in ancient oratory is virtually nonexistent. Yet the Attic orators used enthymemes commonly and consistently, and as practitioners, they have something to teach us about enthymemes that theorists can’t. In this article, I begin an examination of oratorical enthymemes and the variety of their use and offer a preliminary understanding of the “oratorical enthymeme” as a rhetorical technique. I conclude by briefly touching on the connections between oratorical enthymemes and ancient theory.

ABSTRACT In this article, I argue that for John Milton in Paradise Lost and Areopagitica freedom was a rhetorical quality of action: an ethical capacity to address a situation by means of language. I contrast Milton’s approach to that of Thomas Hobbes, for whom freedom was only a state. These reflections suggest that Milton’s rhetorical freedom, a capacity to act amid oppositions by virtue of the wisdom and power of discourse, offers the outlines of an alternate modernity.

ABSTRACT In spring 2012 the Russian feminist art collective Pussy Riot became world famous when five of its members were arrested for their “Punk Prayer for Freedom” in the Cathedral of Christ the Savior in central Moscow. Western media swiftly embraced the group and celebrated it as an icon of youthful female rebellion against Putin’s authoritarian regime. Yet the Western reception largely obscured the “regional accent” of the group’s protest rhetoric. This article seeks to restore this regional accent by foregrounding the rhetorical significance of place in Pussy Riot’s acts of protest.

ABSTRACT This article examines constructions of Roman citizenship in Roman state art, arguing that beginning in the late republic a broader concept of citizenship was prevalent—one rooted largely in shared culture and defined in opposition to a “barbarian” other. From this reading of state art, two arguments emerge: First, the emphasis on enculturation created an ever-moving line between Roman and barbarian. Second, the subject position created subjected both the Roman viewer and non-Roman subject. The article then turns to a reading of Greek orator Aristides’s Regarding Rome to show that the concept of citizenship stressed in state art is clearly present, though not necessarily well received.

ABSTRACT This article analyzes the development of national identity and political ideology in Hungary’s Szoborpark (Statue Park), where resides a collection of Soviet-era statues relocated from the city streets and public squares of Budapest in 1993. Although a narrative of the Cold War and the theory of postcommunism enable understandings of the park as a decisive break with the past, this article argues that Statue Park constructs a more ambivalent sense of politics, identity, and history in Hungary. By showing that the park represents a number of conflicting and unresolved features of Hungarian national identity and politics, the article helps demonstrate the way that a sweeping historical narrative like the Cold War can produce inaccurate understandings of local political developments in post-Soviet countries.

ABSTRACTIn 1989, the Nobel Prize for Peace was awarded to His Holiness the Dalai Lama, who accepted the prize on behalf of his much-beleaguered Tibetan people who continue to be engaged in a nonviolent struggle for their autonomy and freedom. This article examines the Dalai Lama’s Nobel Prize speech as it demonstrates his capability as a public intellectual (along the lines of Edward Said’s delineation of the role for exiles as public intellectuals) and broadens and renews the tradition of nonviolent rhetoric practiced by Mahatma Gandhi and Martin Luther King. Throughout the speech, the Dalai Lama employs a rhetoric of nonviolence forged in Buddhist principles, one that supports a rhetoric of peace that does not depend on the divisiveness of Western political rhetoric but on a recognition of common humanity and shared responsibility.

ABSTRACT This article examines the ways by which former Czech president Václav Havel and former Czech Prime Minister Václav Klaus approached their rhetorical roles in the postcommunist climate of a splintering Czechoslovakia. The main argument revolves around how Klaus and Havel divergently employed national memory to make historical arguments about the Czech past and how these symbols could be marshaled to navigate the uncertain waters of postsocialism. Ultimately, Klaus employs a rhetorical strategy of “rupture” with the Czech communist past, while Havel attempts a strategy of “repair.” The tensions between such rhetorical strategies evidence the ways in which Czech intellectuals-turned-public officials vied for the position of chief public historian and national storyteller for the Czech nation.

ABSTRACT This study examines ancient Roman ideas about humor’s boundaries in public culture. In particular, I analyze book 6, chapter 3 of the Institutio Oratoria, which covers Quintilian’s reflections on the subject. Following Cicero, Quintilian engages the tensions between humor and decorum in his political context, using urbanitas to refine the former and to loosen the latter’s strictures. In this process, the use of urbanitas implicitly points readers toward factors that can make humor rhetorical. Quintilian thus answers Cicero’s question about the degree to which humor should be used and furthers inquiry into how much rhetorical humor can or should be taught.

