This article theorizes teaching as accommodation and argues for a centering of disability in writing pedagogy. It examines how universal design can improve composition classrooms, applying inclusive principles to the syllabus in particular.

This project explores the dynamic impact of student employment on classroom discourse and on students “long-term academic and professional success. Using student surveys, institutional data, and scholarly research, I demonstrate that students” everyday workplace experiences play an integral (and potentially integrated) role in their liberal arts education and in their ability to negotiate future workplace literacies.

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This article uses rhetorical genre theory to discuss methods for writing studies research in light of increasing participation of Indigenous scholars and students in disciplines throughout the academy. Like genres, research methods are embedded in systems of interaction that create subject positions and social relations. Using rhetorical genre theory to understand methods as the cultural tools of research communities, we argue that methods can be enacted as flexible resources in the interest of advancing ethical knowledge. In the context of Indigenous epistemological activism, researchers can then take a contingent stance toward method, a stance we name “principled uncertainty.”

This article uses systems and complexity theory to illustrate key characteristics of writing as a complex system. This illustration reveals how writing works on multiple levels of scale, and adds to the body of theoretical knowledge that can be taught within the discipline of writing studies. In so doing, it shows how a complex systems writing pedagogy can benefit both researchers and students.

Expressivism lost status and respect in composition and rhetoric during the 1990s, despite attempts by some to defend its insights. Few in the field call themselves expressivists today, and yet we can recognize traces of this movement in work by contemporary scholars and theorists. Indeed, the field itself still retains commitments that echo that early approach to writing and writers.

Borrowing from rhetorically based theories of usability, this article offers an invention tactic designed to help students understand how mundane features of everyday dwelling places have significant impacts on their educational experiences. Additionally, the offered tactic helps students understand how to craft rhetorical critiques in contexts inside and outside academia.

This article offers a fuller account than we currently have of the complex, uneasy relationship between behaviorism and writing studies in order both to complicate our disciplinary historiography and to encourage writing scholars, teachers, and program administrators to articulate productive and unproductive understandings of writing behaviors.

Drawing upon a two-year study of student-veterans in college writing classrooms, this article analyzes three types of courses developed in an effort to respond to increased military-affiliated student enrollments: veterans-only, veteran-focused, and veteran-friendly. The article concludes with recommendations for an asset-based approach to professional development for writing faculty

Translingual dispositions, characterized by a general openness to plurality and difference in the ways people use language, are central for all users of English in a globalized society, and the fostering of such proclivities is an imperative to the contemporary composition classroom. In this article, we analyze student writing that emerged from a global classroom partnership between a US university and a Hong Kong university designed to facilitate the fostering of translingual dispositions. We show that an examination of writing provides a window into the varied ways in which students negotiate their linguistic identities and construct their ideological commitments to language difference. Although composition can become a space that facilitates opportunities for students to “do” translingual dispositions, these dispositions are constitutive of a constellation of highly complex sociocultural issues and experiences and therefore cannot be expected to be articulated in a preconceived and uniform manner.

