Presents eight separate short descriptions of teaching tips or classroom activities for composition classes submitted by teachers, including tips on writing exchanges, grammar problems, peer evaluation, revision, mock quizzes, critical thinking regarding television news, computer–assisted commenting, and an educational and entertaining end–of–term review activity period.

Argues that student self–assessment and reflection need to be central components of writing instruction and that the response sequence between teacher and student should routinely include them. Offers examples of this sequence with two students, and presents nine specific classroom strategies that put self-assessment and reflection at the center of the writing process.

Describes how a weekly focused journal writing assessment (in which students note any use of language they find interesting, puzzling, amusing, or annoying as well as their response to it) enhances composition students’ awareness of how language is used and where. Offers several different advantages of such journal writing.

Argues that nontraditional students need special assistance in coming to believe that they have something valuable to say and in learning to express it with authority. Discusses the complicated nature and causes of the silences of nontraditional students, and describes numerous things that can be done to lessen fear and resistance in the writing classroom.

Reviews three books: August Wilson and the African American Odyssey, by Kim Pereira; When Students Have Power: Negotiating Authority in a Critical Pedagogy, by Ira Shor; A Guide to Argumentative Writing, by Byron L. Stay.

Describes how one teacher uses life writing (reading and writing about transformative life experiences) in her basic writing class to engage students and to help them understand the power and purpose of reaching out to a variety of audiences. Discusses grading life writing.

Details a first-year college composition course that blends journalism instruction with first-year composition. Describes how students learn about news gathering and news writing techniques common to feature writing and complete a profile writing project which encourages a level of discourse that bears closer kinship to everyday workplace writing. Discusses course design, implementation, and evaluation.

Describes how instructors at two different colleges in Montana (a tribal college and a distant community college) collaboratively teach composition courses (using the same reading and assignments, and doing peer revision for each other). Describes how this approach breaks through cultural, ideological, intellectual "containments;" engages in academic discourse; and enters into new discourse communities.

Describes how a professor teaching a "Writing Arguments" course focused on two cases involving the death penalty to show students how arguments are constructed, and how students can form strong arguments of their own. Notes that this approach does not force students to choose sides when they stand somewhere in the middle. Describes four class writing assignments.

Argues that a process-oriented nonjudgmental instructional approach can help English-as-a-Second-Language community college students become better writers. Discusses the principle of nonjudgmental awareness and its rationale, and describes five pedagogical techniques used in a nonjudgmental writing class.

Finds that the writing of the typical student enrolled in the community college composition class is qualitatively different from the writing of their four-year counterparts but that two-year college transfer students achieve the same level of writing competence as their nontransfer peers. Presents reactions of a two-year college instructor regarding implications of these results.

Argues that zines (short for "fanzines": small, cheaply produced sheets on a wide range of topics) interest many college students and offer composition classes a number of opportunities. Discusses obtaining zines, using them in the composition classroom, how students respond to zines, producing zines, and how it all comes together.

Makes a case for using advertising as the common subject matter in a composition course, and for analyzing advertisements as a means of teaching argumentation. Discusses seeking a social-epistemic curriculum in the heterogeneous writing class. Shows why the close analysis of print advertisements provides an ideal opportunity to discuss questions of what constitutes a good claim.

Argues that the labels "basic" or "developmental" as applied to students often obscure the complexities of knowing who is underprepared for what, kinds of barriers that countermand mastery, and instructors’ roles in helping construct these barriers. Views closely the behaviors by which four students in a developmental writing class presented themselves.

Contends that service learning--community service linked to academic courses--adds a valuable experiential dimension to composition classes. Describes service learning at Raritan Valley Community College where in composition it fits as an optional alternative for the research paper assignment that is the culminating course project. Discusses how projects are developed and implemented.

Peter Elbow reiterates his philosophy of teaching writing, including to start with personal and experiential writing, to look more at how the writing does and doesn’t work rather than the "quality" of the writing, to use lots of freewriting.

Offers suggestions for teaching dyslexic students from a graduate student who teaches composition and is himself dyslexic. Recommends the following strategies: one-on-one help, study skills assignments, individual strategies, step-by-step process, oral discussion, topics of interest to the student, and questions to build confidence.

Considers why basic writers write in "phrases patched upon phrases." Examines how language is patterned and acquired to clarify a framework for teaching basic writers. States that speaking and writing, two different ways of organizing and presenting information, have different structures. Explores what cognitive psychology can say about how the mind processes and produces language.

Discusses how to teach a first-year composition course, expository writing, required of most students at Rensselaer Polytechnic. Considers how to motivate students and help them to see connections between writing and their technical work. Offers various techniques for getting the students to write comfortably.

J. Blake Scott describes a method and outlines the procedures, including a heuristic, for having students write literacy narratives about their history as writers. Scott argues that writing and sharing these narratives brings the students closer into community with one another and helps them produce better writing.

What Is Composition and Why Do We Teach It? A Review Essay; Teachers, Discourses, and Authority in the Postmodern Composition Classroom; When Writing Teachers Teach Literature: Bringing Writing to Reading; Science and Technology Today: Readings for Writers; Writing Off Center: An American Issues Reader for Composition; The Shape of Ideas; Border Talk: Writing and Knowing in the Two-Year College.

Publishing student writing from all levels of an English program motivates students, provides instructional models, and validates the process approach.

This article profiles a group of college students with learning disabilities, outlines strategies used to help those students in their 100-level expository-writing class, and illustrates persistent writing problems with three student writing samples.

Using diverse texts to critically examine America’s melting pot ideal supports basic writing students’ successful matriculation through rhetorically and socially challenging locations.

Reviews of 4 professional books: The Language of Interpretation: Patterns of Discourse in Discussions of Literature by James D. Marshall, Peter Smagorinsky, and Michael W. Smith reviewed by Mary C. Daane; Pedagogy in the Age of Politics: Writing and Reading (in) the Academy ed. by Donna J. Qualley and Patricia A. Sullivan reviewed by Alison Tracy; Philosophy, Rhetoric, Literary Criticism: Inter(views), ed. by Gary Olson reviewed by William Dolphin; Teachers Thinking, Teachers Knowing: Reflections on Literacy and Language Education ed. by Timothy Shanahan reviewed by Rodney D. Keller.

Instructors should learn both to celebrate and to accommodate gender differences in the writing classroom.