ABSTRACT This article presents the case that the perspective on taste set forth in Hugh Blair’s Lectures on Rhetoric and Belles Lettres significantly influenced Jane Austen’s novel Sense and Sensibility. Austen’s version of the Scots’s concepts—sense, sensibility, understanding, feeling, delicacy, correctness, and so forth—features the tendency in individuals of taste to favor either sense or sensibility, as well as the novelist’s decided tilt toward the former. Despite her inclination toward sense, however, Austen ultimately follows Blair in characterizing these faculties as complementary and cooperative, rather than competitive or oppositional. Just as Lectures provides potential insight into Sense and Sensibility, so, correspondingly, study of Austen’s novel provides a better understanding of Blair and his influence.

ABSTRACT Eighteenth-century British dissenting minister and rector of Warrington Academy William Enfield, author of the enormously successful elocutionary manual, The Speaker, although often ignored entirely or dismissed as trite and uninteresting in many histories of rhetoric, in fact wrote his elocutionary manual as part of a comprehensive educational system grounded in moral theology and faculty psychology. This article places Enfield’s elocutionary work within religious and pedagogical context through analysis of his writings on religion and education and his pamphlets debating Joseph Priestley over the nature of dissent.

ABSTRACT Among Aristotle’s arts of argumentation, two are directly linked to archai, or first principles. Analytic deduces from them and dialectic tests their veracity. This article situates rhetoric as likewise useful for philosophical investigation in Aristotle’s own system by demonstrating how the Rhetoric assigns to rhetorical practice attributes that are uniquely related to the archai—without which investigations into and based on them would be impossible. That is, given the primary nature of the first principles as described by Aristotle, the strategic use of metaphor is the only intellectual machinery he has for articulating, disseminating, and gaining acquiescence for them.

ABSTRACT Building from extant scholarship on normal schools, this essay takes up a complementary but less well-examined topic: state teachers’ institutes of the nineteenth century and the short-term practical training and professional guidance they provided teachers. Focusing on California’s state-sponsored institutes held from 1861–1863, this study examines the ways these institutes promoted the new progressive European pedagogy. More significant, extending an ecological approach to historical analysis, this essay proposes that the relationship among normal schools, teachers’ institutes, and some faculty from select eastern colleges may have been closer than has been suggested. Thus, this analysis suggests a more complex and integrated history during this period.

ABSTRACTThis study represents a detailed inquiry into the rhetoric of Jainism, an understudied religious-philosophical tradition that arose among Hinduism and Buddhism on the Indian subcontinent. Exploring the unique use of pluralism in Jaina authors such as Mahāvīra and Haribhadra, I advance the concept of engaged rhetorical pluralism to account for the argumentative use of pluralism to promote Jaina views. This concept is linked to Jainism’s theory of multiperspectivism (anekāntavāda) as an orientation toward one’s rhetorical activities in contexts of disagreement. Highlighting the controversies surrounding the relationship between Jaina tolerance and intellectual nonviolence, this study uses the concept of anekāntavāda to ground a pluralism of often contradictory critical claims made by those studying rhetorical phenomena from other cultures. Thus, anekāntavāda both describes the engaged pluralism evident in important Jaina rhetors and serves as a source of methodological guidance for scholars involved in comparative rhetoric and its inevitable situations of interpretative disagreement.

ABSTRACT This article argues that the founding logics of late neoliberalism actively mitigate against a radically democratic future. By calling attention to the invocatory drive which is responsible for effecting the Symbolic order’s interpellative address, the article makes the case that Lacan’s retheorization of desire, the drives, and/as jouissance opens the way toward an ontologically grounded conception of radical political agency and rhetorical intervention whose abiding ethical injunction is to “imagine there’s no Publics!”

ABSTRACT This article contextualizes Philo Judaeus’s treatise De Confusione Linguarum in rhetorical and intellectual history. While most interpretations of the Tower of Babel legend have found that its primary function is to explain the dispersion of the world’s diverse nations and languages, Philo argues that the “confusion of tongues” signifies a more basic existential condition. For Philo, this confusion disrupted humankind’s capacity for perfect communication, helping us value rhetorical action as an essential element of the confused, ongoing process of struggle that characterizes our everyday sociality. The confusion of tongues, therefore, simultaneously gave rise to rhetoric and the masses, as it imposed a principle of difference in language and discordant heterogeneity in the social order.

ABSTRACT Unlike poets of previous eras, who allowed that rhetoric might serve the interests of poetry, modernist poets typically disparaged rhetoric as debased and corrupting—a source of overblown diction and of appeals to public taste that undermined serious art. Yet if rhetoric was a suspect means of addressing the public, how might poets procure an audience beyond the coterie—an audience of sufficient size to confer legitimacy and prestige? This problem vexed William Butler Yeats and Ezra Pound, but their efforts to resolve it—implicated in the staging of a banquet to promote Poetry magazine—exposed the contradictions and costs inherent in their phobic conception of rhetoric.