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Dear Colleagues,I have served our organization in elected positions for almost eight straight years, and I am happy to be able to write you one last time about the state of our organization before stepping down and taking on the much lighter duties of the Immediate Past Chair. I'm looking forward to sitting under my own vine and fig tree, a moment alone in the shade to reflect on the organization we have made this past year.This period has been characterized by substantial change. After the death of Kent Williamson, long-time NCTE Executive Director, and the interim directorship of Barbara Cambridge, NCTE hired Emily Kirkpatrick as its new Executive Director about a year ago. With virtually no honeymoon period, Emily worked to identify cost savings, improve organizational communications and policies, and modernize the NCTE brand. I look around at how lucky we are to be a conference of NCTE right now, as the CCCC has participated heavily in these strategic decisions. NCTE and CCCC have realized immediate benefits in our shared expenses throughout the organization, and CCCC saw an instant improvement to the bottom line of our convention, as Emily and her team were able to identify tens of thousands of dollars we were wasting in unnecessary convention expenditures. CCCC is also participating in the NCTE content-management, branding, and publishing initiatives. Emily's a mind at work, and I feel confident of CCCC's stability within NCTE's leaner and more responsive structure.A second structural wrinkle we experienced was my predecessor's resignation before his term was up, forcing us to call former Chair Howard Tinberg back into that position for several months last year. Rather than see this period as the world turned upside down, the officers and Executive Committee approached it as a time filled with opportunity-to tighten our belts, to make strategic investments in our members, to reengineer the working culture of the Executive Committee, to convey organizational transparency and accountability to our members, and to continue to reinvent what it means to be a conference.Not Your Father's Executive CommitteeAt its November 2015 retreat, the CCCC Executive Committee took up questions of member participation, organizational transparency, institutional bias, the nature of organizational committees, and the possibility of creating a more active, robust Executive Committee. It is ironic that elected members of the EC reported that they felt disenfranchised in the past, longing for something to be a part of.As a way of building capacity with people of energy and passion, I wanted to foster a sense of reinvention, and I invited the EC to brainstorm new models for imagining our conference and our way of doing things. We began taking steps to become a more active EC, changing from a body that endorses things to a body that acts on things.The 2016 CCCC Officers Team met in Austin in January for its annual retreat and took up this challenge of creating a more open organization and a more engaged EC. We began by considering the previous year's EC task force report on organizational bias and lack of transparency. We felt this report was a great example of what a subcommittee of the EC can accomplish in a short amount of time. The synthesis reflected what we anticipated-that there have been some ambitious and hopeful efforts in the past, but the organization encounters challenges sustaining and completing them. We can see that initiatives without direct action goals risk languishing, and this observation helped us begin crafting initiatives during the year.We identified three challenges we are facing: internal trust, external awareness, and slowness/pace. Many of this year's efforts addressed these three challenges. Internally, we began loosening structures to make CCCC inclusivity visible. We also began new work in maintaining and disseminating the history and good work of committees, task forces, and their charges. …

This article explores bodily movement practices as a foundational component of rhetorical awareness. Through ethnographic study of dance pedagogy, the author demonstrates how genre uptake is enabled by bodily experience; learned ways of moving produce inclinations toward certain rhetorical pathways over others.Enabling students to uptake new genres means teaching them to be aware of the intersection of bodily and intellectual resources.

0Make, O Muse...0.1 Knowing I was speaking about disruption, I thought what's more disruptive than playing punk music for an academic talk? So I played punk for you. I'll play some more punk for you after the talk. It's hard to be complacent when you listen to punk. If you want, stick that in your head as the soundtrack for today's talk. Punk and disruption may also produce in your mind's eye the image of friends working in a garage or the basement, and I encourage you to keep that image in your head, because whether they're taking a new approach to rock and roll or inventing the Apple computer, the garage tinkerer and inventor is our muse today as we reflect on making disruptive and innovative action in our discipline and our organization.1CCCC1.01 I've been coming to the C's for a long time, since I was a graduate student in the '80s. For me (like many of you, I'm sure), the CCCC is a natural academic home. And it's easy to see why: a wide range of pedagogical approaches visible in the program, all our theories on display, varied interests (FYC, creative nonfiction, creative writing, linguistics, rhetorical theory, history, technical and professional writing), and a general concern about writing both in the classroom and in society. The convention has one of the friendliest and most helpful group of members in higher education. It's a culture of fun (witness C's the Day and its Sparkleponies), and a culture of sharing and learning, where most of us are like Chaucers Clerk in that would we [all] learn and gladly teach1.02 We have an acceptance rate that's stingy-but not too stingy- so that we can put a lot of people on the program. There are workshops on Wednesdays, and we serve as a magnet for other organizations such as TYCA, ATTW, and WPA-GO to meet at the same general time.1.03 And during this same span of time that I've been coming to our convention (which is, unbelievably, almost thirty years), I have seen the C's take steady and meaningful steps to become more than a guild of writing teachers and researchers, but also an organization committed to openness, access, inclusivity:We have established travel and research scholarships that are designed to enable travel to and participation in the convention for both international and domestic scholars who may not have travel support from their institutions. These awards, along with reduced registration fees, have benefited a host of traditionally marginalized scholars, including contingent faculty, graduate students, retired members, Latin American scholars, tribal fellows, LGBTQ scholars, among others. And the one that started it all, the Scholars for the Dream in 1993, includes membership in NCTE/CCCC, travel assistance, and mentoring to help foster future leaders in our organization.We have an inclusive leadership structure, where elected positions on the executive committee, nominating committee, and chair rotation are broadly representative of the diversity of our organization. And we continue to evolve in this respect. Did you know, for example, that we have in the last five years added elected positions on the EC for graduate students and contingent faculty?What sort of new discussions are possible in governance with broader representation?We have created and supported research throughout our organization, rewarding scholars at all levels, from our undergraduate posters to graduate students, our book and article awards, and our wildly successful research initiative.We have taken steps to ensure inclusivity without regard to rank, tenure, job title, or type of institution. We feature undergraduate research posters, a graduate student on the EC, a thriving cross-generational (XGEN) initiative, and SIGs for grad students and retired professors. The program includes papers and roundtables from graduate students, adjunct and contingent faculty, tenure-track faculty, non-academic or alt-ac practitioners-from private institutions, two-year, four-year, regional universities, and R1's. …