ABSTRACT This article investigates the Rivera controversy at Rockefeller Center arguing that the controversy illuminates tensions in democratic culture over the role of the masses and their relation to the “legitimate” public, exhibited in anxieties about phantom publics and barbarian crowds. Beginning with critical discourse surrounding the construction of Rockefeller Center, the mural controversy is resituated within a broader frame in which revanchist anxieties and worry about mass media play a crucial role. Appeals during the construction of the building to the “public” character of the structure took on a life of their own during the apex of the Rivera controversy.

ABSTRACT In his monumental speech protesting the Fugitive Slave Law of 1850, Rev. Jermain W. Loguen urges his fellow townsmen of Syracuse, NY, an “open city” to fugitives, to defy the new federal legislation by protecting the city's fugitives from federal marshals en route to apprehend them. My analysis of Loguen's speech examines his use of American and African American jeremiadic strategies to convince his audience of primarily white Christian abolitionists that their unified resistance against the new law was part of God's providential plan to redeem the nation of the sin of slavery. My study also reveals how Loguen's appeals to manhood, through associating divine punishment with the emasculation of American men, as well as his establishment of “identification” around shared religious and political values, proved effective in rallying Syracuse's citizens to defend their God-given freedom.

ABSTRACT Complicating claims about the decline of oratorical culture in the nineteenth century, this article demonstrates that rhetorical training was integral to the coeducational literary societies at California State Normal School in the 1870s and 1890s and that women benefited from such education. The societies were based on assumptions of relative equality between the sexes, fostering the development of teachers who would serve as powerful public speakers and leaders within their communities. This study also challenges arguments concerning the feminization of argumentation in the nineteenth century by highlighting the centrality of debate to the societies and the ways this argument overlooks such activities.

ABSTRACTThis article argues the digital tools and search environments that increasingly support historical scholarship in rhetoric and composition have material and epistemological implications for how we discover, access, and make sense of the past. In light of these changes, I suggest that more explicit reflection and discipline-specific conversation around the uses and shaping effects of these technologies is needed. Tracing my own digitally enabled search for information about an early-twentieth-century advice writer named Frances Maule, I describe how mass digitization has shifted conditions of findability. I conclude by outlining a heuristic for critical reflection—a “principle of proximity”—and urging rhetoric and composition historians to take a more active role in shaping the emerging landscape of digital research.

ABSTRACT The research projects upon which Hallenbeck, Olson, Solberg, and Wang reflect raise challenging questions about the location of and boundaries around their archival sources. The authors' reflections prompt my inquiry into how access to these sources might be affected by the socioeconomic and technological developments that are reshaping academe.

ABSTRACT Traditionally, rhetoric is defined as the study and practice of persuasion, which is, according to Richards, “the theory of the battle of words and has always been itself dominated by the combative impulse”. This seems to have remained true. Foss/Foss even say that conquest rhetoric and conversion rhetoric have become almost “default modes of communication”. Scholarly communications do not seem to operate differently. Nonetheless, we can observe the emergence of diverse wave rhetorics, community oriented, in contrast with traditional “particle rhetorics”, individual centered. In this search toward wave rhetorics, recent Asian communication studies are not to be omitted. To deepen the research on these wave rhetorics, we need to reconsider the problem of language and misunderstanding, which is a main cause for communicational conflicts. This is a long and difficult process, which demands much imagination, creativity, and endeavor, but which is also well worth it.

ABSTRACTThis reading of De Oratore uses Stoic philosophy and rhetoric to trace out a complex Ciceronian theory of rhetoric. Cicero rejected Stoic style, labeling it as meager and unpersuasive. However, he coalesced Stoic philosophy with Greek rhetoric to produce his ideal orator. Cicero described eloquentia as natural public speech that was distinctive to every person, yet he also explained how eloquence, like wisdom, unified aspects of the entire universe. Through these connections, Stoic influences enabled Cicero to negotiate major questions concerning rhetoric, such as the emotional control of the orator, the virtue of eloquence, and the status of rhetoric as an art. Cicero's negotiation is productive of a theory of rhetoric that is useful today, especially as it holds speech and public action as important and fundamental acts of human individuality.

ABSTRACTThis article examines the interplay between the Stoic concept of cosmopolis and Greek rhetorical discourses of the polis in the Roman imperial period. D. A. Russell's “Sophistopolis” (from Greek Declamation, 1983) and Doyne Dawson's work on utopian political theory (1992) serve as points of departure for developing a method of reading the political in Second Sophistic rhetoric. The text under examination is a major first-century oration: Dio Chrysostom's Euboean Discourse. Composed around 96 CE, after Dio's return from exile by Domitian, the Euboicus combines a castaway's rural fable with didactic commentary, forcing the utopian pastoral hard up against a lecture on economic and social distress in the imperial city. Dio creates disjunctive moods, city-visions, and speaking personae, performing a rhetorical tour de force while simultaneously constructing a political subject at the limit of creaturely need. A “cosmopolitical” analysis of Second Sophistic rhetoric finds the consummate artistry of the paideia addressed to imperial power and provincial realities, revealing civic breakdown and human suffering in the city-spaces of empire.

Abstract This study features the activist rhetoric of early African American clergyman Richard Allen. Through chronological analyses of four late eighteenth- and early nineteenth-century texts, we explore how Allen establishes individual and corporate agency and furthers an African American community consciousness. Allen's rhetoric, we argue, demonstrates the ways material and rhetorical opportunities affect textual production that, in turn, enables freedom and community to emerge. Paying particular attention to the strategy of the narrative account, we demonstrate how Allen's advocacy, which both works within and challenges the limitations imposed by white society, reflects and develops his identity as a black community leader.

AbstractIn Blessed by Thunder: Memoir of a Cuban Girlhood, Flor Fernandez Barrios examines the consequences of Castro's Revolution and its silencing, censoring, and prohibitions on the writing, speaking, thinking, and performance of public rituals of communities and families. Barrios is able to use the history of storytelling and orality to integrate her roles as a daughter, granddaughter, and healer into a larger history of Cuban women who have preserved knowledge practices that exist outside of the state's masculine identity and its sanctioned social and medical institutions. As Barrios rewrites the Cuban Revolution through the collective memories of three generations of women in her family, she articulates her own Cuban-ness as well as her relationship to Afro-Cuban culture, an often-overlooked connection that tells us as much about upper-class culture on the island during this period in the early 1960s as it does about Afro-Cuban life practices such as Santería.

Abstract Although conventional views about late nineteenth-century rhetoric highlight a shift from oratory to composition and from classical rhetoric to a “new” rhetoric with origins in Scottish rhetoricians (with a loss of scholarship and quality), James M. Hoppin's Homiletics can be grouped with an increasing number of works that complicate such views. Hoppin focuses on oratory; reveals an especially broad and scholarly knowledge of classical, religious, and foreign rhetorics; uses a complex of ideas called “uniformitarianism” to justify his primary focus on classical rhetoric; and achieves high quality. His concept of invention has both classical and Christian roots in a complex relationship reflecting both scope and narrowness.

Abstract Ancient India formalized rhetorical debate in the Sanskrit Nyāya Sūtras. Still influential, they remain relatively unknown because India is thought more mystical than logical, because Nyāya has been misinterpreted through Greek logic and terminologies, and because of its epistemology and soteriology. Perrett's four Western “approaches” to India—“magisterial,” “exoticist,” “curatorial,” and “interlocutory”—provide perspective. Magisterial blindness and exoticist assumptions prohibit understanding of Nyāya and delay its inclusion in rhetorical studies. A curatorial/interlocutory approach (translation and elucidation) reveals Nyāya's nature, as well as its similarities with Aristotle's enthymeme and example, enriching our understanding of the history and nature of rhetoric.

Abstract This essays offers a rhetorical interpretation of judicial opinions Joseph Story wrote in four U.S. Supreme Court cases concerned with the slavery question: U.S. v. La Jeune Eugenie (1822), Groves v. Slaughter (1841), U.S. v. Amistad (1841), and Prigg v. Pennsylvania (1842). I argue that Story, a jurist trained in the intellectual traditions of the early republic, performed judicial argument as a kind of rhetorical action dependent upon Ciceronian controversia, a mental habit of arguing pro et contra on any matter in dispute. In consequence of this approach to judicial argument, Story's opinions do not represent a choice between positive law or natural law, neither do they represent a commitment to legal instrumentalism or legal formalism; rather they present controversial responses to rhetorical situations broadly conceived.

Abstract The Roman paterfamilias' power over his household, his patria potestas, was extreme and could encroach upon all domains of the lives of his dependants. Its most radical manifestation was the vitae necisque potestas, or the right to kill one's own children with impunity. There are twenty-two extant Roman declamations in which fathers have killed, or wish to kill, their sons. After an excursion into their juridical and historical background, I will discuss them briefly. It will appear that though sometimes critical of excesses, they serve to confirm rather than undermine the patria potestas.