Drawing on forty-eight interviews with individuals who participated on the academic job market in rhetoric and composition between 2010 and 2015, this essay shows how conceptualizing the academic job search as an intimate endeavor can offer insights for understanding the rhetorical production of affective binds within institutional contexts.

In an era of normative austerity in US higher education, composition is being transformed by budget cuts, retrenchment, and marketization. Nevertheless, the field’s scholarship continues to compartmentalize questions concerning the material terms of practice away from questions of curricular philosophy. Because composition has not developed a deliberate, sustained inquiry into how scholarship and teaching are being shaped by the perpetual crisis of austerity economics, we are compelled to adopt myopic and reactionary stances toward our work. As a means of subverting composition’s perpetual crisis, Scott advocates disciplinary work that not only imagines new, globally focused, and politically conscious curricula but also actively pursues the creation of the work and learning environments that are necessary for their successful realization.

FORUM: Issues about Part-Time and Contingent Faculty is a peer-reviewed publication concerning working conditions, professional life, activism, and perspectives of non-tenure-track faculty in college

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Drawing from a large qualitative study, we examine how students experience writing in college, focusing on the conditions that allow students to develop their authorship and those that encourage students to experience writing as a process of following rules and regulations. We situate students’ perceptions, and the assignments and practices that led to them, within what anthropologists call “audit culture”—accounting practices and their technologies, which have migrated across institutions, including higher education. We suggest our field’s institutional status and pedagogical complexities make us especially susceptible to audit culture, and we argue that students’ experiences in our writing classrooms, where they face an ever-increasing bureaucratization of literacy, is an urgent area of research. We ask readers to consider the extent to which audit culture encourages teachers to create closed systems that privilege outcomes rather than consequences with an end-inview. We conclude by calling for an artisanal identity for both teachers and students.

This symposium brings together a range of scholars to consider what economic forces have driven the development of independent writing programs, and how such programs are susceptible to economic conditions and pressures, perhaps even more so than neighboring disciplines in the humanities.

By returning to the controversy created by the publication in 2002 of Marc Bousquet’s JAC article (“Composition as a Management Science”), focusing on the labor issues attending composition teaching and the prospects of institutional critique, I examine how the conceptual indeterminacy of many of the field’s key terms in actuality undergo (and perform) a political-economic function. This exploration forms the basis for an analysis of how the knowledge domains of the field can be more clearly defined through an effort to reframe the field as “writing studies,” for the purpose of moving beyond the worn out commonplaces and labor exploitation associated with first-year composition.

Since the adoption and subsequent fade of the Wyoming Resolution, we have seen the political economy of writing instruction change remarkably. Certainly, composition studies’ disciplinary viability seems more solid, but the proportion of contingent writing teachers has increased to almost 70 percent. The authors of this article attribute these trends to “neoliberal creep” and attempt to think through their effects on our work and our students.

Reviewed books: Trained Capacities: John Dewey, Rhetoric, and Democratic Practice Brian Jackson and Gregory Clark, editors Columbia: U of South Carolina P, 2014. 256 pp. Political Literacy in Composition and Rhetoric: Defending Academic Discourse against Postmodern Pluralism Donald Lazere Carbondale: Southern Illinois UP, 2015. 342 pp. Producing Good Citizens: Literacy Training in Anxious Times Amy J. Wan Pittsburgh: U of Pittsburgh P, 2014. 232 pp.

The authors report on a study of writing transfer using a relatively novel method. Specifically, they use screencast videos to study the work of a dozen undergraduates who had taken first-year writing and were now enrolled in an interdisciplinary biology class. The authors argue that students were able to adapt to the writing requirements in the biology class because they implicitly understood themselves to be engaged in Carter’s metagenre of “research from sources.” Because students in this study had been asked to engage in that metagenre at least since high school, they believed their writing habits were established well before first-year writing, and consequently they have trouble recognizing the influence of such a course on their subsequent work. The study also revealed that students coordinated multiple texts simultaneously in order to engage in processes akin to what Howard has called “patchwriting” but also similar to the habits of professional writers. Whereas professional writers have well established networks for seeking information, the students in this study worked in relative isolation, using a few sources found haphazardly through library or Google searches. The authors suggest that instructors spend more time helping students develop effective networks of information, including experts and organizations in addition to published sources.

This article argues that composition should be involved in the study and teaching of graduate level writing. It goes on to argue that independent consulting offers a viable way for compositionists to share expertise with graduate students and programs, as well as to expand opportunities for participation in the profession.

In this case study, an accomplished academic writer struggles to produce very brief game summaries for a local newspaper as part of the service requirements to his son’s community football team. An analysis of his experience demonstrates the universal challenge of transfer regardless of prior knowledge or meta-awareness of rhetorical strategies for writing in new or unfamiliar settings and argues for a more nuanced understanding of existing ability, disposition, context, and genre in the deployment of knowledge for writing.

Reviewed are:—Vernacular Insurrections: Race, Black Protest, and the New Century in Composition-Literacies Studies Carmen Kynard A Language and Power Reader: Representations of Race in a “Post-Racist” Era Robert Eddy and Victor Villanueva, editors

This article explores the relationship between first-person pronoun use and “personal” writing. First, a quantitative examination of 160 papers written for a college literature class reveals how frequently students actually self-reference. Then, three categories of first-person references are developed: General Claims, Process Claims, and Personal Claims. These categories illuminate important differences in first-person pronoun use, including the degree to which each type is genuinely personal and their wide-ranging rhetorical possibilities.

Geocomposition engages students in writing on the move in order to explore how such writing composes the multiple layers of public places. This article describes a collaborative, location-based composition project designed for students to rhetorically engage a responsive public through locative media: media that work in and through specific sites. View a brief video abstract: Geocomposition in Public Rhetoric and Writing Pedagogy

Gerald Graff and Cathy Birkenstein’s writing textbook, “They Say / I Say,” has triggered important debates among writing professionals. Not included within these debates,however, is the empirical question of whether the textbook’s templates reflect patterns of language use in actual academic discourses. This article uses corpus-based discourse analysis to examine how two particular “moves” discussed in the textbook are realized in three large corpora of professional and student academic writing. The analysis reveals important differences between the textbook’s wordings and those preferred by student and professional writers. It also uncovers differences in use of “interpersonal”functions of language by experienced and less experienced writers. In offering this detailed analysis of academic prose, I aim to extend calls to recenter language in writing research and instruction. I conclude with implications for discussing academic argumentation with students.

Drawing from cultural studies and social justice education, this essay argues for the productive potential of racial inquiry in composition scholarship and pedagogy. Ethical imperatives facing rhetoric and composition are also pedagogical opportunities:to rethink multiculturalism, politicize student affect, and develop student-centered writing processes predicated upon deliberative critical inquiry.